Jerry Garcia Band – Berkeley, CA (05/06/83)

JERRY GARCIA BAND
Keystone
Berkeley CA
05-06-1983

s1t01 How Sweet It Is
s1t02 I’ll Take a Melody
s1t03 That’s What Love Will Make You Do
s1t04 Mississippi Moon
s1t05 Run for the Roses

s2t01 Mission in the Rain
s2t02 The Harder They Come
s2t03 Knockin’ On Heaven’s Door
s2t04 Dear Prudence
s2t05 Midnight Moonlight

AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/

Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 >
R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017

Jerry Garcia – Berkeley, CA (03/xx/74) – Compliments of Garcia Outtakes

Jerry Garcia
Compliments Of Garcia Outtakes
Fantasy Studios
Berkeley, California
March xx 1974

This is a tagged version of shnid: 96895

Source: Soundboard Reels > ? > DAT

Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab
Mastering: In WaveLab with Nomad Factory Plug ins > CD Wave > TLH > Flac
Transfer and mastering by Bill Koucky December 21, 2008, Green Mountain Bros.

Jerry Garcia – guitar, vocals, classical guitar
Arthur Adams – guitar
Michael Omartian – piano, tack piano, Fender Rhodes
John Kahn – bass, horn arrangement, string arrangement
Ron Tutt – drums
Merl Saunders – organ
Larry Carlton – guitar

  1. Think
  2. It’s Too Late (She’s Gone)
  3. That’s a Touch I Like
  4. I Know It’s a Sin
  5. I’ll Forget You
  6. “some enchanted evening”
  7. Cardiac Arrest (Studio Jam)
  8. Lonesome Town
  9. (I’m a) Road Runner

Jerry Garcia & Merl Saunders – Berkeley, CA (07/13/74)

Jerry Garcia and Merl Saunders
07-13-1974
Keystone
Berkeley, CA

This is flac encoded & tagged version of shnid: 25623

Source: SBD>?>C>DAT>WAV>SHN.
Cassette>DAT transfer by J.Powell: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II.
DAT>WAV>SHN transfer by C.Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV(Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact).

Disc 1 – Set 1
01 Think [08:38]
02 Finders Keepers [08:53]
03 How Sweet It Is (To Be Loved By You) [11:59]
04 Someday Baby [15:16]
05 I Second That Emotion [10:05]
06 Wondering Why [12:26]
07 Night They Drove Old Dixie Down [06:55]
Total time: 74:12

Disc 2 – Set 2
01 Harder They Come [13:59]
Total time: 13:59

Comments: Fairly hissy, but i’d rather have all of the Jerry and some hiss than no hiss and missing some of the frequencies intentionally produced by Garcia to blow our minds. No noise reduction or selective frequency augmentation was performed.

disc 2 is pretty short.

misSHN in the rain, 5/04.
misSHN in the rain, 5/04..

Phil Lesh – Berkeley, CA (12/19/76)

Touloos Ta Truck
Date 1976-12-19
Keystone, Berkeley, CA

Phil Lesh – bass
Terry Haggerty – guitar
John Allair – keyboards, vocals
Steve Mitchell – drums

source: sbd
Jerry Moore’s copy

lineage: sbd > ? > cassette

nak dragon/c > tascam hd-p2 24/96 > pc >
adobe audition 2.0 > cd wave > flac
transferred & seeded by Rob Berger Nov. 2012

one disc: 79:41

01 – /When I Saw Her Standing There
02 – High Place In Your mind
03 – Drop Your Drawers
04 – Jam
05 – Since I Fell For You
06 – Shake Rattle & Roll
07 – Detoxify
08 – Glory/
09 – Swanee River
10 – I’d Really Like To See You Baby
11 – Stagger Lee
12 – Tell My Mama Goodbye
13 – The Harder They Come

Phil Lesh – Berkeley, CA (10/xx/76)

