1998.08.12 – Santa Barbara, CA
1998.11.14 – San Francisco, CA
2002.07.06 – Los Angeles, CA
2010.02.09 – Santa Barbara, CA
Category: Neil Finn
Neil Finn – Santa Barbara, CA (02/09/10)
Neil Finn
2/9/10
SOhO
Santa Barbara, CA
Neumann AK-40s (x/y) >LC3 >KM-100’s >Beyer MV-100 >Sony TCD-D8 (16bit/44.1kHz)
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35
(Recorded, Transferred, FLAC, Tags (Via xACT 2.53), & Front Cover Artwork By OldNeumanntapr)
Disc One:
- Too Blue
- Little By Little
- Girl Make Your Own Mind Up
- Red Wine Bottle
- The Ties That Bind Us
- Reptile
- What Could Have Been
- Jimmy Scott Song > guitar malfunction
- Fairies
- All Comedians Suffer
- The Water
Disc Two:
- Faster Than Light
- Driving Me Mad
- There Is A Light That Never Goes Out
- Don’t Dream It’s Over
- Spirit Of The Stairs
encore
- Four Seasons In One Day
- Weather With You
Neil Finn – Acoustic Guitar, Piano & Vocals
Lisa Germano – Piano, Violin, Flute & Vocals
Sebastian Steinberg – Stand Up Bass, Electric Guitar & Vocals
Wally Ingram – Drums
OldNeumanntapr Notes;
Neil was in town for The Sun Came Out (the Neil Finn / Crowded House / 7 Worlds Collide movie) that premiered at the Santa Barbara Film Festival. He played one show at SOhO, in Santa Barbara after the Film Festival and my friend Dave and I went and I recorded the concert. The first half of the shows seemed to consist of songs from the film, and the second half featured old favorites. This was my second time seeing a show at SOhO, the first being the previous May for Willie Waldman and the North Indiana Allstars. To date, this was the last time that I have recorded Neil Finn.
Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉
Neil Finn – Los Angeles, CA (07/06/02)
Neil Finn
7/6/02
House Of Blues
Hollywood, CA
FOB; Neumann AK-40’s (x/y) >LC3 >KM-100’s >Beyer MV-100 >Sony TCD-D8 (16bit/44.1kHz)
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35
(Recorded, Transferred, FLAC’d, Tagged (Via xACT 2.53), & Front Cover Artwork By OldNeumanntapr)
Disc I:
- Pineapple Head
- Driving Me Mad
- One Step Ahead
- Hole In The Ice
- Into The Sunset
- Fall At Your Feet
- Don’t Dream Its Over
- Only Talking Sense
- Sinner
- Last To Know
- Strange As It Seems
- Human Kindness
Disc II:
- There Is A Light That Never Goes Out
- Down On The Corner
- She Will Have Her Way
- Private Universe
- How Soon Is Now?
- Take A Walk
- Turn & Run
- Weather With You
- World Where You Live
- It’s Getting Better
- Sweet Home Alabama
- Talk
- Lullaby Requiem
OldNeumanntapr Notes;
I really enjoyed recording Neil Finn in 1998 and I jumped at the chance to see, and record him again. I had gone with Dave, and my girlfriend Genéte, who would later become my new wife, to see Neil Finn at Slim’s in San Francisco on March 10 2002, but my Sony D7 DAT recorder mis-loaded and I lost the entire recording. (It would have been so good too, because I was able to get my Neumanns inside and I was set up directly in front of the center ceiling post. I was so mad later that night when I tried to unload the tape and found it was all bunched up in the machine I nearly threw the deck out the window onto the 101 Freeway!)
I retired the Sony TCD-D7 DAT recorder after the ill-fated Slim’s Neil Finn show, and replaced it with a new Sony TCD-D8 (the newer model.) It was brand new for the House of Blues show.
