Jane’s Addiction – Los Angeles, CA (11/13/96)

Jane’s Addiction
The Pyramid Club,
Los Angeles, CA
November 13, 1986

SBD->bootleg CD “Live and Profane”

silver boot CD>EAC>FLAC

01 My Time
02 Whores
03 Pigs in Zen
04 Ain’t No Right
05 I Would for You
06 Idiots Rule
07 Trip Away
08 Mountain Song
09 Filler: Then She Did (unknown date/location)

EAC & compression by terrapinstation 01/26/2001

Another Porky Prime Cut from Terrapin Station!!

Live And Profane

Live And Profane is a bootleg CD by Totonka records. Tonka 2, is primarily comprised of Janeís Addiction at the Pyramid in Hollywood, Los Angeles, CA from November 13, 1986. The filler in this collection may be from the November 27, 1987 show at the Arcadia Theater in Dallax, TX but we havenít been able to confirm this. The sound quality very good, and from a soundboard source.

Alternate Versions:

Original versions of this bootleg come with a booklet, three reprints from classic Janeís Addiction concerts, and a rare photo reprint of the band rehearsing. Many used copies of this bootleg sold lack this photo. Later reprints of this bootleg lack the photo and have a corrected track listing.

The booklet in this bootleg is an essay that goes as follows:

Janeís Addiction stood out as art music that metal kids could like too ñ ìneometalî as easy to bang a head to as to contemplate to on headphones ñ and the success of the non-genre genre made it possible for other West Coast bands like Faith No More, Primus and Soundgarden to cross over with out confining themselves to a genre either. Where the record industry tends to peg bands as pop, rock, metal or alternative. Janeís Addiction was all of the above.

In 1987, the band was signed by Warner Bros. Records for a sum large enough to stun the underground; in early 1988, it released a live album on local Triple X Records that included the classic ìWhoresî; in late 1988, it released its first major-label album, Nothingís Shocking, which included a song about Ted Bundy, a pile of metaphors for heroin addiction (a problem that plagued all members of the band except for drummer Perkins) and an album cover that pictured Casey as naked Siamese twins with their heads ablaze. The nude videos accompanying the album were banned by MTV. Nothingís Shocking was nominated for a Grammy but lost out to Jethro Tull. In 1990, Ritual went gold in less than a month, and the band went from playing small theaters to selling out Madison Square Garden. The band was speaking to somebody.

Tracks 1-8: 11/13/1986 ñ Pyramid, The, Hollywood, Los Angeles, CA.
Track 9 Filler: 11/27/1987 ñ Arcadia Theater, Dallas, TX (unconfirmed)

Released By: Totonka
ID Number: CDPRO2

Miles Davis – Los Angeles, CA (xx/xx/46)

Benny Carter Orchestra (w/ Miles Davis)
XX-XX-1946
Unknown venue
Los Angeles, California

Project ID – LL77

Source: FM Broadcast
Lineage: Unknown radio broadcast > ?? > cd (Peter Losin’s Archive) >
cd duplicated (burner to burner) > eac > flac (lvl 8)

Miles Davis (tpt); Fred Trainer (tpt); Calvin Strickland (tpt); Walter Williams (tpt);
Ira Pettiford (tpt); Candy Ross (tb); Johnny Morris (tb); Al Grey (tb);
Charley Johnson (tb); Benny Carter (as, tpt); Bob Graettinger (ts); Joe Epps (ts);
Harold Clark (ts); Hubert “Bumps” Myers (ts); Willard Brown (ts); James Cannady (g);
Sonny White (p); Thomas Moultrie (b); Percy Brice (d); Ernie “Bubbles” Whitman (ann)

disc 1

d1t01. Introduction
d1t02. Jump Call
d1t03. Introduction
d1t04. Just You, Just Me
d1t05. Polishin’ Brass

Notes:

Exquisite recording. A real fine specimen. The sound is good, and the playing is better.
“New Sound Planet/Jazz Up JU 327 also lists “I Can’t Get Started”
(3:03) and “I Cover the Waterfront” (4:21) as including Davis, but I
don’t hear him. On Jazz Door “Polishin’ Brass” is listed as “Untitled
Original.””- Credit to Peter Losin, http://www.plosin.com
Thanks to Peter Losin for supplying this source. http://www.plosin.com
QC done by Bgreen

Charlie Parker – Los Angeles, CA (03/xx/46)

Charlie Parker Quintet
Sound improved Pitch Fixed !!
Finale Club, Little Tokyo, Los Angeles CA
Unknown Radio Broadcast
Early March 1946

Unknown Radio Broadcast > ?? > cd Peter Losin’s Archive > cd Duplicated burner to burner > eac > flac lvl8

Miles Davis (tpt); Charlie Parker (as); Joe Albany (p); Addison Farmer (b); Chuck Thompson (d)

01 Billie’s Bounce 3:38
02 Ornithology/ 5:00
03 All the Things You Are 5:00
04 Blue ‘n’ Boogie 5:08
05 Anthropology Announcement 2:52

A Flambay – u014945 production !!

uploaded march 16 2012 by u014945

Dime > Audacity (noises cutting) > tlh (SBE – Flac 8) > Dime

* Contrast cLAUSE
improvement in sound of the following torrent:

Torrent #332961 Charlie Parker Quintet featuring Miles Davis – 1946-03-XX, Los Angeles, Radio Broadcast

the first 2 tracks received pitch fixing
Tracks 03-04-05 are sounding OK.

