The Doors
1967-06-09
San Francisco
Fillmore Auditorium
(Lennart Wretund interview)
unknown interview recording
lineage: “Stages disc 2” CD > WAV > FLAC
Track list:
- Interview by Lennart Wretund
The Doors
1967-06-09
San Francisco
Fillmore Auditorium
(Lennart Wretund interview)
unknown interview recording
lineage: “Stages disc 2” CD > WAV > FLAC
Track list:
xxxx.xx.xx – Acoustic Submarine
xxxx.xx.xx – The Alternate Sgt. Pepper Pepper’s And A Little More
xxxx.xx.xx – Arrive Without Travelling
xxxx.xx.xx – The Decca Tapes
xxxx.xx.xx – Nobody Sings Dylan Like Dylan, Vol. 3 – George Harrison
xxxx.xx.xx – Nobody Sings Dylan Like Dylan Vol., 14
xxxx.xx.xx – Unpluged
1961-1969 – Acetate Collection
1962.01.01 – London, England
1962.12.xx – Hamburg Germany
1963-1969 – The Beatles Christmas Album
1963-1964 – The Complete Live Collection, Vol. 2 – Before America
1964-1969 – File Under: Beatles
1962 – The Complete Live Collection, Vol. 1 – Star Club
1964 – The Complete Live Collection, Vol. 3 – Conquering America
1964 – The Complete Live Collection, Vol. 4 – Adelaid Reaction
1964 – The Complete Live Collection, Vol. 5 – Seattle Down
1964-1965 – The Complete Live Collection, Vol. 6 – Convention Hall Wisdom
1965 – The Complete Live Collection, Vol. 7 – Les Beatles En Europe
1965 – The Complete Live Collection, Vol. 8 – Sheaken, Not Stirred
1965 – The Complete Live Collection, Vol. 9 – Bowled Over
1966 – The Complete Live Collection, Vol. 10 – Far East Men
1966 – The Complete Live Collection, Vol. 11 – The Last Tour
1967-1968 – The BBC Archives, Vol. 14
1969 – The Other Way of Crossing Abbey Road
1969 – Singing the Blues – Get Back Sessions
1969.01.30 – London, England
Led Zeppelin
“Blues Deluxe”
1969-01-11
San Francisco, Ca.
Fillmore West
Soundboard
This is a remaster of the M>Dat>Flac source.
Original Lineage: M>Dat>Flac
Additional Lineage: Soundforge>Wav>Audacity>Flac
This is a great early Zeppelin show that has the band still discovering what they can do live.
It is most of the 1st set (presumably) and is a nice sounding show. I went in and expanded the sound field to
give it some space and depth and also bumped up the bottom end just a bit to give it a fuller sound. There is a
cut in the middle of How Many More Times that I was able to smooth out considerably. I re-tracked the show a bit
also to give it a smoother flow.
Enjoy!
nakedeye25
Set List:
01)I Can’t Quit You 8:42
02)Dazed And Confused 13:08
03)You Shook Me 8:14
04)How Many More Times 8:17
05)Communication Breakdown 3:58
Fleetwood Mac
19880605
Nuerburg, Germany
Open Air Rock am Ring
Source: Soundboard
Lineage: FM broadcast(SWR3 radio station) > cass(m) > Philips CDR570 > CDWave > Nero > FLAC
Quality: 9
Comments:
Notes:
Fixed a couple minor tracking issues
^ 00:15 splice
% 02:04 Traffic/News break removed (bastards!)
Set 1:

This is the week of Thanksgiving. At least in the United States it is. Though I suspect that has started to take hold in other countries as well. At least the pre-Christmas sales aspect anyway. Black Friday, the day after Thanksgiving, was traditionally the biggest sales day for American retailers. But the Internet ruined that. Why do we need to go to the store at some un-godly hour Friday morning to get the sales, when you can just shop at home in your pajamas?
First, there was Cyber Monday, then Small Business Saturday. Then the big box stores started opening up on Thanksgiving Day for their sales, now it seems like everyone starts running sales the day after Halloween and they don’t stop until Christmas Day.
I’ve been writing a Pick of the Week column for many years now. Traditionally this week saw a huge collection of new releases, boxed sets, and special editions. Then every week until Christmas week there would be more.
