Grateful Dead
October 31, 1980
Radio City Music Hall
New York, NY

Download FLAC: Amazon Drive

Acoustic Set:

Heaven Help The Fool
Sage & Spirit – Officially Released on Beyond Description
Little Sadie – Officially Released on Beyond Description
Monkey & The Engineer
It Must Have Been The Roses
Cassidy
Bird Song >
Ripple

1st Electric Set:

Tuning
Jack Straw
Cold Rain & Snow
Me & My Uncle >
Mexicali Blues
Ramble on Rose >
Little Red Rooster
Brown Eyed Woman >
Looks Like Rain >
Deal

2nd Electric Set:

Tuning
Don’t Ease Me In >
Lost Sailor >
Saint Of Circumstance >
Franklin’s Tower >
Drums > – Officially Released on Dead Set
Space > – Officially Released on Dead Set
Fire On The Mountain > – Officially Released on Dead Set
Not Fade Away >
Stella Blue >
Goin Down The Road Feeling Bad >
Good Lovin’
Encore Break
Uncle John’s Band

I removed the officially released tracks on the soundboard sources but kept them for the audience sources as they are readily available for download on the Archive.

Source 1:
This is a tagged version of shnid: 141354
Source Info:
Satellite Feed > (McIntosh) 10″ Master Reels @ 7.5 ips > PCM

Transfer Info:
PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16

Notes:
– Thanks to Tim Dalton for the source PCM
– Thanks to Charlie Miller for the transfer
– Thanks to the folks responsible for the shnid140416 mono soundboard source which supplies the first 0:27 of “Heaven Help The Fool”, a 0:10 patch in “Monkey & The Engineer”, the first 0:02.4 of “Ripple”, a 0:57 patch in “Ripple”, a 0:29 patch in “Little Red Rooster”, the first 0:03 of “Franklin’s Tower”, a 0:13 patch in “Drums”, a 0:16 patch in “Fire On The Mountain”, a patch in the transition and first few notes of “Going Down The Road Feeling Bad” (0:07 total), the final 3:42 of “Good Lovin’, as well as the “Encore Break” and “Uncle John’s Band” in their entireties

Mastered by Scott Clugston
March 13, 2018

Source 2:
101428

Recording Info:
(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->
Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 16, 2009

Patch info:
Nakamichi 700 -> Master Cassette (shnid=94270) supplies:
Little Red Rooster (0:00 – 0:10)

Notes:
— All disc changes are seamless
— Recorded By Jim Wise (mics laid on shelf under rail @ center lodge)
— Thanks to Jim Wise for lending me his master cassettes
— Thanks to Joe B. Jones for his help with the pitch correction

Source 3
This is a flac encoded and tagged version of shnid: 1955
Source: Master AUD (Wise Sony EMC-280/D-5) Cass>PCM>ZA2>CD

Enjoy the great show!
Thanks to Andy G. for providing these RCMH shows to me.

If there are any problems, lemme know at calico_kahlia22@yahoo.com

Posted to alt.binaries.sounds.misc 10-31,11-01-00 by Chris Larson.
http://www.easystreet.com/~nswboogy

Source 4:
This is a tagged version of shnid: 83158

gd80-10-31.prefm.cosinit-editied-patched.sbeok.flac16

Patch fix of shnid 20377

Main Source:
Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN
Electric: MSR>R>C>DAT>WAV>SHN

C>SHN Conversion by Cousinit

Patch Sources:
Master AUD: (Sony ECM-280/D-5) Cass> PCM> ZA2> CD > EAC > SHN(shnid 1955)
except for part of drums (see below), which was patched with the
AUD audio source from the circulating DVD (no source info given).

