Bruce Springsteen – Bloomington, MN (05/10/88)

Bruce Springsteen.
Met Center
Bloomington, Minneapolis, Minnesota, U.S.A.
May 10, 1988.

Disc 1:

01. “Intro”
02. Tunnel Of Love
03. Boom Boom
04. Adam Raised A Cain
05. Two Faces
06. All That Heaven Will Allow
07. Seeds
08. Cover Me
09. Brilliant Disguise
10. Cautious Man
11. Spare Parts
12. War
13. Born In The U.S.A.
14. Tougher Than The Rest

Disc 2:

01. Ain’t Got You
02. She’s The One
03. You Can Look (But You Better Not Touch)
04. I’m A Coward
05. I’m On Fire
06. One Step Up
07. Part Man, Part Monkey
08. Backstreets
09. Dancing In The Dark
10. Light Of Day – edit
11. Born To Run
12. Hungry Heart
13. Glory Days

Disc 3:

01. Rosalita (Come Out Tonight)
02. Have Love, Will Travel
03. Tenth Avenue Freeze-Out
04. Sweet Soul Music
05. Raise Your Hand
06. Twist And Shout
07. Be True
08. Roulette
09. Walk Like A Man
10. Can’t Help Falling In Love
11. Love Me Tender
12. Across The Borderline
13. Crying
14. Lonely Teardrops

Notes Disc 3:
Tracks 7-10 Worcester Centrum, Worcester, MA 02/28/88
Track 11 Richfield Coliseum, Cleveland, OH 03/13/88
Track 12 Market Square Arena, Indianapolis, IN 05/13/88
Track 13 Madison Square Garden, New York City, NY 05/16/88
Track 14 Madison Square Garden, New York City, NY 05/22/88

My Original Crystal Cat CD’s –>EAC v. 0,95 beta 4 –> WAV –> Flac Frontend –> FLAC Level 8 **

Source: Audience.
Label: Crystal Cat Records (447-449).

The Rolling Stones – Foxes in Boxes, Vol. 3

Rolling Stones
Foxes In The Boxes, Vol. Three
Unreleased Emotional Rescue, Undercover Sessions
JEMS Archive

Transfer: in-house cassettes > Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > Peak 6.0 pitch adjustment > iZotope RX > iZotope MBIT+ resample 16/44.1 > Peak Pro XT (Indexed) > xACT 2.21 > FLAC

01 Indian Girl
02 Emotional Rescue
03 No Use In Crying
04 I Think Iím Going Mad
05 Where The Boys Go
06 Summer Romance
07 Undercover Of The Night
08 We Had It All
09 She Was Hot

Bonus Track
10: Keep It Cool (long version, pitch adjusted and remastered)

Emotional Rescue Sessions: Compass Point Studios, Nassau, Bahamas, January-February 1979 and PathÈ Marconi Studios, Paris, France, June-October 1979

Undercover Sessions: PathÈ Marconi Studios, Paris, France, November 1982-mid-March 1983 and The Hit Factory, New York, NY, early May-early August 1983

Hello and welcome to JEMS’ Foxes In The Boxes, the third and, sad to say, final volume in a series featuring unreleased studio sessions from the Rolling Stones, circa 1979-85. Based on our research, along with the expertise of Stones sessionologist N, who helped us sort through these tapes, we believe the Foxes In The Boxes series offers a small trove of previously uncirculated material, along with upgrades and a few familiar outtake favorites from new source tapes. All of the outtakes, alternate mixes and takes found on Volume Three have never been released.

The series is titled Foxes In The Boxes in homage to its source: boxes of in-house cassette tapes obtained by JEMS from someone “on the inside” of a major record label in the ’70s and ’80s. It is also a rhyming nod to the bootleg Static In the Attic (Midnight Beat), which mined the same sessions for kindred material and to which we believe Foxes makes a worthy companion.

