Jerry Garcia Band – Palo Alto, CA (11/03/78)

Jerry Garcia Band
Keystone Palo Alto
Palo Alto, CA
11/3/78

This is flac encoded & tagged version of shnid: 10032
MAC > R > CDx2 > EAC > SHN (I & IIp) +
MSC > 2C > CD > EAC > SHN (end of set II).

The aud tape, recorded by Mike Riley with unknown gear, supplies set I and the first two songs of set II. The taper was busted after Gomorrah. For that material, Michael Parrish’s first gen reels were transferred directly to CD, w/ no DAT stage. A nice soundboard, apparently (per Kevin Tobin) from a cassette master and
with two subsquent cassette gens, supplies the end ofset II. Shntool confirms proper sector boundaries for all tracks.

Disc One (5) 50:00
–Set I–
1. //Harder They Come [12:16#]
2. //Mission in the Rain [9:47#]
3. //Simple Twist of Fate [10:33#] [0:02]
4. Tore Up Over You [7:34] [0:04]
5. //Love in the Afternoon [9:42#]

Disc Two (6) 49:42
–Set II–
1. So What? [17:20] [0:04]
2. That’s All Right, Mama [5:53] [0:04]
3. Gomorrah [6:16] [0:01]
4. I’ll Be With Thee [5:22]
5. Rhapsody in Red [8:25]
6. Reuben & Cherise [6:09] [0:05]

Notes:
d1t01 Harder They Come cuts in (- ca. 10 seconds)
d1t02 Mission in the Rain cuts in at first lyrics (- ca. 15 seconds?)
d1t03 Simple Twist of Fate cuts in (- ??)
d1t05 Love in the Afternoon first few notes clipped
d2t06 Reuben & Cherise light pop @ 1:35

Jerry Garcia Band – Berkeley, CA (08/12/78)

Jerry Garcia Band
08-12-1978
Keystone
Berkeley, CA

This is flac encoded & tagged version of shnid: 22380
Source: MAC(mics unknown, possibly Sony) > HD > CD>WAV>SHN.
Taper: Mike Riley

Disc 1 – Set 1
01 Catfish John [07:26]
02 Love In The Afternoon [08:09]
03 That’s What Love Will Make You Do [10:13]
04 Mission In The Rain [08:01]
Total time: 33:49

Disc 2 – Set 2
01 Harder They Come [21:31]
02 Simple Twist Of Fate [11:40]
03 Tore Up Over You [08:59]
04 I’ll Be With Thee [05:00]
05 Midnight Moonlight [09:16]
06 How Sweet It Is (To Be Loved By You) [08:04]
07 Rhapsody In Red [06:14]
Total time: 61:45

Comments from original uploader:
Intermittent left channel clapping during Rhapsody.
During the last few seconds of Mission, the tape speed increased dramatically with
a pitch offset of 1 octave. This was corrected using Soundforge 6 prior to
tracking.

Thanks to J.Powell for the CDR source.
DAE(EAC0.9b4, offset correction, secure mode)>pitch adjustment(SF6)>tracking(cdwav)>
sector boundaries confirmed(shntool)>SHN(mkwact) via C.Ladner.

misSHN in the rain, 2/04.

Jerry Garcia Band – Berkeley, CA (02/15/78)

JERRY GARCIA BAND
Keystone
Berkeley CA
02-15-1978

s1t01 Love in the Afternoon
s1t02 Simple Twist of Fate
s1t03 I Second that /Emotion
s1t04 Gomorrah
s1t05 Midnight Moonlight

s2t01 Lonesome and a Long Way from Home

Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/

Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 >
R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017

Notes from the original uploader: This appears to be segments from a single show; most of the 1st Set (possibly missing an opening tune) and the final song of the 2nd set. The date is based on currently posted setlists, although this could actually be from any one of the four February ’78 Keystone shows, can’t confirm since nothing else is circulating and posted lists are not complete at this time.

A nice clear mono recording. Intermittent crackly static during Second that Emotion. Start of Simple Twist and Midnight Moonlight slightly clipped. Tape flip or gap of about a minute in Second that Emotion, crossfaded at 10:49.

