Midnight (1934)

midnight movie poster

I’m thinking about doing a Top Five noir films starring Humphrey Bogart, so I did a little searching. The trouble with film noir is there are no real clear definitions. Unlike westerns or action films, the dividing lines between, say, a crime thriller and a film noir are pretty nebulous. So I wanted to make a list of all the noirs Bogart had starred in. One of the sites I found mentioned this film, so I gave it a watch.

I definitely would not call it a noir, so I’m not counting it for Noirvember, but I thought I’d talk about it a little bit anyway. Bogart was originally credited in eighth place, but the film was rereleased in 1949 as Call It Murder, after he’d become a star, and he then received top billing. 

It is more of a morality play than a film noir or even a good movie. A woman kills her husband and is caught and convicted for it. There is speculation she’ll get off as she’s a woman and it was a crime of passion, but the foreman of the jury, Edward Weldon (OP Heggie), pushes for a guilty verdict and gets it. She’s sentenced to die. 

There is some publicity and public support for the convicted woman, including from Weldon’s daughter, Stella (Sidney Fox.) She met Gar Boni (Bogart) at the trial, and in the ensuing weeks she’s fallen in love. I think he had some connection to the convicted girl, but I’m honestly not sure. He definitely is supportive of her not dying and convinces Stella to feel the same.

Anyway, the bulk of the film takes place on the day of the execution. Friends and family have gathered at Weldon’s house, and they spend a lot of time talking about the trial. He is unmoved. He stands by his decision to convict and notes that it was not his decision that she get the death penalty, but that is the law. 

Before the film ends, something will happen to challenge that idea. I won’t spoil it, but you’ll probably figure it out before it actually happens. I know I did. There isn’t much to the filmmaking. It very much feels like a filmed play, which is pretty much what it is. There is no style to it. Nothing opens it up cinematically. They don’t even use a musical score, which is really weird. Music really does add so much to a film like this. 

Bogart’s role is small but pivotal. He’s fine in it, but not particularly memorable. At this point in his career, he was playing a lot of heavies who were a long way from getting top billing. He’s really the only reason to watch this. Otherwise it would have been completely forgotten (and it’s hardly remembered despite his presence).

It’s funny because I have this idea of doing what I call “Now Watching” articles. The idea of those being that sometimes I watch a film but don’t really want to do a full review of it, but I would like to at least mention the watching. So I post the title of the film, the director and stars, and then a little synopsis. My review is typically just a couple of paragraphs, and then I’m done. It is a fun, fast way of keeping track of my movie watching while also reminding me of what I thought.

I had intended this to be one of those, and then I just kept writing. So I guess I’m calling this a full review 🙂

Jeff Tweedy – Montreal, Canada (10/11/25)

Jeff Tweedy
Théâtre Beanfield
Montreal, QC, Canada

Twilight Override Tour

Western Clear Skies
Betrayed
One Tiny Flower
Caught Up in the Past
Cry Baby Cry
Forever Never Ends
This Is How It Ends
Low Key
Evergreen
Mirror
Stray Cats in Spain
Out in the Dark
Flowering
New Orleans
Guess Again
Feel Free
Lou Reed Was My Babysitter
Amar Bharati
World Away
Half‐Asleep

Encore:
Twilight Override
Diamond Light, Pt. 1
Houses(Elyse Weinberg cover)
Suzanne (Leonard Cohen cover)
Enough

Liam Kazar opened

Images:
Poster

Video:
Instagram recording of “Suzanne

I have no intention of posting download links to shows in these spaces ever again, but that doesn’t mean I want to give up entirely on the music.

I’ve been slowly integrating the old music site back into this space. It seems pointless to have two sites for what I do. It is a slow process because I’m removing all the download links first, and I have to import them one artist at a time.

I have this idea that it might be fun to go back and include all the known source information, plus posters, ticket stubs, artwork, etc. And then maybe add in YouTube videos, reviews, etc. Basically everything I can find except the actual recordings.

At the same time I think it would be fun to follow certain tours as they happen. I won’t be doing all the artists I collect, just my favorite ones.

My idea is to put up the setlist a day or two after the show happens, plus maybe posters or other information that will be available that quick. I’ll try to add some thoughts to the show if the setlist looks interesting or something like that. And then I’ll keep tabs on when recordings do become available and add that source info whenever I find it. Plus I’ll keep looking for videos uploaded to YouTube, etc.