Some tracks in the series have been previously rumored to exist, some are wholly new finds, while others improve upon previously circulating versions. There are a few frustrating fragments, too, but what’s presented here is exactly what was on the tapes, which were seemingly meant to capture and present in-progress status of Stones sessions and to preserve ideas for future consideration. With that said, let’s go track by track through Volume Three:

Indian Girl: Shorter than any previously known version in circulation. The spoken line, “Mr. Gringo, my father he ain’t no Che Guevara” is missing and the take also features fewer horn overdubs.

Emotional Rescue: Again, shorter take than any previously known version. Distinctive and somewhat strange mix with much more guitar, keyboards and backing vocals. Also features an echoey percussion effect at the start not heard on any other mix.

No Use In Crying: Yet another new, shorter version compared to whatís in circulation. This is an edit of an early mix (before the piano overdub was added), which moves the line ìcome on sugarî earlier in the song because some of the falsetto vocals have been cut.

I Think Iím Going Mad: Listed on the tape under the slightly different title ìThink I’m Going Mad.î Yet another edit of an early version, which already has the saxophone in the intro but is still lacking the piano overdub. Several small changes in the first verse before the line, “All the highs and lows don’t mean a thing to me, don’t give a damn.î

Where The Boys Go: Different lead vocal from Mick on a take that has the male background vocals already in place, but not the girls’ backing chorus at the end. The guitar solo is also unedited unlike the album.

Summer Romance: Another alternate lead vocal on an uncirculated take that lacks the third guitar which normally begins in at 0:06.

Undercover Of The Night: A different, shorter mix, especially the opening of the song, which is totally unique to other mixes in circulation.

We Had It All: Cover of the Troy Seals and Donny Fritts song, first released by Waylon Jennings in 1973. Different lead vocal from the released version, but seemingly the same take as previously bootlegged versions of the song.

She Was Hot: Keyboard-heavy long mix, very similar to the version first leaked on WYSP FM Philadelphia in 1983 and later uploaded to the It’s Only Rock ‘n Roll Stones internet forum some time ago, but lacking the double-tracked vocals found on those, which presumably makes it an earlier mix of the alternate take.

Bonus Track

Keep It Cool: The remarkable 20+ minute version posted to IORR by Bkeys in response to the release of the shorter version of Foxes Vol. One. His original was slightly off speed; here it is pitched-adjusted by Goody and remastered by JEMS to make it just a little bit better.

JEMS offers its thanks to N, who helped us sort through the tapes and provided invaluable insight in ascertaining what we had. The song-by-song notes above are culled from N’s essential contributions. Pitch adjustments come courtesy of Goody, who lent us his keen ear and his unwavering commitment to A440. Thank you, Goody. SkipKid68 also chimed in with valuable feedback, so thanks to him, too. The much-appreciated official cover art is courtesy of ethiessen1. A shout out to Bkeys for releasing ìKeep It Coolî from his tapes. We hope there are more to come. And last but not least, kudos to mjk5510, who came on board at the start and helped finish the project to get it into your hands.

We hope Foxes In The Boxes was as much fun for you to listen to as it was for us to compile.

BK for JEMS

Bruce Springsteen – Hampton, VA (01/04/85)

Bruce Springsteen
Hampton Roads Coliseum
Hampton, VA
January 4, 1985

01 Born In The USA
02 Prove It All Night
03 Darlington County
04 Johnny 99
05 Atlantic City
06 Reason To Believe
07 Mansion On The Hill
08 Johnny Bye-Bye
09 Out In The Street
10 Glory Days
11 The Promised Land
12 My Hometown
13 Badlands
14 Thunder Road
15 Cover Me
16 Dancing In The Dark
17 Hungry Heart
18 Cadillac Ranch
19 Downbound Train
20 Iím On Fire
21 Pink Cadillac
22 Bobby Jean
23 Racing In The Street
24 Born to Run
25 Detroit Medley > Traveliní Band
26 Twist and Shout
27 Do You Love Me
28 Santa Claus Is Cominí To Town (Recorder 2 Bonus Track)