Edit: SHNs > WAV > Cool Edit 2000/Cool Edit Pro > shntool > FLAC

The following corrections were made (see below for details):

– all tracks put back in phase by reinverting left channel in CE 2K
– multiple dropouts, splices, etc. patched
– first three tracks of second electric set put at end of CD 2 to allow
CD3 to fit on one disc. Disc change between CDs 2 and 3 is seamless.
– SBD from 1:32 of GDTRFB to end of the show is higher-pitched; this was
corrected in CE Pro (stretched 100.383%) so speed and pitch matched the
rest of the show. It sounds like it was either patched in from an
alternate SBD or played back on a different deck.

Patches:

1st set aud was time/pitch stretched 100.7% in CE Pro and volume matched
as closely as possible on a patch by patch basis.

– 8:30-8:33 of Birdsong, patch vol. raised 4 dB
– :46-1:16 in Ripple (noise envelope applied from 0:55.638 to 0:56.016 to
prevent clipping after raising patch source 3.1 dB).
– Fade at the end of Ripple was made longer and more gradual
– dropouts in Rooster at 8:26, 8:56-58, and 8:59. patch dropped 1.1 dB
– :27 to :57 of Brown Eyed Woman
– one sec dropout at 2:17 in Lost Sailor
– dropout at 6:25 of Franklin’s
– Most of drums from :25 to 10:32 patched with the circulating AUD, with
the following exceptions: 11 dropouts from 6:00 to 7:28 patched with AUD
from circulating DVD (no shnid). Also, the circulating AUD was a
veritable Swiss cheese from 7:54 – 10:32, most likely due to bad audio
extraction. I was certain that to patch that many dropouts so close
together would sound worse than the original, since the two AUD sources
sound so different, so I just patched that whole section with the DVD
AUD. The DVD AUD source was deliberately recorded via analog from my
DVD player to my Tascam HD-P2 so as to avoid any possible extraction
errors.
– Break at 1:32 in GDTRFB patched with AUD, fade in right after dropout
was reversed. Sudden increase in volume from 2:11-2:13 also patched with
AUD, as increase caused irreparable distortion. AUD time/pitch stretched
99.188% to match SBD. SBD from first break to end of show time/pitch
stretched to 100.383%.
– mini dropout in right channel at 2:21 in Good Lovin’ patched with AUD.
Splice patched from 2:22-2:51. AUD time/pitch stretched 99.188% and
raised +1.1 dB, noise envelope of -1.1 dB applied to peak at 2:24 to
prevent clipping.

Many thanks to Charlie Miller for his advice on determining which channel
to reinvert. Thanks to Cousinit for the SBD source and his flaw notes,
also mcole, Charles Weir, drgseeds and Deadhead for their SBD source
comments and Charles (?) for his AUD source comment on the drums track.
Last but not least thanks to Jim Wise for his excellent audience patch
source, as well as to (?) for circulating the DVD of this show, which
provided part of drums.

Edited and seeded by Bill Tetzeli (btet@comcast.net)
3/8/2007

Source 5:

Acoustic set only
shnid: 20377

Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN
C>SHN Conversion by Cousinit
Seeded to abgd 10/03

Grateful Dead
October 30, 1980
Radio City Music Hall
New York, NY

Download FLAC: Amazon Drive

Set 1 (acoustic)
John Scher Introduction
banter & tuning
Deep Elum Blues
banter & tuning
Dark Hollow
banter & tuning
I’ve Been All Around This World
banter & tuning
On The Road Again
banter & tuning
To Lay Me Down
banter & tuning
Heaven Help The Fool – Officially Released on Dead Ahead
banter & tuning
Ripple

Set 2 (electric)
banter & tuning
Alabama Getaway ->
Promised Land
banter & tuning
Peggy-O
banter & tuning
Mama Tried ->
Mexicali Blues
banter & tuning
Loser
banter & tuning
New New Minglewood Blues
banter & tuning
Althea ->
Lost Sailor ->
Saint Of Circumstance
break announcement

Set 3 (electric)
banter & tuning
Shakedown Street – Officially Released on Dead Ahead
Samson And Delilah – Officially Released on Dead Ahead
banter & tuning
He’s Gone -> jam -> – Officially Released on Dead Ahead
Truckin’ -> – Officially Released on Dead Ahead
drums (with Billy Cobham) ->
space ->
The Other One ->
Wharf Rat ->
Good Lovin’
encore applause & tuning
Johnny B. Goode
applause & PA music

I removed the officially released tracks from the soundboard recording, but left them in the audience. That ones available for download on the Archive so I figure I can post it here, too.

