2005.11.18 – East Lansing, MI – w/Lyle Lovett, Guy Clark & Joe Ely
2010 – Lossless Legs Gift to Tapers
2010.02.01 – Zurich, Switzerland – w/Lyle Lovett
2016.03.11 – San Luis Obispo, CA
2019.06.26 – San Luis Obispo, CA
2024.10.29 – Portland, OR
2024.11.09 – San Luis Obispo, CA
John Hiatt – San Luis Obispo, CA (06/26/19)
John Hiatt (Acoustic)
June 26, 2019
Fremont Theater
San Luis Obispo, California
12th Row, Slightly Left Of Center: Neumann AK-40s >LC3 >KM-100s >Tascam DR-100mkII (24bit/48khz) w/Internal Preamp And Phantom Power.
iZotope RX6 advanced & Har-Bal 3.7 (prep by Flying -M-)
WAV >Audacity (Track Splits, Down Sample To 16 bit / 44.1khz) >FLAC (Level 8) + Tags Via xACT 2.47
Recording, Audacity, FLAC, Tags, & Rear Cover Artwork Photo By OldNeumanntapr
Post Production Wizardry By Flying M
Disc I:
- Intro
- Lift Up Every Stone
- Real Fine Love
- The Open Road
- Aces Up Your Sleeve
- Perfectly Good Guitar
- Crossing Muddy Waters
- Cry Love
- Is Anybody There?
- Long Time Comin’
- Master Of Disaster
[51:20]
Disc II:
- Icy Blue Heart
- Train To Birmingham
- Tennessee Plates
- Feels Like Rain
- Thing Called Love
- I’m In Asheville
- Memphis In The Meantime
Encore:
- Have A Little Faith In Me
[45:01]
John Hiatt -Vocals, Acoustic Guitars, Electric Piano
The Historic Fremont (Movie) Theater Was Built In 1942
OldNeumanntapr Notes-
The last time that John Hiatt played an acoustic show at the Fremont my first Tascam had an electronic convulsion and I lost most of the show except for two or three songs.
Hiatt is an amazing songwriter and performer and I always enjoy seeing him in concert.
The Fremont has really good acoustics with its curved interior walls.
My hat is off to Flying M for his uncanny ability to get the most out of my recordings with his vast computer processing knowledge.
This recording really shines and actually sounds better than my ears heard the show live!!!
I hope everybody enjoys this one.
I was pleased to hear ‘Memphis In The Meantime’ because for some reason I was humming it at home the night before while I was getting my recording gear ready!
Flying M Preparation Notes-
It was a good workout pulling the audience back and pushing the music forward.
Have gone from end to end 4 times and I keep finding little things to “fix” and it’s been a week now so it’s becoming OCD and I had to stop.
Must have made 500 little repairs removing background noises, some easier than others.
Equalized with Har-Bal to flatten the frequency response reducing the hump in the low mid-range and giving it a little more presence in the top and bottom end.
Resulted in a “fuller” sound with the vocals being brought up making the singing clearer.
The audience exploded between songs so the loudest claps, whistling and whoo-hooing were removed as much as I could.
Coughing sniffing, chatting, singing and other random noises were also removed or minimized.
Finally the applause segments were reduced by an additional 3dB and then the overall amplitude was increased by 12dB.
Acoustic shows are tough to prepare as so many small noises become distracting once the volume is increased as much as this was.
-M-
Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉
The Who – Philadelphia, PA (10/19/69)
The Who
1969-10-19 (Late Show)
Electric Factory
Philadelphia, PA, USA
Source: “Electric Factory” (Trystar TR-017)
Lineage: AUD -> ? -> Silver CD -> EAC Secure Mode -> WAV -> TLH -> FLAC (Level 8)
71 min audience recording
Setlist:
- Heaven And Hell (cuts in)
- I Can’t Explain
- Young Man Blues
- Summertime Blues
- Overture
- It’s A Boy
- 1921
- Amazing Journey
- Sparks
- The Acid Queen
- Pinball Wizard
- Do You Think It’s Alright?
- Fiddle About
- Tommy, Can You Hear Me?
- There’s A Doctor (cuts in)
- Go To The Mirror
- Smash The Mirror
- Miracle Cure
- Sally Simpson
- I’m Free
- Tommy’s Holiday Camp
- We’re Not Gonna Take It
- My Generation (cuts in)
Notes:
I used Adobe Audition CC 2018 to split 1921 and Amazing Journey into two tracks.
