Aerosmith – South Yarmouth, MA (05/05/83)

Aerosmith
Cape Cod Coliseum
South Yarmouth, MA
March 5, 1983

Lineage: SB>Master cass>unknown standalone CDR burner & tape deck>CDR(1)>EAC(secure/offset)>WAV>minimal editing with Soundforge and CDWave to splice the cut in “Lightning Strikes” and re-track>FLAC(level 5)
Quality: A
File Size: 495 MB, FLAC

Total Time: 83:34

1. Intro 2:11
2. Back In The Saddle 4:35
3. Mama Kin 3:50
4. Big Ten Inch Record 4:05
5. Three Mile Smile 3:56
6. Lord Of The Thighs 8:10
7. Lick And A Promise 5:10
8. Sweet Emotion 5:48
9. Dream On 5:00
10. Lightning Strikes 5:03
11. Walk This Way 4:18
12. Milk Cow Blues 10:46
13. Drum Solo 7:54
14. Toys In The Attic 6:21
15. Train Kept A Rollin’ 6:22

Notes:
This is a an EX quality master cassette transfer of the soundboard of this show. The soundboard is in low circulation from what I understand. The transfer was done with a standalone CDR burner. This was split up on 2 CDR’s ending with half of “Lightning Strikes” on 1 CD and beginning with the other half of that song on the second CD with a slight cut in between. The tracking was very sloppy with only 4 or 5 tracks on each disc. I ripped with EAC as two big WAV files, combined them and did some minimal editing to splice Lightning Strikes. There is a slight cut around 3:55 of that song. Then I split the big WAV file with CDWave and at the same time converted to FLAC. The whole thing is now a continuous 83:34 except for that very minor cut in Lightning Strikes. Spread over 2 CD’s however you wish for personal use but please keep the FLAC set as is.

While this is not the original lineup, you wouldn’t know it by the way Crespo and Dufay play. They are more than capable of stepping in the shoes of Whitford and Perry. The best part of the show is when some fan threw something on stage during “Lord of the Thighs” and Tyler calls him up on stage and, mocking him, asks him to sing. Overall it’s a very nice listen, and this being a master transfer I’d recommend this even for a casual fan.

Paul Simon – Boston, MA (12/02/00)

PAUL SIMON
December 2, 2000
Orpheum Theatre,
Boston, Ma. USA

Digital Audience Stereo FOB
Schoeps Mics > DAT > Trade CDR > EAC >
Audacity (edits) > CD Wav (re-tracked) > FLAC>MP3@320
Total Time – 122:39

Disc One 70:49
01. That’s Where I Belong 3:20
02. Graceland 5:15
03. One Man’s Ceiling Is Another Man’s Floor 3:38
04. You’re The One 5:02
05. Fifty Ways To Leave Your Lover 4:54
06. That Was Your Mother 3:27
07. Me And Julio Down By The Schoolyard 3:19
08. The Teacher 4:18
09. Spirit Voices 4:45
10. Diamonds On The Soles Of Her Shoes 7:21 >
11. You Can Call Me Al 5:35
12. Old Friends – Bookends 3:06 >
13. Homeward Bound 3:01 >
14. I Am A Rock 3:57
15. Darling Lorraine 7:10
16. Old 2:34

Disc Two 51:50
01. The Boy In The Bubble 6:50
02. American Tune 4:20
03. The Coast 5:40
04. Late In The Evening 5:06
05. Hurricane Eye 5:59
06. Proof 5:42 *
07. power failure repair 1:24
08. Pigs, Sheep And Wolves 4:13
09. Mrs.Robinson 4:36
10. Still Crazy After All These Years 4:10
11. Kodachrome 3:44

* d2-t06 on stage power failure at 5:10

Jay Ashby – Horns, Percussion
Tony Cedras – Keyboards, Accordion
Steve Gadd – Drums
Jamey Haddad – Percussion
Bakhithi Khumalo – Bass
Alain Mallet – Keyboards
Vincent Nguini – Guitar
Steve Shehan – Percussion
Andy Snitzer – Horns
Mark Stewart – Guitar, Cello, Mandolin, Banjo
Evan Ziproyn – Horns, Flute

The Clash – Boston, MA (03/09/80)

The Clash
Orpheum Theater
Boston, Mass.
March 9, 1980

From My CDR collection.

