Bob Dylan – Nagoya, Japan (03/08/86)

Bob Dylan w/ Tom Petty & The Heartbreakers
Gymnasium
Nagoya, Japan
8 March 1986

Improved Air Remaster 051 [IA051]
Olaf Bjorner recommended show.
LB-1589

Source/Lineage: stereo aud>?>IAR remaster>?>flac

Please note: On Disk Two track 4 contains both Tom Thumb & I and I.

DISK ONE

  1. Justine (Don Harris/Dewey Terry)
  2. Positively 4th Street
  3. Clean Cut Kid
  4. I’ll Remember You
  5. Trust Yourself
  6. That Lucky Old Sun (Haven Gillespie/Beasley Smith)
  7. Masters Of War
  8. It Ain’t Me, Babe
  9. To Ramona
  10. It’s Alright, Ma (I’m Only Bleeding)
  11. I Forgot More Than You’ll Ever Know (Cecil A. Null)
  12. Just Like A Woman
  13. I’m Moving On (Hank Snow)
  14. (Talk)
  15. Lenny Bruce
  16. When The Night Comes Falling From The Sky
  17. Lonesome Town (Baker Knight)
  18. (Talk)
  19. Ballad Of A Thin Man

DISK TWO

  1. Rainy Day Women # 12 & 35
  2. Seeing The Real You At Last
  3. Across The Borderline (Ry Cooder/John Hiatt/Jim Dickinson)
  4. Just Like Tom Thumb’s Blues / I and I
  5. (Band Intro)
  6. Like A Rolling Stone
  7. (Talk)
  8. In The Garden
  9. Blowin’ In The Wind
  10. Uranium Rock (Warren Smith)
  11. (Talk)
  12. Sukiyaki (Rohusuke Ei/Hachidai Nakamura)
  13. Knockin’ On Heaven’s Door

Concert #18 of the 1986 True Confessions Far East Tour. Concert #18 with Tom Petty & The Heartbreakers. 1986 concert #18.

Bob Dylan (vocal & guitar) with Tom Petty & The Heartbreakers:
Tom Petty (guitar), Mike Campbell (guitar), Benmont Tench (keyboards), Howie Epstein (bass), Stan Lynch (drums) and The Queens Of Rhythm: Debra Byrd, Queen Esther Marrow, Madelyn Quebec, Elisecia Wright (backing vocals).

Note. The vocals to “Sukiyaki” are only hummed.

BobTalk
Thank you. That was a recent hit of mine. Sold about three records ha-ha-ha. Here’s one, ha-ha, here’s one a little older. (after That Lucky Old Sun)

All right, I wanna take a little break here. I wanna introduce you to one of America’s finest rock ‘n’ roll bands, certainly one of my favorites, Tom Petty and the Heartbreakers. (after Masters Of War)

Thank you. All right, here’s a song about recognition. Or lack of recognition. Tennessee Williams, it was he who said “I don’t ask for your pity, just your understanding. Not even that, but just your recognition of me in you. At times the enemy in us all.” Anyway, Tennessee Williams, he got a pretty drastic life too. He kind of died all by himself in a New York City Hotel room. Without a friend in the world. Another man died like that, except Tennessee Williams did have some success. This man didn’t have too much success, but he started a lot of people off. People who came, picked up on what he did and took it someplace else and made a lot of money and became very successful. And he died in a lonely grave. (before Lenny Bruce)

Thank you. All right, that was for Hugh McGhee wherever you are. This is a song I wrote a while back in response to people who ask me questions all the time. You just get tired of that every once in a while. You just don’t want to answer no more questions. I figure a person’s life speaks for itself, right? So, every once in a while you got to do this kind of thing, you got to put somebody in their place. Where I come from, there’s a lot of people who aren’t exactly in their place they should be, so every once in a while somebody has got to come and put them in their place. I don’t know whether it’s like that over here or not. I hope it’s not. But this is a song …. It’s not a bad thing to be put in your place, I didn’t say that. It’s actually a good thing. It’s been done to me every once in a while and I’ve always appreciated it. So this is my response to something that happened over in England. I think it was about ’63, ’64. Anyway the song still holds up. Seems to be people around still like that. So I still sing it. It’s called Ballad Of A Thin Man.

