Alec Guinness Masterpiece Collection

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Like most people my age I first came to Alec Guinness through Star Wars and his memorable role as the old Jedi Obi-Wan Kenobi. Later, I loved him in The Bridge on the River Kwai and Oliver Twist. For years and years I thought of him solely as a dramatic actor. It was quite surprising, then to discover him as a delightful comedic actor.

I was quite thrilled to obtain this four movie set of some of his best comedies (Kind Hearts and Coronets, The Lavender Hill Mob, The Man in the White Suit, and The Ladykillers.) You can read my full review here.

Young, Violent Dangerous (1976) Blu-ray Review

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I’ve probably said this before, but one of the many things I love about the state of home video these days is that there are so many boutique labels putting out so many wonderful, obscure movies. Movies I’d never even know existed if it weren’t for these releases. There are entire genres I wouldn’t even know about if it weren’t for boutique labels.  Poliziotteschi, for one. 

That Italian crime subgenre  was completely unknown to me until I started reviewing some of those films, and now it is one of my favorite genres (as you can see from my reviews). Young, Violent, Dangerous is kind of a subgenre of Poliziotteschi, which, like the title implies, involves young men who have come to a life of crime more or less out of boredom. 

It isn’t a great film, but I love that we not only have access to this type of film but we can own it in restored HD.  I call that a win-win.  You can read my full review over at Cinema Sentries.

Catch Me If You Can (2002) 4K UHD Review

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I watched Catch Me If You Can when it first came out in theaters. I immediately loved it. Tom Hanks was at the height of his power, Steven Spielberg was consistently still making great movies, and Leonardo DiCaprio was in his post-Titanic heartthrob period. Everybody was firing on all cylinders including John Williams who wrote an incredible score.

I hadn’t seen the film in many years when I received this new 4K UHD copy so I was real curious how well it would hold up. I’m here to say it is even better than I remembered. You can read my full review over at Cinema Sentries.

Scars of Dracula (1970)

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Regular readers will know I’m a big fan of Hammer Studios horror films. The truth is I don’t necessarily think all their films are all that good, but there is something about them that I love anyway. They are like Classic Doctor Who in that manner.

Scars of Dracula isn’t a great film by any real measurement, but I thoroughly enjoyed myself with it anyway. I truly can’t get enough of Christophe Lee enjoying himself as Dracula.

You can read my review of this film in all of its 4K UHD glory right here.

I Know Where I’m Going (1945)

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Michael Powell and Emeric Pressburger are known for their large scale, brilliantly shot in technicolor productions such as The Red Shoes and Black Narcissus, but they also made much smaller production such as this film. I’d honestly never heard of it until I got a copy of it on Blu-ray from the Criterion Collection, but I found it to be just lovely.

It is about a woman who goes to a small village in Scotland to meet her fiancee and get married but instead she falls in love with the local villagers and meets another man. That’s sound like every other romantic comedy out there, but in the hands of masters like Powell and Presssburger it is wonderful. You can read my full review here.

The Ninja Trilogy

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Some days I truly miss the old video stores. There was something special about walking through the aisles looking at the same VHS covers you’d seen a thousand times, hoping to stumble across something special. In those days before IMDB and Rotten Tomatoes, I often had no idea what a movie was like other than that cover and a description written on the back. Some of those covers made the movies seem utterly amazing. Some of them are still etched into my brain (like the cover for April Fool’s Day where a woman’s hair is braided to look like a hangman’s noose).

I don’t think I ever managed to see any of the Ninja Trilogy when I was a kid, though I do remember looking at those VHS tapes and wishing I could rent them, but I sure was thrilled when I learned they were getting the UHD treatment.  Now I’ve not only seen them, but I own them, and I’ve reviewed them (something you can read right here at Cinema Sentries.)

Manhattan Melodrama (1934) Blu-ray Review

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Considering the talent – Clark Gable, William Powell, Myrna Loy, and WS Van Dyke (who directed most of The Thin Man movies) this film was entirely disappointing. Melodrama is right. This thing lacks all the wit and cleverness one would expect in a film with that cast.

You can read my full review here.

Indiscretion of An American Wife (1953)

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When I was 13 or 14, maybe, my mother took me and my sister to Orlando, Florida. My brother was graduating from Naval bootcamp, and we decided to make a vacation of it. We visited SeaWorld and Universal Studios and a few other touristy places (though oddly enough we did not go to Disney World). It was the first time I’d ever taken a vacation like that. It was amazing. 

The thing about amusement parks is that you wind up waiting in line for most of your time there. I know Disney and probably the other parks have ways around the long lines now, but back then you just waited.  The lines wrapped back and forth around each other, so you wound up zigzagging between different groups of people. As the lines took over an hour to get you to your destination, you could get to where you felt you knew the people you kept crossing around.

You’d cross paths with the same people over and over again. You’d smile at them and make small talk. You’d complain about the long line. Sometimes you’d run into those same people at other rides. It was the first time in my life that I’d realized the world was filled with so many people. People with their own lives. Their own hopes and dreams. These were people I’d never see again in my life, but their lives would continue.  It was a strange enlightenment.

Indiscretion of an American Wife is a bit like that. Or that’s what it was originally meant to be. Director Vittorio De Sica imagined a movie about the various lives that briefly crossed paths at a train station. American producers mucked that concept up a great deal, instead making it concentrate on one love story, but you can find bits of the original concept in there if you look. 

Anyway, that’s a long introduction to my review of the Blu-ray of that film. You can read even more thoughts over at Cinema Sentries.

The Last of Us: The Complete Second Season 4K UHD Review

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The other day I was flipping through our streaming services, and I came across The Last of Us. I turned to my wife and said something along the lines of, “Did we ever finish Season 2?” She said, “No” but then thought that maybe I had watched it on my own.

I literally couldn’t remember if I’d watched it or not. I knew I had watched and reviewed Season One and that we had started watching Season Two, but in my memory we stopped it after a major (and intense) plot point happened. 

Friends, I did in fact finish the season by myself, and I did in fact write a review. One should not think this reflects on the quality of Season Two, as it is excellent, but rather on my incredibly bad memory.  Maybe I should see someone about that.

Anyway, you can read my review here.

Peking Opera Blues (1984) 4K UHD Review

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I’m a growing enthusiast of Hong Kong cinema. I love the Shaw Brothers and kung fu movies, of course, and I dig me some John Woo, but I’ve never dug all that deep into it. So I was delighted to get a copy of Peking Opera Blues. It feels like a perfect example of what HK Cinema is – weird, hilarious, and action packed. You can read my full review here.