Does that sound interesting to anyone?

Wilco is one of my all-time favorite bands. I’ve seen them live more than anyone else. For whatever reason, they seem to love Tulsa and specifically the Cain’s Ballroom. I’ve seen them there multiple times.

Jeff Tweedy just released a triple-album and he’s coming to Tulsa next month. I got my tickets already, so it seemed natural to start following his tour.

Looking at this setlist, I have to say I’m just slightly disappointed. It covers a lot of that triple album plus some of his other solo work, but not a single song from Wilco. I get that since this is a solo tour, he’d cover his solo work, but if I’m being honest, I’ve never really loved his solo albums.

There are always good songs in them, but there are also quite a few that just don’t do it for me. The triple album called Twilight Override is the same. I actually like it a bit more than his other solo albums; most of the songs are more energetic than a lot of his solo work has been. A triple album feels like a bit much. It is hard to sit for that long and listen to it all; thus, I’ve only given it two full spins.

So, yeah, I kind of wish he was doing more Wilco material, but I get it. I do dig him covering Leonard Cohen. And I am absolutely sure that when I see him next month I’ll have a blast even if the setlist isn’t one of my dreams.

Dogtooth (2009) 4K UHD Review

dogtooth

Yorgos Lanthimos is one of the most creative, strange, and incredible directors working today. Dogtooth was his second feature film, and it might be his strangest.

It is about a man and a woman with three adult children. The children have never been let out of the house/garden. They are regularly taught false meanings to everyday words. They believe they have a fourth sibling, whom was bad and thus was sent to live outside of the yard and to whom they regularly talk to and throw gifts (but who doesn’t actually exist.) Etc. Basically the parents had children to experiment on them.

It gets even weirder but that would spoil the film. It is utterly bizarre but like all Lanthimos films there is something deeper going on behind the strangeness. I loved it, but I don’t know that I’ll ever want to watch it again.

You can read my full review here.

Now Watching: One Battle After Another (2025)

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One Battle After Another (2025)
Director: Paul Thomas Anderson
Starring: Leonardo DiCaprio, Sean Penn, Benicio Del Toro, and Chase Infiniti

When their evil enemy resurfaces after 16 years, a group of ex-revolutionaries reunite to rescue one of their own’s daughter.

Rating: 8/10

I’ve been hearing raves about this film, and I really wanted to see it in a theater, so when I got off work a little early today, I went to a matinee. The show started at 3, and I arrived about 7 minutes till. I bought my ticket and my snacks (Junior Mints and a Dr. Pepper – a rarity for me, as my wife always makes me get popcorn).

The guy behind the counter told me the theater number, but I didn’t pay him much mind, as they have posters up in front of each entrance. I wandered down the hall one way, then the other, and finally found my theater.

It was completely empty. Surprisingly, they didn’t have any commercials or trailers playing on the screen. It was completely dark. I figured since I was the only one there and I had just bought my ticket, they weren’t bothering with the usual pre-movie nonsense.

Time passed, and soon it was five minutes past three. Then ten. Still no movie. And it was hot. I was literally starting to sweat. I got up and went back to the guy who sold me the ticket. I politely explained the movie wasn’t running and asked if he could turn down the air. He said he’d tell his manager, and I went back and sat down.

Another five minutes rolled by, and now I’m getting annoyed. The movie is a long one, and I don’t want to be here all night.

Then the guy comes in. He sheepishly says he’s figured out the problem. I’m in the wrong theater. Those posters in front of the entrance are digital displays, and they’ve got them all wrong. It is now fifteen minutes past the hour, and I’m afraid I’ve missed the start of the movie. I curse, then rush to the correct theater. Luckily, they are still showing previews, and I’m good to go.

Paul Thomas Anderson is a director I really like, but I find his films difficult at first watch. They are usually long and dense, and their points of view are off-kilter, which can make them difficult to grasp.

I usually have to sit with them for a while and then maybe watch again before I decide to really love them.

And so it was with One Battle After Another. I liked it a lot, but I’m not ready to love it. I need to think about it for a bit.

Leonardo DiCaprio is very good as a former revolutionary who seems to have really gotten into it for a girl and who isn’t all that bright. Years after a big dustup between his group and a racist Army dude (played to perfection by Sean Penn) pass, and he’s now a slack-jawed stoner trying to raise a teenage girl. The Sean Penn character comes back into the picture, and things get wild.

