The Toxic Avenger is the New Blu-ray Pick of the Week

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As I mentioned the other day, I got mixed up on which week I was supposed to do a Pick of the Week for Cinema Sentries and which week I was to do my Five Cool Things. I wound up writing this pick for Cinema Sentries before being alerted that it wasn’t my turn. There was some discussion of what to do about it and he decided to go ahead and post the other guy’s pick on Monday, and then he did mine yesterday.

My Internet was down most of yesterday (stupid Cox), so I’m just now posting this.  There is a lot of great stuff coming out this week, but I landed on the remake of The Toxic Avenger as my #1 choice. But be sure to read the entire thing if you are a collector; like I say, there is a lot to choose from. Click here to read my article.

Five Cool Things and Task

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Why am I so terrible about posting the things I’ve written for Cinema Sentries? I don’t know either, but here we are, a week late with my latest Five Cool Things.

Actually, that’s a funny story. I do Five Cool Things every other week. On my off weeks I write a new Blu-ray Pick of the Week for Cinema Sentries. Last week I guess I got them mixed up and I wrote a Five Cool Things when I was suppossed to have written a new Pick of the Week for Cinema Sentries. I did write a Pick for this site (when I don’t write one for CS I write one exclusively for this site).

Just now I wrote a Pick of the Week for Cinema Sentries. The owner of the site sent me an e-mail asking why I had written one this week and not last week. This week it is another guy’s turn to write the Pick. Oops. I guess I wrote a Five Cool Things two weeks in a row.

Anyway, that Five Cool Things that I wasn’t suppossed to have written features Alien: Earth, the Nightmare on Elm Street boxed set, The Phoenician Scheme, an Errol Flynn boxed set, Alan Moores’ comic From Hell, and Task. You can read all about it here.

31 Days of Horror: The Thing From Another World (1951)

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Friday night I realized my wife had never seen John Carpenter’s The Thing (1982). She’s not really a horror fan, and I was afraid it might be too much for her, so I decided to give her an appetizer to help warm her up to the idea. That appetizer being the original film, The Thing From Another World. Officially Carpenter’s film is an adaptation of the novella “Who Goes There?” and not a sequel to the 1951 film, but Carpenter is clearly a fan of that film (it is the movie playing on the television in Carpenter’s Halloween (1978)).

Anyway, there is some dispute about who directed The Thing From Another World. Officially Christian Nyby gets the credit, but it is sometimes claimed that Howard Hawks took over most of the directorial duties as the film progressed. Hawks was a producer on the film, and he was clearly a guiding hand, but it is unclear if he did any actual directing or was just there to give Nyby a hand. It certainly does have Hawks’ stamp all over it.

This film and Carpenter’s share some basic plot elements, but they differ quite a bit as well. Some of this would be due to the Production Code at the time not allowing for certain elements, but a lot of it had to do with the limited budget of this production.

An unusual aircraft crashes in the North Pole. Captain Patrick Hendry (Kenneth Tobey) is sent to investigate. Journalist Ned Scott (Douglas Spencer) tags along. At Polar Expedition Six, he meets a group of soldiers and scientists. They head out to the crash site and find a UFO buried beneath the ice. They use thermite to try and melt the ice, but it completely destroys the ship. Nearby they find a body frozen in ice. They chip it out but leave it inside a large block of ice.

Back at the base, Hendry denies Scott the opportunity to send out a story and lead scientist Dr. Carrington (Robert Cornthwaite) the ability to study the creature. He sends a message to base, awaiting further orders. The men are ordered to guard it, but one of them gets scared of staring at the thing and covers it with an electric blanket. The ice melts, the alien comes to life, and it attacks everybody.

In the book and in the Carpenter film, the alien is a shape-shifter, but in this film they couldn’t afford that effect, and so the alien is just a tall dude with some prosthetics on his head and hands, or, as my wife stated, a “Frankenstein reject.”  Whereas in the Carpenter film the main tension comes from never knowing who the alien has turned into, here the argument is over whether or not science should be able to study the creature, or the military should completely destroy it.

The film makes great use of its claustrophobic sets. It mostly takes place in cramped bunkers and long hallways filled with supplies. It is fascinating to compare it with Carpenter’s film, and I’m glad I finally watched them back to back. Both films are very much products of their time. Made in 1982, Carpenter’s film is filled with 1970s paranoia where nobody can be trusted. I love that his characters have clearly let the isolation of the Arctic setting get to them. They are haggard and worn out. Nobody seems to care. They smoke pot and get drunk, and it doesn’t feel like anyone is doing any actual work. 

