Murder Mysteries in May

The genre I probably watch the most, the type of movie I’m most likely to sit down with on any given day is the crime genre. I love a good crime story. I love watching detectives (or reporters, or priests, or little old ladies) solving crimes. The best crimes, of course, are murders, and the best type of crime story is a murder mystery.

One of the many things I love about a good murder mystery is how malleable it is. There are a million ways to murder someone and a million other ways to solve the case. There are Agatha Christie-style mysteries in which some high society dame is bloodlessly murdered and an eccentric detective carefully interviews all the suspects and solves the case by putting them all in a room together.

There are hard-boiled stories about gritty murders on skid row. There are film noirs and sexy neo-noirs. There are crime stories that are funny and others that are sad. Some are told matter-of-factly, almost like a documentary, and others are told with stylistic flourishes. I love them all.

So as I was thinking about what kind of movie theme I could have for May I thought about murder mystery, and because I love alliteration Murder Mysteries in May had a distinct ring about it. And here we are.

The Movie Journal: April 2024

poster

I watched 38 movies in April 2024. 30 of them were new to me. 11 of them were made before I was born. It was the Awesome ’80s in April and I watched 21 movies from that decade.

It was a fairly typical month for me. I’d watch a movie or two during the week and then watch several over the weekend. One day I’ll get a life and I’ll only watch 25 movies in a month!

I do love watching movies from the 1980s, especially ones that I’ve not heard of before, or that I’ve never seen because I was too young to be interested in them before. I got to watch films like Breathless, The Killer, and 8 Million Ways To Die – films I probably would have landed on sooner or later, but this month spurned me to watch them sooner and I’m happy about that.

As much as I do enjoy movies from the 1980s it amuses me to look at this month’s list and notice that I alternate the 1980s with films from the 1930s and 1940s.

I’m sure I’ve mentioned before that my family and I watch Doctor Who on Friday nights. As my daughter gets older that is happening less and less. She often sleeps over at a friend’s or has her friends over at our house, or we all just get busy and don’t get to The Doctor. To make up for this my wife and I have been watching movies based on Agatha Christie stories. This month we watched several starring Peter Ustinov as Hercule Poirot and that’s been a lot of fun.

Clark Gable remains my top-watched actor this year with seven movies seen by me. But following close behind are Lee Van Cleef and Humphrey Bogart each with six films watched. All of those Poirot films bumped Peter Ustinov up to third place with four films watched.

And here’s the complete list:

Murder by Decree (1979) – ***1/2
Murder in Three Acts (1986) – ***1/2
Hard Boiled (1992) – ****
Dark Journey (1937) – ***1/2
Dancing Lady (1933) ****
Hospital Massacre (1981) – ***1/2
The Ninth Configuration (1980) – *
John Wick: Chapter 4 (2023) – ****
Starman (1984) – ***
High Noon (1952) – ****
Now, Voyager (1942) – ****1/2
The Witches of Eastwick (1987) – ***1/2
Three on a Match (1932) – **1/2
Sahara (1943) – ****
The Big Shot (1942) – ***
Death on the Nile (1978) – ***1/2
Child’s Play (1988) – ***
The Bounty (1984) – ***1/2
Working Girls (1986) – ****
The Killer (1989) – ****
A Perfect World (1993) – ****
Doctor Who: The Aztecs (1964) – **
Sherlock, Jr. (1924) – ****1/2
Destry Rides Again (1939) – ****1/2
Conquest (1983)- ***1/2
Dead Man’s Folly (1986) – ***
8 Million Ways to Die (1986) – ****
The Entity (1982) – ***
Another Fine Mess (1930) – ***
The Octagon (1980) – *
The Star Chamber (1983) – ***1/2
Breathless (1983) – ****
Streets of Fire (1984) – ****
Into the Night (1985) – ***1/2
Nighthawks (1981) – ***1/2
From Beyond (1986) – ***1/2
Maximum Overdrive (1986) – *
They Drive by Night (1940) – ****

Tom Petty – Las Vegas, NV (10/28/06)

Tom Petty & The Heartbreakers
Vegoose Music Festival – Double Down Stage
Las Vegas, NV
October 28, 2006

I wrote a Bootleg Country article about this show which you can read here.