Really wild. The name is apt because this is a film that very rarely lets up. The performances are all top-notch, and there is plenty of black humor, crazy absurdities, and more. I really did like it, but like I said, I need to sit with it a bit.

As the title of this post implies, I’m back with the idea of writing little mini-reviews of all the movies I watch. Let’s see how long I keep up with it this time.

He Loves Me, He Loves Me Not (2002)

he loves me he loves me not dvd cover

I’m back on my bullshit again – pondering why I write anything at all. While I do that, I figure I’ll keep posting old reviews from Cinema Sentries. Even if I never write a new thing specifically for this blog, I’d still like to make this a full depository of everything I’ve ever written.

This French film cuts itself in half, showing the same scenes from two wildly different perspectives. It stars the always wonderful Audrey Tautou, and according to my review, I mostly liked it.

Variety Magazine’s Best War Movies Of All Time

Way back in 2007 – this was well before I ever started posting music, and just a few years after we moved back from France – I was busy trying to make The Midnight Cafe a super fun, super cool little pop culture blog. I was constantly trying to find new and interesting things to write about (or create content, as the kids today like to say).

One day, I came across this article from Premier Magazine listing out what they called the 25 Most Dangerous Movies. I was a big fan of Premier Magazine, and that was a fun list, so I decided to make a post of it. I listed the movies, detailed what Premier had said about them, and then wrote my own little notes on the movies I had seen.

It was no big thing. I just sort of tossed it off. It took me longer to format the post than it did to write my thoughts.

It remains my most popular post ever. By a large margin.

I don’t know why. Lists seem to be always popular, and that came out at a time when blogs were really booming, but not everybody was churning out a hundred lists a day. Presumably, some other popular site linked to my blog post, or maybe Google just liked it. I still get a dozen or so hits on that post every week.

I’ve been telling myself for a long time that I should do some different lists on the Cafe. They are still popular things to write, and I still enjoy reading them. Ages ago, I actually ran a little Facebook group called The Top Five where we listed out various Top 5 things that we liked.

My problem has always been that in order to list out the Top Number of anything, you have to spend time watching a bunch of things that qualify. If I want to do a Top 10 War Movies, then I have to watch a lot more than ten war movies. And I never seem to make time for that.

Last night, I was looking at some things on the blog and saw the stats for that Premier post, and thought maybe I should just do another post like that. Instead of making my own list, I could run commentary on someone else’s list. That would eliminate my need to watch everything, but it could still be fun talking about those movies.

I Googled “Best War Movies” and came across this list over at Variety, and here I am. For the Premier list, I actually copy/pasted what they had to say in my post, but that seems rude. I don’t want to steal anyone’s content. So you’ll have to read their thoughts on their site, but I will add my own commentary to the ones I’ve seen.

If this post garners decent stats, I’ll probably do more of them and then maybe I’ll create some of my own lists. Let me know if you enjoy this sort of thing. Or not.

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Stalag 17 (1953)
Directed by Billy Wilder
Starring: William Holden, Don Taylor, and Otto Preminger

Synopsis: After two Americans are killed while escaping from a German P.O.W. camp in World War II, the barracks black marketeer, J.J. Sefton, is suspected of being an informer.

Memory is a funny thing. I watched this back in 2018, and my recollection is that I didn’t particularly care for it, but I rated it 4 out of 5 stars on Letterboxd, so who knows?

I honestly don’t remember much about it except that it mixes the pathos of a World War II prison camp with MASH-style hijinks. My memory says I didn’t much care for the carefree tone and the jokes didn’t land, but that the performances were good and the drama involving a rat amongst the ranks was intriguing.

This is definitely a film I want to revisit.

war and peace movie poster

War and Peace (1966)
Directed by Sergey Bondarchuk
Starring: Lyudmila Saveleva, Vyacheslav Tikhonov, and Sergey Bondarchuk

Synopsis: The Russian aristocracy prepares for the French invasion on the eve of 1812.

I’ve not seen this movie, or sadly, any adaptation of the classic Tolstoy novel (I’ve not even read the book!)

the big parade poster

The Big Parade (1925)
Directed by King Vidor, George W. Hill
Starring: John Gilbert, Renee Adorre, and Hobarg Bosworth

Synopsis: A young American soldier witnesses the horrors of the Great War.