Source 1:
This is a tagged version of shnid: 101427

gd80-10-30.fob-sonyecm280.wise-miller.sbeok.flac16

Recording Info:
(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->
Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 16, 2009

Notes:
— All disc changes are seamless
— Drums with Billy Cobham
— Recorded By Jim Wise (mics laid on shelf under rail @ center lodge)
— Thanks to Jim Wise for lending me his master cassettes
— Thanks to Joe B. Jones for his help with the pitch correction

Source 2:
This is a tagged version of shnid: 139599

Source: 10” 1/4 track SBD Feed Master Reels @ 7.5ips
(Total Running Time: 03:36:03)

Lineage: 10” 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac

Transfer (November 2009) and mastering (October 2017) by Alan Bershaw

Notes:
This is a previously uncirculated soundboard direct recording of this show. It was recorded in mono onto two 10″ 1/4 track reels at 7.5ips. It is 100% complete, from John Scher’s introduction prior to the acoustic set right through to the P.A. music following the 3rd set encore. All three sets run seamlessly with nothing missing.

This was recorded surreptitiously from a monitoring feed in one of the executive offices at RCMH. This entire recording is a single source, with the lone exception of a 29 second sequence (during Althea 4:28 -> 4:57), where the reels were changed. My old friend Kieth Gatto’s audience recording (id 120537) was used to patch that song to completion.

The only other downside is that Garcia’s vocal could be brighter and louder at times. It is otherwise a very clear recording that captures everything relatively well, including a lot of stage banter between songs. You can even hear the hilarious off-mic banter between band members. I usually don’t bother tracking out the downtime, but since its not just crowd noise and at times lengthy, I did in this case.

I’ve wanted to share this recording for a long time, but a track or two was officially released and the bonus tracks on the Dead Ahead DVD are also sourced from this show, so it prevented me from sharing this at the usual places. My nephew Stu, who often shares my recordings for me, tried making a case for it being an alternate source and different mix than anything that was officially issued, but it was a no go.

I’d like nothing better than to get this to anyone who’d enjoy it, especially since only audience recordings seem to circulate, but maybe sharing it now will at least get that ball rolling. Alan – October 2007

Grateful Dead
October 29, 1980
Radio City Music Hall
New York, NY

Download FLAC: Amazon Drive

–Set 1–
101-d1t01 – Dire Wolf
102-d1t02 – On the Road Again
103-d1t03 – It Must Have Been The Roses
104-d1t04 – The Race Is On
105-d1t05 – Bird Song
106-d1t06 – Heaven Help the Fool
107-d1t07 – Oh Babe It Ain’t No Lie ->
108-d1t08 – Ripple

–Set 2–
201-d1t09 – Tuning
202-d1t10 – Feel Like a Stranger ->
203-d1t11 – Franklin’s Tower
204-d2t01 – Me & My Uncle ->
205-d2t02 – Big River
206-d2t03 – Candyman ->
207-d2t04 – Little Red Rooster
208-d2t05 – Tennessee Jed
209-d2t06 – Looks Like Rain ->
210-d2t07 – Althea ->
211-d2t08 – The Music Never Stopped

–Set 3–
301-d2t09 – Tuning
302-d2t10 – China Cat Sunflower ->
303-d2t11 – I Know You Rider
304-d3t01 – Estimated Prophet ->
305-d3t02 – Terrapin Station ->
306-d3t03 – Drums ->
307-d3t04 – Space ->
308-d3t05 – The Wheel ->
309-d3t06 – Saint of Circumstance ->
310-d3t07 – Black Peter ->
311-d3t08 – Sugar Magnolia