Taper: Ian White
Location: FOB/DFC
Source: Sennheiser MKH-800s (cards/DIN) @ ~ 10′ > Sound Devices 722 @ 24/96
Conversion: Sound Devices 722 > HP Pavilion > Goldwave 5.14 > CD Wave 1.95 > Wavelab 5.01 > flac 1.1.2

** DO NOT DISTRIBUTE IN MP3 FORMAT **

Total: 01:33:25
01 Intro 00:55
02 Listen To Her Heart 03:59
03 Mary Jane’s Last Dance 06:28
04 I Won’t Back Down 03:37
05 Free Fallin’ 05:29
06 Saving Grace 04:27
07 I’m A Man 03:03
08 Oh Well 04:21
09 It’s Good To Be King 10:46
10 Carol 06:09
11 Cabin Down Below 02:49
12 Don’t Come Around Here No More 07:17
13 Refugee 05:16
14 Runnin’ Down A Dream 08:15
-Encore-
15 You Wreck Me 05:58
16 Mystic Eyes 08:29
17 American Girl 06:07

Compiled by Ian White on 11/03/06

Awesome ’80s in April: Starman (1984)

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I have this very vague memory of watching Starman as a kid. This would have been the mid to late 80s, I was in my early teens, definitely pubescent. I think Mom rented it. I wouldn’t have known who John Carpenter was at that point, but I’d definitely known Karen Allen from Raiders of the Lost Ark, and I’d probably seen Tron by that point and known Jeff Bridges from it.

Starman seems like a very mature movie for me to have watched at the time, so I’m guessing Mom got it for her and since I knew those actors and I liked alien movies I gave it a watch. I definitely remember not liking it, finding it rather boring.

I know I was pubescent because Karen Allen has an early scene in her underwear and that image has stuck in my brain all these years later.

I’ve since become a very big John Carpenter fan, but have put off watching this since that early viewing for having that memory of it being dull.

But it is the Awesome 80s in April and I’ve been watching a lot of early Jeff Bridges movies so I decided to give it another shot.

I still found it to be kind of dull.

Boring means something different to me now, and Starman definitely has its merits, but there is still something flat about it that didn’t appeal to me.

Karen Allen plays Jenny Hayden, a woman living on her own in an isolated lakeside cabin in Wisconsin. She’s a widow, having recently lost her husband in an accident. She spends her nights watching old home movies of him and feeling sad.

The Voyager 2 space probe makes contact with a distant alien race. They send Jeff Bridges (or rather an alien form that eventually takes the shape of Jeff Bridges – or rather Jenny’s late husband who is played by Jeff Bridges).

He immediately decides the planet is hostile and takes Jenny hostage on a road trip to that big crater in Arizona. They eventually become friends, and fall in love. Meanwhile, they are being chased by the Military led by Mark Shermin (Martin Cruz Smith) who is really a scientist interested in aliens, and unlike the rest of the Army men, doesn’t want to hurt the alien.

Basically, it is a road movie with the two leads getting romantic while Bridges is a fish out of water.

Allen and Bridges are great (Bridges was nominated for an Oscar). He gives his alien a lot of physical quirks and ticks. Carpenter and cinematographer Donald M. Morgan created some lovely images. Some of the effects are a little dated, but there’s nothing cringe-worthy.

It is a fine little film, but there’s just not much to it. Carpenter says he was inspired by The 39 Steps and It Happened One Night both of which are much better films. He also says he was trying to get away from the thriller/horror films he’d become famous for. But it should be noted he made Big Trouble In Little China after this.