But this film is full of hardworking people doing their jobs the best that they can. The tension is between a scientist who sees a major discovery and a soldier who is willing to follow orders above all else. But there is also a bit of postwar paranoia. They’ve seen the horrors of World War II, and now live in the atomic age. Anything seems possible, and that’s terrifying.

Carpenter’s film is nothing but dudes, but this film gets a leading lady (Margaret Sheridan even gets top billing.) She plays Nikki Nicholson, who is the love interest, but she’s also a scientist, smart, and more than willing to get things done.

This film also spends a lot of time discussing what the alien is. The scientists do get some time to study the creature, or at least some pods it leaves behind, and we’re subjected to a lot of science-y nonsense. Whereas Carpenter’s film is more or less happy to just let the alien exist on its own accord.

I could go on, but I’ll stop here. The Thing is the superior film. Carpenter had a real budget, and it looks fantastic. It is incredibly tense, and filled with wonderful effects. The Thing From Another World had a tiny budget made at a time when films were only allowed to show so much, and all of that shows. But despite all of that, it is still a thoroughly enjoyable film. Highly recommended.

The Friday Night Horror Movie: Triangle (2009)

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I don’t know how to write about this without spoiling a main plot point, so reader beware.

I love a good time loop movie. Groundhog Day wasn’t the first one of that type, but it perfected it and popularized it, and now it’s become a genre unto itself. Triangle takes the formula and gives it an interesting twist. Instead of our hero falling asleep and waking up to the same day over and over again (or getting killed and resetting to the beginning of the same day), she stays awake and in the same place while the other characters all die and then get reset and meet her again.

Six people take a sailboat out for a cruise. They mostly don’t know each other but are all connected to Greg (Michael Dorman), who owns the boat. Everybody is excited except Jess (Melissa George), who seems distracted and tired.

Things go well until they don’t. A sudden storm rolls in and capsizes the boat. All but one manage to climb on top of the wreckage. Soon they spot a cruise ship and hail it for help. They climb aboard but find it to be empty. Well, almost empty. They keep getting glimpses of someone, but that person seems to be hiding.

Jess gets increasingly paranoid. She keeps saying she’s been on this boat before. Then people start dying. Someone with a burlap sack over his head starts shooting people. Jess is the only one to survive. As she knocks the killer overboard, the killer says that they’ll be back and the only way to get home is to kill everybody.

Then a song plays over the radio, and Jess sees their capsized boat approaching. Except it isn’t empty; it is full of those original six people, including herself. Now here’s where the movie loses me a little. If it were me, I’d run up to my friends (and myself, I guess) and freak the frack out. I’d probably scare them at first, but I’d try to explain what just happened and let my friends try to figure things out. Jess does not do this. Instead she hides, then slinks around spying on the group. We’re treated to some of the same scenes we just watched but from different angles. She eventually tries to stop her friends from getting murdered. She does manage to change the timeline to varying degrees, but ultimately they all die again. 

I know I put a spoiler heading at the top of this, but I don’t want to spoil everything, so I’ll have to let the plot lie right there. In some ways the script is very clever about letting things unfold, and in other ways it is rather stupid. Jess makes some ridiculously bad decisions for no other reason than to let the plot go in the direction the writers wanted it to.

It manages to conclude itself in a very unexpected and yet satisfying manner. It finds a way to do something completely different from all the other time loop movies I’ve seen, and I love that. 

In the end I’d call it a good, but somewhat frustrating film, but one well worth watching.

U2 awarded with 2025 Woody Guthrie Prize in Tulsa

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Photo by Jay Blakesberg, courtesy of Harper House Music Foundation

Bono and The Edge were in Tulsa last night to accept the 2025 Woody Guthrie Prize on behalf of U2. They sat down at the historic Cain’s Ballroom to have a conversation T Bone Burnett about their long career as activist songwriters. They also performed an impromptu shot set.

The Cain’s is one of my favorite places to see music. It is a relatively small ballroom with a capacity of just 1,800 people. It was originally a garage then became a dancehall. It became famous in the late 1930s as the home of Bob Willis who performed a weekly radio show from there which helped popularize western swing. It later became famous for being one of the few stops the Sex Pistols made on their ill-fated tour of America in 1978.

Anyway it is a very cool place to see a show. I would have loved to have been there last night, but the moment it was announced I knew it would sell out immediately so I didn’t even try.

