Van Morrison – Soul Labyrinth

Van Morrison
Soul Labyrinth
(bootleg CD)
Kiss the Stone Records (KTS051)
(Made in Italy Distributed by CD Music Co. ADD (p) 1992)

  1. Out of Sight (Wright) (2:45)
  2. Ain’t That Lovin’ You Baby (Otis/Hunter) (2:41)
  3. Baby Please Don’t Go (Williams) (2:35)
  4. Who Do You Love (F. McDaniels) (5:53)
  5. When the Healing Has Begun (5:27)
  6. See Me Through (9:00)
  7. Some Piece of Mind (4:48)
  8. Enlightenment (2:53)
  9. Caravan (6:52)
  10. In the Garden (6:43)
  11. You of a Thousand Summers (3:08)
  12. Whenever God Shines His Light (4:02)
  13. Vanlose Stairway (6:04)
  14. Full Force Gale (2:32)
  15. Moondance (11:15) Total time: (76:45)

Recorded Live at FLEADH & FIELE London and Eire ’91

Musicians:
Van Morrison: lead vocals, sax, guitar
Neil Drinkwater: piano, synths, accordian
Arty McGlynn: guitar
Clive Culberton: bass
Roy Jones: percussion, drums
Dave Early: percussion, drums

Review and notes by Niall Connors:
Soul Labyrinth bills itself as recorded at the Fleadh & Feile Festivals in London and Eire 1991.
We know from Nathan’s set list and Simon Gee’s December 1998 Wavelength (page 25) that Van did play a Fleadh at London’s Finsbury Park on 2-Jun-91, and Van did play a Feile in Thurles, Co. Tipperary, Eire on 4-Aug-91. However, I have suspected (and Van-Lister dcat has confirmed this through Brian Hinton’s Celtic Crossroads:

The Art of Van Morrison) that at least some of Soul Labyrinth is from the 31-Mar-91 show at Den Haag, Netherlands, the evening before the legendary Pagan Streams show. With clearly nothing better to do with my life, I matched up Nathan’s set lists and Simon Gee’s comprehensive recap of the 1991 tour in the aforementioned Wavelength, and coupled it with a close listening of the CD.

The first ten tracks are from Den Haag and feature — at least on the first four tracks — Howlin’ Wilf and The Vee Jays. (Van introduces them as he takes a break during “Who Do You Love”.) Well, boys and girls, Howlin Wilf only played with Van in 1991 on 30-Mar, 31-Mar and 1-Apr, so I have no idea why the boot is mislabeled in terms of location.

Additionally, the crowd reaction to these ten tracks is not what one would expect at a Fleadh or Feile,
which can be rather boisterous. The sound on the Den Haag numbers is quite good for a 1991 audience recording, perhaps a notch down from Pagan Streams. But my big complaint for the compilers: if you are going to boot a show, give me the entire show! Throw in some filler tracks if necessary to fill out the second disc, but at least provide one complete show.

I am unsure where tracks 11-15 were played, although the sound would indicate tracks 11-13 were from one concert, and 14-15 from another. The last two tracks have that outdoor, rowdy Feile feel, and “Moondance” and “Full Force Gale” are also listed on Nathan’s Thurles set list. That being said, the sound on the non-Den Haag tracks is somewhat average.

Den Haag Musicians (in addition to Howlin’ Wilf, and as announced by Van during “In The Garden”):
Haji Akhba, Richie Buckley, Dave Early, Georgie Fame, Howard Francis, Steve Gregory, Ronnie Johnson,
Nicky Scott. “Full Force Gale” and “Moondance” musicians (as announced by Van during “Moondance”): Georgie Fame, Bernie Holland, Neil Drinkwater, Haji Ahkba, Dave Early, Alec Dankworth (I think).

