Duke Ellington – Unissued Recordings by Danish Radio, 1957-1970

Duke ELLINGTON
Unissued Ellington; Broadcast by Danish Radio
Recorded 1956 to 1970

SOURCE: FM (partly in MONO)>probably MASTER REEL>Cassette tape>CDR>trade>EAC Secure Rip>Flac Frontend, level 6

TRACKS:
01 RACE 4.02
02 U.T. 3.32
03 WORK SONG 9.00
04 WEST INDIAN DANCE 2.22
05 EMANCIPATION CELEBRATION 4.02
06 NIGHT CREATURE 8.42
07 JIGGLING 5.08
08 ISFAHAN 4.10
09 MARCH 19TH BLUES 6.12
10 TAKE THE ‘A’-TRAIN (INSTRUMENTAL) 6.14
11 TAKE THE ‘A’-TRAIN (VOCAL) 2.44
12 JUMP FOR JOY 3.34
13 I LET A SONG GO OUT OF MY HEART – DON’T GET AROUND MUCH
ANYMORE 4.02
14 SOMETHING SEXUAL 2.32
15 C-JAM BLUES 5.04
16 THINGS AIN’T WHAT THEY USED TO BE 4.34
17 THE OPENER 2.56
18 CHELSEA BRIDGE 5.20
29 M.G. 3.02
20 KELLY’S LICK 5.08

DETAILS GIVEN BY RADIO:

Broadcast # 1 (25 nov 1984)
01 – Race (mix of takes 56 & 5) (6 nov 1968)
02 – A.G. (take 7) also known Race/Racing (same date) these two tracks are from the Degas Suite
03 – Work Song (1 or 4 march 1965)
04 – West Indian Dance (31 march 1965)
05 – Emancipation Celebration (same date)
06 – Night Creature (mix of takes 1 & 2) (31 march 1965)
07 – The Giggling Rapids (10 march 1970), from The River Suite
08 – Isfahan (ELF) (18 jul 1963)
09 – March 19th Blues (19 march 1957)

Broadcast # 2 (2 dec 1984)
10 – Take The A Train (1 may 1962 or 3 jul 1962)
11 – Take The A Train, vocal (1 may 1962)
12 & 13 – Jump For Joy, I Let A Song Go Out Of My Heart, Don¥t Get Around Much Anymore (1 may 1962)
14 – Dual HIghway (Something Sexual) (feb 1957)
15 – C Jam Blues (1 may 1962)

Broadcast # 3 (9 dec 1984)
16 – Things Ain’t What They Used To Be (17 mar 1965)
17 & 18 – The Opener/Chelsea Bridge (1 mar 1965)
19 & 20- M.G./Killian’s Lick (18 apr 1963)

Duke Ellington – Stuttgart, Germany (02/12/63)

Duke ELLINGTON ORCHESTRA
Liederhalle
Stuttgart, Germany
1963-02-12

Speed Corrected and level Adjusted
with Sound Forge(Sbe’s was aligned with TLH)

Thanks to Professor Goody for the correct speed information( the correct time is 97,25% of
the old torrent)

SOURCE: FM>unknown recording equipment>Tape>CD TRANSFER>trade>CD>
EAC Secure Modus>Flac Frontend Level 6>Flac

SOUND: A

LINEUP:
Cootie Williams, Cat Anderson, Roy Burrowes -tp;
Ray Nance -tp,v; Lawrence Brown, Buster Cooper, Chuck Connors -tb;
Jimmy Hamilton -cl,ts; Russell Procope -as,cl; Johnny Hodges-as;
Paul Gonsalves -ts; Harry Carney -bs,bcl,cl; Duke Ellington -p;
Ernie Shepard -b; Sam Woodyard -d;

1 TAKE THE ‘A’- TRAIN 0.51
2 CONCERTO FOR COOTIE 2.46
3 THINGS AIN’T WHAT THEY USED TO BE 2.54
4 MAINSTEM 3.40
5 KINDA DUKISH – ROCKIN’ IN RHYTHM 5.57
6 TOOTIE FOR COOTIE 5.03
7 PYRAMID 4.03
8 I GOT IT BAD AND THAT AIN’T GOOD 3.13
9 JEEP’S BLUES 4.47
10 DO NOTHIN’ TILL YOU HEAR FROM ME [Milt Grayson -vo;] 5.22

Thaks again to Ricola to seed this great DE show

Enjoy

lolita

Derek & The Dominos – Cincinnati, OH (11/26/70)

Derek & The Dominos
Music Hall, Cincinnati, Ohio
November 26, 1970

Disc 1
Band Introductions
Got To Get Better In A Little While
Roll It Over
Blues Power
Stormy Monday

Disc 2
Why Does Love Got To Be So Sad
Little Queenie/Sweet Little Rock And Roller
Tell The Truth
Let It Rain
Everyday I Have The Blues (with BB King)

Derek & The Dominos – Santa Monica, CA (11/20/70)

