Miles Davis – Newport, RI (07/04/66)

Miles Davis
Festival Field, Newport, RI
Voice of America (VOA) radio broadcast
July 4, 1966

Goody Pitch-Corrected Remaster

Voice of America (VOA) Broadcast > ?? > CD Trade > > EAC Wave > TLH Flac Level 8 >

Goody’s additional lineage:
dBpoweramp (WAV) > Cool Edit Pro (Pitch Bender +82 cents; Balanced channels; Tracking) > Trader’s Little Helper (FLAC

Level 8) >

plaz’s additional lineage below*

Miles Davis (tpt); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d); Willis Conover (ann)

1 Introduction > Gingerbread Boy 8:34
2 All Blues 10:29
3 Stella by Starlight (Incomplete) 6:56

Total Time: 26:00

RatedX comment about his source:
Note: I believe this version sounds better than the upload still available here:

*Additional lineage:
Goody flacs > wav (checksums verified) > clean + declip > flac(lvl8)

Additional editing by plaz (all in Sound Forge Pro 10, except where noted):

Gain corrections:

  • repaired drop outs, wows, gain fluctuations, and a few pops as follows:

track 1

  • removed leading silence
    0:39.0931 – 0:39.1160, repaired wow in right channel (gain bump)
    2:08.2590 – 2:08.2790, repaired wow in left channel (cross-mix with right channel signal)

track 2
1:23.2742 – 1:23.2864 : replaced damaged left-channel with right channel signal
1:46:1716 – 1:46.1895 : repaired wow in left channel (gain bump)
3:12.6000 – 3:13.6082 : repaired wow in right channel (cross-mixed with left channel)
3:35.4974 – 3:35.5084 : replaced damaged left-channel with right channel signal
5:57.4675 – 5:57.4810 : repaired wow in left channel (cross-mixed with right-channel)
6:37:5588 – 6:37.5682 : repaired left channel wow (cross-mixed with right-channel)
9:36.5900 – 9:36.5995 : repaired damaged right-channel with left channel signal
8:51.7061 – 9:51.7017 : repaired damaged right-channel with left channel signal

track 3

  • attenuated microphone pop (0:17) and mic switching or line noises (0:32, 0:34-0:35)
  • repaired pop at 6:12.7574-6:12.7612

Clipped Peak Restoration (Izotope RX2):

  • declipped left and right channels of all 3 tracks separately, but maintaining relative gain levels

Recombined files, gain normalized to 0 dB, and re-split tracks (sbs aligned).

Text updated and new FLACs and .ffp created – April 1, 2011. (No foolin’!)

Upped to DIME, April 1, 2011.

John Coltrane – Newport, RI (07/02/66)

John Coltrane quintet
Newport Jazz Festival
July 02, 1966

Vol 9 of the 65-67 trane tree

ressed by request
cdr in trade > Audacity (removed some noise here and there

FLAC
Sound Quality good

01 – MFT 21:22
02 – Welcome 11:02
03 – Leo 23:11

John Coltrane Saxes and percussion
Pharoah Sanders Saxes and Percussion
Alice Coltrane Piano
Jimmy Garrison Bass
elvin Jones Drums

John Coltrane funeral

06 – Holiday for Graveyard 02:58

Ornette Coleman
David Izenzon
Charles Moffett

officially released material removed

John Coltrane – Newport, RI (07/01/61)

John Coltrane Quintet
Newport, RI
07-01-61

Total Time: 28:33 min.

  1. Introductions 01:27
  2. Impressions 06:21
  3. Naima 04:18
  4. My Favorite Things 16:27
    lineup:

John Coltrane: Tenor and Soprano Sax
McCoy Tyner: Piano
Art Davis: Bass
Reggie Workman: Bass
Elvin Jones: Drums

Source/Lineage: Reel to Reel Master /TEAC Reel to Reel Deck/Nakamichi CR2A/ Philips CR-765 / flac – dime

Goody’s additional lineage:
dBpoweramp (WAV) > Cool Edit Pro (Pitch Bender -50 cents) > Trader’s Little Helper (FLAC Level 8, ffp)

Pitch was approx. 50 cents sharp. Goody 1/16/11

In 1960 boisterous spectators created a major disturbance, and the National Guard was called to the scene. Word that the disturbances had meant the end of the festival, following the Sunday afternoon blues presentation headlined by Muddy Waters, reached poet Langston Hughes, who was in a meeting on the festival grounds. Hughes wrote an impromptu lyric, “Goodbye Newport Blues,” that he brought to the Waters band onstage, announcing their likewise impromptu musical performance of the piece himself, before Waters pianist Otis Spann led the band and sang the Hughes poem.

Presentation of the proper Newport Jazz Festival was disallowed in 1961 due to the difficulty of the previous year’s festival. In its place, another festival billed as “Music at Newport” was produced by Sid Bernstein in cooperation with a group of Newport businessmen. That festival included a number of jazz musicians but was financially unsuccessful. Bernstein announced that he would not seek to return to Newport in 1962. The Newport Jazz Festival resumed at Freebody Park in 1962.