U2 – Los Angeles, CA (05/15/18)

U2
The Forum
Inglewood, CA
May 15th, 2018

“LOS ANGELES 1ST NIGHT”

XAVEL RECORDS (2018 X-AVEL) matrix: XAVEL-SMS-160

LINEAGE: [XAVEL silver cd’s] > Foobar 2000 > FLAC (5) > .flac

Unknown sourced IEMs with what seems to be audience from the “ambient mix” on Bono’s feed.

TRACK LIST:

CD1

  1. [PA intro: It’s A Zootiful World
  2. Love Is All We Have Left
  3. The Blackout
  4. Lights Of Home
  5. I Will Follow
  6. Red Flag Day
  7. Gloria
  8. Beautiful Day
  9. The Ocean
  10. Iris (Hold Me Close)
  11. Cedarwood Road
  12. Sunday Bloody Sunday
  13. Raised By Wolves
  14. Until The End Of The World
  15. [intermission: Hold Me, Thrill Me, Kiss Me, Kill Me (remix)]

CD2

  1. Elevation
  2. Vertigo
  3. Desire
  4. Acrobat
  5. You’re The Best Thing About Me
  6. Staring At The Sun
  7. Pride (In the Name Of Love)
  8. Get Out Of Your Own Way
  9. American Soul
  10. City Of Blinding Lights
  11. [“Women Of The World”]
  12. One
  13. Love Is Bigger Than Anything In Its Way
  14. 13 (There Is A Light)

Counting Crows – New York, NY (09/03/09)

Counting Crows
Michael Franti & Spearhead
Augustana
Emmy Rossum
AKA “The Saturday Night Rebel Rockers Traveling Circus & Medicine Show”
Central Park Summerstage
New York, NY
9/3/2009

Neumann TLM170(FOB cardoids center, in sweet spot)->Sound Devices 722 (@24/96)

FLAC File processing in SoundForge Audio Studio 9.0c (Peak Level Normalize to 0db; resample to 44.1 with interpolation accuracy 4, anti-alias filter; 24->16 bit highpass triangular dither with high pass contour noise shaping); Tracked in CDWav.

Set 1

  1. intro
  2. Caravan (Van Morrison) +
  3. Hello Bonjour -> *
  4. A Murder Of One ^
  5. A Long December ^
  6. Hanging Tree ^
  7. Omaha ^%
  8. intro to…
  9. Goin’ Back To Georgia (Nanci Griffith) ^$
  10. intro to…
  11. Sweet Virginia (Rolling Stones) %^$
  12. Stars And Boulevards %
  13. Meet You There %
  14. Boston %
  15. intro to…
  16. (You’ve Gotta Walk And) Don’t Look Back -> (The Temptations, made famous by Peter Tosh and Mick Jagger) *%^
  17. Casey Jones (1 chorus + guitar solo) -> *%^ (Grateful Dead)
  18. (You’ve Gotta Walk And) Don’t Look Back -> *%^# (The Temptations, made famous by Peter Tosh and Mick Jagger)
  19. Everybody Ona Move (w/”Billie Jean” jams) -> *
  20. All I Want Is You -> *#
  21. Good Love -> #*
  22. Rude Boys Back In Town -> *#
  23. Tainted Love -> (Soft Cell) *
  24. All I Want Is You *#
  25. The Sound Of Sunshine *^
  26. I Got Love For You *
  27. Delta Lady (Leon Russell) +

Set 2

  1. intro to…
  2. Another Horsedreamer’s Blues (w/Carl Young [Spearhead bassist] on sax) ^
  3. Catapult ^
  4. Hard Candy ^
  5. Mr. Jones ^
  6. Good Times ^
  7. Have You Seen Me Lately ^
  8. A Little Bit Of Riddim *#
  9. Yell Fire! #
  10. banter about the Ryman #
  11. Say Hey (I Love You) #
  12. Just Like A Woman -> (Bob Dylan) %@
  13. Dust %
  14. Twenty Years %
  15. intro to…
  16. Fire %@
  17. intro to…
  18. Angel From Montgomery (John Prine) $@
  19. intro to…
  20. Why Should You Come When I Call? -> ^*
  21. Hanginaround ^
  22. Cecilia (Simon and Garfunkel) +
  23. Redemption Song #
  24. Hey World (Remote Control) *
  25. Raise a Ruckus Tonight -> %
  26. The Rain King -> ^%
  27. With A Little Help From My Friends -> (The Beatles) +
  28. The Rain King +
  29. This Land Is Your Land (Woody Guthrie)
  30. band intros
  31. outro music

