Bob Weir – Berkeley, CA (07/10/88)

Bob Weir – July 10, 1988
Greek Theatre – Berkeley, CA
University of California

You can see the Jerry Garcia show here.

Recording Info:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Transfer Info:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
(1 Disc FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 3, 2017

Patch Info:
(FOB) Nakamichi 700’s > Dat (shnid=40278) supplies:
Hey Jude (complete track)
Walkin’ Blues (0:00 – 2:34)

Notes:
— Hey Jude and Blackbird with Brent Mydland
— Opened for The Jerry Garcia Band
— Thanks to Bill Reutelhuber for the patch source
— It’s a little hissy but still very good

Setlist:
01 – Hey Jude
02 – Walkin’ Blues >
03 – When I Paint My Masterpiece >
04 – This Time Forever >
05 – Shade Of Grey >
06 – KC Moan >
07 – Twilight Time >
08 – Victim Or The Crime >
09 – Throwing Stones

Encore:
10 – Encore Break
11 – Blackbird

The Who – Berkeley, CA (06/16/70)

The Who
1970-06-16
Community Theater
Berkeley, CA

Near 113 min audience recording

Setlist:
01 – Heaven and Hell
02 – I Can’t Explain
03 – Young Man Blues
04 – Water
05 – The Seeker
06 – I Don’t Even Know Myself
07 – Overture
08 – It’s A Boy
09 – 1921
10 – Amazing Journey
11 – Sparks
12 – Eyesight to the Blind
13 – Christmas
14 – The Acid Queen
15 – Pinball Wizard
16 – Do You Think It’s Alright?
17 – Fiddle About/Tommy, Can You Hear Me
18 – There’s A Doctor/Tommy’s Holiday Camp (cuts in)
19 – We’re Not Gonna Take It
20 – See Me Feel Me
21 – Summertime Blues
22 – Shakin’ All Over
23 – My Generation

Notes:
Received from collector without lineage. Collector had previously “remastered” the recording.

Bob Dylan – Berkeley, CA (06/13/86)

Bob Dylan
w/Tom Petty and the Heartbreakers
Greek Theatre
Berkeley, CA
13 June, 1986

Disc 1:
01 So Long, Good Luck, And Goodbye
02 Positively 4th Street
03 Clean-Cut Kid
04 I’ll Remember You
05 Shot Of Love
06 We Had It All
07 Masters Of War
08 (introducing TP set)
09 Straight Into Darkness – Tom Petty
10 I Need To Know – Tom Petty
11 The Waiting – Tom Petty
12 Breakdown – Tom Petty
13 To Ramona
14 The Lonesome Death Of Hattie Carroll
15 A Hard Rain’s A-Gonna Fall
16 I Forgot More Than You’ll Ever Know
17 Lenny Bruce
18 When The Night Comes Falling From The Sky

(Total Time 77:20)

Disc 2:
01 Lonesome Town
02 Ballad Of A Thin Man
03 (introducing TP set)
04 So You Wanna Be A Rock N Roll Star – To Petty
05 Spike – Tom Petty
06 Bye Bye Johnny – Tom Petty
07 Refugee – Tom Petty
08 Rainy Day Women # 12 & 35
09 Seeing The Real You At Last
10 I And I
11 (band intros)
12 Like A Rolling Stone
13 In The Garden
14 Blowin’ In The Wind
15 Unchain My Heart
16 Knockin’ On Heaven’s Door

(Total Time 68:18)

Derek & The Dominos – Berkeley, CA (11/19/70)

Derek and the Dominos
with Neal Schon
Berkeley Community Theater
Berkeley, CA
November 19, 1970

Disc 1:

  1. Chuck Berry Medley (Little Queenie)
  2. Got To Get Better In A Little While
  3. Key To The Highway
  4. Why Does Love Got To Be So Sad
  5. Tell The Truth

Disc 2:
Mean Old World

  1. Little Wing
  2. Blues Power
  3. Have You Ever Loved A Woman
  4. Let It Rain

The Band:
Eric Clapton guitar, vocals
Carl Radle bass
Jim Gordon drums
Bobby Whitlock keyboards, vocals
Neal Schon guitar

Derek & The Dominos – Berkeley, CA (11/18/70)

Derek and the Dominos
“EC Shuffle Blues”
Community Theatre
Berkeley, California
November 18, 1970

Buffalo Stomp (!) – BS-002-1DD – Aud 3 (Scale 1-6)

Track List:
1) Got to Get Better In a Little While
2) Blues Power / Have You Ever Loved a Woman?
3) Tell the Truth
4) Presence of the Lord
5) Why Does Love Got to Be So Sad?
6) Everyday I Have the Blues
7) Little Queenie / Sweet Little Rock and Roller (*)

Band Lineup:
Eric Clapton Guitar, Vocals
Carl Radle Bass
Jim Gordon Drums
Bobby Whitlock Keyboards, Vocals

Special Guest: (a 16-year-old) Neal Schon

(*) Bonus Track recorded at the Community Theatre, Berkeley, California, on November 19, 1970 (following evening).

