Pink Floyd – Ummagumma Revisited

Pink Floyd
UMMA & GUMMA (Ummagumma Revisited)

~UMMA~
DISC ONE: STUDIO ALBUM

  1. Sysyphus Part 1
  2. Sysyphus Part 2 /
    The Violent Sequence (aka The Riot Scene, early Us & Them – from The Ultimate Zabriskie Point)
  3. Sysyphus Part 3 (pitched down half a step)
    Several Species of Small Furry Animals Gathered Together In A Cave (backwards)
  4. Sysyphus Part 4 (1st half) / Grooving With A Pict
    (vocals only)
  5. Sysyphus Part 4 (2nd half = part 1 reprise)
  6. Oenone (from The Ultimate Zabriskie Point)
    / Selene (aka Moonhead aka Corrosion – BBC TV 7/69 documentary on the moonlanding)
  7. Dythyramb from Grantchester Meadows (ripped from KQED DVD soundtrack 71_04_28)
  8. Careful with that sickle, Cronus
    (aka Come In #51, Your Turn Is Up – film version for intro and end + soundtrack version

for middle section – from The Ultimate Zabriskie Point)

  1. The Narrow Way, Part 1
    (unknown song – soundtrack version – from The Ultimate Zabriskie Point)
  2. The Narrow Way, Part 2
  3. The Narrow Way, Part 3 (69-05-12 Paris Cinema London – from BBC archives)
  4. The Embryo (from Works)
  5. The Grand Vizier’s Garden Party: Entrance
  6. Heart Beat, Pig Meat (from The Ultimate Zabriskie Point)
  7. Nick’s Boogie (London 66-67) / The Grand Vizier’s Garden Party: Entertainment
  8. The Grand Vizier’s Garden Party: Exit
  9. Biding My Time (from Relics)

TOTAL LENGTH: aprox. 78min!

~GUMMA~

DISC TWO: LIVE 1ST SET

  1. Grantchester Meadows
    Recorded live at the Fillmore West, San Francisco, USA on 70-04-29
  2. Astronomy DominÈ
    Recorded live at the Fillmore West, San Francisco, USA on 70-04-29
  3. Impro on Interstellar Overdrive and Moonhead
    Recorded live at Ernst-Merck Halle, Hamburg, West-Germany on 70-11-14
  4. Grooving With A Pict
    Recorded live at Ernst-Merck Halle, Hamburg, West-Germany on 70-11-14
  5. The Embryo + Roger Introducing The Massed Gadgets of Auximenes
    Recorded live at Ernst-Merck Halle, Hamburg, West-Germany on 70-11-14
  6. Careful With That Axe, Eugene
    Recorded live at the Hallenstadion, Zurich, Switserland on 72-12-09

TOTAL LENGHT: aprox. 60min

DISC THREE: LIVE 2ND SET

  1. Sysyphus
    Recorded live at the Town Hall, Birmingham, England on 70-02-11
  2. The Narrow Way Part 1 aka Baby Blue Shuffle In D Major
    Recorded in the BBC Maida Vale Studios on 68-12-02
  3. The Narrow Way Part 3
    Recorded live at the Royal Festival Hall, London, England on 69-04-14
  4. The Pink Jungle-intro of The Labyrinth of Auximenes
    Recorded live at the Royal Festival Hall, London, England on 69-04-14
  5. Heart Beat, Pig Meat
    Recorded live at the Town Hall, Birmingham, England on 70-02-11
  6. Piano Impro
    Recorded live at te Fairfield Hall, Croydon, England on 70-01-18
  • The Violent Sequence
    Recorded live at the The‚tre des Champs-ElysÈes, Paris, France on 70-01-23
  1. Biding My Time
    Recorded live at the Concertgebouw, Amsterdam, The Netherlands on 69-09-21
  2. Doing It
    Recorded live at the Concertgebouw, Amsterdam, The Netherlands on 69-09-21
    Recorded live at the Royal Festival Hall, London, England on 69-04-14

ENCORES:

  1. Green Is The Colour
    Recorded live at the University of Southampton, Southampton, UK on 69-05-09
  2. Beset By Creatures of The Deep
    Recorded live at the University of Southampton, Southampton, UK on 69-05-09
  3. Biding My Time (reprise) aka Just another 12-bar
    Recorded live at the Altes Casino, Montreux, Switserland on 70-11-22

