Simon & Garfunkel – Overs 1964 – 1970: Live, Studio and Demos

SIMON & GARFUNKEL
Overs 1964-1970
Live, studio and demos and studio sessions

Disc One:
1. Bleecker Street
2. Kathy’s Song
3. Bleecker Street
4. Sparrow
5. A Most Peculiar Man
6. Sparrow
7. Tom Wilson Rap
8. Somewhere They Can’t Find Me
9. Bad News Feeling
10. I Wish You Could Be Here
11. Blues Run The Game
12. For Emily, Whenever I May Find Her – take 3
13. For Emily, Whenever I May Find Her – take 4
14. For Emily, Whenever I May Find Her – take 5
15. For Emily, Whenever I May Find Her – take 6
16. For Emily, Whenever I May Find Her – take 7
17. For Emily, Whenever I May Find Her – take 8
18. For Emily, Whenever I May Find Her – take 9
19. For Emily, Whenever I May Find Her – take 10
20. For Emily, Whenever I May Find Her – take 11
21. For Emily, Whenever I May Find Her – take 12
22. For Emily, Whenever I May Find Her – take 13
23. For Emily, Whenever I May Find Her – take 14
24. Overs – take 4
25. Overs – take 5
26. Overs – take 6
27. Overs – take 7
28. Overs – take 8
29. Overs – take 9
30. You Don’t Know Where Your Interest Lies

Disc Two:
1. A Poem On The Underground Wall
2. Red Rubber Ball
3. Blessed
4. Anji
5. A Church Is Burning
6. Intro
7. A Poem On The Underground Wall
8. For Emily, Whenever I May Find Her
9. Overs
10. Anji
11. Patterns
12. The Sound Of Silence
13. Overs
14. A Most Peculiar Man
15. Bye Bye Love
16. Feuilles-Oh
17. Bridge Over Troubled Water
18. Why Don’t You Write Me – instrumental
19. Why Don’t You Write Me – vocal only
20. Why Don’t You Write Me
21. The Only Living Boy In New York
22. Cecilia – early percussive mix
23. Hey Schoolgirl
24. That Silver Haired Daddy Of Mine
25. Lightniní Express

Disc 1:
track 1: 1964 demo
track 2: 1965 demo
tracks 3-7: BBC 1965
track 8: Sound Of Silence sessions 1966 outtake
tracks 9-10: Sound Of Silence sessions 1966 rehearsals
track 11: Sound Of Silence sessions 1966 outtake
tracks 12-23: Parsley Sage Rosemary & Tyme 1966 sessions
tracks 24-30: Bookends 1968 sessions & outtake

Disc 2:
tracks 1-5: Carnegie Hall, New York, 1967
tracks 6-12: FM-Net concert, 1967/68
tracks 13-15: Vermont 1968
tracks 16-22: Bridge Over Troubled Water 1970 demos & sessions
tracks 23-24: Carnegie Hall, New York, 1969
Track 25: Paris 1970

From the original uploader:
This is the stream of the Simon & Garfunkel early period torrents, 1957-1970, mostly in excellent quality, that will last until the beginning of September, still ratio-free. The music is great, so feel free to enjoy your way!

1984 (Featuring Brian May) – Teddington, England (03/31/67)

1984 (featuring Brian May)
31 march 1967
Thames Television, Broom Lane Studio
Teddington UK

01. Hold on I’m coming (Isaac Hayes/ David Porter)
02. Knock on wood (Eddie Floyd/ Steve Cropper)
03. NSU (Jack Bruce)
04. How can it be (Ron Wood)
05. Step on me (take1) (Tim Staffel/ Brian May)
06. Step on me (take2) (Tim Staffel/ Brian May)
07. Purple Haze (Jimi Hendrix)
08. Our love is driftin’ (Elvis Bishop/ Paul Butterfield)
09. Remember (Jimi Hendrix)
10. Sweet wine (Ginger Baker/ Janet Godfrey)

Line up: Dave Dilloway – bass guitar
John Garnham – rhythm guitar/vocals
Brian May – lead guitar
Tim Staffel – vocals/harmonica
Richard Thompson – drums
John Sanger – piano

Taken from QUeenpedia.com:

Also from 1967, and of far more interest, is 1984’s professionally recorded Thames Television demo tape.
During his first-year of study at Twickenham Technical College, Dave Dilloway had made friends with a number of technicians, or trainee technicians, at the Teddington-based ITV Company, which served the London area.
The station had recently invested in new recording equipment, and rather than hire professional musicians at the usual union rate, in a set up similar to the first Queen sessions at the De Lane Lea studios, 1984 were let loose in the studio to record at their leisure.
Dave Dilloway’s carefully preserved tape still plays perfectly, and includes the following songs: “Hold On I’m Coming”, “Knock On Wood”, “NSU”, “How Can It Be”, two early run-throughs of the original May/Staffell composition “Step On Me” (which eventually became the B-side to Smile’s “Earth”), “Purple Haze”, “Our Love Is Drifting'”, and medleys of “Remember”/”Sweet Wine” and “Get Out My Life Woman”/”Satisfaction”.
The session ended with a run-through of “My Girl”.