Part of the van-the-man.info unofficial website

Bob Dylan – Toronto, Canada (04/19/80)

Bob Dylan
“Rock Solid”
Massey Hall, Toronto, ON
April 19, 1980

SOUNDBOARD RECORDING

w/Mark Knopfler on electric guitar

  1. Gotta Serve Somebody
  2. Covenant Woman
  3. When You Gonna Wake Up
  4. Precious Angel
  5. Slow Train
  6. Solid Rock
  7. In The Garden
  8. Cover Down/Break Through

The details from the Field Recordings guide is here:
http://www.angelfire.com/wa/monicasdude/608.htm

To quote briefly, “The first seven tracks on this disc
reportedly make up Solid Rock, a live album compiled by Dylan
but rejected by Columbia…Not much need be said about this
terrific sounding set…Essential stuff.”

Sound is excellent, in particular for a recording of this era,
but overall very nice. The fade-ins and outs for each track are
just as I received them in a trade a few years back.

show id 10237

Pink Floyd – The Great Gig in the Sky: An Alternate Take on The Dark Side of the Moon

Pink Floyd
The Great Gig In The Sky – an alternate take on The Dark Side Of The Moon
Silent Sea Productions – SSR 41925

1 Speak To Me 2:49
2 Breathe 2:46
3 On The Run 6:09
4 Time / Breathe Reprise 6:49
5 The Great Gig In The Sky 4:22
6 Money 7:14
7 Us And Them 7:46
8 Any Colour You Like 3:23
9 Brain Damage 3:46
10 Eclipse 2:50
11 Money 1:41
12 Us And Them 5:28
13 Brain Damage / Eclipse 3:26
14 Brain Damage Part 1 1:26
15 Brain Damage Part 2

Queen – Sendai, Japan (04/02/76)

Queen
Listen To The Mad
April 2, 1976
Miyagi-ken Sports Center, Sendai, Japan


Label: Wardour
Number: WARDOUR-058
Source: Silvers > EAC > WAV > jetAudio > FLAC

Disc 1
01.Bohemian Rhapsody (taped intro)
02.Ogre Battle
03.Sweet Lady
04.White Queen
05.Flick Of The Wrist
06.Bohemian Rhapsody
07.Killer Queen
08.The March Of The Black Queen
19.Bohemian Rhapsody (Reprise)
10.Bring Back That Leroy Brown
11.Brighton Rock
12.Son And Daughter
13.Member Introduction
14.The Prophet’s Song
15.Stone Cold Crazy
16.Father To Son

Disc 2
01.Doing All Right
02.Lazing On A Sunday Afternoon
03.Keep Yourself Alive
04.Liar
05.In the Lap Of The Gods…Revisited
06.Now I’m Here
07.Big Spender / Jailhouse Rock / Stupid Cupid / Be Bop A Lula
08.God Save The Queen

Pink Floyd – The Sights and Sounds of Syd Barrett’s Pink Floyd (1967-1971)

Pink Floyd
The Sights and Sounds of Syd Barrett’s Pink Floyd (1967-1971)

Tracks:

  1. Introduction by Paul McCartney 0:50
  2. Interstellar Overdrive 4:15
  3. CBC Radio story/interview + “Astronomy Domine” 3:35
  4. Pow R Toc H 0:35
  5. Introduction by Hans Keller 1:00
  6. Astronomy Domine 3:57
  7. See Emily Play 2:42
  8. Flaming 2:44
  9. Reaction in G 0:35
  10. Scream thy Last Scream 4:46
  11. Apples and Oranges (stereo mix) 3:03
  12. Paint Box (stereo mix) 3:27
  13. Jugband Blues (“unreleased” version) 3:04
  14. Vegetable Man 2:30
  15. Julia Dream (stereo mix) 2:33
  16. Clowns and Jugglers (two takes not in box set) 1:24
  17. Terrapin 3:05
  18. Gigolo Aunt 3:38
  19. Baby Lemonade 2:34
  20. Effervescing Elephant 1:00
  21. Two of a Kind 2:30
  22. Dominoes 2:57
  23. Love Song 1:27
  24. Baby Lemonade 2:17
  25. Octopus 4:55
    Total: 66:49