TOTAL LENGHT: aprox. 65min

=======================================================================================

  1. WHAT IS IT?
    Revisiting UMMAGUMMA as if it was a band-album, including left-overs and alternate versions, plus some home-made edits. Giving it a brandnew concept. (So this could have been PF’s first concept album!)
  2. WHY?
    The idea for this project came in mind when I considered it was a pity that “The Embryo” and “Biding my Time” were recorded for Ummagumma but left out in spite of the concept of making it a ‘four-men-solo album’. My first thought was then to burn a copy of Ummagumma for myself, just including those songs at the end of the album. But then I thought: “Why not making it an extended alternate version?” Inspiration also came from Muabdib’s studio remix of “The Man & The Journey” (which I recommand!) and the enhanced Wall version “Every Brick In The Wall”.
    It’s obvious that the original concept of Ummagumma didn’t work out like the band wished it to. Quotes from the band members are clear on this subject:

“We all believed it was going to be one of the best things we’d ever put onto record, which I think it was at that time, but the stuff on the album isn’t half as good as we can play.” -Rick
“For me, it was just an experiment. I think it was badly recorded, the studio side could have been done better. We’re thinking of doing it again.” -David
“This was absolutely not a band album. The live stuff sounds incredibly antiquated now […]. We were looking for new ways of constructing an album, although I think what this demonstrates is that our sum is always better than the parts.” -Nick

  1. WHAT HAS BEEN DONE?
    Well, I took the liberty to get rid of that solo-concept, and tried to mix what Ummagumma might have been if it was a real teamwork, giving it a different concept. I don’t pretend I improved it, but I wished to include left-outs, unreleased material (principally from ZP, but which fits perfectly in the spirit of Ummagumma) and alternate versions. I had plenty of material (of different quality) to choose from, for 1969 was probably their most prolific year. Therefore I used as far as possible the best sources for those alternate versions, but except for the Zabriskie Point outtakes, quality failed in most of the cases. It’s a pity even the audio rip of Grantchester Meadows from the Harvested’s KQED DVD is only 19OKbps, hissy and had an annoying hum in the beginning. Other sources had less hiss but much more microphone noise! I tried the best I could to erase this hum and de-hiss it a bit withoput denaturating the audio spectrum with Noise Reduction.

Another thing I permitted myself is to rename some tracks in order to give it the mythological concept I conceived for the occasion. I took inspiration by the example of Sysyphus and Oenone and gave Greek mythological references to the whole album, hence Cronus instead of Eugene, Selene (goddess of the moon) for Moonhead, and a Grand Vizier’s Garden party which became an authentic Roman orgie! I recommend you to read the liner notes while listening, for I tried to make it more or less conceptual with a storyline. In contrary, I left the original titles for the live set.
The choice of including ‘Careful…’ is less obvious, since this is a 68 song. But, I found it a shame that only the single version was available on official sources, and no version of this tune appears on the regular albums. This december 69 take of Careful for the ZP soundtrack is radically different and much closer to what we use to hear on live roio’s. The sound effects aer from the film itself, only the stereo effects for the footsteps and the riding car are mine. Other things that could be considered as ‘sins’ to some purists: I messed a lot with Sysyphus, integrating ‘The Riot Scene’ from ZP (aka The Violent Sequence, early Us & Them), ‘Several Species…’ backwards and the Pict rant without animal noises in it. Hence ‘Several Species..’ has

disappeared from the tracklist! But figure out in case of teamwork, Roger would maybe have done the same. Moreover you can clearly hear Roger rant more or less in the same part on the live version of Sysyphus (a fact I discovered AFTER mixing the studio album!!!)
The same ‘dammages’ occured to Nick’s piece.
Figure out Syd came to help him get this piece a little more attractive!

  1. WHAT ABOUT THE LIVE SET?
    The live set isn’t a gathering of alternate takes of what was originally on the live set of Ummagumma, but more what it would have sounded like if the band had once played (my) Ummagumma live. So here is a REAL live Ummagumma album, assembled from the most “mythic”

shows from 69-70 where the Floyd performed their strangest bits with an incredible energy. Especially on that night in Hamburg 70-11-14, Roger was in an incredibly talkative/rantic mood! Notice that powerful ‘Embryo’ including some jungle noises ‡ la ‘Several Species…’ and ‘Pow R. Toc H.’ Alas and again, the shows featuring the rarest tracks like ‘Moonhead’ or ‘Sysyphus’ were badly recorded, and most sources are hissy, muffed, etc. The huge quality difference between the different sources I used, forced me

to use fades between some tracks, which I don’t like but was the only way to make it sound acceptable. The SQ skips are more particulary noticeable in the ‘meddley’ I made.