“What an extraordinary amalgam!” declares Tim Staffell today.
“There’s Tamla, Cream, Hendrix, Lee DorseyÖ ‘Our Love Is Driftin’ ‘, we’d have heard by Paul Butterfield.
I’d forgotten there was such a large soul component in 1984!”

Dave Dilloway has the technical details: “This tape is the most recent, best and most representative of 1984 that I’m aware of.
It is mono, but since it was made on good quality TV studio equipment and was carried out along the lines of a proper studio recording, with separately mixed microphones for each source, it is remarkably good quality for its age.
The material, except for ‘Step On Me’, is all cover versions, but as it dates from the late 1984 era, Brian’s playing is more prominent and effective, with his own style starting to show through.
All the performances are competent – particularly Tim’s vocals and Brian’s guitar; although the mix is a little heavy on John’s rhythm guitar for some reason, probably the ‘ear’ of the recording engineer at the time.
All tracks were laid down in one take, i.e., no overdubbing at all, so the sound is predominantly simple, as per our live versions.”

Alex Chilton – Beale Street Green

Big Star & Alex Chilton Solo
Beale Street Green
(Liberated Boot. In Memory of Alex Chilton 1950 – 2010.)

Track Listing

001 Another Time, Another Place, And You 2:31 (Instrumental outtake from #1 Record)
002 Don’t Lie To Me 3:29 1974
003 Back Of A Car 2:59 1974
004 O My Soul 5:34 1974
005 Mod Lang 2:37 1974
006 She’s A Mover 3:56 1974
007 September Gurls 3:23 1974
008 Out In The Street 3:23 1974
009 You Get What You Deserve 3:38 1974
010 My Rival 2:56 1977
011 She Might Look My Way 2:23 1977
012 Windows Hotel 2:43 1977
013 Can’t Seem To Make You Mine 3:16 1977
014 Shakin’ The World 3:13 1977
015 All The Time 3:03 1977
016 Tennis Bum 2:52 1978
017 Marshall Law 1:23 1978
018 Train Kept A Rollin’/ Mona 6:49 1978

019 Surfer Girl 3:29 1980 (Sam Phillips Studios outtake)
020 Baron Of Love (Part 1) 2:25 1980 (Like Flies On Sherbert outtake)
021 Baron Of Love (Part 2) 4:05 1980 (Like Flies On Sherbert outtake)
022 September Gurls 2:47 1977 (Live at the Ocean Club, NYC, with the DB’s)

Track 001 (Instrumental outtake from #1 Record)
Tracks 002 – 009 are WLIR rehearsals
Tracks 010 – 015 are Elektra demos
Tracks 016 – 018 are Peter Holsapple sessions 1978-79
Tracks 019 – 022 are labeled respectively to their sources

*** 2) In The Street 2:59 (Single version.)
*** Commercially released and removed from this torrent

From the original uploader:
As alluded to, here is the 1997 Sykodisc Bootleg “Beale Street Green”. The tracks have been renumbered with #2 to exclude the single version of “In the Street”. More Alex and Big Star for all.

Whiskeytown – Forever Valentine

Whiskeytown
Forever Valentine

01 Anyone But Me (a/k/a Dial Tone)
02 Don’t Wanna Know Why
03 Easy Hearts
04 Sittin’ Around
05 Rays Of Burning Light (a/k/a Rays Of Light)
06 Ghost Without Memory
07 Runnin’ Out Of Road
08 Can’t Take A Lover (a/k/a Talkin’ In My Sleep)
09 Think About Me (a/k/a (What You) Think About Me)
10 Crazy Lonesome (a/k/a A Memory Away)
11 Caroline

Info from the Ryan Adams Archive:
Studio: Scores/Slackmates & Modern
Location: Raleigh, North Carolina
Date: December 1997
Personnel:
Ryan Adams
Caitlin Cary
Mike Daly
Ed Crawford
Skillet Gilmore
Chris Stamey
Ben Folds

NOTES:
Chris Stamey — “Skillet played drums,
I played bass. Recorded in Raleigh at Scores/Slackmates,
and at Modern, my place.” “Addendum: I forgot to add
that the piano player on the Forever Valentine
Whiskeytown sessions was Ben Folds. My memory was
jogged by his smashing show this Saturday at the Cradle.”

Skillet Gilmore — “Forever Valentine was recorded
around Xmas ’97. The band at the time (for the purposes
of recording) was Ryan, Caitlin, Mike Daly, Ed Crawford
on guitar, Chris Stamey on bass and me.” “Although the
record was made in about a week, the challenge was actually
that Ryan wanted to make a record without the label knowing
about it. And so we did.”