Grateful Dead
Wednesday, August 19, 1970
Fillmore West
San Francisco, CA
gd70-08-19.aud.cdjones.81755.sbeok.flac16

Download FLAC: Amazon Drive

This is a tagged version of shnid: 81775
Set 1: AUD>MC>D>FLAC>AIFF>FLAC
Set 2: AUD>MC>R>PCM>D>CD>EAC>SHN>AIFF>FLAC

–Acoustic Set–
101-d1t01 – Monkey & The Engineer
102-d1t02 – How Long Blues
103-d1t03 – Friend Of The Devil
104-d1t04 – Dark Hollow
105-d1t05 – Candyman
106-d1t06 – Ripple ->
107-d1t07 – Brokedown Palace
108-d1t08 – Truckin’
109-d1t09 – Cocaine Blues*
110-d1t10 – Rosalie McFall
111-d1t11 – Wake Up Little Susie
112-d1t12 – New Speedway Boogie
113-d1t13 – Cold Jordan
114-d1t14 – Swing Low Sweet Chariot

–Electric Set–
201-d1t15 – Cold Rain & Snow
202-d1t16 – Me & My Uncle
203-d1t17 – Easy Wind
204-d2t01 – China Cat Sunflower ->
205-d2t02 – I Know You Rider
206-d2t03 – Saint Stephen ->
207-d2t04 – Sugar Magnolia
208-d2t05 – Good Lovin’
209-d2t06 – New Minglewood Blues
210-d2t07 – Casey Jones
211-d2t08 – Not Fade Away** ->
212-d2t09 – Turn On Your Lovelight**

*with David Nelson
**with David Crosby

notes:
The original taper(s) stopped the tape between most songs during the acoustic set and some of the electric set. I have crossfaded the tracks together to smooth the cuts and provide a generally more pleasant listening experience. No music was lost (and no further tinkering was attempted), although I have removed some crowd and a wee bit o’ tuning to tighten things up and facilitate a two disc set. To accomplish this, I decoded the original sources with xACT, lightly edited several tracks in Peak LE 5.2, and did the crossfades in Jam 5. Encoding to FLAC was done with Toast 7.1.2, compression level 6.

CDJones 1/17/2007

From the original sources:

Set 1:
Master Audience Cassette; Sony TC-124 with Sony Stereo Mic Master cassettes played back on Nakamichi Dragon >
Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD
Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit;
Transfer and FLAC encoding by David Minches.

This is a very fine recording, especially of the acoustic set and includes 4 songs that aren’t in circulation. The tape deck was paused
in between songs causing a “whooshing” sound which I partially edited out. The first few notes of many of the songs are missing due to the pausing but do not allow that to take away from the excellence of the recording. There are other anomalies and cuts, some of which I had not
listed.

Set 2:
Notes:
–a quote from deadlists: “The Taper’s Compendium seriously misrepresents the quality of this AUD master, and of the previous night’s.”

Part of The Music Never Stopped Project 2002

Thanks to Raoul Duke
edits/encoding by Matt Vernon & JCotsman