Jerry Garcia Band – Berkeley, CA (01/29/77)

Jerry Garcia Band
1977-01-29 (Saturday)
Keystone Berkeley
Berkeley, Ca

Analog Audience Source: FOB Master Cassettes (MAC)
Medium Stock Brands: MAC = 2 x maxell UDXL 90
Analog Lineage: 2 x sony ECM 280 => Sony SD152 >> MAC
Analog Sound Preservation: MAC >> Nakamichi CR-7a >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taped By: Reinhart Holhwein
Transfer By: Bob Menke
Mastering By: Adam Egert
Track/Flac by: Michael Lerman (audiohead22)

Set 1
d1t01 – Stop That Train
d1t02 – That’s What Love Will Make You Do
d1t03 – Simple Twist Of Fate
d1t04 – They Love Each Other
d1t05 – The Way You Do The Things You Do
d1t06 – crowd
d1t07 – Midnight Moonlight

Set 2
d2t01 – Don’t Let Go
d2t02 – crowd
d2t03 – Stir It Up
d2t04 – Tore Up Over You
d2t05 – Tangled Up In Blue

Notes:
d1t01 – Stop that train cut and patched at end of song from 11:21 – 15:09 with ShnId: 20473

There are a few pauses left as is

Jerry Garcia – Berkeley, CA (02/27/79)

Reconstruction
1979-02-27 (Tuesday)
Keystone
Berkeley, CA

Set 1:
Disc 1
d1t01: A Lovely Night For Dancing
d1t02: Welcome to the Basement
d1t03: I Just Want To Stop
d1t04: Soul Roach
d1t05: It’s No Use
d1t06: Another Star

Disc 2
d2t01: Make It Better
d2t02: Lyinda
d2t03: What You Won’t Do For Love
d2t04: Ain’t That Lovin’ You
d2t05; The Harder They Come
d2t06: Long Train Running
d2t07: Let’s Go Get Stoned

Source 1:

shnid: 11672

MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN.

Recorded by Eldon Porray, Nakamichi CM-700
mics (front row balcony, left of soundboard) >
Sony TC-D5 cassette master (Maxell XL-II no
Dolby) > playback on Nak CR-3A > Lucid AD9624
(24-bit A/D Converter) > Sony R500 (master DAT) >
DATs > CDs > EAC > SHN. EAC > SHN by Joe Jupille.
Proper sector boundaries confirmed using shntool.

Notes:
According to Jim Wise (BUDD Digest #894, 7/31/2002),
no-one was using the D5 until late fall 1979 at the
earliest, so I am not 100% sure of the deck.
As far as I know this is the only Harder They Come by
Reconstruction.

Flaws:
d1t02 Welcome to the Basement pause-button warble @ 0:01
d1t07 It’s No Use first note or two clipped

Source 2:

shnid:105807

MOTB Release: 0124 16/44.1
Release Date: 2010-02-01
Band: Reconstruction
Date: 1979-02-27 (Tuesday)
Venue: Keystone
Location: Berkeley, CA
Analog Audience Source: FOB Master Cassettes (MAC)
Medium Stock Brands: MAC = 2 x Maxell UDXL II
Analog Lineage: 2 x Sony ECM 280 >> Sony TC 153SD >> MAC
Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
Taped By: Eldon Porray
Transfer By: Bob Menke
Mastering By: Bill Koucky and Derek McCabe

Jerry Garcia – Berkeley, CA (01/30/79)

Reconstruction
Keystone
Berkeley, CA
1/30/79

MAC > CD > EAC > SHN
This is flac encoded & tagged version of shnid: 12560

Disc One (7) 61:36
1. Another Star [7:28] [0:55]
2. Do I Move You? (1) [13:00] [0:16]
3. Long Train Running Instrumental [11:30] [0:08]
4. //Lyinda [#10:55] [0:03]
5. Band Introductions [1:22]
6. I Just Want to Stop [5:00] ->
7. Welcome to the Basement [10:47] [0:09]

Disc Two (8) 56:22
1. Crowd & Tuning [0:20]
2. Nessa [10:02] ->
3. Drum solo [1:27] ->
4. Nessa [1:20] [0:14]
5. Lovely Night for Dancing [13:26] [0:09]
6. //It’s No Use [#8:04] [1:02]
7. Soul Roach [10:06] [0:42]
8. Let’s Go Get Stoned// [9:28#]

Notes:
This is the first Reconstruction show.
(1) with unidentified female vocalist
d1t04 Lyinda cuts in
d2t06 It’s No Use fades in, not much missing
d2t06 It’s No Use some fluctuations first 30 secs.
d2t08 Let’s Go Get Stoned anomaly @ 9:29
d2t08 Let’s Go Get Stoned ending barely clipped

Recorded by Steve Spitalny and John Angus, Sony ECM-990 (balcony rail, stage left) > Nak 550 > patched out to Sony TC-158 master cassette (UD XLII) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted down by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT. Proper sector boundaries verified using shntool. A>D by slip; extraction, tracking, and .shn encoding by Joe Jupille; speed correction by Stephen Kinsch.

