Queen – Cleveland, OH (01/23/77)

QUEEN
1977-01-23
Richfield Coliseum
Cleveland, Ohio

Soundboard Recording
CDR>EAC>WAV>TLH>FLAC>DIME

Setlist;

DISC 1

1. Intro (1:04)
2. Tie Your Mother Down (3:43)
3. Ogre Battle (5:19)
4. White Queen (As It Began) (5:55)
5. Somebody To Love (5:25)
6. Killer Queen (2:00)
7. The Millionaire Waltz (2:59)
8. You’re My Best Friend (2:03)
9. Bring Back That Leroy Brown (1:44)
10. Sweet Lady (4:17)
11. Brighton Rock / Guitar Solo / Brighton Rock [Reprise] (11:12)

DISC 2

1. ’39 (4:05)
2. You Take My Breath Away (3:36)
3. White Man (4:59)
4. The Prophet’s Song (5:20)
5. Bohemian Rhapsody (5:27)
6. Stone Cold Crazy (2:04)
7. Keep Yourself Alive (4:18)
8. Liar (8:54)
9. Big Spender (1:32)
10. Jailhouse Rock (5:22)

Musicians;

FEDDIE MERCURY- Vocals/Piano
BRIAN MAY- Electric & Acoustic Guitars/Backing Vocals
JOHN DEACON- Bass Guitar
ROGER TAYLOR- Drums/Backing Vocals/Tambourine

Bob Dylan – Ninteen74 Anthology

BOB DYLAN & THE BAND
Nineteen74 Anthology
dylantree.com Compilation

Label-less 3 CD-R set from “Project 74”, an internet-based effort to collect the best
recordings from the 1974 Dylan/Band tour. The CDs were originally circulated through
the dylantree.com web site

SOURCE: Trade CDRs > EAC > FLAC Level 8 Align on Sector Boundaries

High Resolution Artwork Included

JTT, July 2011

Disc One
01. Stage Announcements [Bill Graham] (Ann Arbor, 2/2)
02. Most Likely You Go Your Way (Uniondale, 1/29)
03. Rainy Day Women #12 & 35 (Uniondale, 1/28)
04. Tough Mama (Chicago, 1/4)
05. It Ain’t Me, Babe (Fort Worth, 1/25)
06. One Too Many Mornings (Largo, 1/16)
07. I Don’t Believe You (Montreal, 1/11)
08. LeopardSkin PillBox Hat (Philadelphia, 1/6E)
09. Just Like Tom Thumb’s Blues (New York City, 1/30)
10. Ballad Of A Thin Man (Toronto, 1/10)
11. Mr. Tambourine Man (Los Angeles, 2/14E)
12. Something There Is About You (Fort Worth, 1/25)
13. Knockin’ On Heaven’s Door (Uniondale, 1/28)
14. As I Went Out One Morning (Toronto, 1/10)
15. Forever Young (Boston, 1/14A)
16. It Takes A Lot To Laugh, (Toronto, 1/9)
17. Like A Rolling Stone (Uniondale, 1/29)
18. Most Likely You Go Your Way (Montreal, 1/11)
19. Taper And Friend (Largo, 1/16)

Disc Two
01. Times They Are A-Changin’ (New York City, 1/31)
02. Blowin’ In The Wind (Montreal, 1/12)
03. Don’t Think Twice, (Uniondale, 1/28)
04. Visions Of Johanna (Denver, 2/6A)
05. It’s All Over Now Baby Blue (Uniondale, 1/29)
06. Hard Rain’s A-Gonna Fall (St. Louis, 2/4A)
07. She Belongs To Me (Los Angeles, 2/14E)
08. Love Minus Zero (Toronto, 1/10)
09. Lonesome Death Of Hattie Carroll (Seattle, 2/9A)
10. Mr. Tambourine Man (Philadelphia, 1/6E)
11. Nobody ‘Cept You (Philadelphia, 1/6E)
12. Wedding Song (Largo, 1/15)
13. Just Like A Woman (Fort Worth, 1/25)
14. Gates Of Eden (Montreal, 1/11)
15. Fourth Time Around (Memphis, 1/23)
16. Girl From The North Country (Philadelphia, 1/7)
17. It’s Alright Ma (I’m Only Bleeding) (New York City, 1/30)

