The Movie Journal: July 2024

movie

I am working diligently on getting the new site up and running. I’ve been able to import most of my favorite artists and have started importing all of the many artists who I don’t really collect but whom I have one or two or three shows from. There are a ton of them so that is going to be a slow process.

I suspect I’ll go ahead and start letting people in next week. But I’ll have more on that once I’m ready.

Clearly, I’ve not been posting to this site as I’ve been doing all that work on the new one. But The Midnight Cafe is important to me. I hope to continue writing about movies and other things even though I’m moving the music sharing elsewhere. As such I wanted to go ahead and do my regular movie breakdown for February.

I watched 41 movies in July. 35 of them were new to me. 15 of them were made before I was born. This month’s theme was Sci-Fi in July and I watched 21 movies in that genre (more or less, science fiction is hard to pin down). I watched two movies from 2024, one of which (Maxxxine) I actually watched in the theater.

I quite enjoyed watching science fiction films this month. That’s a genre I like, but don’t necessarily gravitate towards. So it was fun digging into it a little bit, although as usual, I didn’t do as much writing about it as I wanted to.

actorsx

The actor’s list stayed pretty much the same this month save for Christopher Lee jumping into that four-way tie for third place with six films watched. I caught a couple of his Hammer Horror films this month.

directors

The director’s field changed a bit with Terence Fisher entering the scene in first place with five films. He helmed a bunch of those Hammer Horror films and the wife and I have been watching a lot of them this year. George Cukor also entered the list with three films. There are at least 16 directors with two films on the list. At this point of the year, I start thinking about these contests, so I’ll probably start planning some viewings from a few of these directors.

Here’s the full list:

A Quiet Place: Day One (2024) ****
Demons 2 (1986) ***1/2
Demons (1985) ****
Your Name. (2016) ****
It Should Happen to You (1954) ****
The Gorgon (1964) ***1/2
Phase IV (1974) ****
Stolen Face (1952) **
Limbo (2023) ***1/2
Godzilla vs. Biollante (1989) ***1/2
The Return of Godzilla (1984) ****
Lady Terminator (1989) ***
Tchao Pantin (1983) ****
Ten Little Indians (1989) ***
The Evil (1978) ***1/2
Brightburn (2019) ***
The Quiet Earth (1985) ****
Doctor Who: The Romans (1965) ***1/2
The More the Merrier (1943) ****
Stargate (1994) ***
Sphere (1998) **
Lady Frankenstein (1971) ***1/2
Eyewitness (1981) ***1/2
The Horror of Frankenstein (1970) ***1/2
Frankenstein Created Woman (1967) ***1/2
The Canyons (2013) *1/2
MaXXXine (2024) ***1/2
The Good German (2006) ***1/2
Bandits of Orgosolo (1961) ****1/2
Charlie Chan at the Wax Museum (1940) ***
Poor Things (2023) ****
Virus (1980) ***
The City of the Dead (1960) ****
The Night Strangler (1973) ***
The Girl with All the Gifts (2016) ****
Barbarella (1968) ***1/2
Akira (1988) ****
I Married a Monster from Outer Space (1958) ***
Palm Springs (2020) ****
Paprika (2006) ****

The Decision

As I mentioned in the last post one of the ways I had thought of to make this whole thing work was to create a brand new movie site – call it The Midnight Movie Cafe – and keep the old site private where I would still share music links.

As I also mentioned the trouble with this is that The Midnight Cafe has a certain amount of cache. It is a known site. It has been indexed by search engines. Every day people discover the site through Google Searches or because some other site has linked to me.

A movie site needs that Google juice. I want people to discover those writings. Now I know I’ll never get rich talking about movies, I’ll never make any kind of real money through it at all. But I hope I can continue to grow it a little bit and get a small following.

But the music site doesn’t need any sort of cache. I don’t want people discovering it through search. It should be anonymous.

So, I’ve decided to switch it around – the new site, call it The Midnight Music Cafe, will be dedicated to ROIO sharing and it will remain private. The old site will be all about movies and pop culture and everything else that floats my boat besides ROIOs.

Unfortunately, this does mean a lot of extra work for me. There is a large collection of music posts that I need to transfer to the new site. Luckily I discovered that I can export posts from the old blog and import them to the new blog fairly easily. The site is too big to do that all at once, but I can do it by artist.

Even so, when I import them I need to go through them to make sure everything came out alright. And then on the old site, I need to make each post private so that when I make the entire site public those posts will not be viewable to anybody.

It also means that you all will have to register to view my new site and sign up for the e-mails. You’ll need your WordPress login to do that. So if you have not registered for a free WordPress account I recommend doing so now. If you do not I think you can still sign up for the e-mails, but I’ll have to figure out how that works.

It also means that if you are already subscribed to The Midnight Cafe and you do not like my movie reviews, you’ll have to figure out how to unsubcribe.