Sources:
18 Jan 1967- 1971 Sources as stated on the CD:

  1. Granada-TV, 18 January 1967
  2. UFO Club, London, 20 January 1967
  3. CBC radio, February 1967
  4. Queen Elizabeth Hall, London, 14 May 1967
  5. BBC-TV
  6. Queen Elizabeth Hall, London 14 May 1967
  7. Studio outtake
  8. Tower (U.S.) single?
  9. Carlisle, 23 July 1967
  10. Studio outtake
  11. “Masters of Rock”
  12. “Masters of Rock”/”Relics”
  13. Studio outtake
  14. Studio outtake
  15. “Masters of Rock”/”Relics”
  16. Studio outtake
    17.-21. BBC “Sound of the Seventies” 24 February 1970
    22.-24. BBC “Sound of the Seventies” 16 February 1971 2
  17. June 1970

Band:
Syd Barrett
Roger Waters
Rick Wright
Nick Mason

Xref: Rare

Antiques – A Rare Collection Of Oddities

Quality: G-Ex

Comments:
Track 3 has a CBC Radio story/interview with Syd Barrett, Roger Waters and Nick Mason
with unreleased “Astronomy Domine”

Quality track by track: 1. G 2. G- 3. G- 4.-8. VG 9. F 10.-12. Ex 13. VG (dropout) 14. VG
(dropout) 15. Ex 16. F 17.-21. Ex 22.-24. F- 25. F

A very frustrating CD! There is some really great stuff on here, but in most cases there’s
something screwing it up, usually editing or dropout (as in intermittent silence!). As you
can see from the running times, many of the selections are cut to smithereens, though in the
case of “Interstellar Overdrive” and “Pow R Toc H” it appears to have been done prior to
the broadcasts that this disc reproduces. It has the cleanest “Scream Thy Last Scream”
I’ve ever heard, and I’d say the same about “Vegetable Man” if it weren’t laden with some
really annoying dropout. Tracks 17-21 are the already commercially-available BBC material
and tracks 11, 12 and 15 are simply the “Masters of Rock”/”Relics” versions. The CBC
interview has been released in a longer version on “Stoned Alone” but here it just comes to
a sledgehammer halt after a few minutes. Paul McCartney may or may not have been
talking about Pink Floyd–he sounds like he could have had them in mind, but he never says
their name once. I’m unconvinced that “See Emily Play” is different, though it may be. The
liner notes claim it’s a “rough mix with the backing track (notably organ) mixed louder and
the vocals too low”. Well, maybe. “Jugband Blues” sounds like it may just be from the
mono mix of ASOS. I’m glad I have it for “Astronomy Domine” and “Scream Thy Last
Scream”, if you don’t need those then it’s probably not worth it.

The tracks as they really are (with snide comments):

1) Introduction by Paul McCartney (I first heard this clip on the Magnesium Proverbs CD.
Whether or not the stated source is correct, I’ll leave to the hard core Beatles fans out there.
However, it’s presence on a Pink Floyd CD is rather baffling. To have appeared here, on a
second Pink Floyd CD, is even more baffling.)

2) Interstellar Overdrive (I doubt very much that the stated source is correct, as this version
of IO is of alarmingly good quality & sounds like every other 5 minute IO I’ve ever heard.)

3) Interview with Syd Barrett & Roger Waters on Canadian radio (This bit was almost
certainly taken from the Stoned Alone CD. Quite a good cut.)

4) Pow R Toc H (Look Of The Week 14 May 1967) 5) Introduction by “serious” musician
Hans Keller (see 4) 6) Astronomy Domine (see 4)

7) See Emily Play (This acetate mix first appeared on the Artefacts From The Psychedelic
Dungeon CD. Any differences to the released version are miniscule.)