Known Faults:
Out In The Street: last few notes cut
Glory Days: first few notes cut
The Promised Land: Splice
Bobby Jean: Splice
Racing In The Street: first few notes cut
Twist And Shout: end slightly cut
Santa Claus Is Comin’ To Town: Missing (Recorder 2 source included)

ML Master via JEMS
Recording Gear: NAK CM 300s + CP 4 (shotgun capsules) > Sony D5

2015 JEMS Transfer: Sony UCX 90 master cassettes > Nakamichi CR-7A (azimuth-adjusted) > Sound Devices USBPre2 (24/96 Audacity 2.0 capture) > iZotope RX 4 > iZotope MBIT+ convert to 16/44.1 .wav > Peak Pro XT (volume smoothing / edit / index) > xACT 2.21 > FLAC

Courtesy of taper ML, hereís what we believe is a massive upgrade of the very first show of 1985, as the band return to the road after two-and-a-half weeks off. This fresh transfer from MLís fine master tapes sounds light years ahead of circulating copies of the show.

ML taped from a sweet spot, ìthe first row of seats off the floor almost DFCî (Dead Fucking Center). The tape has that classic, appealing ë80s arena sound, clear, steady and with plenty of low end. Samples provided.

The set list lacks for raritiesónot surprising for the first show of a new legóbut still includes highlights from this period like ìJohnny Bye Bye,î the synth-lead ìReason to Believe,î ìRacing in the Streetî and an excellent ìAtlantic City.î

mjk5510 did identify a second source for the show, but it is so inferior as to be a distraction if it were used to patch gaps, so we have left those as is. We did decide to include “Santa Claus Is Coming To Town” as a bonus track in the interest of making the night complete. Thanks to him for doing the prep work on this. And huge thanks to ML for reaching out and loaning us his terrific masters which he was keen to share with all of you.

BK for JEMS

Bob Weir – Marin County, CA (xx/xx/71)

Bob Weir
1971 Demos for Ace LP

These are solo acoustic references made with lyricist John Barlow, recorded at Bob’s Marin home during Fall of 1971. Sourced from pre-FM production CD made by David Gans for one of his KPFA Dead Marathon pledge drives a few years ago. Some of Weir’s most beloved songs in their embryonic stage. “C Shuffle” is an early development of “Walk In The Sunshine.” The unknown song is nice and is unique to these reference recordings.

1 C Shuffle 1
2 unknown song 1
3 Cassidy 1
4 Black Throated Wind
5 Weather Report Prelude
6 Jack Straw
7 Cassidy 2
8 C Shuffle 2
9 unknown song 2

Jerry Garcia, Bob Weir, Mickey Hart & Phil Lesh – Chicago, IL (11/17/78)

Bob Weir and Friends
11/17/78
Rambler Room, Loyola University
Chicago, IL

Hunger Week Benefit, billed as “Bob Weir and Friends”: Weir, Garcia, Hart, Lesh
Mickey introduced after Tom Dooley
SOURCE: GD Vault master cassette > DAT > Sonic Solutions > CD > CD(this being the disc David sent me)>extraction using adobe audition 1.5>flac level 8 > to you!

This is a tagged version of shnid: 80703

A really great listen and some unusual tunes for 1978, not to mention a couple of rarities! enjoy! thanks joe

01. WHININ’ BOY BLUES
02. TOM DOOLEY
03. THIS TIME FOREVER
04. DEEP ELEM BLUES
05. KC MOAN
06. KNOCKIN’ ON HEAVEN’S DOOR
07. BIG BOY PETE
08. JACKAROE
09. DARK HOLLOW
10. OH BOY

A big thank you to David Gans! http://www.trufun.com/

Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac files.
If converted to wav during processing, all tags will be stripped,
however audio data will remain unaffected.
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
A Mills 5/12/14

Bob Dylan – Hartford, CT (10/30/65)