But watching the videos that are showing up on Youtube I sure wish I’d been there.

Setlist:

Running to Stand Still/This Train is Bound for Glory
Mothers of the Disappeared
Sunday Bloody Sunday
One
Pride (In the Name of Love)
Jesus Christ/Yahweh

The Midnight Cafe’s Top Five Horror Movies of the 1980s

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Many years ago I created a Facebook group called the Top Five, whereupon me and some friends would list our top five favorite…whatevers – opening tracks to albums, John Cusack movies, etc. The idea actually came from a Cusack movie, High Fidelity, where his character in that movie makes a lot of top five lists.

The group didn’t last that long; we were all too busy to keep it going, but I love the idea. I actually posted one of those lists on this site, and I’m thinking about doing it again. The Internet (and search engines) loves lists, and while I’ve basically accepted the fact that I’m never going to draw huge crowds to this site, finding ways to bring in a few more readers while also having some fun sounds like a plan.

I should probably do bigger lists, top 25 or 50s or something, but that’s a lot of work. A top five sounds more manageable, and it fits in with that old group, so here we go.

As it is October and Halloween is coming soon, and I’ve been doing my tradition of 31 Days of Horror, I thought we would start with my top five horror movies of the 1980s. The 1980s were a grand time for horror, and I figure doing more specific lists will be helpful for the numbers game.

The 1980s were a fascinating time for cinema and for horror. By the 1970s the studio system was dead, allowing for all sorts of more independent cinema to rise up. This ushered in the New Hollywood directors and allowed for cinema to flourish in ways it never had before. At the same time, the new ratings system pushed out the old Production Code, which allowed films to express themselves in ways they’d not been allowed to previously.

Horror took great advantage of this in the 1970s, creating films that pushed the envelope in terms of what could be shown, and they often did it in interesting and artistic ways. But as we moved into the 1980s, things changed once again. Those independent studios got big and less independent and more mainstream. That meant they were chasing the $ more than the art. Home video revolutionized movies. Suddenly films that didn’t do so well at the box office could have another chance on video. Some movies were made just for the video market.

Horror took great advantage of this outlet. You could make a relatively cheap movie and release it straight-to-video and make money. Horror hounds have never been known for their keen acumen and academic approach to the genre. Give us some blood and guts and maybe a little nudity, and we are good to go. This is why slashers were so popular during this period. A guy with a knife killing pretty girls was an easy sell.

But that isn’t to say that there weren’t some great horror movies being made in the 1980s. There were lots of interesting, well-made, even brilliant horror films from that decade, and here are my Top five.

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  1. Re-Animator (1985)

I no longer remember how I stumbled onto Stuart Gordon’s gonzo horror flick Re-Animator, but I instantly loved it. It was so wild, so violent and gore-filled, so full of full-frontal nudity, and so very, very funny. I had never seen anything like it.

Loosely based on an H.P. Lovecraft story, Re-Animator stars Jeffrey Combs as Herbert West, a completely mad scientist who has discovered a serum that brings the dead back to life. The trouble is he can’t seem to get the mixture exactly right, so the dead keep coming back as murdering psychopaths. Luckily, his roommate has a key to the morgue, and he’s got plenty of corpses to experiment on.

The film begins as a fairly dramatic bit of science fiction, but before its 90 minutes are up, it will turn into a completely gonzo freakout. This was the first film from director Stuart Gordon, and he’s spent the rest of his career trying to be marvelously goofy, gory, and glorious. I reviewed the Arrow Video Blu-ray of this film which you can read here.

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  1. Tenebre (1982)

Dario Argento’s best films (Suspiria, Deep Red, The Bird with the Crystal Plumage) were all made in the 1970s, but you shouldn’t sleep on his 1980s output. Tenebre is the story of a writer (Anthony Franciosa) who is questioned by the police because a crazed killer is murdering girls in the same way the killer in his latest book is doing it. Soon enough the killer comes for the writer and his friends.

There is a way you can look at this film as a meta commentary about violence in movies. Argento was often criticized for the extreme violence in his movies, and here he is making a movie about a writer being stalked by his own creation. Or you could just sit back and enjoy the ride.

Tenebre is filled with some incredible images – a woman’s face being revealed when the killer slashes through a white sheet is an all-timer. The story is good, and it mostly makes sense (which is unusual for Argento). It has a great soundtrack from Goblin. It is a great freaking movie and more than proves Argento had plenty to say in the 1980s.

You can read my full review here.

