Prince
1999 Live
February 1983 Rehearsal
SBD
Silver CD > EAC > FLAC
- 1999
- DMSR
- Controversy
- Let’s Work
- Little Red Corvette
- Delirious
- Do Me Baby
- Head
- Lady Cab Driver
Prince
1999 Live
February 1983 Rehearsal
SBD
Silver CD > EAC > FLAC
The Who
I’m Free at the Freedom Palace
July 2nd, 1970
Freedom Palace
Kansas City, MO
SOURCE: AUD
QUALITY: B+
ARTWORK: N/A
TRACKLISTING:
LINEAGE: Master AUD source>?>2nd gen cassette>pc>wav 24/96>wav 16/44(adobe audtion)>flac>WAV>Cool Edit Pro v2.1>FLAC 8
TRANSFER/EDITING NOTES:
This surprisingly clear audience recording from 1970 captures The Who in typical blistering form for the time period, if not slightly plagued by what sounds like some technical issues at the beginning of the show. There are some cuts throughout this recording as well which make it far from complete. Fortunately, what we do have here is great and seems to improve in sound quality as the show goes on. We are fortunate enough to have this recording because of Charles C.’s original efforts to record and trade this show along with The Who’s performance from the Kemper Arena in ’75.
There are a couple of main issues with the source I used in this remaster.
First off, the overall level of the recording is very low. I have properly amplified the overall signal to a reasonable level while not using any compression or limiting in the process.
Secondly, the frequency response of this recording was very unbalanced, as with many audience recordings, with a bulk of low to low mid frequencies dominating the spectrum. I have therefore adjusted several nasty frequencies to help eliminate some of the unneccesary noise and boominess to the overall tone. No noise reduction of any kind has been used in this remaster. Enjoy The Who at their best, live in 1970!
upped by: theface07
HUGE THANKS TO “Charles C.” & “weedwacker” FOR THE SOURCE OF THIS RECORDING!!!

I’ve come to realize the line between the horror genre and the crime genre is often a thin one. Sometimes horror films involve monsters or space aliens or the supernatural, but sometimes the villains are more pedestrian. Many horror films involve human killers – often of the psychopathic and serial variety – but human all the same. Many of these films follow a police detective private detective or some other normal citizen as they investigate the murders. This is, of course, what countless crime dramas do.
In these cases, it isn’t entirely clear as to what differentiates a horror movie from a crime one. Sometimes it might be a matter of the violence and gore, but I’ve seen plenty of detective movies/series that revel in the gruesome details. Maybe horror movies have more jump scares. Or maybe sometimes the genres rather blend together and you get to decide which one you are watching.
The Italian Giallo was pretty much always crime stories with a (usually leather-gloved, knife-wielding) killer on the loose and someone out to discover who he (or she) is. But they did so with a particular brand of style and a pension for graphic, sexualized violence.
Spasmo is a Giallo that works more like a standard crime mystery with a bit of (not very graphic at all) sexual psychology thrown in for good measure.
Christian (Robert Hoffman) and his girl go frolicking on some beach. They come across a woman face down in the sand. At first, they think she’s dead, but upon further inspection, they find she has just passed out. When she awakens she says her name is Barbara (Suzy Kendall) but she gets pretty cagey when asked any other questions. As soon as Christian’s back is turned she runs for her car and jets away.
But she leaves behind a bottle with the name “Tucania” written on it. Somehow they figure out the name is also the name of a boat and they jump aboard and attend a party going on there. As it happens Barbara is also aboard and before you know it Christian has dumped his girlfriend and run off with Barbara.
Strangely, Barbara is all about a little hanky panky but she forces Christian to shave his beard first. While he’s in the bathroom getting a face trim some dude busts in the window brandishing a gun and threatening to kill him. A Tussel ensues and Christian accidentally shoots the man dead (or is he?).
Barbara is weirdly chill about this fact, doesn’t even bother to look at the guy but does suggest that the two of them (her and this man she’s just met) go on the run together. But before they can leave Barbara’s boyfriend shows up and forces her to go with him. Christian takes off separately, then realizes he left a necklace at the house and returns to the scene. There he finds the dead man has vanished.