Derek and the Dominos
“Stormy Monday”
Civic Auditorium
Santa Monica, California
November 20, 1970

Paddington Records – PADD 040/041/042

Disc 1:

  1. Got to Get Better in a Little While
  2. Key to the Highway
  3. Why Does Love Got to Be So Sad
  4. Blues Power
  5. Have You Ever Loved a Woman
  6. Tell the Truth
  7. All Night Long – Derek’s Boogie
  8. Let it Rain

Disc 2:

  1. Tuning
  2. Got to Get Better in a Little While
  3. Key to the Highway
  4. Why Does Love Got to Be So Sad

Disc 3:

  1. Tuning
  2. Blues Power
  3. Stormy Monday
  4. Tell the Truth
  5. Let it Rain
  6. Every Day I Have the Blues

Band Lineup:
Eric Clapton Guitar, Vocals
Carl Radle Bass
Jim Gordon Drums
Bobby Whitlock Keyboards, Vocals

Special Guests:

Delaney Bramlett on all songs, except “Everyday I have the blues”
Toe Fat on “Everyday I have the blues”

Derek & The Dominos – Berkeley, CA (11/19/70)

Derek and the Dominos
with Neal Schon
Berkeley Community Theater
Berkeley, CA
November 19, 1970

Disc 1:

  1. Chuck Berry Medley (Little Queenie)
  2. Got To Get Better In A Little While
  3. Key To The Highway
  4. Why Does Love Got To Be So Sad
  5. Tell The Truth

Disc 2:
Mean Old World

  1. Little Wing
  2. Blues Power
  3. Have You Ever Loved A Woman
  4. Let It Rain

The Band:
Eric Clapton guitar, vocals
Carl Radle bass
Jim Gordon drums
Bobby Whitlock keyboards, vocals
Neal Schon guitar

Derek & The Dominos – Berkeley, CA (11/18/70)

Derek and the Dominos
“EC Shuffle Blues”
Community Theatre
Berkeley, California
November 18, 1970

Buffalo Stomp (!) – BS-002-1DD – Aud 3 (Scale 1-6)

Track List:
1) Got to Get Better In a Little While
2) Blues Power / Have You Ever Loved a Woman?
3) Tell the Truth
4) Presence of the Lord
5) Why Does Love Got to Be So Sad?
6) Everyday I Have the Blues
7) Little Queenie / Sweet Little Rock and Roller (*)

Band Lineup:
Eric Clapton Guitar, Vocals
Carl Radle Bass
Jim Gordon Drums
Bobby Whitlock Keyboards, Vocals

Special Guest: (a 16-year-old) Neal Schon

(*) Bonus Track recorded at the Community Theatre, Berkeley, California, on November 19, 1970 (following evening).

(!) “Buffalo Stomp” is the ROIO label name, this should not be confused with the Clapton ROIO of the same name (Silver Horse – SH 8201 A/B)

Geetarz Comments:

Derek and the Dominos played two consecutive nights at the Community Theatre in Berkeley, California, and this recording represents the first of those two nights.

Sitting in with the band that night was a 16 year old Neal Schon. In a 1995 “Off the Record” (Westwood One) interview, this was Schon’s recollection:

“You know, I had been doing a lot of playing in San Francisco … I had lived in the Bay area … I didn’t have a driver’s license … so a good friend of mine, Jackie, that ended up working for Journey later, would come and pick me up on weekends and I’d go play on Broadway … I’d play at [Mike Bloomfield’s] club,and it became this thing, there was like, this ‘buzz’ in the city, about this kid [Schon].

I was in the studio with the Santana band, and we were just jamming, you know, getting high and jamming, and staying up until the wee hours of the morning, and just trying to create some music, and Eric Clapton walked in. You know, Eric Clapton at that time, was like, and before that time, had been like a god to me, a guitar hero, and he walked in and I didn’t even say ‘hello’, I was like so scared he was in the room … and we played all night, and without even saying goodbye to or anything to him he walked out, and I was just still like …in shock.

So I went home, went to sleep at some ungodly hour, got up at 3 or 4, went back to Wally Heider’s in San Francisco where we were rehearsing, and I had a message there waiting at the front desk, and it was from Clapton, and he was playing at the [Berkeley] Community Theatre there that night, and he invited me to play with him.

So, I didn’t have a car, I didn’t have a license … I can’t remember exactly who drove me there … I forget too many things these days, too many drugs (laughs) … but, she drove me, I remember she drove me over there, and I got there about 5 or 10 minutes before he went on stage, and he said “… I’ll go out
and play about two numbers, and then I’ll call you out on stage as a really good friend of mine, and you can stay up the whole rest of the night and play the whole set with me.

I said “yeah, okay … no problem”, because I knew all his songs, all his guitar solos, from record, note-for-note … I wasn’t scared to do it, because I knew all his material, like the back of my hand, I had studied it for so many years … I went on, and just ripped the place up, and he loved it.