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  1. A Nightmare on Elm Street

In a decade full of mindless slashers, Wes Craven created something truly original with this film. Freddy Krueger is one of the great horror villains of the 1980s, or of any time, really. Setting him inside of dreams, or nightmares if you will, allowed the film to get really weird and visually interesting.

The sequels are of varying quality, but the first film remains an utterly classic and is one of the best horror films of the 1980s.

I recently reviewed the 4K UHD release of A Nightmare on Elm Street, which you can read here, and I also reviewed the UHD release of the boxed set of the first seven films which you can read here.

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2. Evil Dead II

When I was a teenager in the early 1990s, I subscribed to Spin Magazine. This was back when that rag was actually good. It had good writers and covered good music. This was post-Nirvana so they covered a lot of alternative acts, which I loved, but it was still mainstream enough that the artists weren’t too obscure for a guy living in rural Oklahoma with limited access to CDs.

They mostly covered music, but they did a few movie reviews, and one time they did some kind of list of the greatest movies ever. If memory serves, Evil Dead II was their number one pick. I’d never heard of that film. I’d never heard of director Sam Raimi or actor Bruce Campbell. But I immediately went out and rented it. I loved it instantly.

Raimi and Campbell made The Evil Dead on a shoestring budget in 1981. Plotwise, it is a straightforward story: stupid young people go to a remote cabin in the woods and are attacked by supernatural forces. But even at this stage Raimi knows how to move a camera and create interesting images (it was his first film.).

Made six years later, Evil Dead II is basically a bigger-budget remake of the original, but with jokes. The plot is almost identical, but it is full of goofy gags, slapstick, and hilarity. This is a film in which our hero Ash’s (Campbell) hand (and only his hand) becomes possessed and tries to kill him by strangulation and then smashing plates over his head. To stop this, Ash chops his hand off and then inserts a chainsaw over the stump.

It is a wild, kinetic, gory, joy-filled romp, and I just love it.

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  1. The Thing

I didn’t like The Thing the first time I watched it. I think my expectations were too high, as I’d heard it named as one of the greatest horror movies ever made for years and years. Also, the setting I watched it in wasn’t great. We had a small TV at the time, and my wife had gone to bed, so I had to keep the volume down. But mostly I just didn’t like the effects.

The movie is about a group of scientists living on the frozen wasteland that is Antarctica who come across a shape-shifting alien. Much of the film’s tension comes from how our characters can never be sure who is human and who is an alien. The effects are all practically done, and they are intentionally made to look just a little bit off. At some point one character pushes on another’s chest, and the chest opens up, grows teeth, and chomps the other dude’s hands off. Another time the alien gets stuck mid-transformation and looks like a human head with spider legs. There was something about all of that that just felt weird to me.

I’ve seen the film many more times since then, and I now find that stuff part of the film’s charm. I love the practical effects and how tactile and goopy they are. That works for me so much better than CGI.

But more than that, the film is just one long, tense ride. It takes its time setting things up. It allows us to live inside this strange, frozen wasteland. We get to know these people’s quirks and personalities. Then they find the alien, and it starts killing people, but since it can look just like them, they can’t rely on anyone for help. And there is nowhere to go. And Kurt Russell has never been better.

Just writing about it now, I want to stop and go watch it again. It is a brilliant film and my favorite horror movie of the 1980s. You can read my full review of The Thing here.

And that’s it. That’s my list. I suppose I should make some caveats. I’ve not seen every horror movie of the 1980s. I’m sure there are some amazing films that didn’t make my list because I’ve never seen them. Feel free to recommend them to me in the comments. I have no doubt that there are films that I have seen that didn’t make my list that leave you scratching your head over. That’s great. That’s what’s fun about these lists. I encourage you to (politely) disagree. You might change my mind. In a month, I’ll probably change my own mind. I’ll probably revisit this list next year and think I was crazy for picking these films.

If you all like this sort of thing, please leave a comment. I enjoyed writing this post, but if I get no feedback on it then I’ll probably never do another one. But good feedback will encourage me to make more lists.

A Nightmare on Elm Street 7-Film Collection 4K UHD Review

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The Nightmare on Elm Street series is one of the best horror series ever made. That’s faint praise considering most horror franchises eventually turn to crap. Certainly the Nightmare series has a few duds, but even the bad ones have moments that are worth watching. If nothing else, the kills are usually interesting. The original is one of the best horror movies of the 1980s. Last year they released it with a wonderful 4K UHD transfer, and now the original seven films are getting the works. You can read my full review at Cinema Sentries.