We got to the venue early and had to stand for at least 90 minutes before doors opened. Genéte wasn’t having a good time because she had recently broken her toe and was suffering through the long wait outside the club. I remember that she made a comment like “I can’t wait to get inside and sit down”, and Dave told her that it was a standing only show. THAT went over like a lead balloon! There is a really funny story that went along with the Neil Finn show at Slim’s. Slim’s was in a warehouse district in San Francisco and what we mistook for a boarded up warehouse, painted black, next door to Slim’s was actually the D & A Lounge, a gay bar. When we got out of the show at close to midnight there was a long line of people waiting to get into the club next door. Genéte was shocked at the clientele, but Dave and I didn’t mind the transgenders and gay men that we walked by. There was one guy that I noticed that had patent-leather chaps over tight fitting jeans that had the butt cheeks cut out! San Francisco is known for its wild alternative nightlife and we took it in stride. Live and let live.
Because my recording from Slim’s was a total failure, I really wanted to try and get a decent recording of another Neil Finn show. Fortunately we were able to get tickets for the July 6th show at the House of Blues, in Hollywood.
I went with my friend Dave in his Toyota Celica to this show in Hollywood and they stopped me at the door with my taping gear in a bag. We went back to the car and Dave made a comment like, ‘That’s too bad that you couldn’t get your tape recorder in.’ I looked at him and said that I didn’t come all this way to go back empty handed, and he gave me a quizzical look. I was definitely going to give it my all to get a recording, especially after the equipment failure at the San Francisco show a few months prior.
I took the gear out of the bag and disassembled it into component parts and put the microphones and active cables into a small zip log bag and I went into stealth mode. I secreted the mics and DAT recorder on myself and gave the preamp to Dave to take in for me. We went through security without a hitch, even with the metal detectors, and I had to set up in the men’s room, which was kind of weird because there was an attendant inside the foyer. This was another down-and-back in the same night show where we didn’t stay overnight.
As I remember, the House Of Blues in Hollywood has a movable wall that folds down before the show starts so that the dining room patrons can see the stage.
There were a few songs that I hadn’t heard before, and he did some of my favorites as well. This was the only time that I had been to the House Of Blues in Hollywood. Dave pointed out the Whisky and also the Roxy, famous Hollywood clubs that were across the street. Unfortunately I’ve never been to either of those. I would have loved to have seen the Doors when they were the house band at the Whisky back in the 60s. There are quite a few shows from the Roxy in my collection that I wish I could have recorded.
I included a scan of the Neil Finn Slim’s show ticket where my DAT recorder mis loaded and led to me wanting to try again. Fortunately I was successful at the House Of Blues!
Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉
Neil Finn – San Francisco, CA (11/14/98)
Neil Finn
11/14/98
The 7th Note*
San Francisco, CA
Nyquist Omnis >Sony SBM-1 >Sony TCD-D7
DAT Master Transfer: Tascam DA-30 > HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35
FLAC Tags Via xACT 2.53
Recorded, Transferred, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr
Location: under the rear ceiling monitors
Disc One:
- Intro
- Last One Standing
- Private Universe
- Devil You Know
- Try Whistling This
- Message To My Girl
- Faster Than Light
- ‘Neil can I sing with you?’
- Distant Sun
- Pineapple Head
- Into Temptation
- Honey Don’t Think
- Souvenir
- Four Seasons In One Day
- Close To You
- King Tide
- Ben Ben Ben
- Only Talking Sense
Disc Two:
- She Will Have Her Way
- Sinner
- Suffer Never
- Weather With You
- Carpenter’s Medley
- Fall At Your Feet
- Fuzzy
- I Got You
- Pale Blue Eyes
encore
- Don’t Dream It’s Over
Grant-Lee Phillips sings the lead vocal on “Fuzzy.” “Last One Standing” fades in.
*Formally ‘Wolfgangs’.
