July 2, 2000 (Sun)
Orange Stage, Roskilde Festival 2000
P3 FM broadcast > PC > CDR > EAC > SF9 > TLH > .flac16
1. [05:02.31] PARANOIA KEY OF E 
2. [04:49.00] TURN TO ME
3. [05:34.13] MODERN DANCE
Mystic Child 
4. [04:40.39] ECSTASY
5. [11:40.14] TATTERS
Romeo Had Juliette 
Future Farmers Of America 
Dirty Blvd. 
6. [08:19.05] SET THE TWILIGHT REELING
7. [04:24.48] PERFECT DAY
The Blue Mask 
 voiceover for the first 49 seconds
 not on the broadcast
Incomplete show; complete broadcast.
First generation cassette (nack) > behringer ultra curve pro deq 2496 audio equalizer > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac.
Transfered, remastered & uploaded by 38f on Dime 2006.
1. ONE MORE HEARTACHE
2. EVERYTHING GOING TO BE ALRIGHT
3. DRIFTIN’ AND DRIFTIN’
4. I WANT TO BE WITH YOU
5. DROWN IN MY OWN TEARS
6. KNOCK ON WOOD (jump in)
This is a reseed from 2006.
Thnx to Fabio for this baby.
This was listed as 1970, but it makes sense to be 69 in Europe.
To me the line up is in big contention from
1969-01-14 – Kulttuuritalo, Helsinki
to 1969-01-18 Concergebouw, Amsterdam
I added an ffp.
sample in comments.
Enjoy, bluebomber 2012
BOB DYLAN AND HIS BAND
April 7, 2017
Guitar Riffs ( ? ) Inst
Things Have Changed
Highway 61 Revisited
Beyond Here Lies Nothin’ (Hunter/Dylan)
Why Try To Change Me Now (Coleman/McCarthy)
Pay In Blood
Melancholy Mood (?)
Tangled Up In Blue
Early Roman Kings
Spirit On The Water
All Or Nothing At All (Arthur Altman/Jack Lawrence)
Soon After Midnight
That Old Black Magic (Harold Arlen/Johnny Mercer)
Long And Wasted Years
Autumn Leaves (Kosma/Mercer/Prevert)
Blowin’ In The Wind
Ballad Of A Thin Man
Bob Dylan – piano, harp
Tony Garnier – bass
George Recile – drums
Stu Kimball – rhythm guitar
Charlie Sexton – lead guitar
Donnie Herron – violin, banjo, electric mandolin, pedal steel, lap steel
The second Copenhagen show, and its pretty much more of the same. Not that thats a bad thing.
Placing Spots recordings on here the first time worked quite well, so encouraged by the kind remarks and thanks (as is Spot) we will be doing future tours. So enjoy !!
Bobs seems in fine voice and completely at home in his role these days. This a another nice show to listen too. The tour has quite a few re-arrangements again of some tracks so listen closely. The harmonica could do with dusting off and getting used though. But that’s just my opinion.
Spot and I thank you for the fine comments and thanks.
We have no issue with these recordings being placed elsewhere, after a week, if we are credited and
would prefer not to see remixes, but thats up to you.
A SPOT RECORDING
This is a SPOT recording (thanks again as ever) and the equipment used was:
Core Sound High End Binaural (HEB) DPA 4061’s with Edirol by Roland R-09
Edited with Magix Audio lab Deluxe 2014
Keith Jarrett Trio
The Dylan Concert
September 15, 1969
FM Broadcast Recording
Download MP3: Amazon
01 Pretty Ballad (K Jarrett) 5:46
02 Lay Lady Lay (Bob Dylan) 4:33
03 Unknown Title 11:44
04 My Back Pages (Bob Dylan) 6:49
Keith Jarrett, piano, synth
Gus Nemeth, bass
Bob Ventrello, drums
Big O said this:
A surprising recording emerged late last week of the Keith Jarrett Trio playing Bob Dylan tunes. Apparently, back in 1968, Jarrett together with Paul Motian and Charlie Haden did a trio recording for Vortex [Vortex LP 2012] called Somewhere Before and recorded two Dylan numbers – My Back Pages and Lay Lady Lay. This long out-of-print record was issued on CD in 1990 and Amazon still lists it for sale but we haven’t tried yet.
Anyway, this live recording [the original LP was also a live recording but different time and place] is by a different trio that includes Gus Nemeth [bs] and Bob Ventrello [drms]. It took place a year later in Denmark and comes from a very good FM source. This is the fixed version with the correct speed.
What was Jarrett thinking playing Bob Dylan in Europe? Clearly the free jazz movement had failed to gather mass appeal, not that that was its intent. Even Miles Davis by ’69 was conceding that jazz was no longer “king” and concessions had to be made to rock music.
But the less than energised reading of the two Dylan tunes suggests that Jarrett was uncomfortable covering rock. It was to be a difficult time for jazz musicians. In hindsight, their golden age had passed and the ’70s offered a marriage of convenience called jazz fusion. Even worse, along came jazz lite and Kenny G.
Since that time even more concessions have been made. Classical music and jazz. A whole new constellation of jazz singers with an eye on pop singles. Jazz as conservative music. Whatever happened to the shock and awe of free jazz?
This was originally shared by ricola. In turn it was speed corrected by Perv/twat Production. Thanks to all who shared this rarity. Never officially released before.
– Professor Red