Four Films From Jean Rollin Are the Pick of the Week

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When I was a teenager, my favorite video store was a place called Mega Movies. They had converted an old Burger King into their store, and as such they had a huge floor space full of all kinds of movies. They had all the new releases, of course, and plenty of popular movies from a variety of genres. But they also had lots of obscure movies – art-house movies and exploitation flicks.

It was there I first discovered Barton Fink and Faces of Death. But the thing is, at that age and in the early 1990s, I had no idea what I was looking for. There were no internet guides to point me in the right direction, no message boards full of potential friends helping me to the kind of films I might enjoy. I just had to look at the box and hope for the best.

Even if I’d had those things, I’d still be reliant on that store stocking those particular films and some film company actually releasing them on videotape. That last part is interesting. I have no idea what obscure, independent, and art-house movies made it to VHS and which films remained on super nerd wish lists. I’m guessing at least some of Jean Rollin’s films had home video releases, but I bet they weren’t great quality, and I bet they didn’t stock them in my town.

Sexy vampire films were definitely my jam back then, and I feel certain if Mega Movies stocked them, I would have found them. That’s the amazing thing about the world we are living in. Not only are there a myriad of places in which to discuss and discover movies, but more and more those weird little arthouse/grindhouse movies are getting 4K restorations and being released in fancy boxes with loads of extras.

French director Jean Rolling made all sorts of films in all sorts of genres, but he’s best known for a series of erotic vampire movies he made in the 1970s. These were shot in gothic castles with lurid lighting and featured a bevy of beautiful women wearing flowing, sheer nightgowns. 

And now Indicator/Powerhouse Films is releasing four of Rollin’s films (Fascination, Shiver of the Vampires, Night of the Hunted, and Two Orphan Vampires) on 4K UHD with loads of extras included. I’ve only seen one of these films, Fascination, but all four are generally considered his best films, and I’m excited to get to see them in this manner.

Also out this week that looks interesting:

A History of Violence 4K UHD: David Cronenberg eschews his normal penchant for visceral body horror for this fairly straightforward adaptation of a graphic novel. Viggo Mortensen portrays a simple man living a simple life until some bad guys try to rob his store. His ability to thwart them pretty easily draws headlines, which in turn draws notice from some violent men from his past.  Criterion has the release.

Eddington: This A24 release is set right in the middle of the coronavirus outbreak. It pits a well-meaning mayor (Pedro Pascal) against a redneck sheriff (Joaquin Phoenix) in a small midwestern town.

The X-Trilogy: I really loved X (2022), the 1970s throwback horror film from Ti West. It was a great homage to films like The Texas Chainsaw Massacre (1974) while still remaining modern.  I was less thrilled with Pearl (2022) the sort of prequel to X, which acts more like a 1940s melodrama (until it doesn’t). I actively disliked Maxxxine (2024), the sequel that finds the Final Girl of X (played by Mia Goth), who is finally transitioning from porno films to something mainstream.  But while I didn’t love all of these films, I admire their ambition.  They are now getting combined into a nice looking boxed set.

The Shrouds: David Cronenberg’s latest is about a new business venture where grieving family members are able to see a 3D image of their deceased loved ones as their bodies slowly turn into compost. He apparently wrote it while grieving for the loss of his own wife. Which is such a Cronenbergian thing to do.

Nosferatu (1979) 4K UHD: Werner Herzog’s take on the Dracula story is a moody, strange film with a mesmerizing performance from Klaus Kinski. Shout Factory has the release.

Clue 4K UHD (40th Anniversary Steelbook): Probably the best cinematic board game adaptation ever made, Clue has a great cast (Tim Curry, Christopher Lloyd, Michael McKean, Eileen Brennan, amongst others) and is loaded with gags. It is slightly famous for having multiple different endings (and you never knew which one you were going to get in the theater). I don’t love it as much as others do, but it is still a lot of fun.

Tulsa Terrors: Apparently Tulsa, Oklahoma, was ground zero for the direct-to-home video boom of the 1980s. Or so says this documentary. Being that Tulsa is very near where I grew up I’m all in on this.

Altered States 4K UHD: Ken Russell directs William Hurt in this film about a guy using psychedelic drugs and an isolation chamber to alter his reality. Criterion has the release.

Radioland Murders: This very silly callback to the zany old radio shows worked for me when it was doing just that, but when it kept leaving that conceit to solve a dumb murder, it lost me. You can read my full review here.