Bob Dylan – Albuquerque, NM (03/06/22)

Bob Dylan
Kiva Auditorium
Albuquerque, New Mexico
6th March 2022

Download FLAC: Amazon Drive

Source recording:
Rudy –
DPA 4061(binaural)>Church Aduio 9100>Sony M10
Section 4, Row J, Seat 6
Sony M10> PC > Audacity (mixing)>Cool Edit Pro>CD Editor (tracking)TLH (FLAC 8)

Remastered with Artwork by Bennyboy, March 2022

  1. Introduction
  2. Watching the River Flow
  3. Most Likely You Go Your Way (and I’ll Go Mine)
  4. I Contain Multitudes
  5. False Prophet
  6. When I Paint My Masterpiece
  7. Black Rider
  8. I’ll Be Your Baby Tonight
  9. My Own Version of You
  10. Crossing the Rubicon
  11. To Be Alone with You
  12. Key West (Philosopher Pirate)
  13. Gotta Serve Somebody
  14. I’ve Made Up My Mind to Give Myself to You
  15. Melancholy Mood
  16. Mother of Muses
  17. Goodbye Jimmy Reed
  18. Band introduction
  19. Every Grain of Sand

Band Members
Bob Dylan – piano
Tony Garnier – bass
Charley Drayton – drums
Bob Britt – guitar
Doug Lancio – guitar
Donnie Herron – violin, electric mandolin, pedal steel, lap steel

Bob Dylan – Albuquerque, NM (10/07/18)

Bob Dylan and His Band
Kiva Auditorium
Albuquerque, NM
2018-10-07

Download FLAC: Amazon Drive

DPA 4061’s(htrf)>Church Audio 9100>Sony M10 @ 24/48
Section 3: Row S, Seat 11
FOB-DFC
Processing- M10>USB> PC> Cool Edit Pro>CD Editor (tracking)TLH (FLAC 8)

01- Things Have Changed
02- It Ain’t Me Babe
03- Highway 61 Revisited
04- Simple Twist Of Fate
05- High Water (For Charley Patton)
06- When I Paint My Masterpiece
07- Honest With Me
08- Tryin’ To Get To Heaven
09- Scarlet Town
10- Make You Feel My Love
11- Pay In Blood
12- Like A Rolling Stone
13- Early Roman Kings
14- Don’t Think Twice, It’s All Right
15- Love Sick
16- Thunder On The Mountain
17- It Takes A Lot To Laugh, It Takes A Train To Cry
18- Gotta Serve Somebody
Encore:
19- Blowin’ In The Wind
20- Ballad Of A Thin Man

Grateful Dead – Albuquerque, NM (11/17/71)

Grateful Dead
11-17-71
Civic Auditorium
Albuquerque, New Mexico

Download FLAC: Amazon Drive

This is a flac encoded & tagged version o shnid: 102085

gd71-11-17.fm.cotsman.102085.sbeok.flac16

SBD> FM> MC> C> D> CD> EAC> SHN
patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source)

–Set 1–
101-d1t01 – /Truckin’ (9:16)
102-d1t02 – Sugaree (7:29)
103-d1t03 – Beat It on Down the Line (3:15)
104-d1t04 – Tennessee Jed (6:35)
105-d1t05 – //El Paso% (1:49)
106-d1t06 – Big Railroad Blues (4:01)
107-d1t07 – Jack Straw (5:37)
108-d1t08 – Deal (5:36)
109-d1t09 – Playing in the Band (7:29)
110-d1t10 – Cumberland Blues (5:21)
111-d1t11 – tuning (3:23)
112-d1t12 – Me & Bobby McGee (6:13)
113-d1t13 – You Win Again (3:16)
114-d1t14 – Mexicali Blues (3:54)
115-d2t01 – Casey Jones (6:22)
116-d2t02 – //One More Saturday Night// (1:37)

