Tag: paris

Simon & Garfunkel – Paris, France (05/01/70)

Simon and Garfunkel
Live In Paris
The Olympia, Paris
May 1, 1970

excellent SBD

  1. 2:38 Homeward Bound
  2. 4:22 The Boxer
  3. 3:20 Fakin’ It
  4. 1:54 The 59th St. Bridge Song (Feelin’ Groovy)
  5. 3:11 Silver Haired Daddy
  6. 3:28 I Am A Rock
  7. 2:55 For Emily, Wherever I Shall Find Her
  8. 2:53 Anji
  9. 3:23 Scarborough Fair
  10. 2:38 Mrs. Robinson
  11. 2:42 Green Turns To Brown
  12. 3:31 America
  13. 3:03 So Long, Frank Lloyd Wright
  14. 4:08 Lightnin’ Express
  15. 1:41 Song For The Asking
  16. 2:19 A Poem On The Underground Wall
    Total 48:54

Notes:

One of their last shows before they broke up (for the first time!) This first circulated as a 15 track disc and then a 16 track version appeared, identical in all other respects, this is the 16 track set.

Miles Davis – Paris, France (10/01/64)

Miles Davis
10/01/64
Salle Pleyel
Paris, France

This comes with no info. I copied everything from db.etree and thus I cannot guarantee it is all correct.

Early Show:

Autumn Leaves
All Of You
Stella By Starlight
So What?

Late Show:

All Of You
Joshua
My Funny Valentine
No Blues
The Theme

Miles Davis – Trumpet
Wayne Shorter – Tenor Saxophone
Herbie Hancock – Grand Piano
Ron Carter – Double Bass
Tony Williams – Drums

Miles Davis – Paris, France (05/15/49)

Miles Davis
All-Star jam session
Salle Pleyel, Paris
ORTF radio broadcast
May 15, 1949

Miles Davis (tpt); Aime Barelli (tpt); Oran “Hot Lips” Page (tpt); Kenny Dorham (tpt); Bill Coleman (tpt); Russell “Big Chief” Moore (tb); Hubert Rostaing (cl); Sidney Bechet (ss); Charlie Parker (as); Don Byas (ts); James Moody (ts); Hazy Osterwald (vb); Jean “Toots” Thielemans (g); Al Haig (p); Tommy Potter (b); Max Roach (d)

15 Farewell Blues (Traditional) (incomplete)
Begins toward the end of Byas’s solo,
followed by Page (0:32-1:38),
then Bechet (1:40-2:30),
then Davis (2:32-3:06),

Pink Floyd – Paris, France (01/23/70)

PINK FLOYD
January 23, 1970
ThÈatre Des Champs-ElysÈes
Paris, France

THE SET-LIST :

  1. Daybreak (aka Grantchester Meadows) [7:18]
  2. Work [4:37]
  3. Tea Time (with band introduction by french radio host) [2:14]
  4. Afternoon (aka Biding My Time) [6:12]
  5. Doing It [0:37]
  6. A Saucerful Of Secrets (end only) [3:12]
  7. Green Is The Colour [3:07]
  8. Careful With That Axe, Eugene (beginning only) [2:32]
  9. Main Theme from “More” (beginning missing) [3:59]
  10. Set The Controls For The Heart Of The Sun [12:16]
  11. The Amazing Pudding (aka Atom Heart Mother) (end missing) [14:55]

Peter Gabriel – Paris, France (09/12/80)

PETER GABRIEL
Paris, Olympia
September 12, 1980

“Bonsoir encore une fois, Paris”

01.Intruder
02.The Start
03.I Don¥t Remember
04.Solsbury Hill
05.Family Snapshot
06.Milgram¥s 37
07.Modern Love
08.Not One Of Us
09.Lead A Normal Life
10.Moribund The Burgermeister
11.Mother Of Violence
12.Humdrum
13.Bully For You
14.Games Without Frontiers
15.And Through The Wire
16.I Go Swimming
17.Biko
18.On The Air
19.DIY

TT 111:20

Lineage: Unknown recording device > n generation tape > Teac Tape Deck AD-RW900 > Creative Recon 3D Sound Blaster > HD >
SoundForge 10.0 Pro > CD Wave > FLAC Frontend (level 6)

Peter Gabriel – Piano, Tambourine, Vocals
John Ellis – Guitars
John Giblin – Bass
Jerry Marotta – Drums, Saxophone
Larry Fast – Keyboards

LDB Special Series #472

Out of my 17,000+ shows and radio broadcasts, I have many concerts that were special for some reasons: the setlist, the musicians, the venue or unexpected events. These are the ones I’d like to propose you. Most of these come from my cassettes collection, so they will be released at a slower pace than my Master Series! But you won’t be disappointed!