Disc Three
01. Stage Fright (Fort Worth, 1/25)
02. Holy Cow (Chicago, 1/3)
03. The Night They Drove Old Dixie Down (Uniondale, 1/29)
04. When You Awake (Ann Arbor, 2/2)
05. King Harvest (Uniondale, 1/28)
06. Goin’ Back To Memphis (Memphis, 1/23)
07. Loving You Is Sweeter Than Ever (Largo, 1/15)
08. Share Your Love [w/Dylan harmonica] (Chicago, 1/3)
09. Long Black Veil (Philadelphia, 1/6E)
10. This Wheel’s On Fire (Uniondale, 1/28)
11. The Weight (Fort Worth, 1/25)

* Soundboard Bonus Tracks *

12. Most Likely You Got Your Way (Los Angeles, 2/14E)
13. It Ain’t Me Babe (Los Angeles, 2/14E) [Asylum mono mix]
14. Ballad Of Hollis Brown (New York City, 1/31A) [Before The Flood rough mix]
15. It’s Alright Ma (I’m Only Bleeding) [Dylan] (Los Angeles, 2/14E)
16. Highway 61 Revisited (Seattle, 2/9E) [Before The Flood rough mix]
17. Forever Young (Los Angeles, 2/14E)
18. Blowin’ In The Wind (Los Angeles, 2/14E)

Bob Dylan & Mark Knopfler – The Complete Recording Sessions 1979-1986

Bob Dylan & Mark Knopfler
The Complete Recording Sessions 1979-1986
Compilation Soundboard/Audience

LB-11559

DISC ONE (the outtakes):
1. Trouble in Mind 4.51
2. Ye Shall Be changed 4.09
3. Blind Willie McTell (acoustic version) 5.53
4. Someone’s Got A Hold Of My Heart 4.33
5. Tell Me 4.25
6. Lord Protect My Child 3.57
7. Foot of Pride 5.58
8. Death Is Not The End 5.10
9. Julius And Ethel 4.47
10. This Was My Love 4.09
11. Blind Willie McTell (electric version) 4.56
12. Angel Flying Too Close 4.46
13. Straight A’s In Love 2.23
14. Clean Cut Kid 6.49
15. Don’t Fly Unless It’s Safe 3.16
16. Dark Groove 2.48
17. Trouble in Mind 4.16

Total time: 77:08

Track #1: This is the uncut version with an extra verse.
Perfect sound quality. Never officially released.
Track #2-8: Perfect sound quality.
Track #9-11: The sound quality varies. Never officially released.
Track #12 b-side.
Track #13-16: The sound quality varies. Never officially released.
Track #17: b-side. Same recording as track #1 but with one verse cut.

DISC TWO (the alternative versions):
1. Jokerman 6.22
2. Sweetheart Like You 4.15
3. Neighbourhood Bully 4.38
4. License To Kill 3.31
5. Man Of Peace 6.35
6. Union Sundown 5.06
7. I and I 4.30
8. Don’t Fall Apart On Me Tonight 5.48
9. Foot Of Pride (version #2) 6.01
10. Someone’s Gotta Hold of My Heart (version #2) 5.05
11. Tell Me (version #2) 4.35
12. Lord Protect My child (version #2) 4.41
13. Death Is Not The End (version #2) 5.02
14. Angel Flying Too Close (version #2) 4.06
15. This Was My Love (version #2) 3.46
16. Julius and Ethel 4.41

Total time: 78:53

Tracks #1-8: Alternative versions of the Infidels songs.
Tracks #9-15: Alternative versions of outtakes.
Track #16: Mono version, same take as the other one. The lead
guitar has almost disapeared.
All tracks; Never released officially. Sound quality varies.

DISC THREE (rehearsels and live):
1. I and I (version #2) 5.00
2. Sweetheart Like You (version #2) 4.08
3. Union Sundown (version #2) 6.49
4. Sweetheart rehearsals 28.14
5. Blowin’ In the Wind 5.55
6. Rock ‘Em Dead 4.43
7. Knocking On Heavens Door 3.50
8. All Along The Watchtower 4.37
9. Leopardskin Pillbox Hat 4.24
10. License To Kill 4.48
11. Knocking On Heaven’s Door 5.32

Total time: 78:03

Tracks #1-3: Alternative versions. Sound quality varies.
Track #4: Sweetheart Like You rehearsals. Alternative takes,
talking, improvisations. Sound quality varies.
Track #5-7: Mark Knopfler joining Bob Dylan at a concert in
Sydney, Australia, February 10, 1986. The backing band is
Tom Petty & The Heartbreakers. Poor sound.
Track #8-11: Dylan joining Dire Straits at a concert in
Melbourne, Australia, February 19, 1986. Poor sound.