(!) “Buffalo Stomp” is the ROIO label name, this should not be confused with the Clapton ROIO of the same name (Silver Horse – SH 8201 A/B)

Geetarz Comments:

Derek and the Dominos played two consecutive nights at the Community Theatre in Berkeley, California, and this recording represents the first of those two nights.

Sitting in with the band that night was a 16 year old Neal Schon. In a 1995 “Off the Record” (Westwood One) interview, this was Schon’s recollection:

“You know, I had been doing a lot of playing in San Francisco … I had lived in the Bay area … I didn’t have a driver’s license … so a good friend of mine, Jackie, that ended up working for Journey later, would come and pick me up on weekends and I’d go play on Broadway … I’d play at [Mike Bloomfield’s] club,and it became this thing, there was like, this ‘buzz’ in the city, about this kid [Schon].

I was in the studio with the Santana band, and we were just jamming, you know, getting high and jamming, and staying up until the wee hours of the morning, and just trying to create some music, and Eric Clapton walked in. You know, Eric Clapton at that time, was like, and before that time, had been like a god to me, a guitar hero, and he walked in and I didn’t even say ‘hello’, I was like so scared he was in the room … and we played all night, and without even saying goodbye to or anything to him he walked out, and I was just still like …in shock.

So I went home, went to sleep at some ungodly hour, got up at 3 or 4, went back to Wally Heider’s in San Francisco where we were rehearsing, and I had a message there waiting at the front desk, and it was from Clapton, and he was playing at the [Berkeley] Community Theatre there that night, and he invited me to play with him.

So, I didn’t have a car, I didn’t have a license … I can’t remember exactly who drove me there … I forget too many things these days, too many drugs (laughs) … but, she drove me, I remember she drove me over there, and I got there about 5 or 10 minutes before he went on stage, and he said “… I’ll go out
and play about two numbers, and then I’ll call you out on stage as a really good friend of mine, and you can stay up the whole rest of the night and play the whole set with me.

I said “yeah, okay … no problem”, because I knew all his songs, all his guitar solos, from record, note-for-note … I wasn’t scared to do it, because I knew all his material, like the back of my hand, I had studied it for so many years … I went on, and just ripped the place up, and he loved it.

He [Clapton] invited me back to his hotel later that evening, and basically was asking me ‘who do you listen to?’, and I said “well, I listen to YOU” and he said bleep, ‘I don’t believe it’, he didn’t believe it and there was this little acoustic guitar in his room, and I played him note-for-note ‘Live Crossroads’
or something, and he was like “I can’t believe that, you’ve taken it where I left it”.

And that’s still [like] the ultimate compliment for me at this point in my life, coming from any guitarist, and I’ll never forget that, a highlight of my life!”

Overall, this is an exceptional performance, and a worthwhile
listen for those intrepid enough to brave a fair to poor audience
recording. Once again I invoke Geetarz’ Law, which states “The best
performances are usually captured by the worst recordings, and
vicey versa”.

Lineage:

Silver > Mitsui Silver CD-R > LiteOn iHAP 322 > EAC v. 0.99 Prebeta 5
(Secure, Offset Correct) > You !

The Who – Berkeley, CA (06/15/70)

The Who
Community Theater
Berkeley, CA
June 15, 1970

DISC 1 (60:10)

  1. Heaven and Hell
  2. I Can’t Explain
  3. Young Man Blues
  4. Water
  5. The Seeker
  6. Substitute
  7. Overture
  8. It’s a Boy
  9. 1921
  10. Amazing Journey
  11. Sparks
  12. Eyesight to the Blind
  13. Christmas
  14. The Acid Queen

DISC 2 (62:35)

  1. Pinball Wizard
  2. Do You Think It’s Alright
  3. Fiddle About
  4. Tommy Can You Hear Me
  5. There’s a Doctor
  6. Go to the Mirror
  7. Smash the Mirror
  8. Miracle Cure
  9. I’m Free
  10. Tommy’s Holiday Camp
  11. We’re Not Gonna Take It
  12. Summertime Blues
  13. Shakin’ All Over
  14. My Generation
  15. Naked Eye/Jam

Bob Dylan – Berkeley, CA (06/14/86)

