Eric Burdon & Robbie Krieger – San Luis Obispo, CA (05/19/90)



Eric Burdon & Robbie Krieger
05/19/90
DK’s West Indies Bar
San Luis Obispo, CA

Aiwa CM-30 Stereo Cardioid >Sony WM-D6C Cassette master >CDR >FLAC

(Recorded, Transferred, FLAC’d, Tagged, & Front-Cover Artwok By OldNeumanntapr)
FOB; Audience Master
Transferred Via: Sony TC-D5M->HHb CDR 800 PRO
CD Master >FLAC (Level 8) Via xACT 2.25
Tags Via xACT 2.53

  1. //See See Rider
  2. It’s My Life >
  3. Don’t Bring Me Down
  4. We Got To Get Out Of This Place
  5. Back Door Man
  6. Roadhouse Blues
  7. Spill The Wine
  8. Boom Boom / Shake Rattle And Roll
  9. I’m Crying

Encore:

  1. Going Back To Memphis
  2. The House Of The Rising Sun

OldNeumanntapr Notes:
DK West Indies Bar was located in Downtown San Luis Obispo on Broad Street, and later was converted into the Big Sky Cafe. I was lucky enough to catch Eric Burdon and Robbie Krieger there both in 1990, and in 1991 when Brian Auger also played with them. It was standing room only for both years, but I was young at the time and didn’t care.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Sci-Fi In July: Sphere (1998)

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I’ve previously mentioned how The Silence of the Lambs helped me to become a lifelong reader. Well, Michael Crichton was no small slouch in that regard either. He became the first author that I really followed. I have fond memories of a couple of friends and me discovering his books and fighting over who would get to check one of the books from the school library first and who would have to wait.

The first book of his that I read was The Andromeda Strain – about an alien virus that crashes to Earth aboard a satellite and the scientists that study it. I loved it. I loved its realism and attention to detail. Just now I’m realizing that the Hannibal Lecter books by Thomas Harris and the stories of Michael Crichton appealed to me in the same way. Harris dug into the details of forensic and behavioral science – why serial killers behave the way they do and how the F.B.I. catch them. Crichton also leans heavily into his science background. Both authors lay out science in an organized and detailed manner. That appealed to me in some way.

I don’t remember much about Sphere. I remember reading it on the bus – slouched down, knees on the seat in front of me. But I don’t remember much of the actual story. Except that, I was disappointed in it.

I was even more disappointed by the movie which took quite a few liberties with the book, though again my memories are fuzzy.

But it has been many years since I saw the film, and sometimes movies I was disappointed with as a college kid become better with age. Since this is Sci-Fi in July and that film stars Dustin Hoffman, Samuel L. Jackson, Sharon Stone, and Liev Schreiber I decided to give it another try.

Friends, it has not gotten better with age.

The basics of the plot are pretty good, especially in the beginning, but then it does a deep dive into stupidity and never recovers.

So, a ship is discovered at the bottom of the ocean. Several inches of coral have grown over it. Coral grows at a specific rate which indicates the ship has been down there for three hundred years. Since humankind didn’t have spaceships 300 years ago it is determined that this ship is extra-terrestrial in origin.

A few years prior psychologist Dr. Norman Goodman (Hoffman) was tasked by the Bush administration to write a paper detailing what should be done if aliens were discovered on Earth. He filled in some procedures and proclaimed you’d need an astrophysicist (Schreiber), a mathematician (Jackson), and a marine biologist (Stone).

That’s a very Michael Crichton setup. He loves putting together a crack team of smart people to solve a crisis. But in this story (or at least this adaptation of this story) Goodman half-assed that paper. He needed the money and didn’t think anyone would read it. All of the scientists he claimed they’d need were just people he knew. Some of these folks are super smart, but they aren’t exactly the elite group of people one might actually ask for.

The military has already established a sea station on the ocean floor next to the spaceship. Our heroes take a sub down and investigate. Inside the ship they discover a few things I won’t spoil but also a large CGI sphere. It reflects everything around it except for the humans suggesting it is an intelligent life form.