Bob Dylan & the Hawks
Bushnell Memorial Auditorium
Hartford, CT
30 Oct 1965

Master Tape–>CD-R–>My CD-R–>Audiograbber–>FLAC

1. She Belongs To Me
2. To Ramona / Gates of Eden (fragments)
3. It’s All Over Now, Baby Blue
4. Desolation Row / Love Minus Zero
5. Mr Tambourine Man
6. Tombstone Blues
7. Baby Let Me Follow You Down
8. Just Like Tom Thumb’s Blues
9. Maggie’s Farm
10. It Ain’t Me Babe
11. Ballad of a Thin Man
12. Positively 4th Street
13. Like A Rolling Stone

From the original uploader:
I first found and circulated this through trades six-plus years ago, and was going through a shoebox earlier today and found it. I haven’t ever torrented it, so thought I would. It is definitely for completists, but stands as one of the very few documents of Dylan’s evolving live sound in the Fall of 1965. I still think that the download is worth it just for Maggie’s Farm.

The Rolling Stones – Saturday Night Live – Various 1978

The Rolling Stones
Saturday Night Live
Various 1978
Burden Records SNL-103

TRACKLIST

Side A :
01. Dan Aykroyd imitates Tom Snyder doing an interview with Mick Jagger
who plays the part of himself* ->
O M I T E D officialy released (‘Saturday Night Live – 25 Years Of Music’)
02. Beast Of Burden*
03. Respectable*
04. Shattered*

Side B :
01. When The Whip Comes Down**
02. Miss You**
03. Far Away Eyes**
04. Love In Vain**

Lineage : LP -> CDr -> trade -> CDr -> EAC -> WAVE -> TLH -> Flac 6

* US-TV show Saturday Night Live, NBC studio, Westchester, New York, October 7, 1978
** Civic Center, Lakeland, Florida, June 10, 1978 – First concert of the 1978 US Tour

Note : the interest of seeding this LP bootleg is the four songs of Lakeland ’78.
Which are from the legendary source 3!
(in fact, the first one that came out) in EXCELLENT STEREO audience recording !!!
This is by far the best source of this show and probably the best audience recording of the tour.

Pearl Jam – Seattle, WA (11/05/00)

Pearl Jam
SV039 – “GRIMLOCK DESTROYS SEATTLE”
November 5, 2000
Key Arena: Seattle, WA

Show Source: Official Bootleg #71 (silver) > EAC v0.95pb3 > wav > flac
Ed’s Solo Preset Source: Audio Technica 933 (hypercardoid) > Sony PCM-M1 > dat > cdr > flac

Artwork: Allen Robertson

DISC ONE
Ed’s solo preset:
01 Throw Your Arms Around Me

Pearl Jam main set:
02 Long Road
03 Breakerfall
04 Corduroy
05 Whipping
06 Gods’ Dice
07 Animal
08 Given To Fly
09 Nothing As It Seems
10 Daughter/(Bull In The Heather)/(Beautiful Way)
11 MFC
12 Lukin
13 Wishlist
14 Better Man
15 Even Flow
16 Crown of Thorns ($)
17 Black

DISC TWO
01 Do The Evolution
02 Insignificance
03 Rearviewmirror
04 encore 1:
05 Timeless Melody (~)
06 Light Years
07 Elderly Woman…
08 Last Exit
09 State of Love and Trust
10 Spin The Black Circle
11 Last Kiss
12 Porch
encore 2:
13 Parting Ways (^)
14 Yellow Ledbetter/(Little Wing)

($) = Second time ever played by Pearl Jam (first being 10/22/00)
(~) = Performed with members of Supergrass
(^) = Performed with April Cameron (on viola) and Justine Foy (on cello)