I have not seen this film.

braveheart poster

Braveheart (1995)
Directed by Mel Gibson
Starring Mel Gibson, Sophie Marceau, and Patrick McGoohan

Synopsis: Scottish warrior William Wallace leads his countrymen in a rebellion to free his homeland from the tyranny of King Edward I of England.

When I was in high school, a friend of mine had somehow signed up for this thing where he periodically got free tickets to movies that had not yet been released. On a couple of occasions, he took me with him. I thought it was the coolest thing ever.

We’d show up at the theater at the proper time, present the kid behind the booth with our passes, and then be ushered to a theater with no marquee or poster, or anything advertising what we were about to see. I was in heaven.

In those days, I had no idea how he got those tickets or why. I couldn’t figure out why they were even having those secret screenings. Now I realize they were likely press screenings, and since Tulsa is a small market with few press, they probably gave away extra tickets to certain films as a way to garner some early buzz.

I watched Forest Gump and Braveheart in that way, and I loved both films. My college buddies and I used to quote Braveheart endlessly. At the time, I thought it was a great movie. It was funny, full of action, and romantic. It had a beautiful score, beautiful scenery, and was full of wonderful lines.

It has lost a lot of its lustre over the years. It doesn’t help that I’ve been to Scotland and seen some of the actual battle sites (The Battle of Stirling famously took place on an important bridge, not an open field in Ireland) and read some of the actual history (the movie fudges a lot of what actually happened). But also, I just don’t find it all that cinematically interesting. It’s still quite a bit of fun, though.

grave of the fireflies poster

Grave of the Fireflies (1987)
Directed by Isao Takahata
Starring: Tsutomu Tatsumi, Ayano Shiraishi, and Akemi Yamaguchi

Synopsis: A young boy and his little sister struggle to survive in Japan during World War II.

I’ve not seen this World War II film about two children trying to survive after a devastating fire bombing destroys their hometown in a long time, but I remember it being absolutely beautiful and devastating.

ashes and diamonds poster

Ashes and Diamonds (1958)
Directed by Andrzej Wajda
Starring: Zbigniew Cybulski, Ewa Krzyzewska, and Waclaw Zastrzezynski

Synopsis: As World War II and the German occupation ends, the Polish resistance and the Soviet forces turn on each other in an attempt to take over leadership in Communist Poland.

This Polish masterpiece is set just as World War II. It follows a group of resistance fighters as they try to make sense of their world free of Nazis but being overtaken by Communists.

Criterion released it a few years ago, and you can read my full review here.

the dirty dozen poster

The Dirty Dozen (1967)
Directed by Robert Aldrich
Starring: Lee Marvin, Ernest Borgnine, Charles Bronson, Jim Brown, John Cassavetes, George Kennedy, Robert Ryan, Telly Savalas, and Donald Sutherland

Synopsis: During World War II, a rebellious U.S. Army Major is assigned a dozen convicted murderers to train and lead them into a mass assassination mission of German officers.

This is the definitive men-on-a-mission film. Twelve military prisoners (who are played by an all-star cast) are tasked with an impossible mission and win their freedom if they succeed.

For my money, it spends way too much time in training sequences, and once they actually do the mission, it isn’t filmed with much excitement, but the cast sure is fun to watch.


city fo life and death
City of Life and Death (2009)
Directed by Chuan Lu
Starring: Ye Liu, Wei Fan, and Hideo Nakaizumi

Synopsis: In 1937, Japan occupied Nanjing, the Chinese capital. There was a battle and subsequent atrocities against the inhabitants, especially those who took refuge in the International Security Zone.

I’ve not seen this film.

they were expendable

They Were Expendable (1945)
Directed by John Ford and Robert Montgomery
Starring: Robert Montgomery, John Wayne, and Doris Day

Synopsis: A Navy commander fights to prove the battle-worthiness of the PT boat at the start of World War II.

I’ve not seen this movie.

three kings posters

Three Kings (1999)
Directed by David O. Russell
Starring: George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze

Synopsis: In the aftermath of the Persian Gulf War, four soldiers set out to steal gold that was stolen from Kuwait, but they discover people who desperately need their help.

