High Crime (1974)

bluray

Franco Nero was one of the biggest Italian movie stars of the 1970s. Though he made a number of international and American movies I’m not sure if he was ever all that well known over here. Maybe he was. I really don’t know. These days he’s well loved by genre fans. His breakthrough role was Django a terrific Spaghetti Western that beget untold sequels. He made lots of other Westerns, Gialli, Poliziotteschi, and every other Italian genre film you can think of. He’s still working, too, having recently been in films like John Wick 2, and The Pope’s Exorcist.

Not all of his films were masterpieces (dude has starred in over 200 films so you gotta give him some slack) but I always enjoy seeing his face appear in anything.

High Crimes is a pretty good little crime thriller from the 1970s. Nero plays a no-nonsense cop who feels all the rules and regulations are keeping him from nailing the bad guys. The plot gets a little convoluted but the action sequences are pretty great. You can read my full review here.

Pink Floyd – Brighton, England (06/29/72)

Pink Floyd
Waking The Grapevine
June 29, 1972
Brighton Dome, Brighton, England

1 Careful With That Axe, Eugene
2 Set The Controls For The Heart Of The Sun

Bass Guitar – Roger Waters
Drums – Nick Mason
Guitar – David Gilmour
Keyboards – Richard Wright

pro-shot recording ~17 min

I received this with no source info. All notes taken from Discogs.

Syd Barrett – Melk Weg (1967-1970)

Syd Barrett
Melk Weg
Sources: 1967- 1970 Various vinyl roios.

Catalog: FAR011 Four Ace Records

Misc.: SIAE

Produced: Made in Italy

Date: 67

Cover: The cover consists of what seems to be a large breast sitting in the middle of a large field. The colors are an orange and blue psychedlic array. In the lower left hand corner is the title, ‘Milk Weg.’ Also, there is a cool, rarely seen picture of Barrett.

Tracks:

   1. Milky Way                3:09
   2. Wouldn't You Miss Me             2:57
   3. Swan Lee                2:48
   4. Opel                6:15
   5. Untitled Words            2:58
   6. Birdy Hop                2:41
   7. Silas Lang                2:41
   8. Scream Thy Last Scream        4:35
   9. Vegetable Man/Reaction in G [fragment]    2:49
  10. Gigolo Aunt                3:42
  11. Two of a Kind            2:36
  12. Terrapin                3:05
  13. Baby Lemonade            2:30
  14. Just Before You Disappear        4:03
  15. Dark Globe                2:59
  16. Words                2:59
  17. Interstellar Overdrive            5:14

Band:
Syd Barrett
Roger Waters
Rick Wright
Nick Mason

Xref: Vegetable Man LP Unforgotten Hero LP and many, many others.

Quality: G+/G
Tracks 1-7, 12-16: Sup-, Tracks 8-9: Ex-, Track 10: G+,
Tracks 11 & 17 Sup+, Track 14: G

Comments:
The fragment of Reaction in G is not listed on the cover. The contents appear to be
derived from other recent ROIOs. – ANON

Melkweg is a dutch word, meaning milky way -GERHARD

Track 3, Swan Lee, is probably Syd’s demo. Track 5 and track 16 are of course the very
same song and the same as those found on Opel. Tracks 10 and 11 are probably off Peel
Sessions. Track 14 is mis-titled. It is really Octopus – a very fast, cut off version. Track 17
is also shortened. Track 8, Scream Thy Last Scream is shorter than usual, but decent
quality. In the middle Syd says ‘Oh, fuck it’, so something must have gone wrong. Track 7,
Silas Lang, is a non-vocals Swan Lee. It is live and probably is with Floyd, as it says. -JR

Tracks as they really are:

  1. Milky Way
  2. Dark Globe (with falsetto voices)
  3. Instrumental #1
  4. Opel
  5. Word Song
  6. Birdy Hop
  7. Swan Lee (backing track)
  8. Scream Thy Last Scream
  9. Vegetable Man
  10. Reaction In G
  11. Gigolo Aunt
  12. Two Of A Kind
  13. Terrapin
  14. Baby Lemonade
  15. Octopus
  16. Dark Globe (with falsetto voices)
  17. Word Song
  18. Interstellar Overdrive

This CD was definitely taken from vinyl source materials. Many of the tracks are muffled
(especially the Peel Sessions) and all have distinctive pops & crackles.