8) Flaming (US 7″ mix – first appeared on the Westwood One sampler disk)

9) Reaction In G (Carlisle, 23 July 1967 – Why this track continuously appears on CDs
without the companion Set The Controls (the earliest known performance) staggers my
mind. Still, for the 30 seconds that it lasts, it’s a decent track.)

10) Scream Thy Last Scream (the studio version – better quality than most but worse than
the version on Artefacts and Magnesium Proverbs)

11) Apples and Oranges (taken from vinyl, this version of the song sounds pretty good,
but I really couldn’t promise you that it’s truely in stereo)

12) Paintbox (taken from CD or tape source – thank goodness. This version is exactly like
the one on Relics)

13) Jugband Blues (This tune is the stupidest one on the disk. It’s taken from flawed vinyl.
There are multiple dropouts. To make matters worse, apart from the flaws, it’s no different
from the version that was released on A Saucerful of Secrets. It’s inclusion here is simply
stupid.)

14) Vegetable Man (This VM is pretty good. It’s taken from a good vinyl source.)

15) Julia Dream (exactly the same as the version on Relics)

16) Clowns and Jugglers (two takes not included on Syd Barrett boxset, first solo-session, May 1968 – both of these outtakes are incomplete, mediocre quality, and not terribly enlightening. Still, for the terminally obsessed (like me), they’re nice to hear. They have previously appeared on the Vegetable Man LP and he Magnesium Proverbs CD.)

17) Terrapin (“Peel Sessions”, 24 February 1970 – Why must every Syd CD contain these
songs with faulty source info ?? Buy the official CD, dammit.)

18) Gigolo Aunt (see 17) 19) Baby Lemonade (see 17) 20) The Effervescing Elephant (see 17) 21) Two Of A Kind (see 17)

22) Dominoes (“Sounds Of The Seventies”, 16 February 1971 – Of course, they left off
“Terrapin”, just like the Magnesium Proverbs CD did. Otherwise, it’s nice to see this radio
broadcast issued again.)

23) Love Song (see 22) 24) Baby Lemonade (see 22)

25) Octopus (This track was probably also taken from the MP disk. Syd puts up a
powerful struggle, but eventually he gives up and goes home. Most people give the date as
6/6/70. However, I’ve recently found a press clipping which would seem to state that Syd
was booked for 6/1/70. Believe what you like!)

This is a nice disk. The sound quality is generally pretty good. Unfortunately, it seems to
be a rehash of previous Syd CDs without anything new or exclusive as a selling point. All
things consydered, I’d say that this disk is Magnesium Proberbs’ ugly sister. Buy S & S if
you can’t find MP. – SCOTT

Van Morrison – San Francisco, CA (11/08/82)

VAN MORRISON – ‘Rock Me Baby’
Great American Music Hall
San Francisco
November 8th 1982 (Late Show)

Filler:
Keystone, Palo Alto January 22nd 1980

Very Good Audience Recording. Filler Good Audience

Vinyl Album
Blank White Labels
Matrix: VTM 8082 – 1/2

SOURCE: Near Mint Vinyl Albums (Played Twice) > Technics SL 1200 MK2/Ortofon PRO S > Onkyo P304 >
Soundforge PRO 10b > FLAC Level 8 Align on Sector Boundaries

300dpi Artwork for Plastic Envelope made from Scans of Origial Cover Included

Side One

  1. STORMY MONDAY
  2. ROCK ME BABY
  3. BABY PLEASE DON’T GO
  4. MY BABE
  5. DIMPLES

Disc Two

  1. WHAT’D I SAY
  2. BRING IT ON HOME
  3. CC RIDER

Keystone, Palo Alto January 22nd 1980

  1. GROW ON UP, CHILD
  2. SHAKIN’ ALL OVER

Mastered from Vinyl & Artwork, JTT June 2014

Pink Floyd – Last Screams (1966-1968)

Pink Floyd
Last Screams (1966-1968)

Catalog: DIYE 15

Misc.: limited edition (perhaps 450 ?)