I am not ready to open the new site up just yet. I don’t know that I’ll get everything moved over before I open it up, but it still needs quite a bit of work before I let you all in.

Naturally, while I do all of this I will not be uploading new shows. So please be patient and I hope you look forward to the new site.

A Change Is Gonna Come

Thank you everyone for participating in my little experiment. Thanks especially to Simon who started things off by noting he was in the UK. Many of you followed and noted where you are from. It was very fun to see how international this site has become.

Obviously, some things are going on with the site and I wanted to take a moment to explain them, and to talk about some upcoming changes.

The other day I received an e-mail from a woman who runs the estate of an artist I recently posted. She asked me to take the post down and vaguely threatened me with legal action. I immediately removed the post and told her I did so. She thanked me and then threatened me with more legal action if she ever saw that show posted anywhere else.

So please, if you downloaded the Richie Havens show from me do not share it anywhere else.

I don’t believe she will sue me over this, but the whole incident has made me nervous.

I’ve always known there was a risk in running this site and sharing these shows. I feel like ROIOs are a bit of a legally gray area. I don’t share any copies of official releases, but that doesn’t mean I can’t get sued and that I wouldn’t lose if I did.

I figure my site is too small to get noticed very often and so the chances of being sued are slim. But they aren’t zero. And this incident has made me nervous enough to make some changes.

I still want to share shows, but I want to make the risk minimal.

The obvious answer is to make the site private. That’s exactly what I’ve done for now. That will make the risk nearly zero. It will keep prying eyes from finding the site. But it also means potential fans of the site will not likely find it either.

This is especially irksome since I’ve spent the last year or so writing about movies and pop culture. I want the public to read that stuff. I want it to be seen by as many people as possible. Maybe that’s just ego-talking, but it is true. I hate the idea of my reviews and such not being public.

But what to do?

I’ve been playing around with the settings. There is a way to make individual posts only viewable to subscribers. That’s what the experiment was about. It still sends out an e-mail and if you are logged in then you can read the posts on the site. But if you are not a subscriber then you cannot read the post. Potentially I could make the shows only viewable to subscribers and that would help keep out unwanted eyes.

However, the title of each post is still public and presumably searchable to places like Google. That could lead potential suers to my site. They wouldn’t be able to read the post and thus see that I’m sharing download links, but if they were curious they could subscribe and then I’m busted.

Another thought was to keep the show posts public, but not actually post a download link. Then once a day I could do a subscriber-only post that would include the Google Drive links for the day’s shows. I’d make the title of that post vague and generic so the general public wouldn’t know what I was doing.

But that seems like extra work for me and it would probably be annoying to you all.

My next idea was to create a new site just for the movie talk. Midnight Cafe Movies I could call it. I’ve actually thought about doing this before as I sometimes think about contacting movie PR people to start officially reviewing things like I do for Cinema Sentries. But I worried that directing movie people to my site where I also share music downloads might cause problems. But a movie-only site would be cool.

The trouble is The Midnight Cafe has a certain amount of cache. It has a small amount of Google juice. It is a known site. I want that cache for a movie site, but not for the music…

I think I have devised a plan. I’m working on something I think might make it possible for me to continue posting shows, but in a very private way, but also write about movies in a public fashion.

I’ll reveal that in another later today. It is going to take a lot of work on my part, and probably be a little annoying on your part, but I think it just might work.

Film Noir: The Dark Side of Cinema XIX

cover

I’ve reviewed a bunch of these film noir sets from Kino Lorber over the last few years. Not all of the films are great, some of them are pretty lousy if I’m being honest, but I love that these films are getting released in HD.

This set features stars such as Charlton Heston, Barbara Stanwyck, Lizabeth Scott, Robert Ryan, and Ida Lupino (those last two are in Beware, My Lovely a film I reviewed last Noirvember).

All three films are pretty good if not exactly true classics. You can read my full review here.

John Hiatt – San Luis Obispo, CA (06/26/19)



John Hiatt (Acoustic)
June 26, 2019
Fremont Theater
San Luis Obispo, California

12th Row, Slightly Left Of Center: Neumann AK-40s >LC3 >KM-100s >Tascam DR-100mkII (24bit/48khz) w/Internal Preamp And Phantom Power.

iZotope RX6 advanced & Har-Bal 3.7 (prep by Flying -M-)

WAV >Audacity (Track Splits, Down Sample To 16 bit / 44.1khz) >FLAC (Level 8) + Tags Via xACT 2.47

Recording, Audacity, FLAC, Tags, & Rear Cover Artwork Photo By OldNeumanntapr

Post Production Wizardry By Flying M

Disc I:

  1. Intro
  2. Lift Up Every Stone
  3. Real Fine Love
  4. The Open Road
  5. Aces Up Your Sleeve
  6. Perfectly Good Guitar
  7. Crossing Muddy Waters
  8. Cry Love
  9. Is Anybody There?
  10. Long Time Comin’
  11. Master Of Disaster
    [51:20]

