Fleetwood Mac – Nürburg, Germany (06/05/88)

Fleetwood Mac
19880605
Nuerburg, Germany
Open Air Rock am Ring

Source: Soundboard
Lineage: FM broadcast(SWR3 radio station) > cass(m) > Philips CDR570 > CDWave > Nero > FLAC
Quality: 9
Comments:
Notes:
Fixed a couple minor tracking issues
^ 00:15 splice
% 02:04 Traffic/News break removed (bastards!)

Set 1:

  1. Say You Love Me 06:06
  2. The Chain 06:24
  3. Dreams 04:35
  4. Isn¥t It Midnight 05:27
  5. Oh Well 04:11
  6. Seven Wonders 04:51
  7. Stop Messin¥ Around 04:35
  8. Everywhere 03:53
  9. Gold Dust Woman 06:53
  10. Don¥t Let Me Down Again 04:38
  11. Has Anyone Ever Written Anything For You 04:57
  12. Another Woman 04:14
  13. Brown Eyes 03:04
  14. World Turning 19:28
  15. Little Lies 04:01 ^
  16. Stand Back 04:33 %
  17. You Make Loving Fun 04:27
  18. Go Your Own Way 06:40
  19. crowd noise 02:24
  20. Blue Letter 05:12
  21. Don¥t Stop 05:17
    __
    01:55:47

Paper Moon is the New Blu-ray Pick of the Week

paper moon criterion collection blu-ray

This is the week of Thanksgiving. At least in the United States it is. Though I suspect that has started to take hold in other countries as well. At least the pre-Christmas sales aspect anyway. Black Friday, the day after Thanksgiving, was traditionally the biggest sales day for American retailers. But the Internet ruined that. Why do we need to go to the store at some un-godly hour Friday morning to get the sales, when you can just shop at home in your pajamas?

First, there was Cyber Monday, then Small Business Saturday. Then the big box stores started opening up on Thanksgiving Day for their sales, now it seems like everyone starts running sales the day after Halloween and they don’t stop until Christmas Day.

I’ve been writing a Pick of the Week column for many years now. Traditionally this week saw a huge collection of new releases, boxed sets, and special editions. Then every week until Christmas week there would be more.

This week seems pretty tame for some reason. Last week saw some good releases, and I’m sure there will be even more in the coming weeks, but that bonanza we usually see this week seems to be missing.

Oh, lots of stuff is coming out, mostly 4K UHD editions of films you probably already own on Blu-ray. I suppose I should be excited about those, but I’m not. They won’t even get a mention. Someday I might be excited about those bumps in video quality, but today is not that day.

Instead, my pick this week is an old Peter Bogdanovich film getting a 4K release from Criterion. Which, come to think of it, I guess I’ve just contradicted myself because here I am getting excited about a UHD release of a film that has already had a Blu-ray release.

I contain multitudes.

I’ve not actually seen Paper Moon before, but I recently watched Bogdanovich’s debut film, Targets, and quite liked it and when he died everyone talked about Paper Moon so here we are.

The film is set during The Great Depression and stars Ryan O’Neal as a man who gets saddled with Tatum O’Neal (who is Ryan’s real-life daughter and may or may not be his character’s daughter in this film) with whom he forges a unique bond. Criterion is filling it with their usual extras and care.

The Shape of Water: Criterion Collection is also giving Guillermo del Toro’s unusual love story between a woman and a fish-man the 4K UHD treatment.

That’s Entertainment: To celebrate their 50th anniversary in 1974 MGM created this clip-reel compilation of many of their best musicals. Then they got many of the stars of those films to introduce the clips. I can remember watching this as a kid on television and I guess it started my love of musicals. This release has cleaned up a lot of those old clips so it should look better than ever.