Bruce Springsteen – Unsatisfied Heart – Remastered Born in the U.S.A. Outtakes

Bruce Springsteen
Unsatisfied Heart – Remastered Born In The U.S.A. Outtakes
Ev2
1982 – April 1984
The Hit Factory / The Power Station, New York City, NY

Disc 1:
01 Born In The U.S.A.
02 Murder Incorporated
03 Downbound Train
04 Glory Days
05 This Hard Land
06 My Love Will Not Let You Down
07 Johnny Bye Bye
08 Frankie
09 I’m Goin’ Down
10 Working On The Highway
11 I’m On Fire

b-sides:
12 Sugarland
13 Follow That Dream
14 Dont Back Down
15 One Love
16 Little Girl

Disc 2:
01 None But The Brave
02 Murder Incorporated #2
03 (Drop On Down And) Cover Me
04 Janey Don’t You Lose Heart
05 My Love Will Not Let You Down #2
06 Cynthia
07 Darlington County
08 Protection
09 TV Movie
10 County Fair

Solo:
11 Shut Out The Light
12 Richfield Whistle
13 Fugitives Dream
14 Delivery Man
15 The Klansman
16 Unsatisfied Heart

Disc One (1) details:

Recording details:
– Track 11 recorded at The Hit Factory, Feb 1982.
– Tracks 1,3,4 recorded at The Hit Factory, March or April 1982.
– Track 2 recorded at The Power Station, April or May 1982.
– Track 10 recorded at The Hit Factory, April 1982.
– Track 5 recorded at The Hit Factory, May 11, 1982.
– Track 8 recorded at The Hit Factory, May 14, 1982.
– Track 6 recorded at The Hit Factory, May 5, 1982.
– Track 9 recorded at The Power Station, November 9th 1983.
– Track 13 recorded at Thrill Hill West, LA, CA, January 30, 1983.
– Track 14 recorded at Thrill Hill West, LA, CA, January 4, 1983.
– Tracks 7,12,15,16 recorded at Thrill Hill West, mid Jan to mid Feb 1983.

Source details:
– Tracks 1,2,3,4,5,6,8,10,11 from ‘This Hard Land’, BS2002
– Tracks 9,12 from ‘Lost Masters XIX’, LOVE 019
– Tracks 7,17 from ‘Lost Masters XVII’, LOVE 017
– Tracks 14,15,16 from ‘Lost Masters XVI’, LOVE 016

Track descriptions:
01 Contains a different Springsteen vocal overdub and a very long, extended jam ending.
02 This track has the original Van Zandt background vocals.
03 Slighly different version / mix.
04 Unedited, contains an entire extra verse (about Bruceís dad) that was cut from the officially released version.
05 One of his finest studio performances. For some bizarre reason Springsteen & The E Street Band re-recorded the
song in 1995 and released that re-recording on ‘Greatest Hits’ ñ but it pales in comparison to this original.
06 Different mix than on the one released on ‘Tracks’.
07 Bruce borrowed the first two lines from Chuck Berryís song ìBye Bye Johnnyî (as well as the play on the title),
which is why itís registered as a Springsteen-Berry composition.
08 Originally recorded for “Darkness”, and recorded again here, this was considered for the ‘Greatest Hits’ collection but was finally dropped.
09 Full, unedited version that includes lyric changes and the complete raucous ending. This track runs nearly a full 1:30 longer than the released version.
10 Slighly different version / mix.
11 A bit longer version.
12 Beautiful keyboards by Danny and Roy augment some fine acoustic guitar playing by Bruce.
13 Presented in best-ever quality, this unreleased gem far eclipses any current circulated versions.
14 Unreleased studio outtake.
15 Wonderful tune with a killer chorus – note the bass line similar to the Human Touch B-side ’30 Days Out’
16 Short but energetic rocker.