Show Notes (thanks to Five Horizons):
The first homecoming show. In ‘Long Road’ Ed sings, “And the skies are always grey…” Ed also mentions that sometimes it’s nice to play a show with your house key in your pocket. He later talks about how the typical Seattle weather seemed to follow them around the tour, mentioning Phoenix, Las Vegas, San Diego. ‘Crown of Thorns’ (once again, to everyone’s surprise) is introduced as “a song that’s older than me.” Ed and Jeff were playing this game all night, they have been doing all these jumps in tandem for the past couple of shows, but tonight they kept trying to psych each other out and pretend one was going to jump, but then they wouldn’t, and start laughing. Someone had brought a huge “VOTE BUSH” banner and hung it from the 200 level; it was removed by two industrious fans before PJ took the stage. Between ‘DTE’ and ‘Insignificance’ Ed acknowledges the previous existence of the banner and said that he couldn’t believe it, and that “Just for tonight, I hope they took them out back and roughed them up a little.” The members of Supergrass were brought out and thanked, and Gary and Ed trade verses on ‘Timeless Melody.’ WARNING – X-rated notes ahead: Afterward, Ed says, “I have a bigger cock than Flea and Patrick Ewing combined, but I don’t want to brag.” Mike illustrates this by holding his hands out to give us a visual. (This was referencing a comment Flea made earlier about how he heard that [new Seattle Sonic] Patrick Ewing had the biggest cock in Seattle, except that now he was in town.) April Cameron and Justine Foy are brought out (with hugs from Ed) to perform the string arrangement for ‘Parting Ways.’ After “Parting Ways,” Jeff grabs Ed’s wine bottle, takes a LONG swig, and then hands it over to Matt, who does likewise. ‘Ledbetter’ is lavishly tagged with ‘Little Wing’ (and there is a Jimi Hendrix photo, torn out of a magazine, taped to Mike’s amp). Really strong, powerfully played show. On the setlist but not played: ‘In Hiding’ and ‘The Kids Are Alright.’

This is being distributed by blackredyellow.com in tandem with pj.sidewalkcrusaders.com, and is part of a series of the best Pearl Jam shows in existance.
If the artwork is not included, you can find it at blackredyellow.com.

Compiled by spacedvest on 1/29/04.

Scarlett Johansson & Pete Yorn – Los Angeles, CA (xx/xx/09)

Scarlett Johansson and Pete Yorn
2009 (specific date unknown)
The Village Studio
Los Angeles, CA U.S.A.

Pre-Recorded Live In-Studio Session.
Aired 2009 October 7 (Wednesday) on KCRW FM, Santa Monica, CA
STEREO CAPTURE

**** NOT FOR SALE **** PLEASE DO NOT DISTRIBUTE THESE FILES IN LOSSY FORMATS ****

FM > Onkyo HT-R520 > Analog Out > HHB-CDR 800 > CDR.WAV > TSSTcorpCDDVDW SH-S202N > EAC > CD Wave (tracking, conversion) > FLAC

Scarlett Johansson and Pete Yorn team up to sing songs of heartache on their collaborative release
“Break Up.” They share anecdotes from their experience and gift us with an exclusive performance
— including a special cover song — on Morning Becomes Eclectic. Interview by Jason Bentley.

Pete Yorn – vocals, guitar
Scarlett Johansson – vocals
Joe Kennedy – keyboard, backing vocals
Zak Schaffer – bass, backing vocals
Jonny Polonsky – guitar
Mark Noseworthy – guitar
Scott Seiver – drums
Max Goldblatt – tambourine

Total time 29:54
172 MB

01. 0:17 (introduction)
02. 2:36 Relator
03. 2:43 Blackie’s Dead
04. 3:28 I Don’t Know What To Do
05. 11:57 (interview)
06. 3:06 Search Your Heart
07. 3:07 Shampoo
08. 2:37 Stop Your Sobbing (The Kinks cover)

Enjoy,
Nibbler

Links:
Stream/Audition this show @ http://www.kcrw.com/music/programs/mb/mb091007scarlett_johansson_a
Remember, the streams can sound very lossy.