This was one of the first films I ever owned on DVD. I watched it a lot back then, but haven’t seen it in probably a decade. It was one of the first films to tackle the first US war with Iraq. It is both a crackling caper film and a pretty incisive critique of US politics at the time. To me, it also solidified George Clooney as a movie star.

It is high time I revisited it.

fires on the plain poster

Fires on the Plain (1959)
Directed by Kon Ichikawa
Starring: Fiji Funakoshi, Mantarô Ushio, and Yoshihiro Hamaguchi

Synopsis: In the closing days of WWII, remnants of the Japanese army in Leyte are abandoned by their command and face certain death by starvation.

I haven’t seen this film, but that sounds harrowing.

inglourioius basterds poster

Inglourious Basterds (2009)
Directed by Quentin Tarantino
Starring: Brad Pitt, Christoph Waltz, Michael Fassbender, Eli Roth, and Diane Kruger.

Synopsis: n Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner’s vengeful plans for the same.

At the very end of Tarantino’s Kill Bill, Vol. 2 (so spoilers for that, I guess), there is a moment when the Bride (Uma Thurman) is lying on a bed with her newly discovered daughter, watching television.

It is an overly sentimental moment in a film that is otherwise devoid of sentiment. It feels unearned to me. We don’t know the daughter at all. We only found out she existed at the end of the first film (The Bride only found out she existed at the end of that film come to think of it). So, the reunion doesn’t feel special to me; it doesn’t connect to me on an emotional level. So much of Inglourious Basterds felt that way to me.

An early scene finds a fiendish Nazi looking for Jews in an old, isolated house. He’s interrogating some poor people who swear they know nothing. The camera reveals to us that several Jews are hiding under the floorboards. Tarantino expertly ratchets up the tension. The problem, for me, is that he hasn’t developed any of these characters. Obvioiusly, Nazis are bad and I don’t want him to find those poor people under the floorboards, but I also don’t know who they are. I haven’t learned to care for them. Thus, I don’t really care if they are caught. This isn’t real life after all.

There are several scenes like that where Tarantino does a great job of creating tension, but he’s forgotten to make me care about the fates of these characters.

It is well directed and acted, and I really should see it again, but on my first viewing, it felt very hollow.

rome open city

Rome, Open City (1945)
Directed by Roberto Rossellini
Starring: Anna Magnani, Aldo Fabrizi, and Marcello Pagliero

Synopsis: During the Nazi occupation of Rome in 1944, the Resistance leader, Giorgio Manfredi, is chased by the Nazis as he seeks refuge and a way to escape.

I have not seen this film, but it has been on my list for a long time.

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The Deer Hunter (1978)
Directed by Michael Cimino
Starring: Robert DeNiro, Christopher Walken, and John Cazale

Synopsis: An in-depth examination of the ways in which the Vietnam War impacts and disrupts the lives of several friends in a small steel mill town in Pennsylvania.

I haven’t watched this since I was in college, but I remember loving it. The scene in which they are forced to play Russian Roulette is one of the most tense things ever put on celluloid.

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The Steel Helmet (1951)
Directed by Samuel Fuller
Starring: Gene Evans, Robert Hutton, and Steve Brodie

Synopsis: A ragtag group of American stragglers battles against superior Communist troops in an abandoned Buddhist temple during the Korean War.

I’ve not only not seen this film, I’ve never even heard of it, but I love me some Samuel Fuller, so it is definitely going on the list.

glory poster

Glory (1989)
Directed by Edward Zwick
Starring: Matthew Broderick, Denzel Washington, Cary Elwes, Morgan Freeman, and Andre Braugher

Synopsis: Robert Gould Shaw leads the U.S. Civil War’s first all-black volunteer company, fighting prejudices from both his own Union Army, and the Confederates.

This is another movie I loved in high school through college, but haven’t seen in a long time. I remember it sporting a lot of fine performances, especially from Denzel. I wonder how well the racial aspects hold up to a modern audience.

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All Quiet on the Western Front (1930)
Directed by Lewis Milestone
Starring: Lew Ayres, Louis Wolheim, and John Wray

Synopsis: When a group of idealistic young men join the German Army during the Great War, they are assigned to the Western Front, where their patriotism is destroyed by the harsh realities of combat.