* ‘Thrill Hill West’ is Springsteenís home studio in Los Angeles (aka ‘Hollywood Hills Garage Studio’).
* Most band tracks are E Street Band backing versions from so-called ìelectric Nebraska sessionî
—

Disc Two (2) details:

Recording details:
– Track 1 recorded at The Hit Factory, from the April-June 1983 sessions.
– Track 3 PROBABLY recorded at The Hit Factory during Jan or early Feb 1982. May be from later.
– Track 2 recorded at The Power Station, April or May 1982.
– Track 4 recorded at The Hit Factory, June 16, 1983
– Track 5 recorded at The Hit Factory, May 5, 1982.
– Track 6 recorded at The Hit Factory, April 20, 1983.
– Track 7 recorded at The Power Station during April or May 1982.
– Track 8 recorded at The Hit Factory, Feb 1982.
– Track 9 recorded at The Hit Factory, June 13, 1983.
– Track 10 recorded at The Hit Factory, April or May 1983.
– Tracks 11,13 recorded at Thrill Hill West, August 1982 through April 1983.
– Tracks 12,14,16 recorded at Thrill Hill West, January through May 1983.
– Track 15 recorded at Thrill Hill West, January 4, 1983.

Source details:
– Tracks 1,2,3,4,5,6 from ‘Murder Incorporated’, FR03
– Track 7 from ‘This Hard Land’, BS2002
– Tracks 9,10 from ‘Lost Masters XIX’, LOVE 019
– Tracks 14,16, from ‘Lost Masters XVII’, LOVE 017
– Track 12 from ‘Lost Masters XVIII’, LOVE 018
– Tracks 15,11,13 from ‘Lost Masters XVI’, LOVE 016
– Track 8 from ‘Lost Masters IV’, LOVE 004

Track descriptions:
01 The original mix without the new (90’s) vocal track or the overdubbed second guitar on ‘The Essential BS’. One of my favourite tracks, too bad the sound quality is what it is.
02 Different mix permutation of the same core recording as #1.
03 Completely different recording than the released ‘Cover Me’ done in a dramatically different arrangement.
This may actually date from a later period in the sessions than the original ‘Cover Me’.
04 Same core recording as on ‘Tracks’, but has a much longer fade out (very nice) and features Steve Van Zandt on background vocals and guitar.
05 Different mix permutation of the same core recording as #1.
06 Different mix than on the one released on ‘Tracks’.
07 Includes slightly different lyrics and an alternate beginning and ending.
08 This song was given to Donna Summer, who was recording an album at the time at the same studio.
Summerís cover version (with Springsteen on guitar) was recorded in March 1982 (released Aug 82).
Bruce and Donna also recorded a duet vocal version at her sessions ñ it remains uncirculating.
09 Original mix with the saxophone track (deleted on ‘Tracks’).
10 Features Ruth Jackson on background vocals. Possibly recorded at the same session as ‘My Hometown’ (which also features Jackson).
11 By far the definitive version of this song ñ contains an additional, important lyric verse that has been cut from all the other versions.
12 Brilliant song that developed from a 1981-82 work-in-progress composition called ‘James Lincoln Dear’
13 Unreleased studio outtake.
14 Unreleased studio outtake.
15 Compelling song. Features a dark, brooding beat that mirrors the disturbing nature of the lyrics. A nice vocal performance here and we’re left wondering what possessed him to write this one.
16 Add this to the ever expanding list of Bruce’s greatest unreleased songs. A man surveys his life and wonders if he can ever escape the demons of his past.

Bob Marley & the Wailers – Madison, WI (05/25/78)

Bob Marley & The Wailers
Madison, WI
May 25, 1978

[Early Show]
Master soundboard cassette > cassette x 2 > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)

EAC and FLAC encoding by Jack Warner (jackmw1ATsbcglobalDOTnet)

Disc (13 tracks) [70:51]
1 Sisters Chant 4:23
2 So Long Rastafari 3:18
3 Concrete Jungle 7:53
4 Burnin’ And Lootin’ 5:29
5 Them Belly Full 3:45
6 Rebel Music 4:46
7 I Shot The Sheriff 4:29
8 No Woman No Cry 7:46
9 Lively Up Yourself 8:40
10 Jammin 6:02
11 Get Up Stand Up 6:20
12 Exodus 4:53
13 No More Trouble 3:01

