Pink Floyd
Sessions for the ‘Zabriskie Point’ soundtrack
Rome, Italy
December 1969

Source 1:

Pink Floyd
Sessions for the ‘Zabriskie Point’ soundtrack
Rome, Italy
December 1969 (#)
&
Civic Auditorium
Santa Monica, CA, USA
May 1, 1970 (*)

Source: very good studio recording / good audience recording
Lineage: original vinyl LP played back on a Bang & Olufsen Beogram
TX 2 linear tracking turntable -> audio CD recorder ->
CD-R -> EAC (V0.95 prebeta 4) -> wav -> Nero Wave Editor 2
(normalizing, declicking and decrackling) -> EAC (further
editing and track splitting) -> mkw (V0.97 beta 1) -> shn
Taped by: –
Transfered by: –

Bootleg Title: “Omay Yad”, Trademark of Quality
File Size: 264 MB (SHN)

Setlist:

1. Oenone #
2. Fingal’s Cave #
3. Interstellar Overdrive *
4. Crumbling Land #
5. Rain In The Country #
6. The Embryo *
   Running Time: 47’57”

Source 2:

Pink Floyd – The Upgrade of Four Famous Zabriskie Point Out Takes – Nov./ Dec. 1969

Here are the most celebrated four famous Zabriskie Point out takes in the best sound quality I ever heard.

This is another product of my wide research about Zabriskie Point.

1 to 4: Pops Fixed and Speed Corrected (by }{eywood)
5 & 6: Untouched Files (by Grolsh)

1. Oenone PF&SC
2. Fingal’s Cave PF&SC
3. Crumbling Land (extended version) PF&SC
4. Rain in the Country PF&SC
5. Oenone – Fingal’s Cave – Crumbling Land (extended version) UF
6. Rain in the Country UF

Source 3:

Ultimate Zabriskie Point, 12/69 Studio, Disc 1 of 2
length: 77:55

1. Heart Beat, Pig Meat (soundtrack version) 3:13
2. Heart Beat, Pig Meat (film version) 2:58
3. Crumbling Land (soundtrack version) 4:16
4. Crumbling Land (fast version) 5:02
5. Crumbling Land (extended version) 5:47
6. Crumbling Land (film version) 0:39
7. Crumbling Land (rock version) 1:47
8. Come In Number 51, Your Time Is Up (soundtrack version) 5:04
9. Come In Number 51, Your Time Is Up (film version) 5:13
10. The Violent Sequence 6:07
11. Love Scene 2 (vibes) 6:34
12. Unknown Song (soundtrack version) 6:03
13. Unknown Song (rough version) 6:46
14. Unknown Song (early version) 6:46
15. Unknown Song (alternate version) 5:55
    bonus:
16. Moonhead (BBC-TV 7/69, documentary on the lunar landing) 5:37

“Unknown Song” was entitled “Rain In the Country” on the “Ommayad” boot.
It’s similar to the 12/68 BBC “Baby Blue Shuffle” track.

Complete Zabriskie Point, 12/69 Studio, Disc 2 of 2
length: 79:45

Source 4:

Pink Floyd
The Complete Zabriskie Point Sessions

December 1969
Recorded in Rome, Italy

Soundboard Quality

01 Rain it the Country Take One
02 The Violence Sequence Take One
03 The Red Queen Theme Take One
04 Fingal’s Cave Take One
05 Theme Take Two
06 Rain in the Country Take Two
07 Love Scene Take One
08 Love Scene Take Two
09 Blues Scene Take One
10 Fingal’s Cave Take Two
11 Love Scene Take Three
12 Love Scene Take Four (REMOVED)
13 The Red Queens Theme Take Two
14 Crumbling Land Take One
15 Unknown Song Take One (REMOVED)

Lineage
Silver CD > EAC > WAV > Flac

Pink Floyd
Zabriskie Point

01. Heart Beat, Pig Meat
02. Country Song
03. Fingalís Cave
04. Crumbling Land
05. Alanís Blues
06. Oenone
07. Rain in the Country
08. Come In Number 51, Your Time Is Up
09. The Violent Sequence
10. Country Song Theme (band)
11. Country Song Theme (acoustic)
12. Take Off (version II)
13. Love Scene 1 (organ & guitar)
14. Love Scene 3 (band)
15. Love Scene 4 (piano & vibes)
16. Love Scene 5 (double vibes)

The History
In the summer of 1969 Michelangelo Antonioni completed the filming of his visionary and prophetic view of America and our society. All that was left was to complete the movie with a good soundtrack. Antonioni was interested in everything that was new and trendy among young people. Don Hall was on the air during his nocturnal DJ program on KPPC FM Pasadena when he was contacted personally by Antonioni at the end of the summer of 1969. Antonioni really liked Don and invited him to have some screenings of the movie. After that Don provided a list of songs he felt would work, most coming from his program. Antonioni asked MGM to hire Don as Music Advisor for the soundtrack and came back to Roma (Don still has a letter from Antonioni, sent from Rome with the list of the songs he’d like to be in the movie, all songs for the radio-desert sequences).

Still they had to find how to score all the main sequences: Beginning, Violent, Take Off, Love and Explosions sequences (and eventually more). Antonioni wanted original music for those sequences. Many artists and bands were contacted to write original music for the movie, but none of them was asked to write the whole soundtrack of the movie.

In October ’69 Don was in Rome with Antonioni trying to find a way to score the whole movie in time for Christmas. Near the end of the month it happened that Clare Peploe (cowriter of the movie and Antonioni’s girlfriend at the time) brought to Rome a brand new copy of the new Pink Floyd album, Ummagumma, from London. Antonioni, Don Hall and Clare listened to the new album with a small stereo at Antonioni’s house in Rome. Antonioni REALLY liked Ummagumma and listened several times to the whole album. He liked ìCareful With That Axe, Eugeneî very much and told Don that he’d like a new version for the final sequence of Zabriskie Point. They decided to try and hire Pink Floyd to record all the original music they needed for the movie. MGM contacted Pink Floyd. After that Steve O’Rourke came to Rome alone during the first days of November ’69 to check and organize it all. All was done in few days, and Pink Floyd came on the 15th of November with Pete Watts and Alan Stiles, cancelling some shows planned for their present tour. Antonioni and Don showed the movie to them several times with some scenes already scored, highlighting those without. At that point Steve and Roger Waters had a talk and asked Antonioni to try to score the whole movie. He, been enthusiastic about Ummagumma, agreed.

Pink Floyd produced a large quantity of music, especially for the Love Scene but Antonioni was not satisfied and the sessions ran longer than planned. In the end Pink Floyd went back to London with some songs to finish. Out of all the entire production of songs, including themes and variations, Antonioni ended up using only three songs. He kept on searching for “something better” till the last days before the premiere of the movie. In London Pink Floyd completed their final versions of eight songs with the intent of them being their eventual album for the Zabriskie Point soundtrack.