–Set 2–
201-d2t03 – Sugar Magnolia (6:55)
202-d2t04 – tuning (1:42)
203-d2t05 – Cryptical Envelopment -> (2:00)
204-d2t06 – Drums -> (3:35)
205-d2t07 – The Other One -> (10:52)
206-d2t08 – Me & My Uncle -> (3:10)
207-d2t09 – The Other One% -> (9:08)
208-d2t10 – Wharf Rat (8:13)
209-d2t11 – /Not Fade Away -> (8:19)
210-d2t12 – Goin’ Down The Road Feeling Bad -> (7:51)
211-d2t13 – Not Fade Away (3:17)

–Encore–
212-d2t14 – //Ramble On Rose (5:58)

–disc 1 total time–73:18–
–disc 2 total time–79:05–

Notes:
This is one of the muddier sounding FM broadcasts from the fall tour of ’71.
A higher gen FM patch provides the end of the first Other One through most of
Wharf Rat.

–first few seconds of Truckin’ are clipped
–FM announcer near the end of Truckin’
–first few seconds of El Paso are clipped
–splice @ 0:11 in El Paso; a couple minutes are missing
–blemish @ 3:12 in Bobby McGee
–dropout @ 3:50 in Bobby McGee
–blemish @ 0:18 in You Win Again
–dropout in left channel @ 0:10 in NFA
–the first few notes of OMSN are clipped
–OMSN cuts out; most of the song is missing
–minor splice in 2nd O1 @ 0:11
–first few notes of NFA are clipped
–Ramble On Rose cuts in on 1st verse
–Sound Forge was used for normalization, a small excerpt of pitch correction,
patching in of 2ndary source, etc.

part of The Music Never Stopped Project 2002

Thanks to Jeff Cook & Walter Schnell
edits/encoding by J. Cotsman

Bob Dylan – Albuquerque, NM (12/04/79)

Bob Dylan
Blessed Be The Name (Thinman-024/025)
Kiva Auditorium, Convention Center
Albuquerque, NM
December 4, 1979

Download FLAC: Amazon Drive

Disc 1:
01 Gotta Serve Somebody,
02 I Believe In You,
03 When You Gonna Wake Up?,
04 When He Returns,
05 Man Gave Names To All The Animals,
06 Precious Angel,
07 Slow Train,
08 Covenant Woman

Disc 2:
01 Gonna Change My Way Of Thinking,
02 Do Right To Me Baby (Do Unto Others),
03 Solid Rock,
04 Saving Grace,
05 Saved,
06 What Can I Do For You?,
07 In The Garden,
08 Blessed Be The Name,
09 Pressing On

LB-10990

Flac files extracted by cevau from disks provided by source.

Review from internet:

Blessed Be The Name contains the only known audience tape source circulating for Dylanís first of two nights in New Mexico on the first gospel tour in 1979. The tape does contain the complete show but Thinman chose to present only the Dylan tracks from the show. As much as one would like to hear the entire performance it is just as well as this is the very definition of a mediocre recording. Too poor to be labeled good and too good to be labeled poor, the sound quality sits right in the middle. It is listenable once the ears adjust to the distance, noisy audience and rumbling bass, but this will find its way to the cd player for research purposes and not necessarily for enjoyment. Itís a shame this werenít better because this is a great show to a (mostly) sympathetic audience. People by the taper keep yelling out ignored requests (ìHighway 61?, ìIsisî) and give praise to Dylan (ìPraise Dylan!î someone says after ìPrecious Angelî) but arenít hostile in any way.

Thinman include lengthy liner notes in the insert. It is uncredited but is written and posted by Watt Alexander on his excellent website The Gospel Project. His observations include: ìOver the next several nights, Dylan will deliver a number of superb vocal performances. Dylan begins to fiddle with his own phrasing and the overall melodic tenor of a number of songs. This evening, Dylan offers different approaches to ëSlow Train Comingí, ëCovenant Womaní, and ëGonna Change My Way Of Thinking.í

ìDylan gives ëSlow Trainí a more resigned feel, playing with the melodic possibilities of the otherwise generally percussive chorus. Dylan tones down ìCovenant Woman,î bringing out the love song qualities and using melismata to range within the expansive melodic structure of the song. Oddly, Spooner Oldhamís last solo seems truncated, just as heís biting into the song.