He regroups with Barbara at a chateau on the sea where they meet a couple of oddballs who tell them a story about a weird crime they just came across. Turns out someone is planting very lifelike dummies, dressed in lingerie and with knives sticking out of them all around the countryside. The film is littered with people discovering these strange creations.
Someone else attacks Christian and nearly kills him. His brother is somehow involved. Barbara seems to come and go. Christian begins to think he’s going crazy. At its heart this is a murder mystery, but also a psychological horror. We’re never quite sure what is real and what is being imagined by Christian.
The ending ties it all together with a twist that I won’t spoil, but it’s one of those things where once you see the conclusion the rest of the film makes more sense. I found myself thinking about the beginning and what was confusing got tied together. But that didn’t really make watching it the first time all that satisfying, and I’m not sure this film really merits a second viewing.
ScreeningNotes over at Letterboxd has a really interesting essay on the film. He ties it into the larger Italian cinema from the time frame. I’m not sure I buy into everything he’s spouting, but it is an interesting read anyway.
For my money, if you are a fan of the genre then this is worth watching, but you’ve really got to be a fan.
The Who
Merriweather Post Pavilion,
Columbia, Maryland
June 29, 1970.
Source: Unknown Audience Recording.
Quality: Very Good, 7/10 rating.
Set List:
1.Heaven & Hell 4:26
2.I Can’t Explain 2:23
3.Young Man Blues 5:33
4.Overture 5:33
5.It’s a Boy 0:34
6.1921 2:21
7.Amazing Journey 3:15
8.Sparks (Beginning) 0:14
9.Eyesight to the Blind 1:53
10.Christmas 3:09
11.The Acid Queen (Incomplete) 2:17
12.Pinball Wizard 2:48
13.Do You Think it’s Alright 0:22
14.Fiddle About 1:14
15.Tommy Can You Hear Me 1:01
16.There’s a Doctor 0:20
17.Go to the Mirror 3:26
18.Smash the Mirror 1:13
19.Miracle Cure 0:13
20.I’m Free 2:21
21.Tommy’s Holiday Camp (Cuts in at beginning) 0:59
22.We’re Not Gonna Take It (Cuts) 6:58
23.Summertime Blues 4:15
Sound Quality: A good, but incomplete audience recording the guitar is a little too loud, but it’s a minor complaint.
Details: A very good show and recording, but a substantial part wasn’t taped ‘My Generation’ is definitely missing and probably ‘Water’ and ‘I Donít Even Know Myself’ as well. The group gives another fine performance, equaling the outstanding show at this same venue the year before. The playing is at its usual very high standard for this era and Townshendís solos are blistering in ‘Heaven and Hell’ and ‘Young Man Blues’ later what sounds like a flaw in the recording makes for a bizarre version of ‘Tommyís Holiday Camp’. The parts of the show that were taped are well-recorded and itís puzzling why only an hour of this great show exists.
57:01 Minutes.
The Who
1970-06-27
Music Hall
Cleveland, OH
Taped by Doc West of 963XKE
Cass(M) (C90) > m4a > Audacity (track splits) > WAV > TLH > FLAC
This tape only circulates in lossy formats.
A couple of this taper’s other recordings circulate losslessly, so there is a chance that we will see this one circulate lossless.
Heaven and Hell
I Can’t Explain
Water
Young Man Blues (Mose Allison cover)
Tommy
Overture
It’s a Boy
1921
Amazing Journey
Sparks
Eyesight to the Blind (Sonny Boy Williamson cover)
Christmas
The Acid Queen
Pinball Wizard
Do You Think It’s Alright?
Fiddle About
Tommy Can You Hear Me?
There’s a Doctor
Go to the Mirror!
Smash the Mirror
Miracle Cure
I’m Free
Tommy’s Holiday Camp
We’re Not Gonna Take It
Summertime Blues (Eddie Cochran cover)
Shakin’ All Over (Johnny Kidd and the Pirates cover)
Spoonful(Willie Dixon cover) Missing
Pink Floyd
“Turn Off The Light Thru The Dark”
1970’s MC RoIO
Compiled From Vinyl Sources
MC Side A = Tracks 1&2
MC Side B = Tracks 3,4&5
Track01…Echoes, {25:22}
Track02…Point Me At The Sky, {4:10}
Track03…One Of These Days, {6:51}
Track04…Atom Heart Mother, {17:25}
Track05…Astronomy Domine, {4:13}
Ripped By ninef: This 1970’s MCRoIO was commonly available at UK Record Fairs
during the 1970s & early 1980s.