(Late Show)
Transfer by: spliff
CD > WAV > FLAC

01 – Sisters Chant 04:24
02 – So Long Rastafari 03:58
03 – Concrete Jungle 05:52
04 – Burning And Looting – Them Belly Full 09:50
05 – Rebel Music 06:45
06 – I Shot The Sheriff 04:46
07 – No Woman No Cry 06:51
08 – Lively Up Yourself 02:13

Jeff Tweedy – North Adams, MA (06/28/15)

Jeff Tweedy & Friends
Solid Sound Festival
MassMoCA
North Adams, MA
June 28, 2015

Original taper – John Bosco
Editing and packaging – John Bosco

Left of Center, 100ft from stage.
Neumann KM184 (ORTF, 12 ft high) ->
Tascam DR-70D 24bit/48kHz WAV ->
Audition (editing) ->
Fission (splicing) ->
xACT (FLAC)

Clamped onto the same stand as this recording by seremetcc:
http://bt.etree.org/details.php?id=580702
Thanks again Chris for all your help!

Note:
– Very windy and rainy.

1) Hazel
2) Fake Fur Coat
3) Diamond Light Pt. 1
4) ñ Flowering
5) World Away
6) New Moon
7) Summer Noon
8) Honey Combed
9) Desert Bell
10) High As Hello
11) Wait For Love
12) Love Like a Wire (Diane Izzo cover)
13) Low Key
14) Nobody Dies Anymore
15) Remember the Mountain Bed
16) Please Tell My Brother
17) Summer Teeth
18) Pecan Pie [Golden Smog]
19) The Ruling Class [Loose Fur]
20) Chinese Apple [Loose Fur] w/ Glenn Kotche & Ryley Walker
21) Too Far Apart
22) Into The Groove (Madonna cover) w/ Cibo Matto & Nels Cline
23) Grandpa Was A Carpenter (John Prine cover) w/ The Felice Brothers
24) Harvest Moon (Neil Young cover) w/ Luluc
25) Be Not So Fearful (Bill Fay cover) w/ John Stirratt & Pat Sansone
26) I’m the Man Who Loves You
27) You Are Not Alone
28) Only The Lord Knows (Mavis Staples cover)
29) God (John Lennon cover) w/ Bill Frisell
30) Losing End (Neil Young cover)
31) Give Back The Key To My Heart (Doug Sahm cover) w/ Mikael Jorgensen
32) California Stars

The Band – Asbury Park, NJ (08/26/94)

The Band
The Stone Pony, Asbury Park, NJ
08/26/94

01 Intro
02 Caledonia
03 Remedy
04 Blind Willie McTell
05 It Makes No Difference
06 Rick Danko Speaks
07 Atlantic City
08 Rag Mama Rag
09 Caledonia Mission
10 Crazy Mama
11 Stuff Ya Gotta Watch
12 Stage Fright
13 The Weight
14 Don’t Do It
15 Java Blues
16 Ophelia
17 The Shape I’m In

18 Genetic Method >
19 Chest Fever
20 Rock and Roll Shoes

Source: DSBD > DAT > Digital I/O > HD > FLAC

Bruce Springsteen – Pittsburgh, PA (10/21/95)

Bruce Springsteen with Joe Grushecky and The Houserockers
Nick’s Fat City
Pittsburgh, PA
October 21, 1995

01 DJ Speak
02 Introduction
03 What Did You Do In The War
04 Talkin’ To The King
05 Chain Smokin’
06 Labor Of Love
07 Never Be Enough Time
08 Murder Incorporated
09 Dark And Bloody Ground
10 Intro Band
11 American Babylon
12 DJ Speak End

Notes:
Incomplete show, exellent sounding.
Was broadcasted all over Denmark on national Radio P3, shortly before Bruce played in Copenhagen in 1996.

