The Rolling Stones – Master Licks

The Rolling Stones
Master Licks

Goats Head Soup Outtake 1972/73
1 Angel Girl

Soundboard, Bangalore 4/4/2003
2 Miss You

Soundboard Tokyo 10/03/2003
3 Tumbling Dice

Soundboard Singapore 24/3/2003
4 You Can’t Always Get What You Want

Lake Geneva Rehearsals Session 15/4/1979
5 Africa

Cleveland 14/10/2002
6 Loving Cup
7 Words & Music Of The Fan Club Cd Sampler (2002)

Some Girls Outtake
8 What Gives You The Right

Undercover Demo 1982/83
9 She Was Hot

Ronnie Wood & Family Bbc Uk Tv 14/12/2001
10 This Little Heart

Exile On Mainstreet Demo 1969/71
11 Sweet Virginia

Chuck Leavell Combo, Budokan Rehearsals 10/3/2003
12 Everybody Needs Somebody To Love

The Who – Landover, MD (12/13/79)

The Who
1979-12-13
Washington DC (Landover, MD) The Capitol Centre

Source: Audience
Lineage: Master Cassette>Nakamichi 670 azimuth-adjusted playback deck>Nakamichi outboard Dolby B>Wavelab 96/24 1ch mono>
Taping Gear: Teac M-100>Sony 153SD (mono, Dobly B on)
Taped and transferred by JEMS

Substitute
I Can’t Explain
Baba O’Riley
The Punk And The Godfather
My Wife
Sister Disco
Behind Blue Eyes
Music Must Change
Drowned
Who Are You
5:15
Pinball Wizard >
See Me Feel Me
Long Live Rock
My Generation
I Can See For Miles
Sparks
Won’t Get Fooled Again
encore:
Summertime Blues
Dancing In The Streets
Dance It Away
How Can You Do It Alone
The Real Me

At the 10th show of the Winter ’79 tour Roger greets the audience with ‘It’s been along time’ to which Pete responds ‘Not fucking long enough!’ Despite that, Pete comes out swinging! This might be the best show of tour. Pete starts out the show in punk rock mode, wearing a leopard print t-shirt, which along with his Dr. Martins (from Robot on Chelsea Road, for the fashionable among you…)seems to put him in a more youthful/rebellious frame of mind. This is reflected in his playing, as he is at the top of his game for the entire show. After the first couple of songs, he traded the t-shirt for black jacket with no shirt.
This is the first of two nonconsecutive shows at the Capitol Centre. In response to the deaths at the show in Cincinnati, then-Providence Mayor Vincent ‘”Buddy” Cianci, who oversaw the Providence Civic Center auditorium, canceled the show that was to be held there on December 17th. The Who’s management looked at their options and decided to add a second show at the Capital Centre to make up for the canceled show.
Just as a side note, The Capital Centre, along with The Philadelphia Spectrum, the Chicago International Amphitheater, the Richfield Coliseum, and the Buffalo Memorial Auditorium, have all been torn down as well as the next two dates on this tour, The Veteran’s Memorial New Haven Coliseum and The Boston Garden, and the Pontiac Silverdome, while still there, is no longer in use…time marches on.

The encore here features some of my favorite improvised lyrics of the tour. ‘I listen to all the great thinkers, but I prefer to listen to the great drinkers. I was born in a trunk in Acton, and I like Eric Clapton…just got to be happy and dance it away!’. The version of ‘How Can You Do It Alone’ that follows is a very uptempo ‘punk’ take on it, including a ‘one-two-three-four’ count in.
The tape for this one came out particularly good as we were in the 8th row on the floor in front of Pete, which, were about the same seats we had three years earlier for the Who’s performance here. (Still on the tracker at:http://www.dimeadozen.org/torrents-details.php?id=261431)
Thanks again to Andy for putting these shows up for us.
Others in this series are here:

Pink Floyd – Rotterdam, The Netherlands (02/19/77)

Pink Floyd
Oude Ahoy Hallen
Rotterdam, The Netherlands
February 19, 1977

Disc One:

Sheep
Pigs On The Wing (Part 1)
Dogs
Pigs On The Wing (Part 2)
Pigs (3 Different Ones)

Disc Two:

Shine On You Crazy Diamond (Parts 1-5)
Welcome To The Machine
Have A Cigar
Wish You Were Here
Shine On You Crazy Diamond (Parts 6-9)
Money

Door-to-Door Maniac (1961)

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Johnny Cash was a huge country and western star in 1961 but he wanted to branch out. He wanted to more famous. Hollywood seemed like a good place to make that happen. But Hollywood wasn’t exactly foaming at the mouth for Cash as an actor so he found himself starring in this super low-budget thriller. He’s pretty good in it, though that might partially be because he was strung out from partying all night which fits the character well. The movie would have been completely forgotten were it not for Cash.

This Blu-ray also contains a film Right Hand of the Devil which is what makes it worth the price of admission. It isn’t that good either, but it is weird and fascinating. It was made by a hairdresser named Aram Katcher who desperately wanted to be an auteur. He put his savings into the film and it is full of his idiosyncracies, which makes it a great little midnight movie.

You can read my full review of both films at Cinema Sentries.

Into the Night By Cornell Woolrich & Lawrence Block

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It should come as no surprise that I like to read crime fiction. I watch enough of those movies to make me liking the books to be perfectly predictable.