Thank you. Domo, domo, domo, I love that word, ha-ha . All right then once again now give them a warm hand. Tom Petty and the Heartbreakers. (after Ballad Of A Thin Man)

Thank you. Ha-ha. Everybody must get stoned. Of course that can be taken two ways. This here next song, this can be taken only one way. I’ll play it for you if I can get my guitar into tune. Oh! it just came on! (before Seeing The Real You At Last)

Thank you. I wanna thank Tom Petty and the Heartbreakers for backing me up tonight. On the keyboards, give him a warm hand, Benmont Tench. On the drums, Stan Lynch. On the bass guitar, Howie Epstein. On lead guitar, Michael Campbell. I especially want to thank Mr. Tom Petty himself. And of course I never go anywhere without my singing partners over there. They go by all kinds of names. But they go everywhere with me. And they hold me up in more ways than one. I wanna thank them too. Thank you girls. (before Like A Rolling Stone)

Thank you. We’re gonna play this song here as the last song of the night. This is about my hero. Everybody’s got a hero. This song’s about my hero. (before In The Garden)

Thank you. We’re gonna play this song here. This was a popular song when we were was growing up. Always meant a great deal. So, we don’t know exactly all the words but maybe you do. If you know them, you sing them. (before Sukiyaki)

Aretha Franklin – Saratoga Springs, NY (06/27/93)

Aretha Franklin
Newport Jazz Festival – Saratoga
Saratoga Performing Arts Center, Saratoga Springs, NY
1993-06-27

01 I Knew You Were Waiting (For Me)
02
03
04 I Say a Little Prayer
05 Chain of Fools
06 (You Make Me Feel Like) A Natural Woman
07 Day Dreaming [intro]
08 Day Dreaming
09 Sparkle
10 Respect
11 [Kecalf Franklin intro]
12 Son of a Queen
13
14 [band intro]
15 The Greatest Love of All
16 Freeway of Love

Encore
17 Freeway of Love [reprise]

Master 2 Nakamichi 700s and Teac DA-P20 DAT Master > wav > flac

The Whip and the Body (1963)

blu

I’ve written about Mario Bava’s kinky melodramatic gothic romance before. It was a Friday Night Horror Movie last summer. But I got a nice Blu-ray copy of it this past spring and wrote another thing about it for Cinema Sentries. I always like it when I write two reviews of something many months apart. It is a fun way to see how my feelings have changed.

They didn’t change all that much with this one. I always find the visuals to be incredible, but the story to be a little lacking. You can read the Blu-ray review here and my Friday Night Horror essay here.

Bob Dylan – Osaka, Japan (03/06/86)

Bob Dylan, Tom Petty & The Heartbreakers and The Queens of Rhythm
6 March 1986
Castle Hall
Osaka Fu, Japan

Bob Dylan set 1

  1. Justine (Don Harris/Dewey Terry)
  2. Positively 4th Street
  3. Clean-Cut Kid
  4. Emotionally Yours
  5. Trust Yourself
  6. That Lucky Old Sun (Haven Gillespie/Beasley Smith)
  7. Masters Of War

Tom Petty & The Heartbreakers set 1

  1. Straight Into Darkness (Tom Petty)
  2. Breakdown (Tom Petty)

Bob Dylan set 2

  1. A Hard Rain’s A-Gonna Fall
  2. Girl From The North Country
  3. It’s All Right, Ma (I’m Only Bleeding)
  4. I Forgot More Than You’ll Ever Know (Cecil A. Null)
  5. Just Like A Woman
  6. I’m Movin’ On (Hank Snow)
  7. Lenny Bruce
  8. When The Night Comes Falling From The Sky
  9. Lonesome Town (Baker Knight)
  10. Ballad Of A Thin Man

Tom Petty & The Heartbreakers set 2

  1. So You Want To Be A Rock & Roll Star (Roger McGuinn/Chris Hillman)
  2. Refugee (Tom Petty/Mike Campbell)

Bob Dylan set 3

  1. Rainy Day Women #12&35
  2. Seeing The Real You At Last
  3. Across The Borderline (Ry Cooder/John Hiatt/Jim Dickinson)
  4. I And I
  5. Like A Rolling Stone
  6. In The Garden

Encore

  1. Blowin’ In The Wind
  2. Uranium Rock (Rock ’em Dead) (Warren Smith)
  3. Sukiyaki (Ue o muite aruko) (Rohusuke Ei/Hachidai Nakamura)
  4. Knockin’ On Heaven’s Door