Carlos Santana – Shows by Date

xxxx.xx.xx – Nobody Sings Dylan Like Dylan, Vol. 11
xxxx.xx.xx – Nobody Sings Dylan Like Dylan, Vol. 37-38
1969.05.11 – San Diego, CA – w/Grateful Dead
1971.07.04 – San Francisco, CA
1972-1994 – Rolling Stones & Friends
1975.06.28 – Uniondale, NY – w/Eric Clapton
1975.08.14 – Los Angeles, CA – w/Eric Clapton
1980.01.13 – Oakland, CA – w/Grateful Dead
1981.07.26 – Tokyo, Japan – w/Herbie Hancock
1984 – I’d Rather Be Lucky Than Rich w/Bob Dylan
1984 – Various Interviews w/Bob Dylan
1984.06.03 – Munich, Germany – w/Bob Dylan
1984.06.13 – Berlin, Germany w/Bob Dylan
1984.06.16 – Cologne, Germany – w/Bob Dylan
1984.06.19 – Rome, Italy – w/Bob Dylan
1984.06.26 – Madrid, Spain
1984.07.07 – London, England – w/Bob Dyan
1986.09.25 – Dusseldorf, England – w/Van Morrison
1987.02.15 – Petaluma, CA – w/Olatunji & His Drums of Passion
1987.08.22 – Angels Camp, CA – w/Grateful Dead
1987.08.23 – Angels Camp, CA – w/Grateful Dead
1989.03.17 – Santa Rosa, CA – w/John Lee Hooker
1990.04.28 – San Luis Obispo, CA
1991.04.28 – Las Vegas, NV – w/Grateful Dead
1992.10.10 – Mountain View, CA
1992.10.11 – Mountain View, CA – w/Bonnie Raitt
1993.01.26 – Oakland, CA – w/Grateful Dead

Bela Fleck Trio – Telluride, CO (06/18/05)

Bela Fleck Trio
2005-06-18
Telluride Bluegrass & Country Music Festival
Town Park
Telluride, Co

  1. Introduction>?
  2. TBD-02
  3. The Overgrown Waltz
  4. Sheetrock
  5. TBD-05
  6. Spanish Point
  7. Down In The Willow Gulch
  8. TBD-08*
  9. TBD-09
    Encore:
  10. TBD-10

Bela’ Fleck-Banjo
Casey Driessen-Fiddle
Brian Sutton-Guitar
*w/Bobby McFerrin-vocals

Thanks to Planet Bluegrass for allowing taping!

Schoeps mk2S’s(split ~3 ft)>kc5>cmc6>Oade M118>Apogee Minime> Tascam DAP1 @ 16/48
FOB-DFC
DAT Trasnfer Tascam DAP1>HHB 830 cd stand alone
CD extraction via cd wave editor
cool edit pro>cdwave editor>flac16
Taped, transferred and uploaded by Richard Skaggs.
skaggsre@hotmail.com

Peter Gabriel – Shows by Date

1975.xx.xx – Before the Flood, Demos
1976-2002 – A Rare Tracks Collection
1977.xx.xx – Radio Interviews
1977.03.05 – Passaic, NJ
1977.03.06 – Rochester, NY
1977.03.13 – Detroit, MI
1977.03.15 – Cleveland, OH
1977.03.19 – New York, NY
1977.03.22 – Toronto, Canada
1977.04.03 – Houston, TX
1977.04.09 – Los Angeles, CA
1977.04.10 – Los Angeles, CA
1977.04.29 – Manchester, England
1977.09.02 – Courtrai, France
1977.09.10 – Paris, France
1977.09.19 – Brighton, England
1977.10.04 – Paris, France
1977.10.09 – Copenhage, Denmark
1977.10.11 – Stockholm, Sweden
1977.10.26 – Lille, France


1978.08.23 – Oxford, England
1978.08.25 – Lancaster, England
1978.08.31 – Oslo, Norway
1978.09.09 – Knebworthth, England
1978.09.04 – Bremen, Germany
1978.09.15 – Essen, Germany
1978.09.29 – Huntington Beach, CA
1978.09.30 – Los Angeles, CA
1978.10.04 – New York, NY
1978.10.07 – Geneseo, NY
1978.10.09 – Union, NJ
1978.10.15 – Montreal, Canada
1978.10.20 – Royal Oak, MI
1978.10.21 – Kent, OH
1978.11.04 – New York, NY
1978.11.21 – Los Angeles, CA
1978.12.16 – Basel, Switzerland
1978.12.20 – London, England
1978.12.21 – London, England
1978.12.23 – London, England
1978.12.24 – London, England
1979-2004 – Secret World
1979.06.23 – Glastonbury, England
1979.08.26 – Reading, England
1979.11.xx – London, England
1979-2004 – Secret World
1979-2010 – Scraping the Bottom