This is not a very common recording and is not the same gig as the soundboard as commonly thought (the soundboard is of the early show).
I’ve never seen this shared from silvers before, so I am sharing my rip.
The Friday Night Horror Movie: Brightburn (2019)

There is a Superman comic that wonders, “What if Superman was a communist.” Instead of landing in a cornfield in Kansas and being adopted by the wholesome Kent family baby Superman instead lands in Russia. In this version, Superman is still essentially a good man, a superhero of sorts, but his ideology is warped by 1980s Russian politics.
Brightburn keeps the idyllic Kansas setting but imagines “What if Superman was evil.” Technically it isn’t Superman, or even Clark Kent, he’s called Brandon here and he’s played by Jackson A. Dunn, but he is an alien baby that lands on a farm in Kansas and is raised by a wholesome couple. Superman’s origin story is so ingrained into our cultural membranes that those images immediately bring him to mind.
The film skips any scenes on the kid’s alien planet. It flashes pretty quickly through the growing-up stage. The couple, Tori (Elizabeth Banks) and Kyle Breyer (David Denman) have been able to conceive a child on their own so they are thrilled when a baby lands in their lap (even if he does crash in a spaceship). A quick montage brings us to him turning 13 and hitting puberty.
He’s an awkward kid, but smart. He thoroughly answers the teacher’s questions and is mocked by some bullies. But a pretty girl turns to him and says that smart people rule the world.
The spaceship, locked inside the barn, calls to him. It tells him he can rule this world. His powers come slowly. When that pretty girl later calls him a pervert (because she caught him spying on her in her bedroom) he breaks her hand.
Then he starts killing people. His parents are slow to recognize the signs. They love him after all. But when the bodies start piling up even they have to realize their son is evil.
There are some great ideas in Brighburn. I love the premise, but it sticks very few of its landings. There is no real sense of who he is, or where he comes from. The ship communicates to him somehow and tells him he can control this planet, but why? Was he sent there for that purpose? There isn’t any real internal conflict either. Sometimes he seems like a good boy who loves his family, and then something angers him and he starts killing.
You could read this as a metaphor for puberty and well, as someone who is raising a teenage daughter right now I can tell you the moods do swing for no apparent reason, and maybe that is enough here. But it didn’t work for me.
Most of the choices the film makes are pedestrian. Even the ones that don’t do what a typical superhero film would do are easily guessed at. So many times I wished the film would do something really surprising with its premise, and it never did.
Except for the kills. Those were pretty gnarly.
It isn’t a terrible film, it just isn’t as good as it could have been. That’s disappointing.
Dead & Co. – Las Vegas, NV (05/16/24)
Dead & Company @ The Sphere: Dead Forever
Sphere
2024-05-16
Las Vegas, Nevada
Source:
B9 C31F > Schoeps Active Cables > Baby Nbox > Roland R-07
Lineage: SD > Wav > Reaper > Flac 24 Bit
- Crowd 1st Set Intro
- Feel Like a Stranger
- Lift Off
- Mississippi Half Step Uptown Toodeloo
05 Jack Straw - Birdsong
- Me and MY Uncle
- Brown Eyed Women
- Cold Rain and Snow
- Crowd 2nd Set Intro
- Uncle Johns Band
- Help on the Way >
- Slipknot
- Franklin’s Tower
- He’s Gone
- Drums >
- Space Jam
- Standing on the Moon
- St. Stephen
- Hell in a Bucket
- Knockin’ on Heaven’s Door
- Touchdown: Music Never Stopped
- Not Fade Away
Band:
Bobby Weir – Rhythm Guitar, Lead Vocals
Mickey Hart – Percussion, Beam
John Mayer – Lead Guitar, Lead Vocals
Jeff Chimenti – Keys
Oteil Burbridge – Bass Guitar, Percussion, Vocals
Jay Lane – Drums
Bandits of Orgosolo (1961)

Radiance Films is a relatively new company competing in the Boutique Blu-ray market. This was my first venture into what they are doing and I gotta say I liked it. The film is quite good – it is an Italian Neorealistic look at how someone might become a bandit. And the disk is beautiful with some nice extras. You can read my full review at Cinema Sentries.