Total time: 3:30:07

  • = everyone
  • = Michael Franti & Spearhead
    ^ = Counting Crows
    % = Augustana
    $ = w/Emmy Rossum on vocals
  • = w/Cherine Anderson on vocals

@ = w/Adam Duritz on vocals

Notes: The sound mix in the venue (in addition to being at a suprisingly low volume, even for Central Park Summerstage) was fair for this show. Yes there were a TON of people coming on and off the stage at all times, but that’s no excuse for muddy bass, muddy acoustic guitars, thin sounding organ, and drums that sometimes were WAY too loud. Amazingly this recording sounds really good [maybe even better than it sounded to my ears in the venue] (it starts out kinda iffy but improves as the show goes on), but I never felt like the mix was nearly as good as it could have been. I had been warned that even though Counting Crows allow open taping the venue tries to push you to the back, so I ran just above head height for most of the night (hence the random but luckily infrequent crowd chatter), but slowly slowly raised the stand as the night went on, so by the end I was running at a nice height above peoples’ heads. Wish the setlist could have had a few less Augustana songs and a few more Counting Crows songs, but what can you do? On the other hand, Michael Franti and Spearhead are always a treat, and the freewheeling nature of the interband jamming and large amount of cool covers makes up for it.

Enjoy this massive show!

Recorded, mastered, and tracked by Scott Bernstein (Originally posted 9/10/2009)
Tagging, setlist corrections, and new MD5 file generated 3/9/2023

(One day I will dig out the master files and post a 24 bit remaster!)

The Cure – Manchester, England (04/27/82)

the Cure
27.04.1982
UK, Manchester – Apollo Theatre

Setlist :
Mainset :
the figurehead
the drowning man
m
the hanging garden
in your house
cold
other voices
Siamese twins
three imaginary boys
primary
at night
one hundred years
a short term effect
play for today
a forest
pornography

Encore 1 :
10.15 Saturday night
killing an Arab
all mine

Band :
Robert Smith, Simon Gallup, Laurence Tolhurst

Queen – Providence, RI (04/27/74)

Queen
Palace Theatre
Providence, RI
27 April 1974

Master audience recording taped by Dan Lampinski

01 Procession
02 Father To Son
03 Ogre Battle
04 Son And Daughter
05 Great King Rat
06 Liar (spliced)
07 Keep Yourself Alive
08 Modern Times Rock’n’Roll
09 E: Hey Big Spender
10 Bama Lama Bama Loo

Opening for Mott The Hoople

unknown model dictation style Tape Recorder
External Mono Microphone
Scotch cassettes

Mastered and FLAC’ed by Carl Morstadt (dantalion8@yahoo.com)

Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger

No EQ’ing.

A 24-bit/96-KHz flac24 version of this recording is also available.

Warning/Disclaimer: This recording should not be confused with the series labelled “The Dan Lampinski Tapes Volume XX”. This recording represents part of Dan’s earliest efforts to capture the live concert experience for posterity, hence the series name “Dan Lampinski – The Early Years Volume XX”. Given the very consistent high quality of Dan’s later work, it would have been easy to blow off these recordings and consign them to the dustbin of history, but there are quite a few captures in the series that are well worth circulating, if not for their rarity, but for the obsessive collector types (we know who we are) that want every single second of any recordings of their favourite musicians. So please, just accept these recordings for what they are, another part of the tapestry we weave when we collect and share such things.

Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ’ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.

Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honour his kindness and generosity by sharing these recordings freely.

The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac files for those who prefer the higher resolution.

Always remember – the more generous you are with your music, the more it comes back to you.

Kev & Carl
November 2010