1980.02.24 – Leicester, England
1980.02.25 – Sheffield, England
1980.03.04 – Liverpool, England
1980.03.05 – Manchester, England
1980.03.07 – Cardiff, Wales
1980.05.26 – Radio Victory Interview
1980.06.17 – Santa Ana, CA
1980.06.19 – Los Angeles, CA
1980.06.xx – Los Angeles, CA
1980.06.22 – San Francisco, CA
1980.06.23 – San Francisco, CA
1980.07.05 – Quebec City, Canada
1980.07.07 – New York, NY
1980.07.08 – Boston, MA
1980.09.04 – Berlin, Germany
1980.09.09 – Paris, France
1980.09.10 – Paris, France
1980.09.12 – Paris, France
1980.09.14 – Nantes, France
1980.09.21 – Geneva, Switzerland
1980.09.30 – Torino, Italy


1983.07.03 – Werchter, The Netherlands
1983.07.09 – London, England
1983.07.27 – Worcester, NY
1983.07.29 – Forest Hills, NY
1983.08.08 – Vancouver, Canada
1983.08.17 – Los Angeles, CA
1983.09.17 – Manchester, England
1983.09.18 – Liverpool England
1983.10.01 – Copenhagen, Denmark
1983.10.02 – Hamburg, Germany
1983.10.04 – Dusseldorf, Germany
1983.10.05 – Frankfurt, Germany
1983.10.06 – Munich, Germany
1983.10.10 – Hanover, Germany
1983.10.15 – Clermont Ferrand
1983.10.19 – Avignon, France
1983.10.28 – Brest, France

1984-2002 – The Non Album
1986.11.07 – Rochester, NY
1986.11.09 – Syracuse, NY
1987.07.21 – Philadelphia, PA
1986.11.04 – Poughkeepsie
1986.11.11 – Largo, MD
1986.11.12 – New Haven, CT
1987.07.21 – Philadelphia, PA

1993.09.19 – San Francisco, CA

Peter Gabriel – Torino, Italy (09/30/80)



Peter Gabriel
Palasport, Torino, Italy
September 30, 1980

Soundboard-recording, using several sources, including a tape generously donated by LC!

Disc 1:

1 Intruder – 7.22
2 The Start – 1.41
3 I Donít Remember – 5.12
4 Solsbury Hill – 5.43
5 Family Snapshot – 7.03
6 Milgrams ë37 – 3.40
7 Not One of Us – 5.59
8 Lead a Normal Life – 4.19

Disc 2:

1 Moribund the Burgermeister – 5.21
2 Mother of Violence – 4.20
3 Humdrum – 4.22
4 Games without Frontiers – 4.34
5 Band Introductions – I Go Swimming – 1.23
6 Biko – 11.08
7 On the Air – 7.13
8 D.I.Y. – 5.05
9 Here Comes the Flood – 2.28

Total Running Time: 40.59 + 45.54 = 86.53

Soundboards are a rare thing for the tour supporting Peter Gabrielís third album, also known as
ëMeltí among fans. What is available from the mixing desk is not in stellar quality either
sadly, and the same goes for this particular recording of the Torino gig nearing the wind
down of the tour. However, using several sources, a very listenable release was possible
that gives a somewhat different perspective than being in the audience.

Not changing much throughout the China 1984 tour (which, in true Gabriel tongue-in-cheek
humour, would of course never visit China, nor would it take place in 1984), the setlist
is the usual one, missing ëAnd through the Wireí. ëModern Loveí was actually part of the
set too, but missing on the soundboard recordings of this show, as is pretty much all of
ëI Go Swimmingí, and the ending of ëMilgramís 37í.