The Killing Hole by Steve Niles

As much as I love horror movies, I’ve never really delved into horror books or comics. So, I was pleased to be able to review this new comic from the guy who wrote 30 Days of Night. You can review my review of The Killing Hole over at Cinema Sentries.
Sci-Fi In July: The Quiet Earth (1985)

There is a scene early on in The Quiet Earth – a film about a man who thinks he is the last human left alive on the planet – where he takes a big truck and drives it through a small convenience store, smashing it to bits. My dad, or maybe my uncle, rented the film when I was 12 or 13 years old. I thought that scene was the coolest. Me and my cousins decided that’s exactly what we would do if we were the last people on Earth – destroy a bunch of stuff. We already liked breaking glass bottles and blowing up Coke cans with firecrackers. So how cool would it be to drive a truck through a building?
I don’t think I finished the film back then. I probably thought it was boring after that. But that scene has stuck with me all of these years. I’ve often thought about it and wondered what the film was. Some two decades later and here I am looking at lists of science fiction films and I come across it once again. The film is so much better than that one scene, there is a lot more to it.
That man is named Zac Hobson and he’s played by Bruno Lawrence. We first see him lying in bed naked. The time is 6:12 AM. His alarm goes off and Zac seems confused to be there. He turns the radio on and finds only static. His clock is stuck at 6:12. He gets dressed and drives to work. On the way, he stops at a petrol station. Nobody is there. Nobody is on the road either, though there are some cars just randomly stopped here and there. The city is empty of people.
He works at a scientific station. The building is empty. He uses his computer to send messages to other stations across the globe, but he gets no reply. He finds a man dead in a chair next to a bank of terminals. He looks burned by radiation. He reads a screen that says Project Flashlight took place that night.
His company destroyed the world.
He goes to a radio station and records a message for any survivors to contact him. He drives around using a bullhorn to search for others. He starts to drink. He’s slowly losing his mind.
Then he meets Joanne (Alison Routledge). She somehow also survived. They are thrilled to find each other.
Collectively, they systematically begin looking for survivors. Being a scientist he’s constantly trying to understand exactly what happened, and what other changes this event might have wrought.
It is a slow, meditative film. It spends a lot of time pondering what someone would do if they thought they were the last people on Earth. Before that scene in the truck smashing a convenience store, Zac goes through a whirlwind of feelings. He goes shopping. He moves into a large house. He puts on a woman’s slip. He goes into a church and questions God (then blows a statue of Jesus on the cross to bits with a shotgun). He declares himself the president of the world.
With Joanne, he keeps his sanity. There are questions about what they will do next. Will they try to repopulate the world? Should they travel farther away in case people in other countries survive? The film mostly leaves those unanswered. It doesn’t always even ask them. But it leaves the audience time to ponder them. Eventually, things do get moving at a faster clip and there becomes a need for urgency, but those things are best left unspoiled. It ends with one of the most beautiful closing shots in all of cinema.
The Rolling Stones – Vancouver, Canada (07/05/24)
The Rolling Stones – Hackney Diamonds Tour
Friday July 5th, 2024
B.C. Place Stadium
777 Pacific Blvd.
Vancouver, British Columbia, Canada
Taper: LeifH [2024#14]
Source: CA-11 > A10
Transfer: PC via USB > RX9 > Wavepad > flac (8) via TLH
Setlist: 02:08:00
01 intro
02 Start Me Up
03 Let’s Spend the Night Together
04 Bitch
05 Angry
06 Street Fighting Man
07 Wild Horses
08 Mess It Up
09 Tumbling Dice
10 You Can’t Always Get What You Want
11 Tell Me Straight
12 Little T & A
13 Before They Make Me Run
14 Sympathy for the Devil
15 Honky Tonk Women
16 Midnight Rambler
17 Gimme Shelter
18 Paint it Black
19 Jumpin’ Jack Flash
-encore-
20 Sweet Sounds of Heaven
21 (I Can’t Get No) Satisfaction
Had tickets for the 2020 gig, and then… you know…
Wasn’t going to bother attending this one for a variety of reasons. Death of Charlie Watts, tickets were even more expensive than the original booking, and general dislike (to put it lightly) of stadium shows, just to name a few.