I will try to gather the most unusual things I have in my collection and, as always, your feedback and comments will be my reward for all the work involved in this project.

DO NOT share this music on mp3, just convert it for your own use. Sharing mp3’s is the right way to make me stop sharing music here.

Here is something quite special: towards the end of the tour PG played five straight shows at the Olympia, making possibly the longest stand in a single venue ever. I do not recall Gabriel having played the same venue for five nights in a row!

These were exceptionally dense performances by a band that by then had reached a perfect synch and interaction, even if the bass player was not the same that had started the tour some six months earlier as Tony Levin was not available.

I was able to get almost all dates from french traders which probably shows that these are extremely low generation copies, even if I do not have the exact lineage. The setlist did change but not that much, except that here we have the very last performances of White Shadow which was never recorded in any other 1980 tour.

These dates circulate with some confusion in the dates, but I could reconstruct which date is which through the recollection of a couple of friends who did attend these shows. One of them even got Pete¥s tambourine which he used to throw to the audience at the and of Solsbury Hill! Hopefully I can shed some light on the exact dates.

To define each date, I have called them with the intro words to Solsbury Hill. Every night Peter would start his speech in a different way, so it is clear that all 5 dates are different. Ladies and Gentlemen, welcome to “Five Nights In Paris”!

Peter Gabriel – Paris, France (09/10/80)

PETER GABRIEL
Paris, Olympia
September 10, 1980

01.Intruder
02.The Start
03.I Don’t Remember
04.Solsbury Hill
05.Family Snapshot
06.Introduction / Milgram’s 37
07.Modern Love
08.Not One Of Us
09.Lead A Normal Life
10.Moribund The Burgermeister
11.Mother Of Violence
12.Humdrum
13.Games Without Frontiers
14.White Shadow
15.Band Introduction / And Through The Wire
16.I Go Swimming
17.Biko
18.Here Comes the Flood
19.Soundcheck

TT 89:16

Lineage: Unknown recording device > low generation tape > Aiwa Tape Deck AD-WX828 > Audigy Soundblaster > HD > SoundForge 7.0

CD Wave > FLAC Frontend (level 6)

Peter Gabriel – Vocals / Keyboards
John Ellis – Guitar
Jerry Marotta – Drums
Larry Fast – Keyboards
John Giblin – Bass

LDB Special Series #470

Out of my 17,000+ shows and radio broadcasts, I have many concerts that were special for some reasons: the setlist, the
musicians, the venue or unexpected events. These are the ones I’d like to propose you. Most of these come from my
cassettes collection, so they will be released at a slower pace than my Master Series! But you won’t be disappointed!
I will try to gather the most unusual things I have in my collection and, as always, your feedback and comments will be my
reward for all the work involved in this project.

DO NOT share this music on mp3, just convert it for your own use. Sharing mp3’s is the right way to make me stop sharing
music here.

Here is something quite special: towards the end of the tour PG played five straight shows at the Olympia, making possibly
the longest stand in a single venue ever. I do not recall Gabriel having played the same venue for five nights in a row!
These were exceptionally dense performances by a band that by then had reached a perfect synch and interaction, even if
the bass player was not the same that had started the tour some six months earlier as Tony Levin was not available.

I was able to get almost all dates from french traders which probably shows that these are extremely low generation copies,
even if I do not have the exact lineage. The setlist did change but not that much, except that here we have the very last
performances of White Shadow which was never recorded in any other 1980 tour.

These dates circulate with some confusion in the dates, but I could reconstruct which date is which through the recollection
of a couple of friends who did attend these shows. One of them even got Pete¥s tambourine which he used to throw to the audience
at the and of Solsbury Hill! Hopefully I can shed some light on the exact dates.