–Encore–
312-d3t09 – U.S. Blues

Source 1:

This is a tagged version of shnid: 101306

gd80-10-29.fob-sonyecm280.wise-miller.101306.flac16

Recording Info:
(FOB) Sony ECM-280 ->Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->
Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 11, 2009

Notes:
— All disc changes are seamless
— Recorded By Jim Wise (mics laid on shelf under rail @ center lodge)
— Thanks to Jim Wise for lending me his master cassettes
— Thanks to Joe B. Jones for his help with the pitch correction

Source 2:

shnid: 120307

Loge
Dead front center

Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac
Recorded by Keith Gatto & Pete Jaeger

Extracted & flac encoded by Michael Turi

Patched and Edited in Sound Forge Pro. 10.0
Tracked in Audacity 2.0 by dusborne
05-22-2012

—Thank You Keith Gatto and Pete Jaeger for recording the show.
—Thank You Michael Turi For extracting the files from your personal cd’s.
—Thanks to germain for everything;seeding,encouragement,advice and tutelage.

Notes

—This source ran fast, I pitch corrected by -0.3%
—There are no patches, the entire show was recorded, just a few seconds of drums is missing
due to a tape flip.
—Smoothed cuts with fades
—many mic bumps smoothed out as best as could be done without hurting music

Source 3:

shnid: 126919

AUD: 2x Beyer M160’s > Sony TC-D5, Fifth row center orchestra.

Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496.

Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.

Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 02/2014

Notes: Patches from ID-101306; Heaven Help 0:00 > 0:12, OBIANL and Ripple
complete tracks, Rooster 9:35 > 9:47, Ten Jed 2:00 & 2:30 > 2:39, China Cat
5:31, Space 0:17 > 0:38. Up-close stealth recording with the usual intrusive
crowd noises. Light crackle MAMU thru Candyman, sounds like a blown speaker.

CDR: D1= Dire Wolf > Franklin’s, D2= MAMU > IKYR, D3= Estimated > U.S. Blues.

Source 4:

Partial Acoustic Set Only

(dire wolf – missing)
(on the road again – missing)
(it must’ve been the roses – missing)

This is a tagged version of shnid: 140496

source: sbd 2nd gen cassette
Jerry Moore’s copy

nakamichi dragon/c > benchmark adc1 @ 24/96 >
adobe audition cc > fission > xACT
transferred & seeded by Rob Berger 12/2017

Notes:
— This file set is 16 bit

Source 5:

This is a tagged version of shnid: 140899

SBD, with audience patches

DAT archived and transferred by Stuccoholmes
DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0->
Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1

Mastering, Patching & Editing by Jason Chastain in Audition CC 2015
Critical Listening assistance by John Wenzel
Final Mastering by Jamie Waddell in Wavelab 7.1

Patches used:
* AUD (SHNID 101306)
and a few small drop outs repaired using SHNID 140301

Grateful Dead
October 27, 1980
Radio City Music Hall
New York, NY
gd80-10-27.aud-senn441.wise-miller.101293.flac16

Download FLAC: Amazon Drive

This is a tagged version of shnid: 101293
Recording Info:
Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->
Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 10, 2009

Notes:
— Recorded By Jim Wise (center lodge)
— Thanks to Jim Wise for lending me his master cassettes
— Thanks to Joe B. Jones for his help with the pitch correction

–Set 1–
101-d1t01 – Tuning
102-d1t02 – The Race Is On
103-d1t03 – I’ve Been All Around This World
104-d1t04 – Monkey & the Engineer
105-d1t05 – To Lay Me Down
106-d1t06 – Heaven Help the Fool
107-d1t07 – Rosalie McFall
108-d1t08 – On the Road Again
109-d1t09 – Bird Song
110-d1t10 – Ripple