Although songs 2, 16 and 5, 17 are the same, they were clearly mastered from different
sources. (Perhaps the compiler thought they were different ??) Song 1 is identical to the
version on Opel, except that here, we hear some unidentified person say “1,2,3,4” at the
beginning. Similarly, song 6 is identical to that on Opel, except that we hear the person say
“Birdy Hop take 1”. Song 3 has been called “Swan Lee” and “Madcap’s Embrace”.
Actually, it’s neither. Malcolm Jones’ book refers to it as “Instrumental” and so shall I.

Songs 8 and 9 are listenable (but not great) studio versions of these two rare songs.
Despite the other RoIO entry for this disk, Syd does NOT yell “Oh, fuck it” in the middle
of Scream. He’s saying “Oh, sock it to me.” at the end of a long bit of guitar. (around 2:08
for those of you with the disk)

Song 10 is from the 7/23/67 Carlisle pirate radio broadcast. Sadly, the second (longer)
song (StCftHotS) was not included here.

Songs 11 to 14 are from Syd’s Peel Sessions. The quality here is terrible. Do yourself the
favour of buying the more common (and less illicit) Peel Sessions disk.

Song 15 was taken from Syd’s infamous Olympia, London gig of 6 June 70. Quite a good
Octopus if you can overlook the absent lyrics and horrible tape quality.

The Interstellar Overdrive is just over 5 minutes long and excellent quality. Can’t say for
sure where it’s been pinched from, as I can’t tell one IO from another.

All in all, most of these songs are available in much better quality on Opel or the Peel
Sessions CD. Those songs not available there are on other RoIOs in much better
(or equal) quality. This is one disk that you should probably just leave in the bin. -SCOTT

Track 14, “Just Before You Disappear”, is mislabeled. It is actually some very strange
version of “Octopus” recorded very badly. Tracks 5 & 16 are exactly the same (Untitled
Words). “Two of a Kind” is taken from the BBC recordings, and “Interstellar Overdrive”
is the same version from the original Piper at the Gates of Dawn. Other than that, the CD
is pretty good. Scream Thy Last Scream sounds good, with the “chipmunk” voice in the
background. Silas Lang is different from the “Opel” version, and it sounds good. Basically
the rest of these songs are different takes of the commercial song. If you don’t have a good
copy of Scream Thy Last Scream or Vegetable Man already, get this CD. A delectible
buy for the Barrett fan.

Tracks 1-7, 12-16: Sup-,
Tracks 8-9: Ex-,
Track 10: G+,
Tracks 11 & 17 Sup+,
Track 14: G -FOOLBERT STURGEON

Just Before You Disappear is a step too fast (just listen to the vocals, he sounds like an
elf!)

Swan Lee (7) is NOT with Pink Floyd, it s just the backing track to the song from Opel

Silas Lang (3) seems to be the backing track of Swan Lee, but with jazzy music mixed in
from another source.

The version of IO on this CD is simply a different mix than the one on Piper. That version
is two different takes mixed together. This is one of the final mix takes combined with a
different one. It fades out early, which is unfortunate, but there are many noticeable
differences compared to the official release.

Pink Floyd – Effervesing Elephant (1967-1970)

Pink Floyd
Effervesing Elephant

Linage: CD-R -> Eac (included in each Volume) -> Flac

Disc 1 Studio and Outtakes

Lucy Leave, declicked, stereo enhanced
King Bee, could not improve
Sunshine, stereo enhanced
Interstellar Overdrive, syd home demo — dehissed, declicked, stereo enhanced
Arnold Layne, stereo enhanced
Let’s Roll Another One, early 66 studio demo– declicked, dehissed, enhanced
Let’s Roll Another One, studio, speed corrected, dehissed
Candy and a Currant Bun, stereo enhanced
See Emily Play, stereo enhanced
Apples and Oranges, stereo enhanced,Legit stereo version
Vegtable Man, declicked, dehissed, stereo enhanced
Scream Thy Last Scream, stereo enhanced
Nicks Boogie, stereo enhanced
It Would Be So Nice, stereo enhanced
Paint Box, stereo enhanced
Biding my Time, stereo enhanced
Julia Dream, stereo enhanced
Point Me at the Sky, stereo enhanced
Embryo, stereo enhanced

Disc 2 BBC Sessions and TV

(67 bbc sessions now from 1st gen source of radio broadcast)