Setlist And information copied from KCRW’s website (they’re often incorrect):
http://www.kcrw.com/music/programs/mb

Simon & Garfunkel – Village Vanguard: 1965-1969

Simon & Garfunkel
“Village Vanguard”
1965-1969
Studio Outtakes
Live Performances
BBC Sessiona

Lineage:

Mastered from soundboard tapes, off-line and off-air sources -> Cassette -> CDR -> CDR -> EAC -> WAV -> FLAC

01 For Emily
02 Overs
03 Homeward Bound
04 At the Zoo
05 America
06 Song for the Asking
07 A Poem on the Underground Wall
08 For Emily
09 Anji
10 Richard Cory
11 The Sound of Silence
12 Homeward Bound
13 A Most Peculiar Man
14 He Was My Brother
15 I Am A Rock
16 I Wish You Could Be There
17 Blessed
18 Bad Blues Feeling
19 Cloudy
20 Can’t help But Wonder Where I’m Bound
21 Sparrow
22 The Side of a Hill
23 I Am A Rock
24 A Church is Burning
25 Anji

Tracks 01-02: Studio out-takes 1966-1967
Tracks 03-09: Live from Carbondaile, Ill, Nov 08, 1969
Tracks 10-15: “Sing Out” T.V. Special from Canadian Television 1966
Tracks 16-19: Studio Rehearsal 1966
Tracks 20-25: BBC London 1966: track 22 On The Side of a HILL has been already composed
in 1963 for Art Garfunkel by Paul Simon and Art gives a beautiful redention of this anti-war song!

A very interesting and worthwhile, though not superb, collection of 27 live performances and outtakes, spanning 1966 through 1969.
Two three studio outtakes from 1966 to 1967
There’s also a version of “Overs” with considerably different lyrics than the one that turned up on Bookends.
Then there are a few songs from a 1966 “studio rehearsal,” though the cover doesn’t say whether this is a recording, TV, or radio studio, and some of them sound like Paul Simon solo tracks, with no evidence of Garfunkel. Anyway, these too are noteworthy for including two songs that never appeared on their albums: the nice, folky ballad “I Wish You Could Be Here” and “Bad Blues Feeling,” the latter of which shows the influence of Simon’s 1965 stint in Britain with its Bert Jansch-type licks. Six songs from a 1966 BBC appearance again yield rarities with a cover of Tom Paxton’s “I Can’t Help But Wonder Where I’m Bound”; the anti-war “On the Side of a Hill,” which never made it onto any S&G albums; and
“A Church Is Burning,” which only came out on Paul Simon’s 1965 solo LP, The Paul Simon Song Book. The nine songs from a November 1969 concert don’t have any otherwise unavailable numbers, but do boast the best sound quality of anything on the CD. This bootleg isn’t solely notable for the rare compositions, though. The sound is very good at best and very listenable at worst. The performances are fine, and there are renditions of famous hits like “Homeward Bound,” “Sounds of Silence,” and “I Am a Rock” dotted throughout the program. ~

A new disc for the end of 1999, Village Vanguard gathers a lot of important material, some fairly common to the ROIO collector, some new to the more
“public” ROIO market.

The various studio outtakes and rehearsals have appeared before on other releases in the same sound quality.
The most striking of these is “Overs,” which has a unique organ line and very early lyrics – vastly diferent from the final version of the song.

It’s nice to get “Bad News Feeling” and “I Wish You Could Be Here” with Paul Simon performing – the latter is more commonly available in a version by The Cyrkle.
The highlight of this disc is the 9 November 1969 material. This concert, performed a few days prior to the Miami University show and immediately after the wrap of principal recording for Bridge Over Troubled Water, has a high energy level. This show was likely the first live performance of “Song For The Asking,” as Artie notes that Paul “just finished” the song. Unlike the Miami University show, there is no backing band here, likely due to the fact that studio recording tookplace in Los Angeles the day before this show. The recording quality of this section is the best on the disc, though not as clean as that of the aforementioned Miami U. show.

The other material on this disc – the “Sing Out” TV show and the BBC programme – are well-done, though the recording quality is typical of any off-air recording of the time: fairly low-fidelity, but quite listenable.