It is possible that John Angus’s cassette is first generation (i.e., recorded via Nak 550 playback > Sony TC-158), though I speculate here that he patched directly out of Spitalny’s Nak 550 at the show.

Jerry Garcia & Merl Saunders – Berkeley, CA (01/17/74)

Jerry Garcia and Merl Saunders
The Keystone
Berkeley, CA
01/17/1974

Set I
Someday Baby
La-La
Second That Emotion
My Funny Valentine
Who’s Lovin’ You Tonight?

Set II
Finders Keepers
Think
Are You Lonely For Me Baby?
Harder They Come

Jerry Garcia – guitar, vocals
Merl Saunders – keyboards, vocals
John Kahn – bass
Martin Fierro – saxophone, flute
Bill Kreutzmann – drums

Source 1:

Set II Only

shnid: 136780

Soundboard > Master Reel > DAT (48k)

Notes:

– This recording has been provided by an anonymous source.
– Very little work has been done on this, a few clicks removed, one repair and some level adjustments made.
– The mix changes around 22 seconds, Garcia’s vocal is moved from the left channel to become more central. *
– All files have been tagged.

Source 2:

This is a tagged version of shnid: 76471

AUD 1 (All of disk 1 and disk 2 till middle of Are You Lonely For Me Baby)
——————- original shnid 10024 information ——————
MAC > D > CD > EAC > SHN

Recorded by Louis Falanga [was incorrectly listed as Bob Menke], unknown setup.

Extraction using EAC, retracking using CD Wave,
sector boundary verification using shntool, and
.shn encoding using mkwACT.

Additional Notes:
Variable speed problems throughout, though absent
those problems (which really aren’t that distracting)
this is an excellent recording. I will not note specific
speed-related anomalies in these flaw notes.

This is tracked and noted as a three-set show, consistent
with the taper’s recollection and notations. However, it
seems at least possible that this material derives from two
separate shows, either from 1/17 and 1/18 or from early and
late shows on the 18th. First, the show is longer in terms
of sets and minutes than just about any other Garcia & Saunders
show on record. Second, Finders Keepers, Think, the “sure is quiet
for Berkeley” comment, and Are You Lonely For Me Baby? have
circulated since at least 1990 with a date of 1/17 (albeit
1973, which seems clearly incorrect). Third, the tuning break
during “set III” (disc four) has two separate audience members
calling for songs that appear earlier on this recording
(Finders Keepers and Second That Emotion). It seems unlikely
that two separate audience members would have forgotten
what had been played only an hour or two earlier and/or
requested that a song be repeated. Ultimately, we will
probably never know, but this material rocks nonetheless!

AUD 2 (from middle of Are You Lonely For Me Baby till end of Harder They Come
Unknown aud – no lineage given

I patched this version with portions from the sbd (SBD=>MR =>DAT (44.1KHz) =>CDR shnid 20678) and Dick’s Gift (MSR>DATs>CDRs>EAC>SHN). I am going with the consensus that this portion of the show was from 1/17/74 as it matched the sbd of that date note for note. The Dick’s Gift material also matched both the sbd and this portion of the audience. The secondary audience source matched the soundboard and was very similar quality.

My intent was to use this audience with the sbd sources for creating a dts version of this show. I matched the speed of this recording to the Dick’s Gift – it was slightly fast overall (about 1/4 a second per minute) and more consistent than the sbd recording.

Performed the following patches:
1) 16:08 in My Funny Valentine – 38.439 was missing from audience – patched and normalized from Dick’s Gift
2) 39.500 was missing from start of Finders Keepers – patched and normalized from sbd source
3) 15:35 in Are You Lonely Tonight, Audience source 1 ends. 0:22 was then replaced from the sbd and the secondary audience source was used to finish disk 2.

– Mixed by kevtobin@yahoo.com
– FLAC conversion 13-AUG-2006

Source 3:

This is a tagged version of shnid: 76474

*From Dick’s Gift
——————- original shnid 20678 information ——————
SBD=>MR =>DAT (44.1KHz) =>CDR

DAT TSF =====> Ziggy
EAC > .shn ======> Seth K
Seed discs =====> courtesy of Tommy Banjo. Thanks!