Focusing on what has been captured, the show starts off with a long drummachine intro
for ëIntruderí, setting the tone for the rest of the show: dark, raw and gritty. Almost
any track off the third album is featured here, excepting the before mentioned ëAnd
through the Wireí and ëNo Self Controlí, which would only be included from the next tour
on. A great rendition of ëBikoí signals the end of the gig, where apparently a few members
of the crowd are able to catch Gabrielís microphone and decide to join the sing-along
chorus, before this is quickly turned off by the engineer.

After a rousing ëOn the Airí, the crowd is treated to a very pure and raw version of
ëD.I.Y.í, after which Gabriel returns to the stage for one other final song, in the form
of ëHere Comes the Floodí, singing the chorus on the absolute top of his voice.

After this, only a handful of dates in France, Spain and Portugal would be played before
the tour would come to an end.

WHAT WAS DONE?

The process of this remaster is somewhat fading away, since it’s already a few months old
and the entire process is not really clear to me anymore.

What is left in my memory though:
First of all, there is some doubt as to if this is really a soundboard, or just an
audience recording, with almost no crowd noise present. In my opinion this is a soundboard
as some of the sounds are too close and dry in the source to make it an audience recording.
Also, the best proof for me is the fact that I’ve heard of the existence of the master
soundboard tape.

For the remaster, several sources were used. Modern Love and I Go Swimming were played as
well, but not on the soundboard recordings. Most sources around are not pretty, with some
being very distorted, others very generated. The best source I could work with was LC’s
tape, which was a tad hissy, but didn’t have many distortion, making it a lot more
listenable. Also it wasn’t denoised like some other recordings. 2/3 of the remaster comes
from LC’s tape.

Most of the other songs use one of the other complete sources. Mother of Violence is from
a different source, an attrocious source sadly, and it’s quality-wise the low point of
the recording, but I wanted to include it for completeness.

The remastering process included the usual steps I take in remastering, including using
one channel (mono source), equalisation, noise reduction, multiband compression/expanding,
and some slight effects to create a sense of stereo.

THANK YOU TO:

Thanks to LC for generously donating a tape for part of this remaster!

As always, hope you enjoy this remaster!

Jesper Moonen
October 24, 2007

If you have any comments, a question, or perhaps even have an unusual Gabriel
recording (on tape, CD, or anything else), which you would like to offer to the
project, just send me an e-mail at sledgehammer86 AT hotmail DOT com

The Rolling Stones – How Britain Got the Blues (1961-1964)

THE ROLLING STONES
HOW BRITAIN GOT THE BLUES
Remastered Edition

Pitch, phase and level corrected, de-thumped and retracked at Remasters Workshop July 16 & 17, 2010 from the 2000 CD on Bad Wizard BW 6134.

This CD was pirated by an unidentified label and issued as “Beginning Of The English Blues.” It was for sale briefly on Amazon (it’s unavailable now and will probably remain so), where a reviewer left these (edited for coherence) comments:

A great compilation of obscure 1961-1964 recordings. What will pique the interest of the hardcore Stones aficionado the most are the first eight tracks: the very earliest Rolling Stones recordings, which have rarely, if ever surfaced on other CDs. The first four songs are labeled as dating from a tape of Little Boys Blue, a pre-Rolling Stones lineup of the group, recorded (probably at a private rehearsal) in late 1961. Dick Taylor (later of the Pretty Things), guitarist Bob Beckwith, and Allen Etherington (on maracas) were part of Little Boys Blue on this recording. While the track listings are vague as to what actual future members of the Stones also participated, it’s certain that Mick Jagger’s on lead vocals, and possible that Keith Richards and Brian Jones are on the guitars.

Included are unreleased versions of the Jagger-Richards compositions “It Should Be You” and “My Only Girl” (aka “That Girl Belongs To Yesterday”). There’s also “Leave Me Alone,” a Jagger-Richards original not released by anyone! There’s also the unreleased studio effort “Goodbye Girl,” a routine blues-rocker dated as having been recorded in November 1964 and written by Bill Wyman. While these are no doubt fascinating for the Stones fan, as well as historically important, the subsequent 24 BBC session tracks are better music. Those BBC performances include many songs that didn’t appear on the group’s early releases, such as covers like “Roll Over Beethoven” (a different version than a more commonly circulated one also recorded around this time for another BBC session), “Meet Me In The Bottom,” Jimmy Reed’s “Ain’t That Loving You Baby,” “High Heel Sneakers,” and Bo Diddley’s “Crackin’ Up.” The fidelity on these is generally very good, with the performances different enough from the studio versions to make them quite interesting!