A special note about ‘The Narrow Way Part 3’ though. The best recording is the one from the Amsterdam venue of ‘The Man & The Journey’
. Musically, however, Dave’s vocals are probably the worst he ever did in his whole life! His voice fails on all live performance of ‘The Narrow Way’. That’s why I choose this recording from the London premiere of ‘The Man & The Journey’: it’s not the best source, but at least the vocals are barely audible, which is not a real loss in this case! 🙂

CONCLUSION
I still hope you’ll enjoy listening as I enjoyed mixing and compiling this.

Furry Animal – May 2004

Charlie Parker Quintet – Waukegan, IL (12/xx/47)

Charlie Parker Quintet (w/ Miles Davis)
12-xx-47
Unknown venue
Waukegan , Illinois

Project ID – LL90

Source: Audience Recording
Lineage: Audience recording > ?? > cd (Peter Losin’s Archive) >
cd duplicated (burner to burner) > eac > flac (lvl8)

Miles Davis (tpt); Charlie Parker (as); Irving “Duke” Jordan (p); Tommy Potter (b);
Max Roach (d)

disc 1

d1t01. Dexterity
d1t02. The Way You Look Tonight
d1t03. All the Things You Are
d1t04. 52nd Street Theme
d1t05. Diggin’ Diz/
d1t06. Embraceable You

Notes:

  • *** all tracks are fragmented
  • d1t01 is a different version all together than what was released on LL44.
  • d1t03 is a different version all together than what was released on LL44.
  • d1t04 is a different version all together than what was released on LL44.
  • d1t06 is a different version all together than what was released on LL44.
  • I was hoping to get some clarification upon receiving Peters masters of this
    date. I would most certainly believe that this is the correct version. It is
    very hard to tell what is what and where it belongs on this date. I would
    consider this the source to have based on Peter Losin’s take on what belongs here.
  • The sound is a little brighter on this version.
  • Thanks to Peter Losin for the source!!
  • “Very fragmentary; edited to Parker solos for the most part. These may be dubs of
    wire recordings — the fidelity is very poor throughout.” – Credit to Peter Losin,
    http://www.plosin.com
  • Although these tunes are usually dated (as on Philology) in December 1947, this is
    doubtful. The Parker Quintet was booked for two weeks at Chicago’s Argyle Show Lounge
    (November 11-23, 1947), then for four nights at the Pershing Hotel Ballroom (January 3-6,
    1948). The group played a Saturday night dance at the New Savoy Ballroom on January 3,
    and two items from this date appear on Philology Volume 14.”- Credit to Peter Losin,
    http://www.plosin.com
  • Three other tunes — “Barbados,” a longer version of “Embraceable You,”
    and “How High the Moon” — are usually listed with these tunes
    (as e.g. on Philology Volumes 1/4), but they are probably from
    the Pershing Hotel Ballroom, March 28-April 10, 1949, with Kenny Dorham on trumpet.
    Two of these items are issued on Philology Volume 14, although the speed is different
    and “Embraceable You” is incomplete. But the music is the same.- Credit to Peter Losin,
    http://www.plosin.com
  • QC done by bgreen

The Band – Jericho Demos

The Band
Woodstock, 1991 and/or 1992
Jericho demos, rehearsals, outtakes

  1. Caves of Jericho (5:42)
  2. Shine A Light (4:44)
  3. Move to Japan (4:53)
  4. Country Boy (3:21) REMOVED
  5. Night On The Town (3:54)
  6. The Same Thing (4:02)
  7. Amazon (5:36)
  8. Atlantic City (4:47)
  9. Circle of Time (5:22)
  10. The Tide Will Rise (3:51)
  11. Nobody Sings ‘Em Like Ray (4:42)
  12. Remedy (4:22)
  13. Keep The Home Fires Burning (4:48)
  14. Stuff You Gotta Watch (2:53)
  15. Blind Willie McTell (7:33)
  16. Atlantic City (4:47)
  17. Soul Deep (4:24)
  18. Remedy (live) (5:36) REMOVED
  19. Blind Willie McTell (live) (4:11) REMOVED

Rick Danko
Levon Helm
Garth Hudson
Richard Bell
Randy Ciarlante
Jim Weider
and the ghost of Richard Manuel

with
Colin Linden
John Simon (?)
Bobby Strickland (?)
Dave Douglas (?)
Aaron Hurwitz (?)
Others (?)