Notes:
Disc 1, Track 1- fades in, and the first few seconds of intro are missing. Disc 1, Track 1-Digi noise: :21-:25; :52-:55; 1:04-1:05; 1:18-1:26; 1:34-1:36; 1:45; 2:21
Disc 1 Track 1- Right Channel is low until: 1:39 Also, levels are being
adjusted, and full instrumentation does not occur until 2:04 Disc 2, Track 5- vocals out of the mix, entire song. Disc 2, Track 7- 10:44 Jerry says: Sure is quiet for Berkeley. (pause) This is Martin Fierro.
Disc 2, Track 9 Intro and first line (They tell me there’s a pie up in the sky) is missing.
———————– Dick’s Gift Info —————————–
“DICK’S GIFT”

Disk 1:

Per http://www.thejerrysite.com:

??/??/74 Unknown Venue, Unknown City, Unknown State

1. Finders Keepers 10:12
2. Think 9:12
3. Lala 11:34
4. I Second That Emotion 14:31
5. My Funny Valentine 23:59

Comments: This tape circulates labled “LOM Mystery Tape”, and usually with 4 songs before Finders Keepers (see ??/??/73). These songs are from the winter or spring of ’74, before Martin Fierro became a fulltime member. Supposedly found in vault unlabled by Dick Latvala. It is doubtful that all these songs are from the same show.

Recordings: 71 SBD (MSR>DATs>CDRs>EAC>SHN)
Extracted and shorten compressed by DSacks@hatfield.etree.org.

I patched this version with portions from the primary audience (MAC > D > CD > EAC > SHN shnid 10024), secondary audience (unknown lineage) and Dick’s Gift (MSR>DATs>CDRs>EAC>SHN). I am going with the consensus that this portion of the show was from 1/17/74 even though the audience was listed as 1/18/74 as it matched the aud note for note. The Dick’s Gift material also matched both the sbd and the audience.

My intent was to use this sbd with the aud sources and the Dick’s Gift for creating a dts version of this show. I matched the speed of this recording to the Dick’s Gift – it was a bit fast overall (about 1.5 second per minute). I also switched the left and right tracks in order to match Merle on left track and Jerry on right as it is on Dick’s Gift. All TAO gaps were removed during patching.

Performed the following patches:
1) First 7.036 of Someday Baby patched from audience to give better lead in. The rest of Someday Baby came from sbd source.
2) The next 2 minutes of Someday Baby were inserted from a fix patch sent to me by Bob. “I fixed most of the digisnits from the aud source which was adjusted to match (when it was an improvement). A couple of the smaller ones the cure was worse than the fix so I left them, I also adjusted leveling problems in the sbd source.”
3) Between Someday Baby and LaLa – 20.277 was missing from sbd – patched and normalized from audience.
4) 2 sec gap was removed from between (all) tracks on sbd source.
5) LaLa came from Dick’s Gift.
6) 2:20 between LaLa and Second That Emotion filled in from sbd source.
7) Second That Emotion came from Dick’s Gift.
8) 1:12 between Second That Emotion and My Funny Valentine filled in from sbd source.
9) My Funny Valentine came from Dick’s Gift.
10) First 13.288 of Who’s Lovin’ You Tonight patched from primary audience to start disk 2.
11) Who’s Lovin’ You Tonight from sbd source.
12) Last 13.425 of Who’s Lovin’ You Tonight patched from primary audience to end Set 1.
13) First 39.500 of Finders Keepers from sbd source.
14) Finders Keepers came from Dick’s Gift.
15) 1:12 between Finders Keepers and Think filled in from sbd source.
16) Think came from Dick’s Gift.
17) Rest of the show comes from sbd source.
18) 0:56 at start of Harder They Come patched in from secondary audience source

– thanks to Bob for the fix to beginning of Someday Baby
– Mixed by kevtobin@yahoo.com
– FLAC conversion 13-AUG-2006

Source 4:

This is a tagged version of shnid: 90365

SBD + AUD Matrix 4 Source Mix
(50%-SBD/50%-AUD)

SBD1 “DICK’S GIFT”
Disk 1:
Per http://www.thejerrysite.com:

??/??/74 Unknown Venue, Unknown City, Unknown State

1. Finders Keepers 10:12
2. Think 9:12
3. Lala 11:34
4. I Second That Emotion 14:31
5. My Funny Valentine 23:59

Comments: This tape circulates labled “LOM Mystery Tape”, and usually with 4 songs before Finders Keepers (see ??/??/73). These songs are from the winter or spring of ’74, before Martin Fierro became a fulltime member. Supposedly found in vault unlabled by Dick Latvala. It is doubtful that all these songs are from the same show.