This week seems pretty tame for some reason. Last week saw some good releases, and I’m sure there will be even more in the coming weeks, but that bonanza we usually see this week seems to be missing.
Oh, lots of stuff is coming out, mostly 4K UHD editions of films you probably already own on Blu-ray. I suppose I should be excited about those, but I’m not. They won’t even get a mention. Someday I might be excited about those bumps in video quality, but today is not that day.
Instead, my pick this week is an old Peter Bogdanovich film getting a 4K release from Criterion. Which, come to think of it, I guess I’ve just contradicted myself because here I am getting excited about a UHD release of a film that has already had a Blu-ray release.
I contain multitudes.
I’ve not actually seen Paper Moon before, but I recently watched Bogdanovich’s debut film, Targets, and quite liked it and when he died everyone talked about Paper Moon so here we are.
The film is set during The Great Depression and stars Ryan O’Neal as a man who gets saddled with Tatum O’Neal (who is Ryan’s real-life daughter and may or may not be his character’s daughter in this film) with whom he forges a unique bond. Criterion is filling it with their usual extras and care.
The Shape of Water: Criterion Collection is also giving Guillermo del Toro’s unusual love story between a woman and a fish-man the 4K UHD treatment.
That’s Entertainment: To celebrate their 50th anniversary in 1974 MGM created this clip-reel compilation of many of their best musicals. Then they got many of the stars of those films to introduce the clips. I can remember watching this as a kid on television and I guess it started my love of musicals. This release has cleaned up a lot of those old clips so it should look better than ever.
xxxx.xx.xx – Nobody Sings Dylan Like Dylan, Vol. 11
xxxx.xx.xx – Nobody Sings Dylan Like Dylan, Vol. 37-38
1969.05.11 – San Diego, CA – w/Grateful Dead
1971.07.04 – San Francisco, CA
1972-1994 – Rolling Stones & Friends
1975.06.28 – Uniondale, NY – w/Eric Clapton
1975.08.14 – Los Angeles, CA – w/Eric Clapton
1980.01.13 – Oakland, CA – w/Grateful Dead
1981.07.26 – Tokyo, Japan – w/Herbie Hancock
1984 – I’d Rather Be Lucky Than Rich w/Bob Dylan
1984 – Various Interviews w/Bob Dylan
1984.06.03 – Munich, Germany – w/Bob Dylan
1984.06.13 – Berlin, Germany w/Bob Dylan
1984.06.16 – Cologne, Germany – w/Bob Dylan
1984.06.19 – Rome, Italy – w/Bob Dylan
1984.06.26 – Madrid, Spain
1984.07.07 – London, England – w/Bob Dyan
1986.09.25 – Dusseldorf, England – w/Van Morrison
1987.02.15 – Petaluma, CA – w/Olatunji & His Drums of Passion
1987.08.22 – Angels Camp, CA – w/Grateful Dead
1987.08.23 – Angels Camp, CA – w/Grateful Dead
1989.03.17 – Santa Rosa, CA – w/John Lee Hooker
1990.04.28 – San Luis Obispo, CA
1991.04.28 – Las Vegas, NV – w/Grateful Dead
1992.10.10 – Mountain View, CA
1992.10.11 – Mountain View, CA – w/Bonnie Raitt
1993.01.26 – Oakland, CA – w/Grateful Dead
Bela Fleck Trio
2005-06-18
Telluride Bluegrass & Country Music Festival
Town Park
Telluride, Co
Bela’ Fleck-Banjo
Casey Driessen-Fiddle
Brian Sutton-Guitar
*w/Bobby McFerrin-vocals
Thanks to Planet Bluegrass for allowing taping!