Note: these tracks were received as a double cdr set in a trade, with tracks from three different sources. The original Wav files were not named (just Track 1, track 2, etc). I changed the track names after extracting, before compressing. The log files included here reflects the discs as i received them.

I cannot detail the lineage, but I did check to ensure these are not from a lossy or cress-encoded source. The lineage I can offer is:

Studio demos > cassette (unknown generation) > digital conversion > CDR > WAV files with extracted & compressed to FLAC level 8 (verified) with xACT 1.71. Log file & fingerprints included in torrent.

I have removed “Country Boy” from this torrent. Although the overdubs are all different on the version released on “Jericho”, the base track is the same, which violates two separate Dime polices of what’s not allowed:

  • The audio of any performance used as the sound on officially released video material – even if the recording is from another source than that of the sound in the officially available material;
  • Remixes, remasters, alternate mixes, and alternate edits of any official material;
    I also dropped the final two songs which were from an official, if somewhat obscure, release:
    http://theband.hiof.no/albums/remedy_blind_willie_mc_tell.html

Notes, mostly stolen from
http://theband.hiof.no/articles/demos_viney.html
which you should read in it’s entirety if you’re interested in this sort of thing:

These are all different versions to the released album. These are said to be out-takes, but none of them are final mixes. There seems little overdubbing and backing voices are less pronounced. There’s an almost live feel – rehearsals rather than out-takes. The bass is over-present throughout, a common problem with live recordings. As bass isn’t directional it leaks onto every mic and over-amplifies itself. There rarely seem to be two drummers, and Garth plays a lot of accordion throughout the first half. These tracks can’t have been sequenced as an album, as the four numbers with horns are in a row together. They might well be the earlier versions of the album with John Simon.

Caves of Jericho
Levon lead vocal.

Shine A Light
Rick takes the first verse, then hands over to someone else for the next. This could be Randy Ciarlante or John Simon (who plays piano and does backing vocal on the final version) or someone unknown. Great slide guitar which was dropped from the final version. the unknown voice and slide guitar sound a lot like Colin Linden.

Move to Japan
This has a very live feel. Garth’s accordion is prominent.

Country Boy
Richard Manuel. This is the older tape that they preserved for the final album.

Night On The Town (Bruce Hornsby)
Title track of a Bruce Hornsby album. Lead vocal is Randy – Rick and Levon can be heard in the background. It starts with ‘shave and a haircut- two bits’ rhythm. Then this version takes too many directions and is ultimately too messy to get anywhere, There’s a great bit of wild Garth organ.

The Same Thing
Levon counts this in and sings. A looser feel than the final cut.

Amazon
‘tikki tikki’ birds sound effect starts before Same Thing finishes and runs right into this – suggesting some post production effort. Rick sings.

Atlantic City
This has some odd and interesting breaks where only a drum flourish is heard. A nice idea that got dropped (probably for the best though). Levon’s vocal is not quite as subtle.

Circle of Time
This is new and it’s a loping mid-sixties style soul influenced song. Think about mid-period Robert Parker or Levon & The Hawks to get the feel. Rick Danko sings lead, supported (I think) by a female singer. The prominent instruments are bass, drums and guitar with less piano and a touch of synth with a horns sounds. I’d guess an unfinished demo rather than a finished out-take, the bass is so over-prominent that it can’t be a final mix, though all the elements are there. Jim Weider bends some very un-Band like guitar sounds. If this had made it through to Jericho. it would definitely have been one of the best tracks on the album. The bass on Circle of Time doesn’t sound like Rick Danko; my guess is that it’s Rob Leon. Guitar is likely Colin Linden again.

The Tide Will Rise (Music: Bruce Hornsby / Words: Bruce Hornsby and John Hornsby)
Levon sings lead. This song found its way to Hornsby’s January 1993 Harbor Lights album, and is a song to his ancestors, the watermen of Virginia. This is presumably an earlier version then. With words like ‘they say we’re a dying breed, they say we’re gonna disappear’ it reminds me of Cahoots, complete with tinkling orientalish synth and guitar sounds. They put out worse than this in the past (most of Islands and Cahoots for starters). Also it’s hard to tell how different a clean final mix would be.