Bob Dylan
06/14/86
Greek Theatre
University Of California
Berkeley, California

LB-396
(44min+39min+76min),
aud master,
excellent sound

CD1

1 So Long, Good Luck And Goodbye (Weldon Rodgers)
2 Positively 4th Street
3 Clean-Cut Kid
4 Emotionally Yours
5 Trust Yourself
6 That Lucky Old Sun (Haven Gillespie/Beasley Smith)
7 Masters Of War
8 Straight Into Darkness (Petty)
9 Fooled Again (I Don’t Like It) (Petty)
10 The Waiting (Petty)

CD2

1 Breakdown (Petty)
2 Don’t Think Twice, It’s All Right
3 A Hard Rain’s A-Gonna Fall
4 Girl Of The North Country
5 I Forgot More Than You’ll Ever Know (Cecil A Null)
6 Just Like A Woman
7 Band Of The Hand
8 Lonesome Town (Baker Knight)

CD3

1 Ballad Of A Thin Man
2 So You Wanna Be A Rock N Roll Star? (Petty)
3 Spike
4 Bye Bye Johnny
5 Refugee
6 Rainy Day Women Nos. 12 & 35
7 Seeing The Real You At Last
8 Across The Borderline (Cooder/Hiatt/Dickinson)
9 I And I
10 Like A Rolling Stone
11 In The Garden
12 Blowin’ In The Wind
13 Rock With Me Baby (John Lee Hooker)
14 Knockin’ On Heaven’s Door

Joni Mitchell – Berkeley, CA (09/12/79)

JONI MITCHELL
Greek Theater
Berkeley, CA
September 12, 1979

1) Big Yellow Taxi
2) Just Like This Train
3) In France They Kiss on Main Street
4) Coyote
5) Edith and the Kingpin
6) Free Man in Paris
7) Goodbye PorkPie Hat
8) Jaco’s Solo
9) The Dry Cleaner from Des Moines
10) Amelia
11) Pat’s Solo
12) Hejira
13) Don’s Solo
14) Dreamland
15) Black Crow

Removed: 16) Raised on Robbery (partial track. Most likely from a differeent show and date)

Incomplete show.

AUD>?CASS>CDR

Joni Mitchell Electric Guitar, Piano
Don Alias Drums, Percussion
Michael Brecker Sax
Lyle Mays Keyboards
Pat Metheny Lead Guitar
Jaco Pastorius Bass
The Persuasions Vocals

Joni Mitchell & Herbie Hancock – Berkeley, CA (09/03/78)

Joni Mitchell and Herbie Hancock
Bread and Roses Festival
Greek Theater
Berkeley, Ca. U.S.A.
September 3, 1978

FM broadcast on “Folk Festival USA” program
runtime: 30:45 (minutes/seconds)

setlist:
1: furry sings the blues 5:07
2: the dry cleaner from Des Moines 3:40
3: introduction of Herbie Hancock :52
4: a chair in the sky 6:53
5: the wolf that lives in Lindsey 7:46
6: the circle game 5:12
7: radio credits 1:15

(last song with
Tom Paxton
Odetta
the Persuasions
Todd Gibson
and Hamilton Camp)

lineage:
probably WBUR 90.9 FM (or maybe WGBH 89.7) radio (NPR) >
Sansui 8 reciever with wire FM antenna >
unknown average quality cassette deck (dolby off) >
TDK-SA 90 min. master cassette >
played on tascam 112 into soundforge (wav) >
flac (sb’s aligned) > torrentially yours.
a this and that, bread and butter production.
it’s earthy. nothing fancy.
no band. no big Marshall amps.
no eq or noise reduction or fidelity abusing.
this recording has a few brief flaws,
either in the broadcast or probably in this master recording
and a little light static here and there, but not too much.
(and 35 years earth time.) this tape has only been
played a couple of times so it is not very worn from use.
do not sell this recording.
share freely, losslessly and gaplessly.

Joni Mitchell – Berkeley, CA (05/27/79)

Joni Mitchell
Berkeley Jazz Festival
Greek Theatre
Berkeley, CA, USA
1979-05-27

Goody Pitch-Corrected Remaster

Original Lineage:
CDR Mail Trade from reputable source > EAC (Secure) > flac (level 8, aligned and verified) >

Goody’s additional lineage:
TLH (WAV) > Audition (Pitch Bender -7 cents; Amplify +3dB; some hard limiting applied) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags)

Joni Mitchell – guitars, vocals
Jaco Pastorius – bass
Herbie Hancock – piano
Tony Williams – drums
Don Alias – percussion

Some or all of the above band members appear to provide background vocals on “God Must Be A Boogie Man”, as well.

01 Coyote
02 Goodbye Porkpie Hat
03 God Must Be A Boogie Man
04 Chair In The Sky
05 Black Crow
06 The Dry Cleaner From Des Moines
07 Woodstock
08 Twisted

From the original uploader:
Thanks so much to everyone involved in the creation and preservation of the source of this great performance.
Text updated for this edition – November 18, 2013
Goody