Recordings: 71 SBD (MSR>DATs>CDRs>EAC>SHN)
Extracted and shorten compressed by DSacks@hatfield.etree.org.

SBD2 (shnid 20678)
SBD=>MR =>DAT (44.1KHz) =>CDR

DAT TSF =====> Ziggy
EAC > .shn ======> Seth K
Seed discs =====> courtesy of Tommy Banjo. Thanks!

Notes:
Disc 1, Track 1- fades in, and the first few seconds of intro are missing. Disc 1, Track 1-Digi noise: :21-:25; :52-:55; 1:04-1:05; 1:18-1:26; 1:34-1:36; 1:45; 2:21
Disc 1 Track 1- Right Channel is low until: 1:39 Also, levels are being
adjusted, and full instrumentation does not occur until 2:04 Disc 2, Track 5- vocals out of the mix, entire song. Disc 2, Track 7- 10:44 Jerry says: Sure is quiet for Berkeley. (pause) This is Martin Fierro.
Disc 2, Track 9 Intro and first line (They tell me there’s a pie up in the sky) is missing.

AUD1 (shnid 10024)
MAC > D > CD > EAC > SHN
Recorded by Bob Menke, unknown setup.
Extraction using EAC, retracking using CD Wave,
sector boundary verification using shntool, and
.shn encoding using mkwACT.

Flaws/Notes:
d1t04 Second That Emotion light tick @ 4:22
d1t05 My Funny Valentine cut/splice @ 16:08
d2t02 Finders Keepers cuts in, not much missing
d2t02-03 pop just before track marker
d2t06 Lonely for Me (master?) anomalies @ 10:36-11:04
d2t06 Lonely for Me cuts out

Additional Notes:
Variable speed problems throughout, though absent
those problems (which really aren’t that distracting)
this is an excellent recording. I will not note specific
speed-related anomalies in these flaw notes.

This is tracked and noted as a three-set show, consistent
with the taper’s recollection and notations. However, it
seems at least possible that this material derives from two
separate shows, either from 1/17 and 1/18 or from early and
late shows on the 18th. First, the show is longer in terms
of sets and minutes than just about any other Garcia & Saunders
show on record. Second, Finders Keepers, Think, the “sure is quiet
for Berkeley” comment, and Are You Lonely For Me Baby? have
circulated since at least 1990 with a date of 1/17 (albeit
1973, which seems clearly incorrect). Third, the tuning break
during “set III” (disc four) has two separate audience members
calling for songs that appear earlier on this recording
(Finders Keepers and Second That Emotion). It seems unlikely
that two separate audience members would have forgotten
what had been played only an hour or two earlier and/or
requested that a song be repeated. Ultimately, we will
probably never know, but this material rocks nonetheless!

AUD 2 (no shnid)
no lineage given
——————————————————————
Tech Notes

SHNs were decoded to wave and Audition 1.0 was used to reassemble
the tracks back to 1 long wave. Audition 1.0 was used to align &
synch the both SBD & AUD sources. Audition 1.0 used to adjust the
volume for the AUD, matrix/CTR and LFE channels. Surcode
CD Pro DTS was used to encode to DTS.
– First 2 minutes of Someday Baby fixed by bob – thank you
– Mixed by kevtobin@yahoo.com
– FLAC conversion 27-FEB-2008
——————————————————————————-
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0
AUD -0

SET TWO

Stereo Matrix
SBD -0
AUD -0
———————————————————
I matched the speed of this recording to the Dick’s Gift – sbd was a bit fast overall (about 1.5 second per minute) and audience was a little better (about 1/4 second per minute) in comparison. I also switched the left and right tracks of the sbd in order to match Merle on left track and Jerry on right as it is on Dick’s Gift. This is the same as shnid 76401 except that alternate audience was found to end disk 2 that also filled in the missing sbd portion of Harder They Come.