Then next four songs run after each other, and all feature Garth on horns rather than keyboard. There are usually multiple horns. On the final versions on Jericho Bobby Strickland added sax, and Dave Douglas added trumpet. They (or others) may well be on these sessions too.

Nobody Sings ‘Em Like Ray
Co-written by Jim Rooney. Jazzy tribute to Ray Charles with Garth Hudson performing powerfully on horns. Either there’s overdubbing or assistance. Three voices share equal honours, Levon, Rick and probably Randy. It’s also very catchy, and has great lyrics. It’s incomprehensible that it wasn’t used.

Remedy
The bass sounds more prominent than the final version. The piano is terrific.

Keep The Home Fires Burning
This opens with a jaunty sax lead. Vocals are shared. The harmony chorus has a C&W feel.

Stuff You Gotta Watch
Opens in Sgt Pepper style with a voice announcing ‘the triumphant return of the Kenny Wayne Orchestra!’ then goes into a very live sounding big band pastiche version of Stuff You Gotta Watch which is faster and better than the album cut. Phenomenal!

When the Crossing The Great Divide bootleg appeared, it had the demo versions of Blind Willie McTell and Atlantic City, together with The Box Tops cover Soul Deep. These are dated 1991.

The Band – New York, NY (12/xx/90)

The Band
Lone Star Roadhouse, New York, NY
1990, Dec. ??, late show

01 Caledonia
02 CC Rider
03 Mary Ann
04 Mystery Train
05 WS Walcott Medicine Show
06 It Makes No Difference
07 Ophelia
08 “How Ya Doin'”
09 The Shape I’m In *
10 Blues Stay Away From Me *
11 Up On Cripple Creek *
12 Willy and the Hand Jive *

notes: * w/Brother Gregg & Joe Walsh

source: sbd cassette
lineage: sbd > dat(m) > cassette
source cassette rec on sony d5, metal tape, no nr
nak dragon > hd-p2 24/96 > hd > cd wave > adobe 2.0 16/44 > flac

The Band – Camden, NJ (09/23/90)

the band
cooper river be-in
camden nj usa
sept 23 1990

levon helm-drums/vox
rick danko-bass/vox
garth hudson-organ/sax/accordian
jim weider-guitar
stan szelest-piano
randy ciarlante-drums
sredi vollmer-harmonica

78:10

01.deep feeling
02.i finally got you
03.stage fright
04.caledonia
05.it makes no difference
06.high price of love
07.mystery train
08.maryann
09.little red rooster
10.rag mamma rag
11.when i get my rewards
12.the shape i’m in
13.up on cripple creek
14.blues stay away from me

audience master. A

RatDog – Clarkston, MI (07/03/96)

RatDog – July 3, 1996
Pine Knob Music Theatre, Clarkston, MI
“Furthur Festival”

Recording Info:
SBD > DAT Master (Panasonic SV-3700/48k)

Transfer Info:
DAT Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X6 Suite > FLAC/16
(2 Discs Audio / 1 Disc FLAC)

All Transfers and Mastering by Charlie Miller
charliemiller87@earthlink.net
January 21, 2022

Notes:
— Looks Like Rain with Bruce Hornsby

Setlist:
01 – Good Morning Little Schoolgirl >
02 – Howlin’ For My Baby >
03 – Youngblood >
04 – Eternity
05 – Juke >
06 – It’s All Over Now
07 – Looks Like Rain #
08 – The Winners >
09 – Easy To Slip >
10 – Supplication Jam >
11 – Easy To Slip >
12 – Bass Solo >

All-Star Jam:
13 – Turn On Your Lovelight [][]
14 – Tanqueray @
15 – Low Spark Of High Heeled Boys > #$$
16 – All Along The Watchtower #++

Bob Weir – guitar, vox
Jay Lane – drums
Rob Wasserman – stand up bass
Matthew Kelly – guitar, harmonica, vox
Johnnie Johnson – piano, keys, vox (lead vox on “Tanqueray”)

=w/ Bruce Hornsby – keys, accordion, vox (lead vox on “Low Spark Of High Heeled Boys”)