Best versions anywhere
Flaming, dehissed, stereo enhanced
Scarecrow, dehissed, stereo enhanced
The Gnome, dehissed, stereo enhanced
Matilda Mother, dehissed, stereo enhanced
Vegetable Man, dehissed, stereo enhanced
Scream thy Last Scream, dehissed, stereo enhanced
Pow r toch, dehissed, stereo enhanced
Jugband Blues, dehissed, stereo enhanced
Julia Dream, stereo enhanced
Let There Be More Light, stereo enhanced
Mudersitic Woman, stereo enhanced
Saucer of Secrets, stereo enhanced
Point Me at the Sky, stereo enhanced
Baby Blue Shuffle, stereo enhanced
The Embryo, stereo enhanced
Interstellar Overdrive, remixed channels, stereo enhanced
Moonhead, declicked, dehissed, stereo enhanced
Christmas Song, dehissed

Disc 3 Movie Apearances

all regular songs are alt takes

Committee, stereo enhanced
Country Song
The Violence Sequence (Studio Piano section)stereo enhanced
Crumbling Land Take 1, stereo enehanced
Crumbling Land Take 2, stereo enhanced
Red Queen Theme Take 1, stereo enhanced
Red Queen Theme Take 2, dehissed
Red Queen Theme Take 3, stereo enhanced, dehissed
Red Queen Theme Take 4, dehissed, stereo enhanced
Rick’s Whine, dehissed
Oneone Take 1, dehissed stereo enhanced
Oneone Take 2, remixed, stereo enhanced
Oneone Take 3, stereo enhanced
Oneone Take 4, stereo enhanced
Oneone/Fingals cave, declicked, stereo enhanced

Disc 4 Syd Outtakes

all tracks were stereo enhanced
all tracks are outtakes presented in chronological order

Late Night Instrumental
Golden Hair
Clowns and Jugglers
No Good Trying
Love You
Love You
Clowns and Jugglers
She Took a Long Cold Look
Baby Lemonade
Gigolo Aunt
Waving My Arms in the Air
I Never Lied to You
Effervesing Elephant
Love song
Dominos
Dominos
It Is Obvious
It Is Obvious
It Is Obvious

Disc 5 Misc Syd

Peel sessions
Stereo enhanced
Love You
Gigolo Aunt
Baby Lemonade
Effervescing Elephant
Two of a Kind

Syd solo olympia 1970
Digitally remastered from 2nd gen source
Love You
Gigolo Aunt
Effervescing Elephant
Clowns and Jugglers

Sounds of the 70’s
Dehissed from different source than MAG Proverbs
Baby Lemonade
Dominoes
Love Song

Misc
Remastered from different sources than usual
Rhamadam
Silaslang Instrumental
Swanlee Instrumental
74 outtake 1
74 outtake 2
74 outtake 3
Bob Dylan Blues
Syd Interview
Look of the Week Interview
CBC Interview
Tommorrow Interview
BBC Interview (Snowing)

Disc 6 Live 1967

Copenhagen (Sept. 13) + Rotterdam (Nov. 13) 1967
Digitally remastered from 2nd gen souce
Reaction in G
Arnold Layne
One in a Million
Matilda Mother
Scream the Last Scream
Astronomy Domine
Reaction in G
Pow r Toch
Scream the Last Scream
Set the Controls for the Heart of the Sun
Interstellar Overdrive

Disc 7 live 68

Amsterdam early show (May 23, 1968)
Both Amsterdam shows digitally remastered from 1st gen source
Let There Be More Light
Interstellar Overdrive
Set the Controls for the Heart of the Sun
Saucer Full of Secrets
Astronomy Domine
Rog Interview
Set the Controls for the Heart of the Sun

Disc 8 Live 68

Asmterdam late show (May 23, 1968)
Keep Smiling People
Let There Be More Light
Set the Controls for the Heart of the Sun
Flaming
Saucer Full of Secrets
Interstellar Overdrive
Astronomy Domine
Let There Be More Light Instrumental

Disc 9 Various live 70

All tracks remastered from better source than usual source

Alans Pysch Breakfast
Corrosion
Main Theme from More
Violent Sequence
Sysyphus

The Rolling Stones – Master Licks

The Rolling Stones
Master Licks

Goats Head Soup Outtake 1972/73
1 Angel Girl

Soundboard, Bangalore 4/4/2003
2 Miss You

Soundboard Tokyo 10/03/2003
3 Tumbling Dice

Soundboard Singapore 24/3/2003
4 You Can’t Always Get What You Want

Lake Geneva Rehearsals Session 15/4/1979
5 Africa

Cleveland 14/10/2002
6 Loving Cup
7 Words & Music Of The Fan Club Cd Sampler (2002)