Phil Lesh & Touloos Ta’ Truck
Keystone Berkeley
Berkeley, CA
1976-10-00

soundboard

this show really isn’t crisp . there is alot of buzzing inbetween songs and some tape hiss . so if you are looking for a killer sounding show look else where . if you are a collector and want to hear some good tunes then download this . hopefully this might bring out someone else with a better copy …anyway enjoy

Touloos Ta’ Truck
Phil Lesh – bass, vocals?
John Allair – keyboards, lead vocals
Terry Haggerty – guitar, vocals?
Steve Mitchell – drums

disc 1 :
01-swannee river (cuts into the song)
02-jam w/ i don’t need no doctor vocals
03-baby, what you want me to do
04-detoxify
05-harder they come
06-goin’ to the river
07-drop your drawes
08-since i feel for you
09-shake rattle & roll
10-tom thumb blues

Derek & The Dominos – Berkeley, CA (11/19/70)

Derek and the Dominos
with Neal Schon
Berkeley Community Theater
Berkeley, CA
November 19, 1970

Disc 1:

  1. Chuck Berry Medley (Little Queenie)
  2. Got To Get Better In A Little While
  3. Key To The Highway
  4. Why Does Love Got To Be So Sad
  5. Tell The Truth

Disc 2:
Mean Old World

  1. Little Wing
  2. Blues Power
  3. Have You Ever Loved A Woman
  4. Let It Rain

The Band:
Eric Clapton guitar, vocals
Carl Radle bass
Jim Gordon drums
Bobby Whitlock keyboards, vocals
Neal Schon guitar

Derek & The Dominos – Berkeley, CA (11/18/70)

Derek and the Dominos
“EC Shuffle Blues”
Community Theatre
Berkeley, California
November 18, 1970

Buffalo Stomp (!) – BS-002-1DD – Aud 3 (Scale 1-6)

Track List:
1) Got to Get Better In a Little While
2) Blues Power / Have You Ever Loved a Woman?
3) Tell the Truth
4) Presence of the Lord
5) Why Does Love Got to Be So Sad?
6) Everyday I Have the Blues
7) Little Queenie / Sweet Little Rock and Roller (*)

Band Lineup:
Eric Clapton Guitar, Vocals
Carl Radle Bass
Jim Gordon Drums
Bobby Whitlock Keyboards, Vocals

Special Guest: (a 16-year-old) Neal Schon

(*) Bonus Track recorded at the Community Theatre, Berkeley, California, on November 19, 1970 (following evening).

(!) “Buffalo Stomp” is the ROIO label name, this should not be confused with the Clapton ROIO of the same name (Silver Horse – SH 8201 A/B)

Geetarz Comments:

Derek and the Dominos played two consecutive nights at the Community Theatre in Berkeley, California, and this recording represents the first of those two nights.

Sitting in with the band that night was a 16 year old Neal Schon. In a 1995 “Off the Record” (Westwood One) interview, this was Schon’s recollection:

“You know, I had been doing a lot of playing in San Francisco … I had lived in the Bay area … I didn’t have a driver’s license … so a good friend of mine, Jackie, that ended up working for Journey later, would come and pick me up on weekends and I’d go play on Broadway … I’d play at [Mike Bloomfield’s] club,and it became this thing, there was like, this ‘buzz’ in the city, about this kid [Schon].

I was in the studio with the Santana band, and we were just jamming, you know, getting high and jamming, and staying up until the wee hours of the morning, and just trying to create some music, and Eric Clapton walked in. You know, Eric Clapton at that time, was like, and before that time, had been like a god to me, a guitar hero, and he walked in and I didn’t even say ‘hello’, I was like so scared he was in the room … and we played all night, and without even saying goodbye to or anything to him he walked out, and I was just still like …in shock.

So I went home, went to sleep at some ungodly hour, got up at 3 or 4, went back to Wally Heider’s in San Francisco where we were rehearsing, and I had a message there waiting at the front desk, and it was from Clapton, and he was playing at the [Berkeley] Community Theatre there that night, and he invited me to play with him.