[][]=w/ John D’earth (tpt), Bobby Reed (sax), Steve Berlin (sax), Mickey Hart (d,p), David Hidalgo (g,v), Cesar Rosas (g,v),
Jorma Kaukonen (g,v), et al
@=w/ David Hidalgo (g), John D’earth (tpt), Bobby Reed (sax), Steve Berlin (sax), Mickey Hart (d,p), et al
$$=w/ David Hidalgo (g), Cesar Rosas (g,v), John D’earth (tpt), Bobby Reed (sax), Steve Berlin (sax), Mickey Hart (d,p), et al
++=w/ Jorma Kaukonen (g,v), Jack Casady (b), David Hidalgo (g), Cesar Rosas (g,v), John D’earth (tpt), Bobby Reed (sax),
Steve Berlin (sax), Mickey Hart (d,p), Conrad Lozano (b), Louie Perez (g,d,p), Mystery Box percussionists (p), et al

Tom Waits – Denver, CO (12/03/75)

Tom Waits
12/03/75
Ebbet’s Field
Denver, CO

  1. Welcome
  2. Nocturanal Emissions
  3. Saturday Night Fish Fry
  4. Spare Parts 1
  5. NIghthawk Postcards
  6. Tom’s First Piano
  7. The Truckee River
  8. Virginia Avenue
  9. Tijiuana
  10. Please Call Me Baby
  11. Fumblin’ With the Blues
  12. On a Foggy Night
  13. Bus Depots
  14. Depot Depot
  15. New Coat of Paint
  16. Drunk on the Moon
  17. A Bachelors Life
  18. Better Off Without a Wife
  19. Rosie
  20. Shiver Me Timbers
  21. Diamonds On My Windshield
  22. Saturday Memories
  23. Ghosts of Saturday Night
  24. Heart of Saturday Night
  25. Master of Ceremonies

Tom Waits – Arlington, TX (10/25/75)

TOM WAITS
October 25th 1975
“Texas Hall”
Arlington, Texas

Lineage: SBD > CDr(x) > Eac > Wav > Flac(8)

Setlist
01.Spare Parts / Emotional Weather Report / Diamonds On My Windshield (09.06)
02.Better Off Without A Wife (04:12)
03.Semi Suite (06:08)
04.Eggs And Sausage (05:29)
05.The Ghosts Of Saturday Night / The Heart Of Saturday Night (09:09)
06.Drunk On The Moon (04:30)
07.Ol’ ’55 (05:50)
08.Nighthawks Postcard (08:04)
09.Warm Beer And Cold Women (04:59)
10.Putnam County (09:06)

Running time: 66:33

Tom Waits – Santa Barbara, CA (03/13/75)

Tom Waits
03/13/75
Granada Theater
Santa Barbara, CA

  1. Intro
  2. Story – Red Dog Rosie
  3. Rosie
  4. Virginia Avenue
  5. Intro Ol 55
  6. Ol 55
  7. Story – Pool Game
  8. Story – Farmer’s Daughter
  9. On a Foggy Night
  10. San Diego Serenade
  11. Ice Cream Man
  12. Please Call Me Baby
  13. Intro Semi Suite
  14. Semi Suite
  15. Ghosts of Saturday Night
  16. Intro Big Joe
  17. Big Joe & Phantom
  18. Better Off Without a Wife
  19. Nobody
  20. Eggs and Sausage

Tom Waits – Portland, OR (03/10/75)

Tom Waits
1975 March 10th or 11th
Euphoria Tavern
Portland, Oregon

Heart Of Saturday Night
Saturday Night Fish Fry
Ice Cream Man
Please Call Me, Baby
Ol’ ’55
Eggs And Sausage
New Coat of Paint
Big Joe And Phantom 309
Diamonds On My Windshield (With The Sunnyland Band)
The Ghosts Of Saturday Night (With The Sunnyland Band)

Transferred from a cassette recording made by Billy Hults (RIP)
by Jessica Stiles.

I haven’t seen this show in circulation before, so I believe this is the
first time this is available.

K2 Edited from 10/22 > 10/31/10

Downloaded as Flac files
Decoded to wav using Flac Frontend
Edits done in Sound Forge:
Compiled to a single long wav file
Boost all levels by 4.5db in two steps ( 2 & 2.5)
Delete most silences between tracks and make one dissolve between tracks
Make the file for new track divisions
60 Hz hum notch using four stacked filters

Track out in CD wav
Burn to CD

The guest artist on the last two tracks is the Sunnyland Band.