1: Tuning 1:13
2: Clash City Rockers 3:41
3: Brand New Cadillac 2:06
4: Safe European Home 3:51
5: Jimmy Jazz 4:29
6: London Calling 3:43
7: Guns of Brixton 3:31
8: Stand By Me 3:21
9: Protex Blue 2:08
10: White Wan 4:13
11: Koka Kola > 1:38
12: I Fought the Law 2:29
13: Spanish Bombs (end spliced after song, tape flip) 3:45
14: Rudie Can’t Fail 3:26
15: Police and Thieves 6:44
16: Stay Free 4:04
17: Wrong ’em Boyo 4:00
18: Clampdown 4:15
19: Janie Jones 2:01
20: Complete Control 3:25
21: Encore Applause 2:19
22: Armagideon Time (Natty Dread on vocals) 5:29
23: Tommy Gun 2:29
24: London’s Burning 3:21

lineage:
AKG D-190E microphones >Sony 158 cassette deck (dolby B on) > Maxell XLI 90 min. cassettes > copy (same, no dolby) >played on Nak. 300 into soundforge (wav) >flac (sb’s aligned) > MP3

Joe Strummer: lead vocals, rhythm guitar
Mick Jones: lead guitar, piano, harmonica
Paul Simonon: bass, backing vocals
Topper Headon: drums, percussion

Elton John – Foxboro, MA (07/04/76)

Elton John
Foxboro, Massachusettes
04th July 1976
Rock Of The Westies Live – LIBERATED BOOT

Source: Unknow > WAV > Flac8
Date: 1976-07-04 – Foxboro

01- Grow Some Funk Of Your Own
02- Goodbye Yellow Brick Road
03- Island Girl
04- Bennie And The Jets
05- Funeral For A Friend – Love Lies Bleeding
06- Love Song
07- Lucy In The Sky With Diamonds
08- Don’t Let The Sun Go Down On Me
09- Holiday Inn
10- Empty Sky
11- Captain Fantastic And The Brown Dirt Cowboy
12- Someone Saved My Life Tonight
13- Philadelphia Freedom
14- We All Fall In Love Sometimes – Curtains
15- Band Intro
16- Saturday Nights
17- Your Song
18- Pinball Wizard

* Elton John – Piano, Vocals
* Davey Johnstone – Electric guitars, banjo, mandolin, rhythm guitar, background vocals, slide guitar.
* Caleb Quaye – Electric guitars
* Kenny Passarelli – Bass
* James Newton-Howard – Keyboards
* Roger Pope – Drums
* Ray Cooper – Percussion
* + 3 BACKING VOCALS

A rather poor quality audience recording. For completists only.

Bruce Springsteen – Salem, MA (11/23/74)

Bruce Springsteen
11/23/74
Salem State College
Salem, MA

Incident On 57th Street
Spirit In The Night
Does This Bus Stop At 82nd Street
E Street Shuffle
Growin’ Up
Saint In The City
Jungleland
Kitty’s Back
New York City Serenade
Rosalita
4th Of July Asbury Park (Sandy)
A Love So Fine

Comment
Audience tape – first appearance of Growing Up since January 1974

Bob Marley – Boston, MA (07/11/73)

The Wailers
Pall’s Mall
Boston, MA
7/11/1973 (July)

WBCN-FM— FMMR > R > CD > Eac > Wav > Flac (show id: 180359

Recorded by the legendary Neil Cronin and copied in a trade in the mid 70’s to two Sony PR-150 reels for Taper Pat. Mastered to cd by Matt Smith — R >apogee mini me (24/96) > apogee mini dac (monitoring) > wavelab 5.0 (dithered to 20/44) > CD (thanks a ton guys!!!) @

1 Intro > Lively Up Yourself
2 400 Years
3 Stir it Up
4 Slave Driver
5 Stop that Train
6 Kinky Reggae
7 Concrete Jungle
8 Get up Stand Up > Outro (DJ Banter)

notes:

@ a little background on this gem. i saw this version of this show on one of Taper Pat’s lists and asked for a copy. I believe Matt had part of it and Pat had the rest of it, and then they put it together and sent me a copy. so grateful my friends! new wailers sources of this quality are truly rare and just wonderful. despite the minor blemishes on all copies that come from the set up and station, this is a joy to listen to and i don’t think this will get any better. maybe someday we’ll see a transfer from the mr or prefm source but that it has taken this long to get this source out, I’m not counting on it.

1st US performance – great show – overall, very enjoyable sound
of course it still has the slight monitor and / or equipment noise and perhaps some fm interference that are present on the commonly available sources (faint hum or buzz and occasional slight crackle?)

morever, we have had a copy with unknown generation
and then in 2005 emerged a 3rd gen tape. i really enjoy it but it was edited
by a person with little experience. i believe they did a nice job with
what they had but there are a few differences between sources:

* this source is a touch longer. it has more of the preshow recorded (bob’s short intro). both are complete however.