Track 1 was in a sorry state in its original incarnation. It’s a mono recording, but the levels on the two tape tracks were wildly varied and would occasionally drop out in one channel or the other. These anomalies were straightened out, gaps filled by cloning and levels fixed so that it sounds as normal as possible. There was also a repeated segment of a couple of lines; I don’t know whether the original CD is that way, or it came that way on the recording I received, but I edited it out. This may be the best version of this track available now.

All the recordings but two were at the wrong speed – some a little bit and some a lot, and all were out of phase. The makers of this CD added stereo reverb to everything (can’t leave a good thing alone), but its effect is negated because after phase correction, the channels were combined to true mono. Levels were all over the place, with volume swells and dips in many places; those are fixed now, too. Occasional thumps that are often heard on tape recordings via microphone from tube radios have been eliminated.

The early studio recordings were very, very dull. They have been brightened here so you can tell what’s going on. No EQ was applied to the other tracks. All work was performed in 32-bit in Adobe Audition 3, and the tracks were split on sector boundaries in CD Wave.

Track listing:

01 Little Queenie
02 Beautiful Delilah
03 Down The Road Apiece
04 I Ain’t Got You
[late 1961 or early 1962, Dartford, home demos – Little Boys Blue]

05 Leave Me Alone
[November 20 & 21, 1963, London, Regent Sound Studios]

06 Goodbye Girl
[November 8, 1964, Chicago, Chess Studios]

07 It Should Be You (take II)
[November 20 & 21, 1963, London, Regent Sound Studios]

08 My Only Girl (aka “That Girl Belongs To Yesterday”)
[November 20, 1963, London, Regent Sound Studios]

09 Ain’t That Loving You Baby
[October 8, 1964, BBC London]

10 Don’t Lie To Me
11 Mona I Need YOu Baby
12 Walking The Dog
13 Bye Bye Johnny
14 I Wanna Be Your Man
[February 3, 1964, BBC Saturday Club]

15 Roll Over Beethoven
[March 8, 1964, BBC Saturday Club]

16 Little By Little
17 I Just Wanna Make Love To You
18 I’m Moving On
[April 10, 1964, BBC Joe Loss Pop Show]

19 Not Fade Away
20 Beautiful Delilah
21 High Heeled Sneakers
[April 13, 1964, BBC Saturday Club]

22 Down In The Bottom
23 You Can Make It If You Try
24 Route 66
25 Confessin’ The Blues
26 Down The Road Apiece
[May 25, 1964, BBC Saturday Club]

27 It’s All Over Now
28 If You Need Me
29 Carol
[July 17, 1964, BBC Joe Loss Pop Show]

30 Around And Around
31 I Can’t Be Satisfied
32 Crackin’ Up
[July 17, 1964, BBC Top Gear]

Artwork is included.

Please preserve the lossless quality of this material.

Enjoy!

Remasters Workshop
RMW 578

Andre Bird and Hands of Glory – Telluride, CO (06/21/14)

Andrew Bird and Hands Of Glory
Telluride Bluegrass Festival
Telluride, Colorado
Town Park
June 21, 2014

4 mic mix
Source 1/2: Schoeps MK2S [A-B split 54 cm] > KCY > VST62IU > Grace Lunatec V3 > Sound Devices 744t @ 24bit/48hz
Source 3/4: Schoeps MK4V (DIN) > cmc6 > Naiant LB (Jensens) > Sound Devices 744t @ 24bit/48hz
8ft in air right front corner SBD cage
INHDD > Samplitude 11 > Sound Forge 10 > CD WAVE > TLH
Tagged in foobar 2000
Taper: soling (sdolan@wi.rr.com)

Run time: 73:52

01 ?
02 Plasticities
03 Not a Robot, But A Ghost
04 Tin Foil
05 Dear Old Greenland
06 Effigy
07 Frogs Singing
08 Mx Missiles
09 Give It Away
10 When That Helicopter Comes
11 Something Biblical
12 Colorado Girl
13 Near Death Experience
14 Three White Horses
15 Pulaski At Night
16 ?