Possibly the greatest anti-war film ever made. An intense, brutal, and tragic look at war and how propaganda and patriotism conspire to bring young men into the machine only to grind them up over and over again.

platoon poster

Platoon (1986)
Directed by Oliver Stone
Starring: Charlie Sheen, Tom Berenger, Willem Dafoe, Keith David, and Forest Whitaker

Synopsis: Chris Taylor, a neophyte recruit in Vietnam, finds himself caught in a battle of wills between two sergeants, one good and the other evil. A shrewd examination of the brutality of war and the duality of man in conflict.

Hey, guess what? I loved this movie when I was in college and hadn’t seen it for years. But unlike so many other films on this list, I’ve actually recently rewatched Platoon. Oliver Stone’s semi-autobiographical tale about his time in Vietnam remains a testament to the absolute horrors of that war and a very real, very human drama.

I wrote a few more words about it in a recent Five Cool Things column.

come and see

Come and See (1985)
Directed by Elem Klimov
Starring: Aleksey Kravchenko, Olga Mironova, and Liubomiras Laucevicius

Synopsis: After finding an old rifle, a young boy joins the Soviet resistance movement against ruthless German forces and experiences the horrors of World War II.

I’ve not seen this movie, but it keeps showing up in my feeds. I’m kind of afraid to watch it, though, it feels like it will utterly destroy me.

the hurt locker poster

The Hurt Locker (2008)
Directed by Kathryn Bigelow
Starring: Jeremy Renner, Anthony Mackie, and Guy Pearce

Synopsis: During the Iraq War, a Sergeant recently assigned to an army bomb squad is put at odds with his squad mates due to his maverick way of handling his work.

I remember very little about this Oscar winner except that I wasn’t particularly impressed by it.

the bridge on the river kwai

The Bridge on the River Kwai (1957)
Directed by David Lean
Starring: William Holden, Alec Guinness, Jack Hawkins, and Sessue Hayakawa

Synopsis: British POWs are forced to build a railway bridge across the river Kwai for their Japanese captors in occupied Burma, not knowing that the allied forces are planning a daring commando raid through the jungle to destroy it.

This is one of my all-time favorite films. Alec Guinness gives one of his finest performances, and his test of wills against Sessue Hayakawa is just wonderful. I’m less enthused with William Holden’s sideplot, but the rest of it is golden. And I can’t think of this film without whistling that damn tune.

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The Battle of Algiers (1966)
Directed by Gillo Pontecorvo
Starring: Brahim Hadjadj, Jean Martin, and Yacef Saadi

Synopsis: In the 1950s, fear and violence escalate as the people of Algiers fight for independence from the French government.

They say that President George W. Bush screened this film at the Pentagon during the Iraq War. The film is about how a small group of insurgents managed to successfully battle the much larger and better-armed French Army during the colonization of Algiers. I guess the President figured they could all learn something about how the Iraqis were doing the same to them.

It is a great film, and a difficult one. You can read a review I wrote about it many years ago right here.

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The Best Years of Our Lives (1946)
Directed by William Wyler
Starring: Myrna Loy, Frederic March, Dana Andrews, and Teresa Wright

Synopsis: Three World War II veterans, two of them traumatized or disabled, return home to the American Midwest to discover that they and their families have been irreparably changed.

I could have sworn I’d seen this before. In fact, I thought I had written a review of it. But I can’t find it anywhere, and I don’t seem to have logged it anywhere, so I must have been thinking of something else.

schindlers list

Schindler’s List (1993)
Directed by Steven Spielberg
Starring: Liam Neeson, Ralph Fiennes, and Ben Kingsley

Synopsis: In German-occupied Poland during World War II, industrialist Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis.

I don’t think I’ve seen this since I first watched it in the theater when it came out. I loved it then, but it was so overwhelmingly sad that I didn’t want to see it again. I keep meaning to put it on for this month’s war theme, but I always put it off. There is so much horror going on in the world right now that revisiting past horrors seems like too much.

mash

MASH (1970)
Directed by Robert Altman
Starring: Donald Sutherland, Elliott Gould, Tom Skerritt, and Sally Kellerman

Synopsis: The staff of a Korean War field hospital uses humor and hijinks to keep their sanity in the face of the horror of war.

It has been a while since I have seen this film, but I remember not liking it at all, which is unusual for me because I generally really like Altman’s films.