Schoeps mk2S’s(split ~3 ft)>kc5>cmc6>Oade M118>Apogee Minime> Tascam DAP1 @ 16/48
FOB-DFC
DAT Trasnfer Tascam DAP1>HHB 830 cd stand alone
CD extraction via cd wave editor
cool edit pro>cdwave editor>flac16
Taped, transferred and uploaded by Richard Skaggs.
skaggsre@hotmail.com
1975.xx.xx – Before the Flood, Demos
1976-2002 – A Rare Tracks Collection
1977.xx.xx – Radio Interviews
1977.03.05 – Passaic, NJ
1977.03.06 – Rochester, NY
1977.03.13 – Detroit, MI
1977.03.15 – Cleveland, OH
1977.03.19 – New York, NY
1977.03.22 – Toronto, Canada
1977.04.03 – Houston, TX
1977.04.09 – Los Angeles, CA
1977.04.10 – Los Angeles, CA
1977.04.29 – Manchester, England
1977.09.02 – Courtrai, France
1977.09.10 – Paris, France
1977.09.19 – Brighton, England
1977.10.04 – Paris, France
1977.10.09 – Copenhage, Denmark
1977.10.11 – Stockholm, Sweden
1977.10.26 – Lille, France
1978.08.23 – Oxford, England
1978.08.25 – Lancaster, England
1978.08.31 – Oslo, Norway
1978.09.09 – Knebworthth, England
1978.09.04 – Bremen, Germany
1978.09.15 – Essen, Germany
1978.09.29 – Huntington Beach, CA
1978.09.30 – Los Angeles, CA
1978.10.04 – New York, NY
1978.10.07 – Geneseo, NY
1978.10.09 – Union, NJ
1978.10.15 – Montreal, Canada
1978.10.20 – Royal Oak, MI
1978.10.21 – Kent, OH
1978.11.04 – New York, NY
1978.11.21 – Los Angeles, CA
1978.12.16 – Basel, Switzerland
1978.12.20 – London, England
1978.12.21 – London, England
1978.12.23 – London, England
1978.12.24 – London, England
1979-2004 – Secret World
1979.06.23 – Glastonbury, England
1979.08.26 – Reading, England
1979.11.xx – London, England
1979-2004 – Secret World
1979-2010 – Scraping the Bottom
1980.02.24 – Leicester, England
1980.02.25 – Sheffield, England
1980.03.04 – Liverpool, England
1980.03.05 – Manchester, England
1980.03.07 – Cardiff, Wales
1980.05.26 – Radio Victory Interview
1980.06.17 – Santa Ana, CA
1980.06.19 – Los Angeles, CA
1980.06.xx – Los Angeles, CA
1980.06.22 – San Francisco, CA
1980.06.23 – San Francisco, CA
1980.07.05 – Quebec City, Canada
1980.07.07 – New York, NY
1980.07.08 – Boston, MA
1980.09.04 – Berlin, Germany
1980.09.09 – Paris, France
1980.09.10 – Paris, France
1980.09.12 – Paris, France
1980.09.14 – Nantes, France
1980.09.21 – Geneva, Switzerland
1980.09.30 – Torino, Italy
1983.07.03 – Werchter, The Netherlands
1983.07.09 – London, England
1983.07.27 – Worcester, NY
1983.07.29 – Forest Hills, NY
1983.08.08 – Vancouver, Canada
1983.08.17 – Los Angeles, CA
1983.09.17 – Manchester, England
1983.09.18 – Liverpool England
1983.10.01 – Copenhagen, Denmark
1983.10.02 – Hamburg, Germany
1983.10.04 – Dusseldorf, Germany
1983.10.05 – Frankfurt, Germany
1983.10.06 – Munich, Germany
1983.10.10 – Hanover, Germany
1983.10.15 – Clermont Ferrand
1983.10.19 – Avignon, France
1983.10.28 – Brest, France
1984-2002 – The Non Album
1986.11.07 – Rochester, NY
1986.11.09 – Syracuse, NY
1987.07.21 – Philadelphia, PA
1986.11.04 – Poughkeepsie
1986.11.11 – Largo, MD
1986.11.12 – New Haven, CT
1987.07.21 – Philadelphia, PA
1993.09.19 – San Francisco, CA
Peter Gabriel
Palasport, Torino, Italy
September 30, 1980
Soundboard-recording, using several sources, including a tape generously donated by LC!