Andrew Bird – guitar, vocals, percussion
Tiff Merritt – guitar, vocals
Eric Hayward – pedal stell guitar
Ilan Hampton – bass
Kevin O’Donell – drums

10,000 Maniacs – New York, NY (10/23/90)

10,000 Maniacs
Beacon Theatre
New York City, NY
October 23, 1990
(Two Of Us Master Series Volume 222)

Recording: Shure Mic > Sony WM-D6C

Transfer: Master tapes > Nakamichi DR-01 (azimuth adjusted) > USB Sound Devices > Audacity > iZotope RX / ozone 9 (mastered) > xACT 2.50 > FLAC

01 Maddox Table
02 Eat For Two
03 Whatís The Matter Here?
04 City Of Angels
05 A Campfire Song
06 Headstrong
07 Cherry Tree
08 Dust Bowl
09 Everyone A Puzzle Lover
10 Cotton Alley
11 Heís A-1 In The Army (And Heís A-1 In My Heart)
12 Gun Shy
13 Poor De Chirico
14 The Latin One
15 Scorpio Rising
16 Daktari
17 Like The Weather
18 Hey Jack Kerouac
19 Donít Talk
20 Trouble Me
21 Poison In The Well
22 Tension
23 My Mother The War
24 Among The Americans
25 Where My Soul Never Dies
26 Planned Obsolescence
27 Where My Soul Never Dies (Reprise)

Known Faults:
-Maddox Table: joined in progress
-The Latin One: start cut
-My Mother The War: end slightly cut

Between 1983 and 2002 there were not any tapers more active than the “Two Of Us”. For the better part of two decades they taped over 250 artists with an array being taped multiple times.

If you collect Springsteen then you are already familiar with some of their work, “fmcleanboots” has posted a half dozen or so of their “Tunnel Of Love” tour shows but has decided to pass the baton.

What you don’t know is their passion was not just for Springsteen but for music and that passion runs deep. It is astonishing how many artists they taped.

They followed tours taping club shows, theater shows, arena shows, big artists, mid-level artists and local artists.

If they were following a tour and the tour had an off night they’d see who else was playing that night to tape. Always focused on enjoyment of the show as the priority,
tickets were for the most part acquired outside of the venue as they worked to obtain the best possible seats, continually trading up until the correct seats were acquired.

The results of this were the captures are uniformly excellent but on occasion the start of the show was sacrificed as a trade-off for the seats.

The heavy lifting was done by the Sony WM-D6C and an external Shure Mic before moving to DAT for the last couple of years. None of their masters have ever been circulated and
have been safely stored for the past three to four decades in a climate controlled environment. Tapes transferred so far are in pristine condition.

Though we may do some mini releases of a series of shows in order for one portion of a tour for the most part shows will not be released in order, there are just too many of them.

This will be a very exciting series and we hope along the way we upgrade existing circulating audio and offer up shows that do not have any circulating audio, enjoy the ride, this is definitely not a dark ride.

10,000 Maniacs
Beacon Theatre
New York City, NY
October 23, 1990

This is recorder 2 for Natalie and company’s 1990 stop at the Beacon Theatre and our third 10,000 Maniacs show in the series. Another wonder performance from the group, a little bit of the Beacon reverb but highly listenable throughout.

As always thanks to Goody for his continuing support of this and all our other historic releases ensuring we are running in the correct pitch.

A big thanks as always to “Two Of Us”, their dedication to capturing all these legendary performers and shows many heard hear for the first time, the HOURS and HOURS spent waiting in line, traveling, money on tickets as well as trusting me to be the caretaker of their life’s work, our little community is indebted to you both. Also, a big thank you to my friend “fmcleanboots” for putting me in touch and laying the groundwork that has resulted in all these great releases…we’ve barely scratched the surface. The amount of completely uncirculated shows they taped and continue to get into my hands for release is staggering.

And as always thanks to Goody for his continuing support of this and all our other historic releases ensuring we are running in the correct pitch.