Disc II:

  1. Icy Blue Heart
  2. Train To Birmingham
  3. Tennessee Plates
  4. Feels Like Rain
  5. Thing Called Love
  6. I’m In Asheville
  7. Memphis In The Meantime

Encore:

  1. Have A Little Faith In Me

[45:01]

John Hiatt -Vocals, Acoustic Guitars, Electric Piano

The Historic Fremont (Movie) Theater Was Built In 1942

OldNeumanntapr Notes-

The last time that John Hiatt played an acoustic show at the Fremont my first Tascam had an electronic convulsion and I lost most of the show except for two or three songs.

Hiatt is an amazing songwriter and performer and I always enjoy seeing him in concert.
The Fremont has really good acoustics with its curved interior walls.
My hat is off to Flying M for his uncanny ability to get the most out of my recordings with his vast computer processing knowledge.
This recording really shines and actually sounds better than my ears heard the show live!!!
I hope everybody enjoys this one.
I was pleased to hear ‘Memphis In The Meantime’ because for some reason I was humming it at home the night before while I was getting my recording gear ready!

Flying M Preparation Notes-

It was a good workout pulling the audience back and pushing the music forward.
Have gone from end to end 4 times and I keep finding little things to “fix” and it’s been a week now so it’s becoming OCD and I had to stop.
Must have made 500 little repairs removing background noises, some easier than others.

Equalized with Har-Bal to flatten the frequency response reducing the hump in the low mid-range and giving it a little more presence in the top and bottom end.
Resulted in a “fuller” sound with the vocals being brought up making the singing clearer.

The audience exploded between songs so the loudest claps, whistling and whoo-hooing were removed as much as I could.
Coughing sniffing, chatting, singing and other random noises were also removed or minimized.
Finally the applause segments were reduced by an additional 3dB and then the overall amplitude was increased by 12dB.

Acoustic shows are tough to prepare as so many small noises become distracting once the volume is increased as much as this was.
-M-

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

The Who – Philadelphia, PA (10/19/69)

The Who
1969-10-19 (Late Show)
Electric Factory
Philadelphia, PA, USA


Source: “Electric Factory” (Trystar TR-017)
Lineage: AUD -> ? -> Silver CD -> EAC Secure Mode -> WAV -> TLH -> FLAC (Level 8)

71 min audience recording

Setlist:

  1. Heaven And Hell (cuts in)
  2. I Can’t Explain
  3. Young Man Blues
  4. Summertime Blues
  5. Overture
  6. It’s A Boy
  7. 1921
  8. Amazing Journey
  9. Sparks
  10. The Acid Queen
  11. Pinball Wizard
  12. Do You Think It’s Alright?
  13. Fiddle About
  14. Tommy, Can You Hear Me?
  15. There’s A Doctor (cuts in)
  16. Go To The Mirror
  17. Smash The Mirror
  18. Miracle Cure
  19. Sally Simpson
  20. I’m Free
  21. Tommy’s Holiday Camp
  22. We’re Not Gonna Take It
  23. My Generation (cuts in)

Notes:
I used Adobe Audition CC 2018 to split 1921 and Amazing Journey into two tracks.
This is not a very common recording and is not the same gig as the soundboard as commonly thought (the soundboard is of the early show).
I’ve never seen this shared from silvers before, so I am sharing my rip.

Dead & Co. – Las Vegas, NV (05/16/24)

Dead & Company @ The Sphere: Dead Forever
Sphere
2024-05-16
Las Vegas, Nevada

Source:
B9 C31F > Schoeps Active Cables > Baby Nbox > Roland R-07

Lineage: SD > Wav > Reaper > Flac 24 Bit

  1. Crowd 1st Set Intro
  2. Feel Like a Stranger
  3. Lift Off
  4. Mississippi Half Step Uptown Toodeloo
    05 Jack Straw
  5. Birdsong
  6. Me and MY Uncle
  7. Brown Eyed Women
  8. Cold Rain and Snow
  9. Crowd 2nd Set Intro
  10. Uncle Johns Band
  11. Help on the Way >
  12. Slipknot
  13. Franklin’s Tower
  14. He’s Gone
  15. Drums >
  16. Space Jam
  17. Standing on the Moon
  18. St. Stephen
  19. Hell in a Bucket
  20. Knockin’ on Heaven’s Door
  21. Touchdown: Music Never Stopped
  22. Not Fade Away

Band:
Bobby Weir – Rhythm Guitar, Lead Vocals
Mickey Hart – Percussion, Beam
John Mayer – Lead Guitar, Lead Vocals
Jeff Chimenti – Keys
Oteil Burbridge – Bass Guitar, Percussion, Vocals
Jay Lane – Drums