No pitch correction necessary.

— flambay

All tracks received a great cleaning
Now you can listen to the tracks !!!!

enjoy

Maurizio

Original notes :

This version is more complete than the previously released LL43. This is the most complete version known to circulate.
02 is cut at the end of the track
There is the standard flaws with this recording as is to be expected from a 61 year old recording, but it is still listenable.
A fine early specimen

Miles Davis – Los Angeles, CA (03/31/46)

Miles Davis
Rare Miles 1946-55
Benny Carter Orchestra
Streets of Paris, Los Angeles
Unknown radio broadcast
March 31, 1946

Notes from Rare Mils vol.1 set:

Disc 1
(bit torrent download)

text file modified by Richard Russell (richard-at-nolatapers-dot-org-spammerskissmybutt)

Miles Davis (tpt); Howard McGhee (tpt); Al Grey (tb); Britt Woodman (tb); Benny Carter (as); Hubert “Bumps” Myers (ts); James Cannady (g); Sonny White (p); Thomas Moultrie (b); Percy Brice (d)

1 Just You, Just Me (R. Klages-J. Greer) (incomplete) 8:19
2 Don’t Blame Me (D. Fields-J. McHugh) (incomplete) 9:15
3 Sweet Georgia Brown (B. Bernie-M. Pinkard-K. Casey) (incomplete) 7:26
25:00

(may be from “Young Miles Vol. 2 1946,” Masters Of Jazz, MJCD 151)
(set originally split into 5 tracks: Just you: 7:59, announcement :06, don’t blame me intro, :03, don’t blame me, 8:58, georgia brown, 7:30)
(see http://www.plosin.com/milesAhead/Sessions.asp?s=460331)

Made into one track.
Izotope RX > attenuated buzz at around 16k – not too audible but clears the top end a little (from 3min 50 to end of source)
Very light noise reduction – mostly to remove the vinyl rumble and low hum occurring.
Inverted phase of right channel to make the whole thing mono.
Normalised.
Exported, into audacity where I redid track markers, and exported as flac8 – including the announcment track initially removed.

R Jan 2014

Pink Floyd – Los Angeles, CA (02/01/80)

Pink Floyd
The Wall Rehearsals–Full 90min Version
Paramount Studios
Los Angeles, CA
February 1, 1980

SBD>Normal Bias Cassette Master>Maxell XL-II(4th Gen)>EAC>Flac(8)

}{eywood.

01 The Thin Ice
02 Another Brick In The Wall Part 1
03 The Happiest Days Of Our Lives
04 Another Brick In The Wall Part 2
05 Mother
06 Goodbye Blue Sky
07 A Few More Bricks
08 What Shall We Do Now
09 Young Lust
10 One Of My Turns
11 Stop Building The Wall
12 The Last Few Bricks
13 Goodbye Cruel World
14 Hey You
15 Don’t Start The Tape
16 Is There Anybody Out There
17 Nobody Home
18 What’s On TV?
19 Vera
20 Bring The Boys Back Home
21 Comfortably Numb
22 The Show Must Go On

This is a new transfer from cassette of the tape we have all come to love. The sloppiness, the arguing (“Dave, why did you stop?” “I didn’t stop, Nick did” “Well why did he stop” “I don’t know why he stopped, ask him” “We must never stop”), the technical SNAFUs (“I can’t hear any piano in my cans” “James there’s no click track in the cans”). How can you not love this tape?
The reason for the new transfer is that the version available on Roio CD is a single CD that clocks in at 78 minutes. This is from a cassette that was full up. After speed correction this version runs 90:17. I think all that qas cut is some of the 2 spots where the TV goe on for a few minutes, but I though I’d offer a complete version for whomever might want it. I know everyone out there is a completest freak, so here you go.
There was a hell of a lot of noise on this tape, some stemming from the original master being a normal bias cassette, most from however many generations of tape this went through before getting to me. I used noise reduction on this, but tried to be careful. Didn’t take it all off, because it really hurt the music. There are a few artifacts from the NR, but I personally can deal with them better than that wall of hiss (no pun intended). There is an unusual squeak in the background of side 1 of the tape, kind of a tone running through the thing, that I couldn’t remove, because it is not consistent. Starts off at the beginning as one note, and by the end its several notes lower. If it were consistently one note I could use a notch filter to get rid of it, but its not, so it stayed. Also, sector boundaries on this set are NOT fixed, because this runs too long for a CD. If you want to burn it it will have to be made into 2 CDs and SBE’s fixed for each. You’re on your own.
Thanks to Quentin1840 yet again for the source tape. Perhaps you can put some towels in that closet pretty soon.