Some Girls Outtake
8 What Gives You The Right

Undercover Demo 1982/83
9 She Was Hot

Ronnie Wood & Family Bbc Uk Tv 14/12/2001
10 This Little Heart

Exile On Mainstreet Demo 1969/71
11 Sweet Virginia

Chuck Leavell Combo, Budokan Rehearsals 10/3/2003
12 Everybody Needs Somebody To Love

The Who – Landover, MD (12/13/79)

The Who
1979-12-13
Washington DC (Landover, MD) The Capitol Centre

Source: Audience
Lineage: Master Cassette>Nakamichi 670 azimuth-adjusted playback deck>Nakamichi outboard Dolby B>Wavelab 96/24 1ch mono>
Taping Gear: Teac M-100>Sony 153SD (mono, Dobly B on)
Taped and transferred by JEMS

  1. Substitute
  2. I Can’t Explain
  3. Baba O’Riley
  4. The Punk And The Godfather
  5. My Wife
  6. Sister Disco
  7. Behind Blue Eyes
  8. Music Must Change
  9. Drowned
  10. Who Are You
  11. 5:15
  12. Pinball Wizard >
  13. See Me Feel Me
  14. Long Live Rock
  15. My Generation
  16. I Can See For Miles
  17. Sparks
  18. Won’t Get Fooled Again
    encore:
  19. Summertime Blues
  20. Dancing In The Streets
  21. Dance It Away
  22. How Can You Do It Alone
  23. The Real Me

At the 10th show of the Winter ’79 tour Roger greets the audience with ‘It’s been along time’ to which Pete responds ‘Not fucking long enough!’ Despite that, Pete comes out swinging! This might be the best show of tour. Pete starts out the show in punk rock mode, wearing a leopard print t-shirt, which along with his Dr. Martins (from Robot on Chelsea Road, for the fashionable among you…)seems to put him in a more youthful/rebellious frame of mind. This is reflected in his playing, as he is at the top of his game for the entire show. After the first couple of songs, he traded the t-shirt for black jacket with no shirt.
This is the first of two nonconsecutive shows at the Capitol Centre. In response to the deaths at the show in Cincinnati, then-Providence Mayor Vincent ‘”Buddy” Cianci, who oversaw the Providence Civic Center auditorium, canceled the show that was to be held there on December 17th. The Who’s management looked at their options and decided to add a second show at the Capital Centre to make up for the canceled show.
Just as a side note, The Capital Centre, along with The Philadelphia Spectrum, the Chicago International Amphitheater, the Richfield Coliseum, and the Buffalo Memorial Auditorium, have all been torn down as well as the next two dates on this tour, The Veteran’s Memorial New Haven Coliseum and The Boston Garden, and the Pontiac Silverdome, while still there, is no longer in use…time marches on.

The encore here features some of my favorite improvised lyrics of the tour. ‘I listen to all the great thinkers, but I prefer to listen to the great drinkers. I was born in a trunk in Acton, and I like Eric Clapton…just got to be happy and dance it away!’. The version of ‘How Can You Do It Alone’ that follows is a very uptempo ‘punk’ take on it, including a ‘one-two-three-four’ count in.
The tape for this one came out particularly good as we were in the 8th row on the floor in front of Pete, which, were about the same seats we had three years earlier for the Who’s performance here. (Still on the tracker at:http://www.dimeadozen.org/torrents-details.php?id=261431)
Thanks again to Andy for putting these shows up for us.
Others in this series are here:

Pink Floyd – Rotterdam, The Netherlands (02/19/77)

Pink Floyd
Oude Ahoy Hallen
Rotterdam, The Netherlands
February 19, 1977

Disc One:

  1. Sheep
  2. Pigs On The Wing (Part 1)
  3. Dogs
  4. Pigs On The Wing (Part 2)
  5. Pigs (3 Different Ones)

Disc Two:

  1. Shine On You Crazy Diamond (Parts 1-5)
  2. Welcome To The Machine
  3. Have A Cigar
  4. Wish You Were Here
  5. Shine On You Crazy Diamond (Parts 6-9)
  6. Money

Door-to-Door Maniac (1961)

cover

Johnny Cash was a huge country and western star in 1961 but he wanted to branch out. He wanted to more famous. Hollywood seemed like a good place to make that happen. But Hollywood wasn’t exactly foaming at the mouth for Cash as an actor so he found himself starring in this super low-budget thriller. He’s pretty good in it, though that might partially be because he was strung out from partying all night which fits the character well. The movie would have been completely forgotten were it not for Cash.

