Jerry Garcia Band
Warfield Theater
San Francisco, CA
February 26, 1993

Download FLAC: Amazon Drive

Set One: Total Time 60:27
1. How Sweet It Is To Be Loved By You
2. Stop That Train
3. Let It Rock
4. Lazy Bones
5. Run For The Roses
6. Waiting For A Miracle
7. My Sisters And Brothers
8. Everybody Needs Somebody To Love

Set Two: Total Time 64:06
1. The Way You Do The Things You Do
2. And It Stoned Me
3. Money Honey
4. Strugglin’ Man
5. Don’t Let Go
6. Tangled Up In Blue

Jerry Garcia Band is:

Jerry Garcia – guitar, vocals
John Kahn – bass
Melvin Seals – keyboards
David Kemper – drums (2-21-1986 to 11-19-1993)
Jaclyn LaBranch – backing vocals
Gloria Jones – backing vocals

Source 1:

This is a flac encoded & tagged version of shnid: 13035
Taper: Chuck
Source Neumann mics (vintage 1957, tube electronics)>MAC>CDR>
EAC (Secure mode)>shn(MKWACT).

Eac’ed/shn’ed by Charlie Connor
Seeded to fungus, etree and abgd 10/26/02

Correct Sector Boundaries verified with Shntool

Special Thanks to Bob Menke for the audio discs

Source 2:

This is a tagged version of shnid: 76436

Set 2 Only

A 16bit 44.1kHz GEM

Source 1st set only:
DSBD > DAT “This tape was either the master (unlikely) or a copy of it.” – RG

Source and Transfer courtesy of Rich Gastwirt (taper@gastwirt.org)
TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav

Edited and Mastered by James E. (BlingFree@shnflac.net)
*Adobe Audition 1.5 > 44.1kHz .wav > shntool > FLAC (lvl8)

Source 3:

This is a tagged version of shnid: 76799

Set II Only

DTS-Audio-CD 5.1 Mix

Source Info

SBD
DSBD > DAT “This tape was either the master (unlikely)
or a copy of it.” – RG
Source and Transfer by Rich Gastwirt (taper@gastwirt.org)
TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav
Edited and Mastered by James E. (BlingFree@shnflac.net)

AUD
Taper: Chuck
* Source Neumann mics (Vintage 1957, tube electronics) >
MAC > CDR> EAC (Secure mode) > SHN

* This does not appear that it is from a cassette source.
If so, then it was the most time accurate tape deck in
the entire world. My guess is it was recorded onto DAT.

Thanks to the Lossless Legs Community (www.shnflac.net)
for getting me these 2 spectacular sources. Both of these
recordings are top notch. The AUD source is perhaps one
of the best AUDs I’ve heard from the Warfield. I am very
pleased with the results of this project. The 2 recording
mixed very well. Jerry’s notes literally linger in the
air for what seems an eternity. The 5.1 mix leaves you
standing front row at the bar rail. Complete with Jerry’s
guitar floating by as hoot’s and cat calls add to the
experience. Jerry’s tone is very nice and the AUD did a
great job at capturing how things sounded that night in SF.

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave. CEP2.0 was used to align &
synch both of the sources. SF8.0 used to adjust the volume
for the front, center, surround and LFE channels. SF8.0 was
used for the hard limiting on the front and the EQ setting on
the center and LFE shannels. Surcode CD Pro DTS was used to
encode to DTS.
– Mixed by dan@am-dig.com
– FLAC conversion done 15-AUG-2006
– Artwork at 300dpi by dan@am-dig.com
– For best results print at the highest resolution onto glossy
photo paper. Design for use in a clear single jewel case.

DTS-Audio-CD Info

Front
Left Channel SBD
Right Channel SBD

Center
Mixed to Mono -6db D’EQ SBD

Surround
Left Channel AUD
Right Channel AUD

Sub/LFE
Mixed to Mono -5db D’EQ SBD

Notes

The SBD had somewhat low levels with the exception of the
spiking drums. I preformed some hard limiting to try and
contain things a bit better. +3db with a max amplitude of
-.1db.

The SBD had several pops and clicks. Especially noticeable
during “My Sisters and Brothers” but they were located
throughout. using zoom an pencil tool I was able to redraw
and remove 30 or 40 of these pops without disturbing the
music.

The AUD source was a bit overwhelming in the 5.1 mix. While
I usually leave the levels alone, this time I mixed the AUD
into the rear channels at -3db. In my experience louder
rear channels is an undesirable effect.

Source 4:

This is a tagged version of shnid: 76800

SBD + AUD Matrix Mix (50%-SBD/50%-AUD)

Source Info

SBD
DSBD > DAT “This tape was either the master (unlikely)
or a copy of it.” – RG
Source and Transfer by Rich Gastwirt (taper@gastwirt.org)
TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav
Edited and Mastered by James E. (BlingFree@shnflac.net)

AUD
Taper: Chuck
* Source Neumann mics (Vintage 1957, tube electronics) >
MAC > CDR> EAC (Secure mode) > SHN

* This does not appear that it is from a cassette source.
If so, then it was the most time accurate tape deck in
the entire world. My guess is it was recorded onto DAT.

Thanks to the Lossless Legs Community (www.shnflac.net)
for getting me these 2 spectacular sources. Both of these
recordings are top notch. The AUD source is perhaps one
of the best AUDs I’ve heard from the Warfield. I am very
pleased with the results of this project. The 2 recording
mixed very well. Jerry’s notes literally linger in the
air for what seems an eternity. The 5.1 version and the
SBD+AUD matrix mix leaves you standing front row at the bar
rail. Complete with Jerry’s guitar floating by as hoot’s
and cat calls add to the experience. Jerry’s tone is very
nice and the AUD did a great job at capturing how things
sounded that night in SF.

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave. CEP2.0 was used to align &
synch both of the sources. SF8.0 was used to reduce and
fix some of the snaps/pops usuing the pencil tool. CEP2.0
used to adjust the volume for the SBD & AUD and perform the
multitrack mixdown to stereo. This is a 50% SBD, 50% AUD mix.
– Mixed by dan@am-dig.com
– FLAC conversion done 15-AUG-2006
– Artwork at 300dpi by dan@am-dig.com
– For best results print at the highest resolution onto glossy
photo paper. Design for use in a clear single jewel case.

Notes

The SBD had somewhat low levels with the exception of the
spiking drums. I preformed some hard limiting to try and
contain things a bit better. +3db with a max amplitude of
-.1db.

The SBD had several pops and clicks. Especially noticeable
during “My Sisters and Brothers” but they were located
throughout. using zoom an pencil tool I was able to redraw
and remove 30 or 40 of these pops without disturbing the
music.