I just recently started getting into Lawrence Block. He’s probably most famous for a series of novels starring Matthew Scudder a down-on-his-luck former New York police turned sort-of private eye. I’ve read a couple of those books and am currently reading a Block novel that doesn’t involve Scudder. I like his style very much.

I’ve never read anything by Cornell Woolrich, though I should probably rectify that, since he wrote the stories to some great movies including Rear Window, The Bride Wore Black, and Mississippi Mermaid.

Into the Night was found in Woolrich’s desk after he died, unfinished. Lawrence Block was hired to finish it. The end result is pretty good. You can read my full review of it here.

Bruce Springsteen – Dallas, TX (02/10/23)

Bruce Springsteen
Feb 10, 2023
American Airlines Center
Dallas, TX

Set One

No Surrender
Ghosts
Prove It All Night
Letter To You
The Promised Land
Out in the Street
Candy’s Room
Kitty’s Back
Nightshift
Encore
Detroit Medley
Born to Run
Rosalita (Come Out Tonight)
Glory Days
Dancing in the Dark
Tenth Avenue Freeze-Out
I’ll See You in My Dreams

Notes
Bruce Springsteen – Lead vocal, electric and acoustic guitars, harmonica; Roy Bittan – Piano, keyboards; Nils Lofgren – Electric and acoustic guitars, lap steel, backing vocal; Garry Tallent – Bass; Max Weinberg – Drums; Jake Clemons – Tenor saxophone, percussion, backing vocal; Charlie Giordano – Organ, keyboards; Anthony Almonte – Percussion, backing vocal; Ada Dyer – Backing vocal; Curtis King – Backing vocal; Lisa Lowell – Backing vocal; Michelle Moore – Backing vocal; Barry Danielian – Trumpet; Ed Manion – Baritone and tenor saxophone;† Ozzie Melendez – Trombone; Curt Ramm – Trumpet
Recorded by John Cooper
Mixed by Jon Altschiller; additional engineering by Danielle Warman, Nic Coolidge, Allison Leah and Alex Bonyata
Mix Advisor: Rob Lebret
Post Production by Brad Serling and Arya Jha
Art Design by Michelle Holme
Cover Photo by Rob DeMartin
Tour Director: George Travis
Manager: Jon Landau
HD files are 24 bit / 96 kHz; DSD Files are DSD64

song fifth night set
Tour premiere of ìDetroit Medleyî
Four songs from 2020ís Letter To You: ìGhosts,î ìLetter To You,î ìLast Man Standingî and ìIíll See You In My Dreamsî
ìLast Man Standingî features a new arrangement
ìIíll See You In My Dreamsî is performed solo acoustic to end the show
Two songs from 2022ís Only the Strong Survive: ìNightshiftî (written by Franne Golde, Dennis Lambert and Walter Orange, popularized by The Commodores) and ìDonít Play That Songî (written by Ahmet Ertegun and Betty Nelson, popularized by Ben E. King)
ìJohnny 99î is performed in the Wrecking Ball tour arrangement
Concert stalwarts like ìBecause The Night,î ìDancing in the Darkî and ìTenth Avenue Freeze-Outî are performed in tighter, shorter versions

Kingfish – Stonybrook, NY (11/09/75)

KINGFISH 1975-11-09
SUNY Gym
Stonybrook, NY

Jump Back Baby
CC Rider
Asia Minor
Little Bluebird
Goodbye Yer Honor
Shop Around
Jump For Joy
Juke
Promised Land
I Hear You Knockin’
Shake and Finger Pop
Bye and Bye
Hypnotize
Big Iron
Battle of New Orleans
Around and Around
Pack Up My Overnight Bag

SBD > cassette (?) > reel (?) > DAT >
CDR > EAC

Robbie Hoddinott-lead guitar
Matt Kelly-harmonica, guitar
Bob Weir-rhythm guitar, vocals
Dave Torbert-bass, vocals
Chris Herold-drums

Devil’s Doorway (1950)

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Obviously, I love a good Western. For the last two years, I’ve dedicated the month of March to the genre. A great Western is transcendent. Even a bad one can be a lot of fun. But there is no getting past the casual racism that is found in a great many Western. This is especially true in Westerns from the 1930s into the 1940s. Hollywood thought nothing of making Native Americans nameless, blood-thirsty savages who wanted nothing more than to rape the women, kidnap the children, and murder the men.

Slowly, Hollywood changed. By the 1950s they sometimes (but not always, not even all that often) made films that depicted Native Americans with an ounce of empathy. Devil’s Doorway is a film that points to the realities of how Native Americans were treated by white folk. Even ones who fought valiantly in the Civil War.

Unfortunately, the lead Native American is played by a decidedly white fella.

Were the film really good, I might be able to forgive that lapse in judgment. But as it is, the film isn’t great and so that bit of indiscretion stands out like a racist thumb.

You can read my full review here.

My Favorite Thing Is Monsters by Emil Ferris

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I wish this book had come out when I was a teenager. I think it is safe to say now that I was a weird kid. Especially in rural, conservative Oklahoma. I liked horror movies and heavy metal. I grew my hair long and wore Doc Martens everywhere, even with shorts.

My Favorite Thing is Monsters is about a precocious, weird little girl who likes horror movies and pretends to be a werewolf. When her neighbor dies she dons the hate of a hard-boiled detective. It all takes place in the turbulent 1960s in Chicago.

Emil Farris’ art is a wondrous mix of styles and genres. It is a two-volume book and I reviewed Book Two for Cinema Sentries. Both are highly worth picking up.