One of the characters later goes inside the sphere but when he comes out he can’t remember anything. Soon after strange things start happening like the base station is attacked by a giant squid and strange sea snakes come out of the sink. Meanwhile, up above a huge storm has rolled in causing the Navy ships to have to leave for a few days, stranding our heroes down below.

At some point, the alien starts talking to our heroes through text messages on the computer. It is friendly at first and then it begins acting like a petulant child. Luckily, our psychologist knows how to talk to angry children. For a little while at least

For a little while I enjoyed the film. The basic setup is solid and I like the actors, but the longer it rolled the sillier it becomes. And stupid. As I said one of the things I liked about Crichton is that he took science seriously. He loved to get into the details without letting the story get bogged down. He probably made some stuff up, but he did it well. The film takes a lot of shortcuts with the science and it makes the film worse.

Director Barry Levinson is known for his character-driven dramas and he is clearly out of his depth with this blockbuster-fueled science-fiction horror story.

Sometimes it is best to remember that a movie is bad, and not try and prove those memories as faulty.

The Rolling Stones – Las Vegas, NV (05/11/24)

ROLLING STONES
LAS VEGAS, NV
ALLEGIANT STADIUM
2024-05-11

AT853 to SONY A-10 -> Soundforge -> FLAC
Master wav sent to me via anonymous source

  1. -intro-
  2. Start Me Up
  3. Get Off My Cloud
  4. Let’s Spend The Night Together
  5. Angry
  6. Like A Rolling Stone
  7. You Got Me Rocking
  8. Mess It Up
  9. Tumbling Dice
  10. You Can’t Always Get What You Want
  11. -band intro-
  12. You Got The Silver
  13. Little T&A
  14. Sympathy For The Devil
  15. Honky Tonk Women
  16. Miss You
  17. Gimme Shelter
  18. Paint It Black
  19. Jumpin’ Jack Flash
  20. Sweet Sounds Of Heaven
  21. (I Can’t Get No) Satisfaction

The Friday Night Horror Movie: Frankenstein Created Woman (1967)

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Hammer Studios made a name for themselves in the 1960s and 1970s by remaking and updating the classic Universal Horror Monster Movies. They were stylish and full of wonderful sets. They were more violent and sexy than those classic films, though they come out looking fairly tame by today’s standards.

They made numerous Dracula, Frankenstein, and Mummy films (I don’t believe they ever made an Invisible Man or Creature from the Black Lagoon film), most of which starred Christopher Lee and/or Peter Cushing. I’ve talked about a few of them in these pages. I have a great fondness for them all.

Frankenstein Created Woman was the fourth film in Hammer’s Frankenstein series (there would be seven in total.) It is a bit of a strange one in that it doesn’t seem to have much of a connection to the other films other than Peter Cushing playing Victor Frankenstein, and him continuing to be a mad scientist.

Here he isn’t so much reanimating freshly dead corpses, but capturing the souls of the recently deceased and placing them in fresh bodies. It is also strangely, almost accidentally progressive.

It opens with Frankenstein lying dead in a sort of deep-freeze coffin. He’s been dead for exactly one hour and at that precise moment, his assistant Dr. Hertz (Thorley Walters) resuscitates (or resurrects?) him. This proves to Frankenstein that a person’s soul does not immediately leave the body at death. Something he surely must experiment with.

Meanwhile, his other assistant, Hans (Robert Morris) is having a love affair with Christina Kleve (Susan Denberg) a woman who is disfigured and whose body is partially paralyzed.

Soon enough he’ll find himself being guillotined for a crime he didn’t commit and she’ll commit suicide shortly thereafter.

Naturally, Frankenstein takes this as an opportunity to capture the soul of Hans and put it into Christina’s body. This is where the film gets accidentally progressive. It apparently doesn’t occur to our friend Baron Victor Frankenstein that putting a male soul inside a female body might be considered strange (I mean stranger than reuniting a dead person). He doesn’t seem to consider it at all. For a brief moment, Hertz raises the question but it shuts down with a singular word from Frankenstein.