–Set 2–
201-d2t01 – Tuning
202-d2t02 – Alabama Getaway ->
203-d2t03 – Greatest Story Ever Told
204-d2t04 – Friend of the Devil
205-d2t05 – New Minglewood Blues
206-d2t06 – Peggy-O
207-d2t07 – Passenger
208-d2t08 – Row Jimmy
209-d2t09 – Lost Sailor ->
210-d2t10 – Saint of Circumstance ->
211-d2t11 – Deal

–Set 3–
301-d3t01 – Tuning
302-d3t02 – Truckin’ ->
303-d3t03 – Scarlet Begonias ->
304-d3t04 – Fire on the Mountain ->
305-d3t05 – Drums ->
306-d3t06 – Space ->
307-d3t07 – Wharf Rat ->
308-d3t08 – I Need a Miracle ->
309-d3t09 – Bertha ->
310-d3t10 – Johnny B. Goode

–Encore–
312-d3t11 – Casey Jones

Grateful Dead
10-26-80 (Sun)
Radio City Music Hall
New York, NY

Download FLAC: Amazon Drive

This is a flac encoded & tagged version of shnid: 18896
PLEASE NOTE:
This is a Remaster of the original SBD SHN Seed released by Darryl Hinko.

Main Source:
SBD>MR>DAT>CD>EAC>SHN

Patch Source:
AUD(Wise Sony ECM 280ís)>Sony D-5>MC Playback on Nak Dragon>Sony PCM-R700>
Hard Drive via ZA2>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable)
Aud Taper: Jim Wise
Aud Recording Location: Lower Balcony, Front Rail

Remaster Conversion: SHN>WAV>ADWS>SHN(Seekable)

–Set 1 Acoustic–
101-d1t01 – Iko Iko
102-d1t02 – Dark Hollow
103-d1t03 – It Must Have Been the Roses
104-d1t04 – On The Road Again
105-d1t05 – Jack-A-Roe
106-d1t06 – Cassidy
107-d1t07 – China Doll ->
108-d1t08 – Ripple

–Set 2 Electric–
201-d1t09 – Jack Straw ->
202-d1t10 – Sugaree – Officially Released on Beyond Description
203-d1t03 – Little Red Rooster
204-d1t12 – Brown Eyed Women
205-d2t01`- Let It Grow -> – Officially Released on Beyond Description
206-d2t02 – Don’t Ease Me In

–Set 3 Electric–
301-d2t03 – /Jam ->
302-d2t04 – Samson & Delilah
303-d2t05 – Althea
304-d2t06 – Estimated Prophet ->
305-d2t07 – He’s Gone ->
306-d2t08 – Jam ->
307-d2t09 – Drums ->
308-d3t01 – Space ->
309-d3t02 – Not Fade Away ->
310-d3t03 – Stella Blue->
311-d3t04 – Good Lovin

–Encore–
312-d3t05 – Brokedown Palace

false start for Estimated Prophet

–disc 1 total time–77:15.14–
–disc 2 total time–67:48.00–
–disc 3 total time–37:52.42–

Original SBD Notes:
EAC/SHN by Darryl Hinko (flyerfanatic)
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit used for all editing

Remastering Notes:
The SBD I got in SHN format. All patches are redone with mixpaste and
cross fades. I used a stereo expander and multiband compressor in
remastering of the entire show. The original SBD bands were to narrow.
D1t01 Patch preformed from 1:20-1:27.
No other edits far as pops, static, etc. were preformed.

Remastering by T. Wiley 08/15/2003.

Another Installment Of The Music Never Stopped Project!

Thanks to Torbjorn for the download of the SBD Shns,
Darryl Hinko for the SBD release!!