This Blu-ray also contains a film Right Hand of the Devil which is what makes it worth the price of admission. It isn’t that good either, but it is weird and fascinating. It was made by a hairdresser named Aram Katcher who desperately wanted to be an auteur. He put his savings into the film and it is full of his idiosyncracies, which makes it a great little midnight movie.

You can read my full review of both films at Cinema Sentries.

Into the Night By Cornell Woolrich & Lawrence Block

cover

It should come as no surprise that I like to read crime fiction. I watch enough of those movies to make me liking the books to be perfectly predictable.

I just recently started getting into Lawrence Block. He’s probably most famous for a series of novels starring Matthew Scudder a down-on-his-luck former New York police turned sort-of private eye. I’ve read a couple of those books and am currently reading a Block novel that doesn’t involve Scudder. I like his style very much.

I’ve never read anything by Cornell Woolrich, though I should probably rectify that, since he wrote the stories to some great movies including Rear Window, The Bride Wore Black, and Mississippi Mermaid.

Into the Night was found in Woolrich’s desk after he died, unfinished. Lawrence Block was hired to finish it. The end result is pretty good. You can read my full review of it here.

Bruce Springsteen – Dallas, TX (02/10/23)

Bruce Springsteen
Feb 10, 2023
American Airlines Center
Dallas, TX

Set One

  1. No Surrender
  2. Ghosts
  3. Prove It All Night
  4. Letter To You
  5. The Promised Land
  6. Out in the Street
  7. Candy’s Room
  8. Kitty’s Back
  9. Nightshift
  10. Encore
  11. Detroit Medley
  12. Born to Run
  13. Rosalita (Come Out Tonight)
  14. Glory Days
  15. Dancing in the Dark
  16. Tenth Avenue Freeze-Out
  17. I’ll See You in My Dreams

    Notes
    Bruce Springsteen – Lead vocal, electric and acoustic guitars, harmonica; Roy Bittan – Piano, keyboards; Nils Lofgren – Electric and acoustic guitars, lap steel, backing vocal; Garry Tallent – Bass; Max Weinberg – Drums; Jake Clemons – Tenor saxophone, percussion, backing vocal; Charlie Giordano – Organ, keyboards; Anthony Almonte – Percussion, backing vocal; Ada Dyer – Backing vocal; Curtis King – Backing vocal; Lisa Lowell – Backing vocal; Michelle Moore – Backing vocal; Barry Danielian – Trumpet; Ed Manion – Baritone and tenor saxophone;† Ozzie Melendez – Trombone; Curt Ramm – Trumpet
    Recorded by John Cooper
    Mixed by Jon Altschiller; additional engineering by Danielle Warman, Nic Coolidge, Allison Leah and Alex Bonyata
    Mix Advisor: Rob Lebret
    Post Production by Brad Serling and Arya Jha
    Art Design by Michelle Holme
    Cover Photo by Rob DeMartin
    Tour Director: George Travis
    Manager: Jon Landau
    HD files are 24 bit / 96 kHz; DSD Files are DSD64

song fifth night set
Tour premiere of ìDetroit Medleyî
Four songs from 2020ís Letter To You: ìGhosts,î ìLetter To You,î ìLast Man Standingî and ìIíll See You In My Dreamsî
ìLast Man Standingî features a new arrangement
ìIíll See You In My Dreamsî is performed solo acoustic to end the show
Two songs from 2022ís Only the Strong Survive: ìNightshiftî (written by Franne Golde, Dennis Lambert and Walter Orange, popularized by The Commodores) and ìDonít Play That Songî (written by Ahmet Ertegun and Betty Nelson, popularized by Ben E. King)
ìJohnny 99î is performed in the Wrecking Ball tour arrangement
Concert stalwarts like ìBecause The Night,î ìDancing in the Darkî and ìTenth Avenue Freeze-Outî are performed in tighter, shorter versions