The Who – Los Angeles, CA (11/22/73)

THE WHO
LOS ANGELES FORUM
LOS ANGELES, CA (USA)
NOVEMBER 22, 1973

SOURCE: AUDIENCE
LINEAGE: LIBERATED BOOTLEG LP>CD>EAC>FLAC

SET LIST:

1: THE REAL ME (SLIGHT SKIP AT 1:12)*
2: THE PUNK AND THE GODFATHER
3: I’M ONE
4: HELPLESS DANCER
5: 5:15
6: SEA AND SAND
7: DROWNED**
8: I CAN’T EXPLAIN
9: SUMMERTIME BLUES
10: MY GENERATION

LIBERATED FROM THE BOOTLEG LP ‘LIVE AT LA FORUM 1973’, WHICH APPEARS TO BE A REPRESS OF ‘100% LOUD NOISE – LIVE AT THE LA FORUM’, WHICH APPEARS TO BE A REPRESS OF ‘ROCK N ROLL WHO CHEE KOO’, WHICH APPEARS TO BE A REPRESS OF ‘LIVE AT THE LA FORM’

THE SKIP IN ‘THE REAL ME’ APPEARS TO BE FROM WHATEVER LP WAS THE SOURCE OF THIS PRESS, SINCE VINYL BOOTS WERE REPRESSED FROM PREVIOUS LPS, AND NOT SOURCE MATERIAL.

** ABOUT HALFWAY THROUGH ‘DROWNED’, AUDIO BECOMES INCREASINGLY SPED UP, AND SPEED CORRECTION DOES NOT DO ANY GOOD.

Mark Knopfler – Los Angeles, CA (05/20/01)

Mark Knopfler
Greek Theatre
Los Angeles, CA
May 20, 2001

Setlist:

Calling Elvis
Walk Of Life
Chat
Rudiger
What It Is
Romeo And Juliet
Sultans Of Swing
Chat & Band Intros
Done With Bonaparte
Jackson Browne Intro
Sailing To Philadelphia (1)
Junkie Doll
Speedway At Nazareth
Bonnie Raitt Intro
Prairie Wedding (2)
Pyroman (2)
Telegraph Road
Encore Break #1

Encore #1 –

Brothers In Arms
Money For Nothing
Encore Break #2

Encore #2 –

So Far Away

(1) with Jackson Browne – vocals
(2) with Bonnie Raitt – vocals & slide guitar

Mark Knopfler – lead vocals & guitars
Guy Fletcher – keyboards & guitar
Richard Bennett – guitar & bouzouki
Chad Cromwell – drums
Glenn Worf – bass
Geraint Watkins – keyboards & accordion
Mike Henderson – guitar, harp, mandolin, & violin

** 16 BIT **

Source: Neumann AK-40s (x/y) >LC3 >KM-100s >MV-100 > TCD-D7
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, CD Masters >FLAC (Level 8) Via xACT 2.36
Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); Sony Clipped Peak Restoration; Waves Maserati
DRM plugin (drum enhancement); minor edits, normalize, & fades) >CDWav (tracking) >Trader’s Little Helper (level 5) >FLAC
Location: Next to the inside rail on the left terrace level, about midway up
Recorded, Transferred, FLAC Tags & Front-Cover Artwork By: OldNeumanntapr
Mastered by: Dennis Orr

OldNeumanntapr Notes-
This was both the first and only time that I’ve seen Mark Knopfler’s band, and also the first and only time that I have been to the Greek Theatre in Los Angeles. I saw Dire Straits at the Oakland Coliseum on 2/2/92 on the ‘On Every Street’ tour, and I was glad to
see Mark again. I didn’t think there was a lot of difference between Dire Straits and Mark Knopfler solo. Mark Knopfler IS Dire Straits, in my opinion. I went to the Greek show with my friend Dave. They have ‘stack’ parking at the Greek, on the lawn, so you can’t leave until the show is over. I’d never seen that before, but I guess it’s because they have limited space. The Greek is a beautiful amphitheatre, being right next to Griffith Park. There are huge redwood trees that encircle the amphitheatre. My first experience with the Greek was listening to Neil Diamond’s ‘Hot August Night’ LP when I was a kid, and hearing him talk about the ‘Tree People’ who would climb the trees to hear the show for free. I loved that album. Neil spoke of how beautiful the theatre was, and he wasn’t kidding. He said it was performer’s paradise. Dave’s first show was one of those ‘Hot August Night’ shows in August of 1972, at the Greek. We sat in the left terrace level. The two terraces, one on either side of the main amphitheatre, were added later and did not exist originally. Being that I was near the inside rail, I had a pretty clear and unobstructed view of both the stage and the left PA stacks, so the sound was pretty good. I did have a couple near me, who left midway through the show, that kept unwrapping
little hard candies. I think the microphones picked up the sound of the wrappers. I really enjoyed hearing live renditions of Knopfler’s solo albums, especially the songs ‘What It Is’, ‘Junkie Doll’ and ‘Speedway At Nazareth’ from the ‘Sailing To Philadelphia’ album, and ‘Rudiger’ from the ‘Golden Heart’ album.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