OldNeumanntapr Notes:
I remember this show well. I drove up to San Francisco to see my friend Allen Chen who was a Stanford University student at the time and also meet up with a friend from New Zealand who was flying into to SF airport for a layover on her way to Vancouver. I tried to persuade Monica to go to the Neil Finn show with Allan and myself but she declined. Oh well. She missed a great show! Neil played at the 7th Note, which is the old Wolfgang’s in North Beach on Columbus. I recorded this show with custom-made Nyquist omni mics in a hat->Sony SBM-1->Sony TCD-D7 DAT under the rear ceiling monitors. We were in the back (but under the speakers) because it took FOREVER to find parking. (Hey, imagine that!). We finally had to park on the sidewalk between driveways like so many people do. Fortunately the car was not towed. Dave Dobyn opened and then Neil played his set with Grant Lee Phillips as a special guest. The airlines lost Neil’s bags when he flew in from Los Angeles so he made comment between songs about his food-crusted shirt from the airplane. It was a great set and the recording sounds very nice too. There was a guy named Tom who was holding up a sign that said ‘Neil can I sing with you’. Neil made up a song about the sign on the spot and then called him up later to sing ‘I Got You’ with the band. Tom made a joke that he wanted to be paid so Neil reached into his pocket and handed him a $100 bill! He said, ‘I’m going to regret that later so you better go.’ I wonder if he still has the C note. Funny. Later in the set, Grant Lee Phillips played a joke on Neil and asked him if he could have a ‘bottle on stage’. Neil said sure, and that the only thing he didn’t like was smoking on stage. Grant had a seven-foot-tall inflatable bottle of Bacardi rum brought on stage. Neil made a comment that, ‘You could sail to New Zealand in that thing!’ They threw the bottle out into the audience and it was passed around over everyone’s heads. All in all, it was one of the best shows that I’d seen in San Francisco. When the show ended I saw my friend Bonnie Harris, a Schoeps taper, who had gotten there really late and was unable to record so I made her a copy of my tape. I went with Allan in his Volvo back to Stanford University and spent the night in my Alaskan camper on my ’89 F350 crew cab 4×4 and went home the following morning.
This review was posted to a Neil Finn message board not long after the show and I saved it. I’m not sure who wrote this one:
“Subject: 7th Note, SF – $100, A 7Ft. Bottle, Improv aplenty…
Another remarkable sold out show in San Francisco last night, which saw one
bizarre occurrence after another.
Dave Dobbyn did his customary acoustic set (receiving a huge response from
the crowd which clearly delighted him) and was joined by Neil on piano for
the closing “Hallelujah Song”.
This show was considerably looser and more playful than previous ones.
Neil’s stage attire looked like a departure – he explained that his baggage
was lost at the airport, so he was wearing his “plane clothes”. Not a lot
of luck with services in San Francisco then, because Neil was unable to get
a cab to the show – there was a 45 minute wait. Imagine the spectacle of
Neil and Dave Dobbyn arriving outside the venue by Cable Car, as that’s
what they did. Damn Tourists !!!
There were early departures from the norm – a wonderful solo acoustic Devil
You Know which soon led to an improvised “Neil, Can I Sing With You?” in
response to the “subtle” sign held aloft by listee Tom “Dork” Bishel. His
moment came later, but first we had more great moments including “Into
Temptation” which also received an airing at The Fillmore in August. Play
it every time you come to SF Neil, fine by me !
Guest Grant Lee Philips then joined Neil for a rendition of Grant Lee
Buffalo’s “Honey Don’t think”.
When I found Grant was to be Neil’s guest I wondered what they could do
together, having seen Grant Lee Buffalo perform a few times.
They sang well together and songs like “Only Talking Sense” and “Fall at
your Feet” really worked well.
There was a degree of confusion and unfamiliarity on occasion which
hysterically led to a duet and audience singalong on The Carpenters’ “Close
To You” (Yes, REALLY), but things gelled well and Grant’s personality
worked well with Neil’s – “I want to be like Neil Finn when I grow up”.
Grant clearly admires Neil, asking incredulously at one point “Did he just
make that up ??” after one of the many improvs of the evening.
They jammed a lot, particularly when Grant was on electric guitar – one of
these was a really funny song for Neil’s guitar tech, Ben. The lyrics of
the chorus and verses consisted of repeating the word “Ben” as often as
possible – this was done in a vain attempt to get the bashful chap to
demonstrate his dancing ability, which Neil assured us was excellent. Neil
even tried to drag him onstage but lost that tog-o-war.