Disc 1:
1 Intruder – 7.22
2 The Start – 1.41
3 I Donít Remember – 5.12
4 Solsbury Hill – 5.43
5 Family Snapshot – 7.03
6 Milgrams ë37 – 3.40
7 Not One of Us – 5.59
8 Lead a Normal Life – 4.19
Disc 2:
1 Moribund the Burgermeister – 5.21
2 Mother of Violence – 4.20
3 Humdrum – 4.22
4 Games without Frontiers – 4.34
5 Band Introductions – I Go Swimming – 1.23
6 Biko – 11.08
7 On the Air – 7.13
8 D.I.Y. – 5.05
9 Here Comes the Flood – 2.28
Total Running Time: 40.59 + 45.54 = 86.53
Soundboards are a rare thing for the tour supporting Peter Gabrielís third album, also known as
ëMeltí among fans. What is available from the mixing desk is not in stellar quality either
sadly, and the same goes for this particular recording of the Torino gig nearing the wind
down of the tour. However, using several sources, a very listenable release was possible
that gives a somewhat different perspective than being in the audience.
Not changing much throughout the China 1984 tour (which, in true Gabriel tongue-in-cheek
humour, would of course never visit China, nor would it take place in 1984), the setlist
is the usual one, missing ëAnd through the Wireí. ëModern Loveí was actually part of the
set too, but missing on the soundboard recordings of this show, as is pretty much all of
ëI Go Swimmingí, and the ending of ëMilgramís 37í.
Focusing on what has been captured, the show starts off with a long drummachine intro
for ëIntruderí, setting the tone for the rest of the show: dark, raw and gritty. Almost
any track off the third album is featured here, excepting the before mentioned ëAnd
through the Wireí and ëNo Self Controlí, which would only be included from the next tour
on. A great rendition of ëBikoí signals the end of the gig, where apparently a few members
of the crowd are able to catch Gabrielís microphone and decide to join the sing-along
chorus, before this is quickly turned off by the engineer.
After a rousing ëOn the Airí, the crowd is treated to a very pure and raw version of
ëD.I.Y.í, after which Gabriel returns to the stage for one other final song, in the form
of ëHere Comes the Floodí, singing the chorus on the absolute top of his voice.
After this, only a handful of dates in France, Spain and Portugal would be played before
the tour would come to an end.
WHAT WAS DONE?
The process of this remaster is somewhat fading away, since it’s already a few months old
and the entire process is not really clear to me anymore.
What is left in my memory though:
First of all, there is some doubt as to if this is really a soundboard, or just an
audience recording, with almost no crowd noise present. In my opinion this is a soundboard
as some of the sounds are too close and dry in the source to make it an audience recording.
Also, the best proof for me is the fact that I’ve heard of the existence of the master
soundboard tape.
For the remaster, several sources were used. Modern Love and I Go Swimming were played as
well, but not on the soundboard recordings. Most sources around are not pretty, with some
being very distorted, others very generated. The best source I could work with was LC’s
tape, which was a tad hissy, but didn’t have many distortion, making it a lot more
listenable. Also it wasn’t denoised like some other recordings. 2/3 of the remaster comes
from LC’s tape.
Most of the other songs use one of the other complete sources. Mother of Violence is from
a different source, an attrocious source sadly, and it’s quality-wise the low point of
the recording, but I wanted to include it for completeness.
The remastering process included the usual steps I take in remastering, including using
one channel (mono source), equalisation, noise reduction, multiband compression/expanding,
and some slight effects to create a sense of stereo.
THANK YOU TO:
Thanks to LC for generously donating a tape for part of this remaster!
As always, hope you enjoy this remaster!
Jesper Moonen
October 24, 2007
If you have any comments, a question, or perhaps even have an unusual Gabriel
recording (on tape, CD, or anything else), which you would like to offer to the
project, just send me an e-mail at sledgehammer86 AT hotmail DOT com
THE ROLLING STONES
HOW BRITAIN GOT THE BLUES
Remastered Edition
Pitch, phase and level corrected, de-thumped and retracked at Remasters Workshop July 16 & 17, 2010 from the 2000 CD on Bad Wizard BW 6134.
This CD was pirated by an unidentified label and issued as “Beginning Of The English Blues.” It was for sale briefly on Amazon (it’s unavailable now and will probably remain so), where a reviewer left these (edited for coherence) comments:
A great compilation of obscure 1961-1964 recordings. What will pique the interest of the hardcore Stones aficionado the most are the first eight tracks: the very earliest Rolling Stones recordings, which have rarely, if ever surfaced on other CDs. The first four songs are labeled as dating from a tape of Little Boys Blue, a pre-Rolling Stones lineup of the group, recorded (probably at a private rehearsal) in late 1961. Dick Taylor (later of the Pretty Things), guitarist Bob Beckwith, and Allen Etherington (on maracas) were part of Little Boys Blue on this recording. While the track listings are vague as to what actual future members of the Stones also participated, it’s certain that Mick Jagger’s on lead vocals, and possible that Keith Richards and Brian Jones are on the guitars.