Produced: ca. 1992

Date: 661031

Cover:
Insert actually folds out to 9.5 x 9.5 inches The cover side features a shot of four band
members taken in an alley, with an inset. The other side is a shot of three band members
standing in front of some flower bouquets. Back is split vertically, left side has a shot of
Syd on the street, while the right side has the track listing and source listing in white letters
on a black background.

Sources:
31 Oct 1966- 1968

  1. Sound Technique Studios, Chelsea, London Feb. 27th 1967
    2.-6. Top Gear Session BBC, London Sept. 30st 1967
    7.-10. Top Gear Session BBC, London Dec. 19th 1967
  2. Thompson Private Recording Company, Hemel, Hampstead, London Oct. 31st. 1966
    12.+ 14. perhaps Saturday Club Studio Session, BBC, London July 28th 1967
    13.+16.+17.+18. Top Gear Session, BBC, London June 28th 1968
  3. Abbey Road Studio London, April 15th 1967 FEATURING JOHN LENNON AND PAUL McCARTNY.
  4. BBC, London Feb 1st 1968

Hires-coverscans:

MP3-Soundsample:

Tracks:


Actual:
1. Interstellar Overdrive 5:02
2. The Scarecrow 1:58
3. The Gnome 2:14
4. Mathilda Mother 3:28
5. Flaming 2:31
6. Apples And Oranges 2:38
7. Pow R Toc H 2:48
8. Jugband Blues 3:45
9. Scream Thy Last Scream 3:34
10. Vegetable Man 2:28
11. Interstellar Overdrive 11:37
12. The Gnome 1:56
13. Julia Dream 2:02
14. Mathilda Mother 3:00
15. The Scarecrow 1:49
16. Massed Gadgets Of Hercules 6:25
17. Murderistic Women 2:10
18. Let There Be More Light 3:24
19. What’s The Shame, Mary Jane 3:11
20. It Would Be So Nice 2:48

Cover:
1. Interstellar Overdrive 5:07
2. The Scarecrow 1:57
3. The Gnome 2:15
4. Mathilda Mother 3:35
5. Interstellar Overdrive (Extended Version) 14:40
6. Flaming 2:34
7. Apples And Oranges 2:39
8. The Scarecrow #2 1:49
9. The Gnome #2 1:55
10. Mathilda Mother #2 2:59
11. Pow R Toc H 2:47
12. Jugband Blues 3:48
13. Scream Thy Last Scream 4:26
14. Vegetable Man 2:25
15. Julia Dream 2:01
16. Massed Gadgets Of Hercules 6:23
17. Murderistic Women 2:09
18. Let There Be More Light 3:25
19. What’s The Shame, Mary Jane 3:14
20. It Would Be So Nice 2:49

Band:
Syd Barrett
Roger Waters
Rick Wright
Nick Mason
David Gilmour ?

Xref:

Quality: G? -MISC
“good for this very old, very rare, recordings.
Some NoNoise System did a good job 8c)” – Felix

Comments: WOOOOWW!!! The track listing on the sleeve is messed up, so I can’t tell
you if the recording-info or the time is correct… Syd’s Pink Floyd at it’s best! – Felix

The quality on last screams sounds pocket recorderish even though they are all studio
tracks. Order of the tracks is not definite because whoever put it together didn’t know his
Floyd w/Syd. -MISC

The “actual” times are taken from my Sony Discman, and don’t include any of the dead
time between tracks (as if anybody cared). -MISC

Sound quality varies because the tracks are all from various sources. Quality ranges from
completely unnaccepable to marginal. Track listings are severely fucked up. All in all, there
is little to recommend this CD due to the inferior quality and the fact that these songs are
available elsewhere. -ECM