* the 3rd gen tape has it’s volume boosted which also boosts
the volume of the blemishes and crowd. as a result, i believe this
source has a more mellow sound and feel overall.

* the 3rd gen tape sounds tampered with, it has had some “equalizing”: it sounds and feels a little unnatural while this seems to have a more steady sound and feel to it. this new source has a fuller range and dynamic of instruments and vocals. in other words, the equalizing seems to both amplify and bury the music resulting in a less authentic and pleasing experience for me.
the edited tape version sounds more tinny and has less warmth than the unedited reel version.

* i can understand the dilemma of to edit or not: i think we need both. while
editing major issues can move toward restoration, it can also distort the actual sound of the show. editing also results in irreversible changes preventing continual improvements or remasters as individual skill and technology improve. it also reflects and embodies the subjective preferences of the editor which is very risky. still if a version can be enhanced to make the listening experience
as enjoyable as it can be at that time, that’s nice to have until even better upgrades are possible. I believe it is ideal to have a “raw” or unedited version in order to both preserve the music and allow for the best possible long term improvements.

While I don’t think you will be disappointed by either source, especially given the band and what’s generally available from them, imo, it’s critical that we get this source and upgrade into general circulation.

Bruce Hornsby – Boston, MA (05/27/05)

Bruce Hornsby
05/27/05
Avalon
Boston, MA

Audience Recording

White Wheeled Limo
Funhouse
Manhattan Island Serenade (Leon Russell Cover)
Spider Fingers > Tempus Fugit > Spider Fingers
Fields of Gray > That’s Where Its At > Fields of Gray
Long Tall Cool One
Jacob’s Ladder > Pig in a Pen > I Put a Spell on You
End of the Innocence
Gonna Be Some Changes Made
The Way It Is

Bruce Hornsby – Florence, MA (07/28/01)

Bruce Hornsby
07/28/01
Pines Theatre
Florence, MA

Lineage: Master Cassette > CD > EAC > FLAC
(2) Sennheiser 421/ (1) Audio Tecnica ATM 11> Optimus
Mixer> Sbm-1>d-8>CDR 870> EAC> Adaptec 5>CD>MP3

White Wheeled Limousine > (The Man Who Shot Liberty Valence)
Red Plains, Carolina in My Mind >
Spider Fingers (Carolina in My Mind quotes throughout Spider Fingers) >
Tempus Fugit > Spider Fingers
The Tide Will Rise
Columbus Stockade(?)* >
Valley Road, Funhouse
(Every Little Kiss)
Shadow Hand
Song C >
End of the Innocence
(Hole in the Bucket), Drunken
Hiccups > (Hole in the Bucket) > Jacob’s Ladder > (Turkey in the Straw) >
(Rawhide?) > Pig in a Pen >
Jacob’s Ladder
The Boxer (solo)
Loser
Long Tall
Cool One
Rainbow’s Cadillac
Cruise Control

Encore:
Mighty Quinn >
The Way It Is >
Mighty Quinn >
Sunflower Cat >
Lot to Laugh Train To Cry > The Show Goes On

Bruce Hornsby – Hyannis, MA (08/03/01)

Bruce Hornsby
08/03/01
Cape Cod Melody Tent
Hyannis, MA

Set 1:
Song C >
Sad Moon (solo)
The Tide Will Rise
The Changes >
Funhouse
Sugaree
Tango King
White-Wheeled Limousine >
Long Black Veil >
Darlin’ Corey
Set 2:
Walk in the Sun
The Show Goes On
(What a Time)
(Happy Birthday)
The Way It Is
Women Are Smarter >
Pete & Manny
Sunflower Cat
I Will Walk With You >
Under the Boardwalk >
Fields of Gray >
That’s Where It’s At
Spider Fingers >
Tempus Fugit >
Spider Fingers
Encore: Rainbow’s Cadillac

Comments: Whole show w/ R.S.Hornsby

The Ramones – Cambridge, MA (05/21/76)

Ramones
05/21/76
The Club
Cambridge, MA

Blitzkreig Bop
I Remember You
Gimme, Gimme Shock Treatment
I Wanna Be Your Boyfriend
53rd & 3rd
Havana Affair
California Sun*
Judy Is a Punk
I Don’t Wanna Walk Around With You
Today Your Love, Tomorrow The World
Beat On The Brat
Now I Wanna Sniff Some Glue
Swallow Your Pride
Glad To See You Go
Chain Saw
Listen To My Heart
Baby Sitter
Oh, I Love Her So
Commando
Let’s Dance^

* H. Glaver/M. Levy
^ Jim Lee

No source info.