To define each date, I have called them with the intro words to Solsbury Hill. Every night Peter would start his speech in a
different way, so it is clear that all 5 dates are different. Ladies and Gentlemen, welcome to “Five Nights In Paris”!

“Bonsoir! J¥essaie encore une fois de parler un peu en franÁais”

Peter Gabriel – Paris, France (09/09/80)

PETER GABRIEL
Paris, Olympia
September 9, 1980

“Bonsoir Paris, Merci”

01.Intruder
02.The Start
03.I Don¥t Remember
04.Solsbury Hill
05.Family Snapshot
06.Milgram¥s 37
07.Modern Love
08.Not One Of Us
09.Lead A Normal Life
10.Moribund The Burgermeister (fades out)
11.Mother Of Violence
12.Humdrum
13.Bully For You
14.Games Without Frontiers
15.And Through The Wire
16.I Go Swimming
17.Biko
18.On The Air
19.DIY

TT 86:49

Lineage: Unknown recording device > n generation tape > Teac Tape Deck AD-RW900 > Creative Recon 3D Sound Blaster > HD >
SoundForge 10.0 Pro > CD Wave > FLAC Frontend (level 6)

Peter Gabriel – Piano, Tambourine, Vocals
John Ellis – Guitars
John Giblin – Bass
Jerry Marotta – Drums, Saxophone
Larry Fast – Keyboards

LDB Special Series #469

Out of my 17,000+ shows and radio broadcasts, I have many concerts that were special for some reasons: the setlist, the musicians, the venue or unexpected events. These are the ones I’d like to propose you. Most of these come from my cassettes collection, so they will be released at a slower pace than my Master Series! But you won’t be disappointed! I will try to gather the most unusual things I have in my collection and, as always, your feedback and comments will be my reward for all the work involved in this project.

Here is something quite special: towards the end of the tour PG played five straight shows at the Olympia, making possibly the longest stand in a single venue ever. I do not recall Gabriel having played the same venue for five nights in a row! These were exceptionally dense performances by a band that by then had reached a perfect synch and interaction, even if the bass player was not the same that had started the tour some six months earlier as Tony Levin was not available.

I was able to get almost all dates from french traders which probably shows that these are extremely low generation copies, even if I do not have the exact lineage. The setlist did change but not that much, except that here we have the very last performances of White Shadow which was never recorded in any other 1980 tour.

These dates circulate with some confusion in the dates, but I could reconstruct which date is which through the recollection of a couple of friends who did attend these shows. One of them even got Pete¥s tambourine which he used to throw to the audience at the and of Solsbury Hill! Hopefully I can shed some light on the exact dates.

To define each date, I have called them with the intro words to Solsbury Hill. Every night Peter would start his speech in a different way, so it is clear that all 5 dates are different. Ladies and Gentlemen, welcome to “Five Nights In Paris”!

Pink Floyd – Paris, France (05/01/82)

Pink Floyd
Tout Peut Arriver
Europe 1 Radio Studios
France
1 May 1982

01 Discussion part 1
02 Discussion part 2
03 Discussion part 3
04 Discussion part 4
05 Discussion part 5
06 Discussion part 6
07 Discussion part 7
08 Discussion part 8
09 ThÈ‚tre des Champs ElysÈes introduction
10 Work (ThÈ‚tre des Champs ElysÈes 1970-01-23)
11 Money (Paris 1974-06-xx)
12 Set The Controls For The Heart Of The Sun (Lyon 1971-06-12)
13 Music before discussion continues
13 Discussion part 9
14 Discussion part 10

Total running time: 87m 07s

Cass(1)>WAV(24-bit/48kHz)>FLAC

This radio programme is best known for rebroadcasting Work from the RTL radio recording of ThÈ‚tre des Champs ElysÈes, 8e, Paris, France, 23 January 1970. Often overlooked, however, is the fact that it additionally features concert excerpts from 1971 and 1974. The June 1974 recording of Money (track 11) is particularly nice to have because it does not appear to be available elsehwere.

Also of interest are interviews with David Gilmour and Nick Mason that demonstrate their French language skills. The other major contributor to the discussion is More and Obscured By Clouds Director Barbet Schroeder who looks back on his work with the band.

You may spot that side B is louder than A – the tape came to me that way. Overall this is a very enjoyable documentary, which gets better when your ears adjust to the medium wave reception.

Neon 10/08