Lineage: Cassette Tapes BASF CE II Crome Extra High Position IEC II 120 -> Technics M260 Stereo Cassette DecK -> Transfert with Cable -> Nero Wav Editor -> wav -> THL -> Flac (level 6) Align on Sector Boundaries

Keith Jarrett – Aarhus, Denmark (09/15/69) “The Dylan Concert”

Keith Jarrett Trio
The Dylan Concert
TagskÊgget
Aarhus, Denmark
September 15, 1969
FM Broadcast Recording

01 Pretty Ballad (K Jarrett) 5:46
02 Lay Lady Lay (Bob Dylan) 4:33
03 Unknown Title 11:44
04 My Back Pages (Bob Dylan) 6:49

Keith Jarrett, piano, synth
Gus Nemeth, bass
Bob Ventrello, drums

Big O said this:
A surprising recording emerged late last week of the Keith Jarrett Trio playing Bob Dylan tunes. Apparently, back in 1968, Jarrett together with Paul Motian and Charlie Haden did a trio recording for Vortex [Vortex LP 2012] called Somewhere Before and recorded two Dylan numbers – My Back Pages and Lay Lady Lay. This long out-of-print record was issued on CD in 1990 and Amazon still lists it for sale but we haven’t tried yet.

Anyway, this live recording [the original LP was also a live recording but different time and place] is by a different trio that includes Gus Nemeth [bs] and Bob Ventrello [drms]. It took place a year later in Denmark and comes from a very good FM source. This is the fixed version with the correct speed.

What was Jarrett thinking playing Bob Dylan in Europe? Clearly the free jazz movement had failed to gather mass appeal, not that that was its intent. Even Miles Davis by ’69 was conceding that jazz was no longer “king” and concessions had to be made to rock music.

But the less than energised reading of the two Dylan tunes suggests that Jarrett was uncomfortable covering rock. It was to be a difficult time for jazz musicians. In hindsight, their golden age had passed and the ’70s offered a marriage of convenience called jazz fusion. Even worse, along came jazz lite and Kenny G.

Since that time even more concessions have been made. Classical music and jazz. A whole new constellation of jazz singers with an eye on pop singles. Jazz as conservative music. Whatever happened to the shock and awe of free jazz?

This was originally shared by ricola. In turn it was speed corrected by Perv/twat Production. Thanks to all who shared this rarity. Never officially released before.
– Professor Red

Bruce Springsteen – Milwaukee, WI (10/02/75)

Bruce Springsteen & The E Street Band
‘The Milwaukee Bomb Scare Show’
goody Remaster
1975-10-02
Uptown Theater
Milwaukee, Wisconsin

Disc 1: (51:32)

01. Little Queenie (8:44)
02. The E Street Shuffle (24:07)
03. It’s Hard To Be A Saint In The City (6:08)
04. Sha La La (3:04)
05. Jungleland (9:25)

Disc 2: (51:33)

01. Kitty’s Back (18:37)
02. Rosalita (Come Out Tonight) (13:23)
03. Detroit Medley (5:10)
04. 4th Of July, Asbury Park (Sandy) (7:15)
05. Quarter To Three (7:05)

This is a goody Remaster of the bootleg.
Thank you to all involved in the various stages in the life of this recording.
(That includes you, Bruuuuuuuuuuuuuuce, and all your musical cohorts!)

From the original seeder’s notes:

Label: Mistral Music Format: 2CD
Catalog #: MM9226/27 Source: Soundboard
Total Time: 106:41 Sound: 8.4/58
Date: October 2, 1975 Performance: 8.6/57
Location: Uptown Theater, Milwaukee, Overall: 8.4/58
Wisconsin

Original Silvers -> WAV -> FLAC (level 8, allign border sectors & verify) >

goody > dBpowerAMP > Cool Edit Pro (Pitch Bender, Amplify) > TLH (FLAC Level 8, abs)

All tracks Amplified by +6db
All tracks Disc 1, & Disc 2, Tracks 1-3: Pitch raised 64 cents
For some strange and unknowable reason, Disc 2, Track 4 was playing at the correct speed!
Disc 2, Track 5: Pitch raised 89 cents

Original Seeder’s Notes:

– “Jungleland” & “Kitty’s Back” were actually played that night in reverse order
– Disc 2 Track 1 some drop out in the first minute

Info taken from Brucebase:

02/10/75 – UPTOWN THEATRE, MILWAUKEE. WI

MEETING ACROSS THE RIVER (start cut)(2.53)/ 10TH AVENUE FREEZE OUT (3.43)/ SPIRIT IN THE NIGHT (6.20)/
PRETTY FLAMINGO (8.48)/ SHES THE ONE (5.03)/ BORN TO RUN (4.11)/ THUNDER ROAD (5.33)

First set interupted by a bomb scare in the theatre.