Grateful Dead
October 25, 1980
Radio City Music Hall
New York, NY

Download FLAC: Amazon Drive

–Set 1-
Tuning
Deep Elem Blues
The Race Is On
I’ve Been All Around This World
Monkey & the Engineer
To Lay Me Down ->
El Paso
Bird Song
Heaven Help the Fool
Dire Wolf ->
Ripple

–Set 2–
Tuning
Mississippi Half-Step Uptown Toodeloo ->
Franklin’s Tower
Me & My Uncle ->
Big River
High Time
New Minglewood Blues
Ramble on Rose ->
Looks Like Rain
Deal

–Set 3–
Tuning
Cold Rain & Snow ->
Lost Sailor ->
Saint of Circumstance
Uncle John’s Band ->
Playing in the Band ->
Drums ->
Space ->
The Other One ->
Black Peter ->
Around & Around ->
One More Saturday Night

–Encore–
U.S. Blues

Source 1
This is a tagged version of shnid: 93804

gd80-10-25.aud-nak700.rolfe-miller.93804.sbeok.flac16

Recording Info:
Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B)

Transfer Info:
Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k)
->Samplitude Professional v10.1 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 1, 2008

Patch Info:
Audience Recording (shnid=8726) supplies:
Very short patch at end of Black Peter (forgot to note the times)

Notes:
— All disc changes are seamless
— Recorded front row balcony
— Thanks to Steve Rolfe for lending me his masters

Source 2:

Nak 700’s > Sony D-5 > AMC
Recorded Dead front center loge
by Keith Gatto & Pete Jaeger

AMC > DAT > CDR > EAC > FLac
(EAC > Flac by Michael Turi)

Equalization:
Used a multifilter with the following order:
20-band EQ with linear increases from 0-500 Hz.
One subharmonic synthesizer set at 125 Hz.
Two expanders (dynamic noise in expander mode) to increase the dynamic range.
May, 2012-Dan McDonald

notes:
This recording, like the other Gatto-Jaeger recordings of this run, has excellent high-end energy, but was
lacking a bit in the lower frequencies. The recorder was paused between most non-sequential songs creating
abrupt tansitions, most noticable in the first set. The second set contained several sonic anomalies scattered
throughout. Several songs were not ideally tracked with a couple of songs in the third set combined into
one track. I asked Dan if he could boost the base without affecting the mid-range and high-end and clean up
the transitions and anomalies.

Dan’s Change Log:
101- OK
102- Cross-faded about 2 seconds
103- Cross-faded about 3 seconds
104- Cross faded about 2 seconds; Quasi-fadeout (-12.42dB) for track 4
105- cross-fade to track 6
106- Trimmed about 1/4 sec. of silence from end
107- Trimmed 1/4 sec. of silence from end 107; crossfaded 3 secs
108- faded out 107 and let 108 start as it was because music was already cut for beginning of track 108
109- clapping at first note of Dire Wolf so faded out HHTH applause for about 3 sec then a fast fade in to DW.
110- Did a slightly faster fadeout

201- faded in; anomaly at 5:28 Interpolated so it’s not noticeable now.
202- anomalies at 8:02 & 8:10 (8:02 has a funny sound; fixed the tape start, but not the odd sound;
fixed by cutting out about 1/4 second and interpolating the two pieces; 8:10 fixed the same way)
203- OK
204- anomalies at 5:54, 6:16, 6:29, & 6:52 Interpolated
205- anomalies at 8:55 & 9:04 (crossfaded the first, cut the second out)
206- anomalies at 7:55, 8:51 & 9:03 interpolated
207- OK
208- OK
209- abrupt ending faded out

301- There were two level changes, and a gradual increase in level, so I added 2dB to the second change,
4 dB to the first change, and then added a linear increase from 3 to 0dB for the first few seconds.
Still starts abruptly, but the music sounds about right after it starts.
302/303- blank space cut out; cut to two tracks
304- Crossfade
305- OK
306- anomaly or cut at 8:39 looks like digi-mess from the transfer. Blocky spots and blank spaces.
Only option was to cut it out or paste over from another spot. About 1 second removed.
307/308- Split into 2 tracks
309- Ok
310- OK
311- Redid fade
312- faded in; cut a small section of blank space at the end of song.