The words “Ben, Ben, Ben..” were even funnily inserted into “She Will Have
Her Way” later on. Somewhere in the set Frank & Nancy’s “Something Stupid”
got an abbreviated rendering.
Thankfully Dave Dobbyn joined Neil for a few songs, funnily arriving
onstage in his Quasimodo guise. Dave fared well, but there were a few
ragged moments, particularly during “Sinner” which Neil restarted after
some discussion about which key/chords to use.
Neil continued the welcome trend of performing one of his guest’s songs
with them – a really good version of Grant Lee Buffalo’s “Fuzzy” from their
debut LP of the same name (well worthy of investigation Finn-fans !)
At some point Grant asked if it was okay to bring a bottle onstage – Neil
said that was fine by him, but he probably didn’t envisage a 7ft tall
inflatable liquor bottle which just about fit below the ceiling !! It
rested against his piano for a period of time before Neil gave in to the
urge to launch it into the audience – almost decimating the 7th Note’s
glitter ball in the process. So we had the almost surreal spectacle of a
7ft. inflatable bottle traveling around the club above the crowd during
“Don’t Dream It’s Over”.
Tom finally got his moment late in the set, when after persistent
canvassing, Neil invited him to join Grant, Dave and himself to sing “I Got
You”, which he did a great job of (it was Neil who forgot the lyrics!).
This was not a run of the mill run through the song however, and Tom
reacted well when Neil departed to ad-lib land mid-song. Tom followed and
at one point Neil ad-libbed lyrics about him having perfect pitch.
After the song ended, Tom asked Neil to do another one and in response Neil
reached into his pocket and handed him a $100 bill (!). Now many fans have
shared a stage with Neil, but surely Tom is the first to be paid to sing
(or stop singing ! ??, ha !). Neil told him to take it quickly before he
changed his mind. After the show Tom thanked Neil and was told to keep the
$100.
Before ending with “Don’t Dream..”, Neil urged Grant to attempt The Velvet
Underground’s “Pale Blue Eyes” in honour of Nick Seymour and they did a
fine job of it – If the Lou Reed in NY prediction is true, this could get
very interesting next Monday.
Again spotted that there were 2 tall mikes each side of the stage angled
towards the audience – keep your fingers crossed for some B-sides !
Lots of familiar faces from all over the West Coast in evidence last night
(Hi all !!) and the SF audience reaction/participation was phenomenal. What
a night.”
Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉
Neil Finn – Santa Barbara, CA (08/12/98)
Neil Finn
8/12/98
Lobero Theatre
Santa Barbara, CA
‘Sings Like Hell’ Singer Songwriter Series
Front Row Center: Nyquist Omnis >Sony TCD-D7
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35
FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Smooth Out Minor Level Imbalances, Amplify By 8.2db, Re-Track On Original Index Points) >FLAC (Level 8) + Tags Via xACT 2.53
July 2024 Remaster
(Recorded, Transferred, FLAC’d, Tagged (Via xACT 2.53), & Front Cover Artwork By OldNeumanntapr)
Disc I:
- Twisty Bass
- King Tide
- I Got You
- Truth
- Dream Date
- Try Whistling This
- Sinner
- Fall At Your Feet
- Four Seasons In One Day
- Loose Tongue
Disc II:
- Souvenir
- Private Universe
- When You Come
- She Will Have Her Way
- Faster Than Light
- Love To Have A Beer With Duncan
- Last One Standing
- Don’t Dream Its Over
- Empty Head
- Instrumental
- Addicted
OldNeumanntapr Notes:
This was my first experience with Neil Finn, and I loved this show! This was Neil’s first solo tour after leaving Crowded House and I thought that both he and his band sounded really good.
My friend Bonnie Harris, a Schoeps taper that I knew back in the 90s, got a ticket at the last minute and was stuck all the way on one side of the PA, whereas my recording was made front row center. I have both recordings and I think that the Nyquist recording sounds much better, but NO ONE has ever wanted it in trade from me, and people always request the Schoeps version because of name recognition. I enjoyed this recording so much that I made certain to record another Neil Finn show a few months later in San Francisco on this same ’98 tour.
Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