Neil Young was due in town a couple weeks after this, but unfortunately cancelled. Had tickets to both shows booked at Deer Lake Park. The money was refunded right away (much unlike Stones 2020) and all of a sudden the Stones were in town. The day of the show I found a secondary market ticket for well below face value and ended up paying about the same price as one of those Neil Young tickets.
Met up with some pals before hand for a few pints. We entered the venue during the opening act, Ghost Hounds. As soon as I got to my seat, I remembered why I never go to these kind of shows. Brutal. Ghost Hounds didn’t do it for me, generic boring American rock music. I wonder how much their buy-on was for this tour… Anyway, I used their last few songs as a record-level check to make sure I was all set for the main attraction (included here as a bonus).
The setlist was fairly ideal for a first and likely only time seeing the Stones. The overall experience left something to be desired. I never felt like I was really there but rather experiencing the show second or third hand, as if I was watching TV from across the street through binoculars or something. I’ve felt more like I was at a show while peering over a festival fence from a distance.
After being treated and sanitized, the recording sounds 150x better than it did at the show. Plus you don’t have to sit on a harsh plastic chair and smell my neighbour’s cheap hotel fatty acid soap aroma. Sit back in your favourite seat or listen to it on the go.
Miles Davis – San Luis Obispo, CA (04/20/90)
Miles Davis
4/20/90
Main Gym
California Polytechnic State University
San Luis Obispo, CA
10th Row Center:
Aiwa CM-30 Stereo Cardioid >Sony WM-D6C,
XLII Master >XLII Cass I >WAV >FLAC
XLII Master Transferred: Toshiba PC-X10 >Sony TC-153SD (Shortly After Show)
XLII Cass I Transferred: Sony TC-D5M >Tascam DR-100mkII (24/48),
WAV >iZotope RX3 Advanced v3.00.695 (declick) > Sound Forge Pro 10.0a (minor edits & normalize) >
WAV >Audacity (Amplify, Track Splits, Down Sample / Dither To 16 Bit/44.1) >FLAC (Level 8) Via xACT 2.35
Recorded, Transferred, Audacity, & FLAC’d By OldNeumanntapr
iZotope RX3 Advanced v3.00.695 (declick) > Sound Forge Pro 10.0a (minor edits & normalize) By Dennis Orr
- Perfect Way
- New Blues
- Hannibal
- The Senate-Me And You
- Human Nature
- In The Night
- Mr. Pastorius
- Tutu
- Jilli
- Time After Time
- Jo-Jo >Don’t Stop Me Now
Miles Davis – Trumpet, Synthesizer
Kenny Garrett – Alto Saxophone, Flute, Musical Director
Joe Foley McCreary – Electric Piccollo Bass, Vocals
Richard Patterson – Electric Bass, Vocals
Kei Akagi – Synthesizer
Erin Davis – Percussion
Ricky Wellman – Drums
OldNeumanntapr Notes:
This was my very first ‘stealth’ recording, and also the one and only time that I was able to see Miles Davis. My friend Mark is a big Miles fan, and he offered to buy me a ticket if I would record the show. Hey, works for me. 🙂
I remember that we rode to the show with his friend Jay, ‘Lucky’, from Lake Tahoe, and our friend Tim, who was another big music fan, as well as Carol Jo, the ‘Wood Nymph’ from KOTR FM in Cambria. We were 10th row center at the Main Gym at Cal Poly. The sound was pretty good, though Carol Jo talked a bunch to Mark starting midway through the show. At the time, I thought it would rude to tell Mark to have her shut the hell up, because I was getting the ticket for free, and because, not ever having done a stealth show before, I had no idea how much ambient noise the microphone would pick up. At that time I was used to only recording Grateful Dead concerts from the tapers section, with microphones on a stand above head level. I was holding the Aiwa CM-30 right in front of my face for this show, and there were a lot of quiet parts. Listening to the show now, I am remembering that the tape ran out and I missed the last part. (I only brought in one 90 minute cassette. The tape ends with the beginning of another song, but I left that as part of the previous song in the indexes.) The deal I made with Mark was that I would record the show and give him the master, but I copied it for myself after the show that night. The recording would have been much better, had it not been for Carol Jo’s talking, but it is what it is. This recording has really never been circulated, outside of a few friends here on the CA central coast. I’ve had the handbill for this show for years. It was hanging in the window of the liquor store where I worked in Cayucos, CA. I recorded Santana the next week at the same venue, the night of the Cal Poly/SLO Student Riots.
Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