He [Clapton] invited me back to his hotel later that evening, and basically was asking me ‘who do you listen to?’, and I said “well, I listen to YOU” and he said bleep, ‘I don’t believe it’, he didn’t believe it and there was this little acoustic guitar in his room, and I played him note-for-note ‘Live Crossroads’
or something, and he was like “I can’t believe that, you’ve taken it where I left it”.

And that’s still [like] the ultimate compliment for me at this point in my life, coming from any guitarist, and I’ll never forget that, a highlight of my life!”

Overall, this is an exceptional performance, and a worthwhile
listen for those intrepid enough to brave a fair to poor audience
recording. Once again I invoke Geetarz’ Law, which states “The best
performances are usually captured by the worst recordings, and
vicey versa”.

Lineage:

Silver > Mitsui Silver CD-R > LiteOn iHAP 322 > EAC v. 0.99 Prebeta 5
(Secure, Offset Correct) > You !

Derek & The Dominos – Nashville, TN (11/05/70)

Derek and the Dominos
November 5,1970
Ryman Auditorium
Nashville TN
“Blind Dominos” Liberated Boot
Johnny Cash TV Program

Lineage: Silver CD Studio Recording>eac>wav>flac

Comments: I’ve noticed a lot of D&The D’s showing up on
DIME lately so here’s my humble contribution. This version
is on the fabulous KOKO label. Catalog # 003 Carl Perkins
guests on Matchbox. Enjoy! Dearg Doom

Track List:

  1. It’s Too Late
    2.Got to Get Getter In A Little While
  2. Matchbox
  3. Matchbox
  4. Matchbox
  5. Blues Power

Band:

Bobby Whitlock : Keyboard, vocals
Jim Gordon: Drums
Carl Radle: Bass
Eric Clapton: Guitar, vocals

This is a doomed recording.

Info file View Info file (0.63 KB)
Visible No (dead)
Banned Yes
Category Rock
Last seeder Last activity 4d 00:23:47 ago
Size 180.54 MB (189,315,106 bytes)
Overall speed 0.00 KB/s
Added Fri 14th May, 2010 23:25 GMT
Views 340
Hits 104
Snatched 72 time(s)
Upped by DeargDoom

Torrent #303870 Derek and the Dominos November 5,1970 Nashville TN
“Blind Dominos” Liberated Boot
Torrent file Derek & The Dominos Nov 5, 1970 Nashville, TN.torrent
Downloads as Derek & The Dominos Nov 5, 1970 Nashville, TN
Info hash bcc4662c4415e0a5e5dc0b03658564c4d4cfc99c

Charles Mingus – Amsterdam, The Netherlands (04/10/64)

Charles Mingus Sextet
1964-04-10
Concertgebouw, Amsterdam

SBD > Bootleg CDs > ? > WAV > Flac (Level 8)

8 Flac files at 593MB

  1. Parkeriana 21:18
  2. So Long Eric 22:14
  3. AT-FW-YOU 4:51
  4. Orange Was the Color of her Dress, Then Blue Silk 13:51
  5. Meditations 23:01
  6. Sophisticated Lady 5:34
  7. Fables of Faubus [Part 1] 23:08
  8. Fables of Faubus [Part 2] 7:11

Johnny Coles: Trumpet
Eric Dolphy: Alto Saxophone, Bass Clarinet, Flute
Clifford Jordan: Tenor Saxophone
Jaki Byard: Piano
Charles Mingus: Bass, Vocals
Dannie Richmond: Drums, Vocals

I am using the corrected track titles, not the ones listed on the bootleg covers. Mingus himself announces some of the
tunes with different names, but he would do that a lot, so to keep things simple I’m sticking to the most commonly used
titles of these tunes.

The original bootleg CDs had tracks 1-4 on Vol. 1, and the rest on Vol. 2. The show as presented here is not in the correct
running order. Surely, the first track played that evening was “AT-FW-YOU”, the second probably “So Long Eric.” But without
me knowing for sure, I have left the running order the same as the original 2 bootleg CDs.

Charles Mingus – Newport, RI (07/04/59)

CHARLES MINGUS JAZZ WORKSHOP
Freebody Park
Newport, RI (USA)
July 4, 1959
(“Newport Jazz Festival”)

Richard Williams (tp)
Leo Wright (as,fl)
Booker Ervin (ts)
Roland Hanna (p)
Charles Mingus (b,announcements)
Dannie Richmond (dr)

  1. Intro by Willis Connover – 1:58
  2. Intro by Charles Mingus – 0:40
  3. BOOGIE STOP SHUFFLE (announced as “Shuffle stop boogie”) – 10:03
  4. BOX SEATS AT NEWPORT – 7:34
  5. DIANE – 10:55
  6. GUNSLINGING BIRD – 4:57

Lineage: Radio broadcast > r-t-r tape > CD > flac > HD

Sound quality: A –