THE BAND IS:

Bob Dylan – vocal, guitars, harmonica

Tom Petty & The Heartbreakers
Tom Petty – guitar, vocals
Mike Campbell – guitar
Benmont Tench – keyboards
Howie Epstein – bass
Stan Lynch – drums

The Queens Of Rhythm
Debra Byrd – backing vocals
Queen Esther Marrow – backing vocals
Madelyn Quebec – backing vocals
Elisecia Wright – backing vocals

Bob Dylan – Sydney, Australia (02/24-25/86)

Bob Dylan With Tom Petty And The Heartbreakers
Hard To Handle
Entertainment Centre
Sydney, Australia
02/24-25/86

1 In The Garden
2 Just Like A Woman
3 Like A Rolling Stone
4 It’s Alright, Ma (I’m Only Bleeding)
5 Girl From The North Country
6 Lenny Bruce
7 When The Night Comes Falling From The Sky
8 Ballad Of A Thin Man
9 I’ll Remember You
10 Knockin’ On Heaven’s Door

This has no source information but it is presumably an audio rip of an out of print VHS movie.

Film Noir: The Dark Side of Cinema XX

cover

Alan Ladd was one of the great film noir actors. He had a star-making turn as a contract killer in This Gun For Hire alongside Veronica Lake. He made three more noirs with her and continued to star in various noirs throughout his career. Kino Lorber presents two of those films in this set (Captain Carey, USA & Appointment with Danger) and then there is one film without him (Make Haste to Live).

The two films with Ladd are pretty good and the other – not so much. But I continue to love this noir sets from Kino. You can read my full review here.

Allman Brothers Band – Santa Barbara, CA (09/09/03)

Allman Brothers Band
9/9/03
Santa Barbara County Bowl
Santa Barbara, CA

8th Row Center: Neumann KM-140s (ORTF) >Tascam DA-P1
(Beyer MV-100 Was Not Used, As It Was In The Shop Getting A Left Channel XLR Connection Re-soldered)
DAT Master Transferred: Tacam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.28, Tags Via xACT 2.53
Recorded, Transferred, FLAC’d, Tagged, & Front-Cover Artwork By OldNeumanntapr

Disc I:

  1. Hot ‘Lanta
  2. Ain’t Wastin’ Time No More
  3. Trouble No More
  4. Rocking Horse ->
  5. Desdemona (with Karl Denson)
  6. Leave My Blues At Home
  7. Soulshine
  8. Who To Believe
  9. Don’t Think Twice It’s All Right (with Susan Tedeschi and John Molo)

Disc II:

  1. Statesboro Blues (with Susan Tedeschi)
  2. Stormy Monday
  3. Don’t Keep Me Wonderin’
  4. Good Morning Little Schoolgirl
  5. Midnight Rider ->
  6. In Memory Of Elizabeth Reed ->
    xx. Drums ->
    xx. Bass ->
    xx. In Memory Of Elizabeth Reed

Encore:

  1. One Way Out

OldNeumanntapr Notes-
This was the last time that I was to see and record the Allman Brothers Band. The SB County Bowl is a small intimate venue that holds about 3,500 people. We were up front in the 8th row. Space was tight and I had to run my gear under the seat but as I remember I believe that they let us bring in microphone stands this time, as opposed to back in 1992.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Allman Brothers Band – Mountain View, CA (07/01/95)

Allman Brothers Band
July 1, 1995
Shoreline Amphitheatre
Mountain View, CA

Nakamichi CM-300’s w/CP-1 Cardioid Capsules >Sony TCD-D7 (16bit/48kHz)
SEC 204, Row A, Seat 10
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
Tayio Uden CD Masters >FLAC (Level 8) Via xACT 2.28, Tags Via xACT 2.43

Recorded, Transferred, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr

Disc I:

  1. Statesboro Blues
  2. Midnight Rider
  3. You Don’t Love Me
  4. Blue Sky
  5. What’s Done Is Done
  6. Soulshine
  7. The Same Thing
  8. Dreams
  9. End Of The Line
  10. Stormy Monday

Disc II:

  1. Back Where It All Begins
  2. Hoochie Coochie Man
  3. No One To Run With
  4. In Memory of Elizabeth Reed >
  5. Drums >
    xx. Bass >
    xx. In Memory Of Elizabeth Reed

Encore:

  1. One Way Out
  2. Whipping Post

OldNeumanntapr Notes-
My fourth Allman Brothers Band show, and my second ABB show at Shoreline. This time we were in the reserved section rather than on the lawn and the crowd was a little bit better behaved. (At least this show I didn’t have people purposely coming up to my microphones and trying to scream into them!) I still didn’t have an external microphone preamp yet and the internal pre on the D7 was kind of finicky. Fortunately the Nakamichi’s didn’t require phantom power. It was nice to be able to bring in a microphone stand, as opposed to the ’92 show when I had to duct tape my microphone brace to the steel cables that separate the reserved from the general admission section. I believe Rusted Root opened this year. I do remember that I was not that impressed with them and did not record their set.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Allman Brothers Band – Santa Barbara, CA (07/18/92)

Allman Brothers Band
7/18/92
Santa Barbara County Bowl
Santa Barbara, CA

8th row, left: Nakamichi CM-300 CP-1’s (on T-Bar) >Sony WM-D6C
(Maxell MX-S Metal, No Dolby)
Cassette Master >CDR Via: Sony TC-D5M >HHb CDR 800 PRO,
CD Masters >FLAC (Level 8) Via xACT 2.35 (Tags Via xACT 2.53)

Recorded, Transferred, FLAC’d, Tagged, & Front-Cover Artwork By OldNeumanntapr

disc 1:

  1. Don’t Want You No More
  2. It’s Not My Cross To Bear
  3. Statesboro Blues*
  4. Blue Sky
  5. Don’t Keep Me Wonderin’
  6. Nobody Knows
  7. Black Hearted Woman
    –acoustic–
  8. Seven Turns
  9. Midnight Rider
  10. Southbound
  11. Melissa

disc 2:

  1. Pony Boy
    –electric–
  2. Hoochie Coochie Man
  3. Get On With Your Life
  4. In Memory Of Elizabeth Reed
  5. Drums / Bass
  6. In Memory Of Elizabeth Reed
  7. Revival
    Encore:
  8. One Way Out
  9. Whipping Post

*w/John Popper on harp

Taper Notes:
I had heard that the Allman Brothers were becoming taping friendly and trying to attract some of the Dead’s taper crowd. When I got to the County Bowl that afternoon I noticed that the sign that says ‘No Cameras, Tape Recorders, Weapons, Etc’, had black electrical tape over the words ‘tape recorders’. I took that as a Good Sign! They let me in with no problem after I explained that my bag contained Only audio taping equipment; my usual spiel. I just wish that the head of security had clued in the rest of the staff! The security sure tried to hassle me as I was setting up my mics. They were clueless that the Allmans allowed taping. The Bowl wouldn’t allow mic stands so I had to hold a T-Bar with the CM-300s on it the whole night. Man, was my arm tired later! As I was setting up my mics on the T-Bar, this security guy comes over, frowns, and says, ‘What are Those?’ Ah, microphones, says I. ‘What are they FOR?’, he asks. For Recording, says I. I Almost added, ‘Is this a trick question’? It seemed obvious to me what they were for! ‘We’ll see about this!’ he says, and storms off. A little while later he comes back, about 20 feet away, looks at me and shrugs his shoulders and shakes his head as he walked away! I had a lady complain to me that they wouldn’t let her bring in a camera so why was I able to tape the show? Hey, rules are rules. I asked her if she’d ever had a flash go off in her eyes but she wasn’t listening. There were a couple of other tapers there that night but I think that I was the closest to the stage. I’ve never seen another recording of this show from another source in circulation. Anyway, this was my 1st Allman Brothers concert and I thought that they were awesome. I loved the interplay between the musicians. Warren was on fire!!! Hootchie Coochie Man sent chills down my back. He is such a bluesman! I had seen and recorded the Dead since early 1986 but I understood after the show why people say that NOBODY COOKS LIKE THE ALLMAN BROTHERS!!! Blues Traveler opened the show and I recorded them with the same Nakamichi CM-300s->Sony WMD-D6C rig. Even now, after seeing the Allmans quite a few times over the years, I have to say that the 1992 line up is still one of my favorite incarnations of the band.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