LITTLE QUEENIE (fades in) (8.43)/ E ST SHUFFLE (intro. 14.20) (song 10.20)/ SAINT IN THE CITY (5.20)/
SHA LA LA (2.49)/ JUNGLELAND (9.41)/ KITTY’S BACK (18.34)/ ROSALITA (10.40)/ DETROIT MEDLEY (4.11)/
4TH JULY ASBURY PARK (SANDY) (6.40)/ QUARTER TO THREE (7.20)

Audience tape of first part of show. The famous bomb scare show (aka “Are you loose?”) Entire second set after
clearing the building was put on a soundboard. This is the first known Little Queenie and is hilarious as the band
had been in the bar for about 2 hours. The second set also exists on a audience shot film. CD releases “Milwaukee
Bonb Scare Show” (Mistral Music) & “We Had Too Much To Drink Last Night” (BS).

Review (Courtesy of Wanted Magazine)
Wanted – The Bruce Springsteen Bootleg Guide (Volume 1)

This brilliant show has been previously released on “We Had Too Much To Drink Tonight”. Then it was in mono and in
very good soundquality. This release is in stereo and has excellent sound. Unfortunately, the soundquality drops on
disc two. There’s suddenly a hiss presenton the first part. It gets a little better along the way. The two discs
feature the part of the show after the band returned to the from their hotel after the place had been searched for
explosives. Here you find the uncut version of the show. (The first version had blanks between songs.) This preserves
the great atmosphere (partly created because Bruce had one drink too many at the hotelbar). Also the songorder has
not been tempered with so you can fully enjoy this of this part show as it was actually performed.

Packaging: 8,5
Sound: 9 (Soundboard)
Collecting Value: 8,5

Review (Courtesy of The Promise)

I am probably in the minority here, thinking that if Springsteen should ever decide to release one entire show it
should be this one. Actually it is not even an entire show, for the opening few songs (mainly from Born to Run) are
missing.

Some time into the show someone called in a bomb threat and the venue, Milwaukee’s Uptown Theater, was temporarily
evacuated. This set has been registered after the band returned to the building. And “let me tell you, there they
was” pissed like hell. After spending some time in a bar, Springsteen and the gang reopen the show with a rousing
version of Little Queenie preceded by a hilarious introduction during which Bruce repeatedly asks the audience “Are
you loose”? This version of Queenie is in my opinion one of at least three classic performances from this night.
Following is the set, which technically was perhaps far from perfect, but was played like it was the band’s last
performance ever, or last live show on Earth for that matter. E Street Shuffle lazy and chatty as ever and full of
soul, Saint in The City with some chilling guitar licks, then Bruce calls for “moment of silence, Steve’s guitar
broke”: Sha La La follows played at punk speed. Fine performance of Jungleland closes the first disc.

The best version of Kitty’s Back known to this reviewer opens the second disc. It is jazzy, it is messy and drunk,
yet just when you think the whole composition is going to fall to pieces it explodes and returns again, and again,
and again. Classic number two on this great disc. Rosalita together with an early and fine (“the favorite song in the
world!”) Detroit Medley are next and then the main set closes with an always beautiful version of Sandy.

As for the classic performance number three from this night it has to be Quarter to Three. It is played with passion
and the a capella part seems extra long. At some point the band stops and Bruce has some fun with the audience asking
if they “don’t wanna go home?” Bruce ends the song with his famous confession: “I am just a prisoner of rock’n’roll.”
After hearing this show you will be one too.

Soundwise, this is a soundboard, but not a perfect one, for there is some distortion in the beginning of Kitty’s Back
and the louder passages are a bit muffled. Still the sound is clear and bright, very “live,” whatever that may mean.
I guess the best way I can describe it is that as far as live recordings are concerned, this one makes you feel like
you were there in the first row. Boy, I wish. If you are going to own one live recording in your life this has to be
the one.

Sound: 8-
Tracklist: 8
Performance: 9

Enjoy The Show,

Jeff