The film doesn’t really do anything with the concept after that either. There aren’t any moments where Hans’ soul is questioned about what it is like inhabiting a woman’s body or anything of the sort. No one ever mentions the fact that he could have simply resurrected Christina without Hans’ soul and his experiment would have still been a success.

Frankenstein also fixes all of Christina’s ailments (well, technically Hertz does the actual surgeries as Frankenstein’s hands no longer work – something I think that happened when he was frozen). She can now walk properly and her face is beautiful. No one questions why he didn’t do this while she was properly alive. That would have actually been something the entire community could get behind.

Anyway…

The two souls seem to exist simultaneously. Christina is more or less in control, but she hears Hans talking to her – he mostly screams at her to kill the people who committed the crime that got him executed.

It is a strange entry into the Frankenstein universe. There isn’t really a monster, just a nice girl who gets her dead lover’s soul implanted inside her body. Even after she (or they) start a murder spree the film is on their side. It seems to justify their crimes since the people getting killed were jerks in the first place.

So she’s not really a monster. There aren’t any townspeople with pitchforks, and Frankenstein isn’t all that involved in his own movie. We spend more time with others, developing relationships than with Frankenstein in his lab.

But it kind of worked for me. I am a great fan of these Hammer Horror films. They are often rather slow and meandering, but there is something I just love about them. This is no exception.

You can stream the film for free on the Internet Archive.

Queen – Edinburgh, Scotland (06/02/82)

Queen
Edinburgh, UK
Ingliston Showground
June 2, 1982

AUD > Master Cassette > WAV > CDR (x) > WAV (GoldWave pitch/speed correction) > FLAC (Frontend level 8)

Disc 1:

  1. Flash (tape)
  2. The Hero
  3. We Will Rock You (fast)
  4. Action This Day
  5. Play The Game
  6. Staying Power
  7. Somebody To Love
  8. Now I’m Here
  9. Dragon Attack
  10. Now I’m Here (reprise)
  11. Love Of My Life
  12. Save Me
  13. Get Down, Make Love
  14. Guitar Solo
  15. Under Pressure

Disc 2:

  1. Fat Bottomed Girls
  2. Crazy Little Thing Called Love
  3. Bohemian Rhapsody
  4. Tie Your Mother Down
  5. Another One Bites The Dust
  6. Sheer Heart Attack
  7. We Will Rock You
  8. We Are The Champions
  9. God Save The Queen

Enjoy, and keep it lossless!

Pink Floyd – London, England (10/19/94)

Pink Floyd
Complete Earls Court Volume 7
ROIO Records (#ROIO CDR-017-VII)
Earls Court Exhibition Hall
London, England
19 October 1994

Disc 1:

  1. Shine On You Crazy Diamond
  2. Learning to Fly
  3. High Hopes
  4. Lost for Words
  5. A Great Day for Freedom
  6. Keep Talking
  7. Coming Back to Life
  8. Sorrow
  9. Another Brick in the Wall
  10. One of these Days

Disc 2:

  1. Breathe
  2. Breathe (continued)
  3. On the Run
  4. Time
  5. Breathe (reprise)
  6. The Great Gig in the Sky
  7. Money
  8. Us and Them
  9. Any Colour You Like >> Brain Damage
  10. Brain Damage (continued) >> Eclipse
  11. Wish You Were Here
  12. Comfortably Numb
  13. Run Like Hell

The Night Porter (1974)

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The Night Porter is a controversial and difficult film. Its main story is about a Nazi concentration camp officer and the girl he sexually tortured during the war reuniting for something like a love affair. There is more than that, and it is much more thoughtful than that salacious summation suggests. The Criterion Collection did a nice job of bringing it to Blu-ray with plenty of extras helping viewers to parse what the film is doing. You can read my full review here.