I have deliberately retained the “noise” for two reasons:
1) If anyone uses the tracks in this recording as a source and/or remasters it
(with version labelling) the “noise”-level will give a starting point
2) it preserves a bit of the “vinyl” experience/years 🙂
This Recording…
Transfered From 1970sM/C to Flac16 Septmber 2005.
From 1970sMC>EACwav>Flac16
using 3Head HXPro Deck (Normal Bias, No EQ)>Direct Audio Path>EACwav>Flac 112a (16bit)
PINK FLOYD
London, Maida Vale Studio 4
December 20, 1967
Radio One John Peel Session
broadcast date: December 31, 1967
re-broadcast: February 28, 1986
producer: Bernie Andrews
01.John Peel Intro
02.Vegetable Man
03.Tow R. Toc H.
04.Scream Your Last Scream
05.Jugband Blues / John Peel Outro
Syd Barrett (Guitar, Vocals)
Nick Mason (Drums)
Richard Wright (Keyboards)
Roger Waters (Bass Guitar, Vocals)
Pink Floyd
From Oblivion
Disc 1
Disc 2
(1) 17 Oct. 1971, Community Concourse, San Diego, USA
(2) 30 Sep. 1971, Paris Cinema, London, UK
(3) 25 June 1968, 201 Piccadilly Studio 1, London, UK
(4) 12 May 1969, BBC, Paris Cinema, London, UK
Pink Floyd
Total Eclipse – A Retrospective 1967-1993
Format: 5 CD Total for all 5 Discs
Catalog: GDR CD 9320 Great Dane Records
Misc.: SIAE, ADD stereo
Produced: Italy 9/1993
Quality: Sup/Ex
Tracks:
Disc 1
Total Time Disc 1 72:00
Disc 2
Total Time Disc 2 79:09
Disc 3
Total Time Disc 3 71:39
Disc 4
Total Time Disc 4 77:37
Some fan found a copy that added a fifth disc to this collection. I post it here in mp3 as this was all that I had available. I have my doubts concerning his source. If it IS from “Total Eclipse” then it is a bootleg of the original bootleg.
Band:
Syd Barrett
Roger Waters
Rick Wright
Nick Mason
David Gilmour
Pink Floyd
1967
“Vegetable Man / Scream Thy Last Scream” from rare acetate
(Vinyl rip FLAC)
Vegetable Man:
“Guitar Can be heard a little better”
“More Echo on Vocals towards the ending of the song’
Scream Thy Last Scream:
“Nick Mason or Syd Barrett could be heard coughing at 1:29 into the track”
“There is an extremely disturbing low-toned cry/moan at 4:13 in the track”
Notes by the uploader:
“A while ago, I met a guy name Saq who lives in Los Angeles who had a very nice record in his possession. Saq had,
what I believe to be the only known Acetate copy of “Vegetable Man” and “Scream Thy Last Scream” from 1967. I
tried desperately to obtain it from him but he informed me that he would only let it go for $10,000 US Dollars (CASH!!!)
I tried to stay in communications with him for more than a year and begged him to at least have the tracks recorded. He
agreed to do me the favor, and sent the Acetate to a professional studio in San Francisco to have the tracks recorded
properly.
After months of desperately waiting, he finally received his Acetate back along with the digital tracks. Thankfully, the
same day he picked up his record was the same day he sent me the magical tracks.
After more than a year of waiting, I finally got the tracks and now want to share them with all of you. We are the real
Syd Barrett crazies and we all deserve to listen to his art. There should be no discovery made that ends up back in the
vaults.
There a notes from my friend and collector, Giuliano Navarro. So, this is absolute unheard new mix of “Scream”.
Thank you very much for sharing this with all fans, Giuliano!