I have weird taste in comedy, and I didn’t find this film funny at all. And the rampant sexism was a turn-off.

paths of glory

Paths of Glory (1957)
Directed by Stanley Kubrick
Starring: Kirk Douglas, Ralph Meeker, and Adolphe Menjou

Synopsis: A colonel defends three of his soldiers in a court-martial after they abandon a suicidal attack.

Stanley Kubrick’s first masterpiece is a brilliant anti-war screed that demonstrates how the army is just another bureaucracy full of petty tyrants. It has been a long time since I’ve seen it, but I remember loving Douglas’ performance, and Kubrick was already a master of creating beautiful shots.

apocalypse now

Apocalypse Now (1979)
Directed by Francis Ford Coppola
Starring: Martin Sheen, Robert Duvall, Marlon Brando, Laurence Fishburne, and Dennis Hopper.

Synopsis: A U.S. Army officer serving in Vietnam is tasked with assassinating a renegade Special Forces Colonel who sees himself as a god.

Arguably the greatest war movie ever made. A stunning film. A visual feast. An incredibly crafted vision of hell. You can read my full review here.

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The Grand Illusion (1937)
Directed by Jean Renoir
Starring: Jean Gabin, Pierre Fresnah, and Eric Von Stroheim

Synopsis: During WWI, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are eventually sent to a seemingly inescapable fortress.

Made just before the outbreak of World War II, this masterpiece by French director Jean Renoir is a prison break story, but also a beautiful look at class, the breakdown of old societal norms, and ultimately humanity in the face of monumental horror.

I got to visit the castle where part of the film was made, and it was a joy.

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Full Metal Jacket (1987)
Directed by Stanley Kubrick
Starring: Matthew Modine, Vincent D’Onofrio, and R. Lee Ermey

Synopsis: A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

The second film from Kubrick on this list (one of only two directors who received more than one nod). This film is miles different from Paths of Glory. The first half follows several new soldiers during Boot Camp, getting hilariously yelled at by R. Lee Ermey, who had been a real-life Drill Sergeant. The second half follows them into Vietnam, where they see some harrowing action.

Both halves are excellent and work together to tell a full story of how the war machinery takes young men and turns them into killing machines.

Saving Private Ryan

Saving Private Ryan (1998)
Directed by Steven Spielberg
Starring: Tom Hanks, Tom Sizemore, Edward Burns, and Matt Damon

Synopsis: Following the Normandy Landings, a group of U.S. soldiers go behind enemy lines to retrieve a paratrooper whose comrades have been killed in action.

The D-Day scene is probably the greatest war setpiece in the history of cinema. The rest of the film simply can’t compare. It is overly sentimental in that Spielbergian way, and the final scene doesn’t hold up well when you actually think about it, but it still makes me cry like a baby. Tom Hanks gives a masterclass in acting, and the rest of the cast is very good.

That’s it. That’s all the movies. Overall, I think this was a pretty good list. Films I would have added include The Thin Red Line, Das Boot, Casablanca, Dr. Strangelove, and Casualties of War.

Now Watching: Blacula (1972)

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Blacula (1972)
Directed by: William Crain
Starring: William Marshall, Vonetta McGee, Denise Nicholas and Gordon Pinsent

Synopsis: An 18th-century African prince is turned into a vampire while visiting Transylvania. Two centuries later, he rises from his coffin, attacking various residents of Los Angeles and meeting Tina, a woman whom he believes is the reincarnation of his deceased wife.

Rating: 7/10

I tend to do my movie watching over the weekend. The rest of the week tends to be dedicated to television series. Which means if I keep this up, you’re gonna get a lot of Now Watchings on Saturday and Sunday and basically none through the rest of the week. For now, I like doing these as it lets me give some basic thoughts on a film without having to put all the time and energy into a full review. I’ll still do full reviews, I’ve got a couple of war movies to talk about soon, but I like supplementing them with these snippets.

I can still remember browsing the aisles of my local video store (Mega Movies, the biggest and best rental place in town – it used to be a Burger King and they had a lot of floor space) and always smiling when I came across Blacula. I was aware of the existence of Blaxploitation films at this point, but had not seen any of them. But the idea of a black-centered Dracula movie was awesome to my young eyes.

I never did rent it, though. I couldn’t tell you why. But it always stayed in my mind, it remained on my list. Thirty years later, and I’m just now actually sitting down with it.