Sci-Fi In July: Barbarella (1968)

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Barbarella is the sort of movie that was infamous in my junior high. It was infamous everywhere, really, but I was a pubescent boy amongst many other pubescent boys and the film got a lot of talk. between us. This would have been the late 1980s. It seems strange to me now that 13-year-old boys would be talking about a movie made more than a decade prior. It must have come out on home video or been playing a lot of HBO or something.

At the time Jane Fonda was known more for her exercise videos than her movies. I didn’t get to see the movie. To be honest I don’t know if any of my friends did. But there was this buzz about it. Jane Fonda had a nude scene in it and was all kinds of sexy. That’s what we talked about.

The film was notorious outside of my junior high for those reasons as well. In 1969 Fonda was a well-established movie star. Barbarella was a sexy, cheesy sci-fi flick directed by her husband Roger Vadim. Critics didn’t know what to make of it (they mostly didn’t like it) and audiences didn’t know what to do with it (they mostly didn’t watch it). But everybody talked about it, even a decade later.

It has remained on my cinematic radar ever since. But until this week I’d stayed away from it. The film has a reputation for being notoriously bad and campy fun. Now that I’ve seen it that’s pretty much how I’d describe it.

It is not by any means good cinema. But it is deliriously entertaining. The set design is magnificent and the costumes are outrageous. It looks like psychedelic cotton candy. The story is ridiculous and everybody but Jane Fonda seems to be phoning it in, but gosh I had fun watching it.

Set in the faraway future Barbarella the film stars Jane Fonda as Barbarella the character, who is tasked by the President of the Earth to find Durand Durand, a scientist who has created a psionic ray. Now in this future violence has been eliminated and sexual hangups have gone bye-bye. Barbarella is a groovy chic who hangs out in her shag-carpeted spaceship digging on cool tunes and having a good time.

But now she has a job to do. She flies to the planet Tau Ceti to save Earth from destruction. There she has lots of crazy adventures including having sex with an angel, being locked in a cage and attacked by birds, and attached to a machine designed to make her orgasm to death.

It never takes itself too seriously, it looks amazing, and mostly it is a lot of fun. It does run a little too long (technically it is only 98 minutes in length but it feels a lot longer) and there is a very little to it. I can’t see myself returning to it often. I’m glad I watched it, but I don’t imagine it will entice me again anytime soon.

Grateful Dead – Las Vegas, NV (05/14/93)

Grateful Dead w/Sting Opener
May 14, 1993
Sam Boyd Silver Bowl – Las Vegas, NV

Sting

01. If I Ever Lose My Faith
02. band intros
03. Love Is Stronger Than Justice (The Munificent Seven)
04. Heavy Cloud No Rain
05. A Day In The Life
06. Fields Of Gold
07. Synchronicity II
08. Every Little Thing She Does Is Magic
09. Roxanne
10. Saint Augustine in Hell
11. Straight to My Heart
12. King Of Pain
13. When The World Is Running Down, You Make The Best Of What’s Still Around

Grateful Dead
Set 1:

01 – Cold Rain And Snow >
02 – Wang Dang Doodle
03 – Lazy River Road
04 – Queen Jane Approximately
05 – Ramble On Rose
06 – Black Throated Wind
07 – Liberty

Set 2:
08 – Scarlet Begonias >
09 – Fire On The Mountain
10 – Way To Go Home
11 – Corrina >
12 – Uncle John’s Band >
13 – Drums >
14 – Space >
15 – I Need A Miracle >
16 – Standing On The Moon >
17 – Sugar Magnolia

Encore:
18 – I Fought The Law

Above Suspicion

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In my book, Prime Suspect is one of the greatest police procedurals ever televised. It is a brilliant, nuanced series that made Helen Mirren a star. Above Suspicion was created, and largely written by Lynda La Plante, who did the same for Prime Suspect. It covers similar ground, following an ambitious woman police officer solving crimes and battling sexism. It is more modern and, as you can read in my review, not as good. But it stars Kelly Reilly and Ciaran Hinds and that alone makes it worth watching.