So, I didn’t have a car, I didn’t have a license … I can’t remember exactly who drove me there … I forget too many things these days, too many drugs (laughs) … but, she drove me, I remember she drove me over there, and I got there about 5 or 10 minutes before he went on stage, and he said “… I’ll go out
and play about two numbers, and then I’ll call you out on stage as a really good friend of mine, and you can stay up the whole rest of the night and play the whole set with me.

I said “yeah, okay … no problem”, because I knew all his songs, all his guitar solos, from record, note-for-note … I wasn’t scared to do it, because I knew all his material, like the back of my hand, I had studied it for so many years … I went on, and just ripped the place up, and he loved it.

He [Clapton] invited me back to his hotel later that evening, and basically was asking me ‘who do you listen to?’, and I said “well, I listen to YOU” and he said bleep, ‘I don’t believe it’, he didn’t believe it and there was this little acoustic guitar in his room, and I played him note-for-note ‘Live Crossroads’
or something, and he was like “I can’t believe that, you’ve taken it where I left it”.

And that’s still [like] the ultimate compliment for me at this point in my life, coming from any guitarist, and I’ll never forget that, a highlight of my life!”

Overall, this is an exceptional performance, and a worthwhile
listen for those intrepid enough to brave a fair to poor audience
recording. Once again I invoke Geetarz’ Law, which states “The best
performances are usually captured by the worst recordings, and
vicey versa”.

Lineage:

Silver > Mitsui Silver CD-R > LiteOn iHAP 322 > EAC v. 0.99 Prebeta 5
(Secure, Offset Correct) > You !

Bob Dylan – Berkeley, CA (05/08/92)

Bob Dylan
May 8, 1992
Berkeley Community Theatre
Berkeley, California

Lineage: CDRs from trade (audience recording) > EAC > FLAC level 6 > dime

Disc 1

  1. Rainy Day Women # 12 & 35
  2. If Not For You
  3. Union Sundown
  4. Just Like A Woman
  5. Drifter’s Escape
  6. I Don’t Believe You (She Acts Like We Never Have Met)
  7. Tangled Up In Blue
  8. Love Minus Zero/No Limit
  9. Little Moses (Bert A. Williams/Earle C. Jones)
  10. Visions Of Johanna
  11. Don’t Think Twice, It’s All Right

Disc 2

  1. Cat’s In The Well
  2. Idiot Wind
  3. The Times They Are A-Changin’
  4. Like A Rolling Stone
  5. Absolutely Sweet Marie
  6. All Along The Watchtower
  7. Blowin’ In The Wind

Bob Dylan – Berkeley, CA (05/07/92)

Bob Dylan
Berkeley Community Theatre
Berkeley, California
7 May 1992
(Remastered)

I made some remastering with Sound Forge 9,I puted some dynamic and a little EQ to improve the vocals .
DC offset has been removed.
I reduced a skip in Tk 8 near 29s.Now the sound is much better.
sbe’s aligned with TLH.

1 intro
2 Rainy Day Women # 12 & 35
3 If Not For You
4 Union Sundown
5 Just Like A Woman
6 Drifter’s Escape
7 I Don’t Believe You (She Acts Like We Never Have Met)
8 Tangled Up In Blue
9 Love Minus Zero/No Limit
10 Little Moses (Bert A. Williams/Earle C. Jones)
11 Visions Of Johanna
12 Don’t Think Twice, It’s All Right

1 Cat’s In The Well
2 Idiot Wind
3 The Times They Are A-Changin’
4 Like A Rolling Stone
5 Absolutely Sweet Marie
6 All Along The Watchtower
7 Blowin’ In The Wind

Bob Dylan (vocal & guitar)
Bucky Baxter (pedal steel guitar & electric slide guitar)
John Jackson (guitar)
Tony Garnier (bass)
Ian Wallace (drums)
Charlie Quintana (drums & percussion)

further info http://www.bjorner.com

legendary taper D