Included are unreleased versions of the Jagger-Richards compositions “It Should Be You” and “My Only Girl” (aka “That Girl Belongs To Yesterday”). There’s also “Leave Me Alone,” a Jagger-Richards original not released by anyone! There’s also the unreleased studio effort “Goodbye Girl,” a routine blues-rocker dated as having been recorded in November 1964 and written by Bill Wyman. While these are no doubt fascinating for the Stones fan, as well as historically important, the subsequent 24 BBC session tracks are better music. Those BBC performances include many songs that didn’t appear on the group’s early releases, such as covers like “Roll Over Beethoven” (a different version than a more commonly circulated one also recorded around this time for another BBC session), “Meet Me In The Bottom,” Jimmy Reed’s “Ain’t That Loving You Baby,” “High Heel Sneakers,” and Bo Diddley’s “Crackin’ Up.” The fidelity on these is generally very good, with the performances different enough from the studio versions to make them quite interesting!
Track 1 was in a sorry state in its original incarnation. It’s a mono recording, but the levels on the two tape tracks were wildly varied and would occasionally drop out in one channel or the other. These anomalies were straightened out, gaps filled by cloning and levels fixed so that it sounds as normal as possible. There was also a repeated segment of a couple of lines; I don’t know whether the original CD is that way, or it came that way on the recording I received, but I edited it out. This may be the best version of this track available now.
All the recordings but two were at the wrong speed – some a little bit and some a lot, and all were out of phase. The makers of this CD added stereo reverb to everything (can’t leave a good thing alone), but its effect is negated because after phase correction, the channels were combined to true mono. Levels were all over the place, with volume swells and dips in many places; those are fixed now, too. Occasional thumps that are often heard on tape recordings via microphone from tube radios have been eliminated.
The early studio recordings were very, very dull. They have been brightened here so you can tell what’s going on. No EQ was applied to the other tracks. All work was performed in 32-bit in Adobe Audition 3, and the tracks were split on sector boundaries in CD Wave.
Track listing:
01 Little Queenie
02 Beautiful Delilah
03 Down The Road Apiece
04 I Ain’t Got You
[late 1961 or early 1962, Dartford, home demos – Little Boys Blue]
05 Leave Me Alone
[November 20 & 21, 1963, London, Regent Sound Studios]
06 Goodbye Girl
[November 8, 1964, Chicago, Chess Studios]
07 It Should Be You (take II)
[November 20 & 21, 1963, London, Regent Sound Studios]
08 My Only Girl (aka “That Girl Belongs To Yesterday”)
[November 20, 1963, London, Regent Sound Studios]
09 Ain’t That Loving You Baby
[October 8, 1964, BBC London]
10 Don’t Lie To Me
11 Mona I Need YOu Baby
12 Walking The Dog
13 Bye Bye Johnny
14 I Wanna Be Your Man
[February 3, 1964, BBC Saturday Club]
15 Roll Over Beethoven
[March 8, 1964, BBC Saturday Club]
16 Little By Little
17 I Just Wanna Make Love To You
18 I’m Moving On
[April 10, 1964, BBC Joe Loss Pop Show]
19 Not Fade Away
20 Beautiful Delilah
21 High Heeled Sneakers
[April 13, 1964, BBC Saturday Club]
22 Down In The Bottom
23 You Can Make It If You Try
24 Route 66
25 Confessin’ The Blues
26 Down The Road Apiece
[May 25, 1964, BBC Saturday Club]
27 It’s All Over Now
28 If You Need Me
29 Carol
[July 17, 1964, BBC Joe Loss Pop Show]
30 Around And Around
31 I Can’t Be Satisfied
32 Crackin’ Up
[July 17, 1964, BBC Top Gear]
Artwork is included.
Please preserve the lossless quality of this material.
Enjoy!
Remasters Workshop
RMW 578