The Who – Philadelphia, PA (10/19/69)

The Who
1969-10-19 (Late Show)
Electric Factory
Philadelphia, PA, USA


Source: “Electric Factory” (Trystar TR-017)
Lineage: AUD -> ? -> Silver CD -> EAC Secure Mode -> WAV -> TLH -> FLAC (Level 8)

71 min audience recording

Setlist:

  1. Heaven And Hell (cuts in)
  2. I Can’t Explain
  3. Young Man Blues
  4. Summertime Blues
  5. Overture
  6. It’s A Boy
  7. 1921
  8. Amazing Journey
  9. Sparks
  10. The Acid Queen
  11. Pinball Wizard
  12. Do You Think It’s Alright?
  13. Fiddle About
  14. Tommy, Can You Hear Me?
  15. There’s A Doctor (cuts in)
  16. Go To The Mirror
  17. Smash The Mirror
  18. Miracle Cure
  19. Sally Simpson
  20. I’m Free
  21. Tommy’s Holiday Camp
  22. We’re Not Gonna Take It
  23. My Generation (cuts in)

Notes:
I used Adobe Audition CC 2018 to split 1921 and Amazing Journey into two tracks.
This is not a very common recording and is not the same gig as the soundboard as commonly thought (the soundboard is of the early show).
I’ve never seen this shared from silvers before, so I am sharing my rip.

Grateful Dead – Philadelphia, PA (02/15/69)

Grateful Dead
02/15/69
Electric Factory
Philadelphia, PA

–Set 1–
101-d1t01 – DOIN’ THAT RAG
102-d1t02 – CRYPTICAL ENVELOPMENT ->
103-d1t03 – THE OTHER ONE ->
104-d1t04 – CRYPTICAL ENVELOPMENT
105-d1t05 – MORNING DEW ->
106-d1t06 – TURN ON YOUR LOVELIGHT

–Set 2–
201-d2t01 – DUPREE’S DIAMOND BLUES ->
202-d2t02 – MOUNTAINS OF THE MOON ->
203-d2t03 – DARK STAR ->
204-d2t04 – ST. STEPHEN ->
205-d2t05 – THE ELEVEN ->
206-d2t06 – DEATH DON’T HAVE NO MERCY
207-d3t01 – COSMIC CHARLIE
208-d3t02 – ALLIGATOR ->
209-d3t03 – DRUMS ->
210-d3t04 – ALLIGATOR ->
211-d3t05 – WE BID YOU GOOD NIGHT (JAM) ->
212-d3t06 – CAUTION (Do Not Stop On Tracks) ->
213-d3t07 – FEEDBACK ->
214-d3t08 – AND WE BID YOU GOOD NIGHT

–Total Time–2:40:06–

Source 1:

shnid: 2175

Notes:
-There is a cut about 30 seconds beforethe end of Lovelight.
-The Eleven cuts off at 8:12 and the beginning of Death Don’t is also cut on the master.
-Pigpen plays harp on Cosmic Charlie.
-There is a brief cut at 9:56 of Caution.
-The Eleven analyzes St. Stephen> 1st vocals 1:06> transition jam 2:19> Eleven jam 4:47#.

RECORDING 165 SBD. Circulating in 11/00 as MR>C1>DAT
CONTRIBUTORS: Jim Powell, Dick Latvala, Rob Eaton and The Compendium Crew

Encoded to SHN by: Teddy “Good Bear” & posted the 1st time to:
“alt.binaries.gdead.highspeed” in 11/00 with the help of anonymous.
Teddy :^) http://www.goodbear.com

Source 2:

This is a flac encoded & tagged version of shnid: 16664

Source: SBD>MR>Cassette>DAT>CD>EAC>SHN

7 inch master reel @ 7.5 ips 1/2 track > tascam 122mkIII cassette
….nak dragon > wav > cd via sony pcm r-700 dat > za2 > hard disc
… sound forge & cd architect was the software …

Thanks to “Gator” for the seed discs!
DAT conversion by Aoxoa:

EAC test & copy in secure mode, offset corrected.
Sector boundaries verified with shntool.
Seekable shorten encoding with MKW. By D.Winters 01/25/03.

Notes:
– The very beginning of Doin That Rag is cut – no vocals are missing.
– Lovelight has a cut near the end at 15:54.
– The Eleven cuts off at 7:04.
– The first half of Death Don’t is missing -cuts in during Jerry’s solo.
– Caution has a cut at 7:43.
– The track marker at the start of The Eleven was adjusted.
– TIFTOO and Gator Jam>AWBYG each came as one long track
and were retracked with CDWave.
– A few small clicks were removed with Cool Edit 2000.

Grateful Dead – Philadelphia, PA (02/14/69)

Grateful Dead
2-14-69
Electric Factory,
Philadelphia, PA

Set I:

101-d1t01 – //Good Morning, Little Schoolgirl
102-d1t02 – Stage Banter
103-d1t03 – //Dark Star ->
104-d1t04 – St. Stephen ->
105-d1t05 – The Eleven ->
106-d1t06 – Lovelight

Set II:

107-d2t01 – Morning Dew
108-d2t02 – Cryptical Envelopment ->
109-d2t03 – The Other One ->
110-d2t04 – Cryptical Envelopment ->
111-d2t05 – Death Don’t Have No Mercy

Source 1:

shnid: 6286

SBD>MC>C>C>D>CD>SHN

Notes from the original uploader:
It is possible that there is one less analog generation in thelineage (as listed at Deadlists). The sound quality is rather ragged despite fairly low levels of hiss, so this may simply be from old and degraded cassettes with only one analog generation.
Be warned.

-There is a minor splice just before the 7:00 mark in Schoolgirl from what sounds like a cassette recording overdub. It has been cut out and smoothed over with Sound Forge.
-There is a minor dropout in Dark Star roughly 18 minutes in.
-The splice in Lovelight occurs just after the 6:00 mark.
-The quality of the recording diminishes during the Cryptical Reprise where tape (not from the master) ran out. Overlapping tape segments were spliced seamlessly at this point using Sound Forge. Therefore, no music is lost although there is diminishing sound quality for the first half of the reprise.
-Alligator> Caution> Feedback> AWBYGN often mistakenly circulates at the end of this show, but is actually from 8-22-68.

This show may or may not be complete.

Source 2:

This is a tagged version of shnid: 141006

Source Info:
Master Soundboard Cassette > Reel to Reel > PCM (Sony HG tape)

Transfer Info:
PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16

Notes:
– Thanks to Tim Dalton for the source PCM
– Thanks to Charlie Miller for the transfer
– First few notes of “Good Morning Little Schoolgirl” clipped
– Beginning of “Dark Star” clipped
– Anomaly at 0:25 of Schoolgirl, which is also present on the previous version (shnid6286), has been minimized
– Pitch corrected
– Upgrade to what is in general circulation (2/18)

Mastered by Scott Clugston
February 14, 2018 – Happy Valentine’s Day