Audio Patching:
1) First 7.036 of Someday Baby patched from audience to give better lead in. The rest of Someday Baby came from sbd source.
2) The next 2 minutes of Someday Baby were inserted from a fix patch sent to me by Bob. “I fixed most of the digisnits from the aud source which was adjusted to match (when it was an improvement). A couple of the smaller ones the cure was worse than the fix so I left them, I also adjusted leveling problems in the sbd source.”
3) Between Someday Baby and LaLa – 20.277 was missing from sbd – patched and normalized from audience.
4) 2 sec gap was removed from between (all) tracks on sbd source.
5) LaLa came from Dick’s Gift.
6) 2:20 between LaLa and Second That Emotion filled in from sbd source.
7) Second That Emotion came from Dick’s Gift.
8) 1:12 between Second That Emotion and My Funny Valentine filled in from sbd source.
9) My Funny Valentine came from Dick’s Gift.
10) 16:08 in My Funny Valentine – 38.439 was missing from audience – patched and normalized from Dick’s Gift
11) First 13.288 of Who’s Lovin’ You Tonight patched from audience to start disk 2.
12) Who’s Lovin’ You Tonight from sbd source.
13) Last 13.425 of Who’s Lovin’ You Tonight patched from audience to end Set 1.
14) 39.500 was missing from start of audience Finders Keepers – patched and normalized from sbd source.
15) First 39.500 of Finders Keepers from sbd source.
16) Finders Keepers came from Dick’s Gift.
17) 1:12 between Finders Keepers and Think filled in from sbd source.
18) Think came from Dick’s Gift.
19) Rest of the show comes from sbd source.
20) 15:35 in Are You Lonely Tonight, Audience source 1 ends. 0:22 was then replaced from the sbd and the secondary audience source was used to finish disk 2.

Brokedown House Production

Jerry Garcia & Merl Saunders – Berkeley, CA (11/05/73)

Jerry Garcia and Merl Saunders
Keystone
Berkeley, CA
11/05/1973

Source: sbd > master-reel > dat(48k)

Jerry Garcia – guitar, vocals
Merl Saunders – keyboards, vocals
John Kahn – bass
Bill Kreutzmann – drums

Martin Fierro – saxophone, flute, vocals

Set I

01 //It’s No Use
02 Finders Keepers
03 It’s Too Late
04 Money Honey
05 I Second That Emotion//
06 //La La
07 The Night They Drove Old Dixie Down

Set II

08 The Harder They Come
09 (I’m A) Road Runner
10 Mystery Train
11 My Funny Valentine

Notes:

– this version has been provided by an anonymous source
– this (most excellent sounding) show has never circulated in any form
– lots of level adjustments have been made
– several pops and clicks have been removed
(lots of nasty clicks on the left channel in ‘lala’ and ‘dixie down’ got eliminated)
– 60Hz hum has been reduced between all songs
– ‘its no use’ fades in and is missing a couple seconds
– the reel change between ‘second that emotion’ and ‘lala’ has been faded out and in
– all files are tagged

Jerry Garcia & Merl Saunders – Berkeley, CA (10/11/73)

Jerry Garcia and Merl Saunders
Keystone
Berkeley, CA
10/11/1973

Source: sbd > master-reel > dat(48k)

Jerry Garcia – guitar, vocals
Merl Saunders – keyboards, vocals
John Kahn – bass
Bill Vitt – drums

Set I

01 //Someday Baby
02 Honey Chile
03 When I Paint My Masterpiece
04 Mystery Train
05 The Night They Drove Old Dixie Down

Set II

03 I Second That Emotion
04 One Kind Favor
05 Sunshine Of My Life
06 The Harder They Come

Notes:

– this version has been provided by an anonymous source
– this (most excellent sounding) show has never circulated in any form
– “Sunshine Of My Life” – performed once by Garcia/Saunders
– “I Second That Emotion” is missing a couple notes at the start of set 2
– lots of level adjustments have been made
– various artifacts have been removed and a number of other repairs have been done
– a light hum and crackle removement has been performed between some tracks
– all files have been tagged

Jerry Garcia & Merl Saunders – Berkeley, CA (10/12/73)

Jerry Garcia and Merl Saunders
Keystone
Berkeley, CA
10/12/1973

Source: sbd > master-reel > dat(48k)

Jerry Garcia – guitar, vocals
Merl Saunders – keyboards, vocals
John Kahn – bass
Bill Vitt – drums

Set I

01 //That’s All Right, Mama
02 After Midnight

Set II

03 It Takes A Lot To Laugh, It Takes A Train To Cry
04 Someday Baby
05 My Funny Valentine
06 The Harder They Come

Notes:

– this version has been provided by an anonymous source
– this (most excellent sounding) show has never circulated in any form
– obviously a couple tunes are missing from the first set, but it’s all that’s available
– lots of level adjustments have been made
– various artifacts have been removed and a number of other repairs have been done
– all files have been tagged