It is probably a better film than I imagined it to be, though not nearly as much fun. I hear the sequel leans into its inherent silliness.

The plot is pretty basic; it is pretty much explained in that synopsis. Mamuwalde (William Marshall) visits Dracula in 1790. In this film, Dracula is an old racist and states that he thinks the slave trade is good, actually. Mamuwade yells at him, and Dracula sucks his blood, sticks him in a coffin and our hero doesn’t wake up until 1972 when some gay interior decorators buy the coffin, ship it to Los Angeles and awaken our newly christened Blacula.

Mamuwalde/Blacula doesn’t even blink looking at how things have changed while he’s been away, gets him self spiffed up and hits the town. He sucks a little blood, learn to dance, and meets Tina (Vonetta McGee) who looks exactly like his wife from olden times. He becomes obsessed with wooing her.

Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) begins to suspect a vampire may be the cause of the recent uptick in murders, and the chase is on.

I’m by no means an expert on Blaxploitation films, but the ones I’ve seen have a lot more style and are a lot more fun than this one. Blacula isn’t dull by any means, but it leans more into the drama/horror aspects than the exploitation ones. It takes a few digs at social commentary, and William Marshall looks terrific as a vampire with some major sideburns.

Worth watching if you are into this sort of thing, but I can’t say I’ll revisit it anytime soon. But I definitely want to watch the sequel.

Now Watching: No Way Out (1987)

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No Way Out (1987)
Directed by: Roger Donaldson
Starring: Kevin Costner, Gene Hackman, Sean Young, Will Patton

Synopsis: Navy Lt. Tom Farrell meets a young woman, Susan Atwell, and they share a passionate fling. Farrell then finds out that his superior, Defense Secretary David Brice, is also romantically involved with Atwell. When the young woman turns up dead, Farrell is put in charge of the murder investigation. He begins to uncover shocking clues about the case, but when details of his encounter with Susan surface, he becomes a suspect as well.

Rating: 8/10

My little experiment to get more readers was a total bust. Turns out I’m terrible at posting regularly. I just don’t have it in me to be that guy, and the little extra I did post saw no improvement in my numbers.

Maybe they would if I pushed a little harder and did it for a little longer. I don’t know. I don’t really care. I’ll spend some more time thinking about what comes next. It seems logical to do more reviewing on Letterboxed or writing for Cinema Sentries, as that would definitely get me more eyeballs. But I love this little site, and it is hard to let that go. So, I’m gonna write when I want to write, post when I want to post. If people read it, great, and if not, well, that’s their loss.

Based on the novel The Big Clock by Kenneth Fearing (which was also the basis of a pretty terrific little film noir of the same name made in 1948), No Way Out turns it into a political thriller with some neo-noir/erotic thriller tendencies.

Kevin Costner and Sean Young’s scenes together are steamy and playful, and you think the film is going to go one way, and then it goes another. Once she is out of the picture, it turns from its noir background to more of a straightforward thriller. There are a surprising number of scenes of just Costner walking angrily about the Pentagon, trying to keep everyone from knowing that the man they are looking for is actually him. And it totally works.

Hackman’s character has a lot more nuance than these things usually allow, making Will Patton’s lackey to Hackman’s Secretary of Defense character the true villain.

There are a couple of good chase scenes, and a lot of ridiculous techno nonsense (a large part of the plot revolves around them taking a nearly destroyed Polaroid photo negative and using computers to slowly render it into a readable image). The actors are all good, and I found it quite thrilling.


Film Noir: The Dark Side of Cinema XIII Blu-ray Review

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I’ve talked about these film noir sets from Kino Lorber on multiple occasions. I’m always surprised they keep making them. I’m always surprised there are that many film noirs to release. But I love them just the same. I hope they keep making them forever.

This set includes a mostly great spy thriller, a surprisingly thoughtful thriller with a mentally ill killer, and a really rather good remake of a Hitchcock film.

You can read my full review here.

The Package (1989) Blu-ray Reivew

the package bluray

The Package was directed by Andrew Davis, who’d go on to direct one of my favorite films, The Fugitive, a few years later. It stars Gene Hackman and Tommy Lee Jones, two of the best to ever do it. It should have been a great film. Instead, I found it rather disappointing. It isn’t so much a bad film as one that should have been better.

Oh well. You can read my full review over at Cinema Sentries.