ìëGonna Change My Way Of Thinkingí receives a particularly nice treatment this evening. Dylanís vocals are outstanding, avoiding the plodding monotony the rhythmic structure of the song can create by leaping at odd phrasing and off-beat cadences which have a leering, accusatory quality to them. Tackettís guitar looms, adding wiry licks around Dylan and Drummond marching rhythm, then jumping into tightly wound, tense solos. Terry Youngís organ solo wails and drones in layers, then reverts to staccato counterpoint in support of the melody. Throughout it all, Keltnerís drumming is simply superb, rolling fills between stanzas, then wonderful backbeats to accent the monotonous cowbell beat which underlies this song. This segment of the tour truly deserves a high quality mix which could do justice to the wonderful instrumental interplay behind Dylanís vocals.

ìThe band also delivers wonderful renditions of ëSolid Rockí and ëSavedí this evening. They assert themselves more during the open measures in ìSolid Rockî where earlier in the tour, they waited for Dylan to sing. On ëSavedí Drummond and Keltner step forward in the chorus, show what can be done within a two-beat stomp and nicely balancing Terry Youngís romping piano.î

The artwork is nice with several pictures of Dylan and McCreavy with their hands up in holy supplication. It would have been good if the label credited the liner notes to give some publicity to Wattís great website. Blessed Be The Name is another in a bunch releases by Thinman from the gospel years. Since they began production last spring they have released five overall, more from these years than any other. In the end it isnít a matter of faith but of good music and Dylanís journey into American gospel music was a bold move that produced some startling performances and it is to our benefit that Thinman is giving these tapes good releases. This is a great show but with the mediocre sound quality this is for the Dylan fan only.

Blessed Be The Name contains the only known audience tape source circulating for Dylan’s first of two nights in New Mexico on the first gospel tour in 1979. The tape does contain the complete show but Thinman chose to present only the Dylan tracks from the show. As much as one would like to hear the entire performance it is just as well as this is the very definition of a mediocre recording. Too poor to be labeled good and too good to be labeled poor, the sound quality sits right in the middle. It is listenable once the ears adjust to the distance, noisy audience and rumbling bass, but this will find its way to the cd player for research purposes and not necessarily for enjoyment. It’s a shame this weren’t better because this is a great show to a (mostly) sympathetic audience. People by the taper keep yelling out ignored requests (“Highway 61″, “Isis”) and give praise to Dylan (“Praise Dylan!” someone says after “Precious Angel”) but aren’t hostile in any way.

Thinman include lengthy liner notes in the insert. It is uncredited but is written and posted by Watt Alexander on his excellent website The Gospel Project. His observations include: “Over the next several nights, Dylan will deliver a number of superb vocal performances. Dylan begins to fiddle with his own phrasing and the overall melodic tenor of a number of songs. This evening, Dylan offers different approaches to ‘Slow Train Coming’, ‘Covenant Woman’, and ‘Gonna Change My Way Of Thinking.’

“Dylan gives ‘Slow Train’ a more resigned feel, playing with the melodic possibilities of the otherwise generally percussive chorus. Dylan tones down “Covenant Woman,” bringing out the love song qualities and using melismata to range within the expansive melodic structure of the song. Oddly, Spooner Oldham’s last solo seems truncated, just as he’s biting into the song.

“‘Gonna Change My Way Of Thinking’ receives a particularly nice treatment this evening. Dylan’s vocals are outstanding, avoiding the plodding monotony the rhythmic structure of the song can create by leaping at odd phrasing and off-beat cadences which have a leering, accusatory quality to them. Tackett’s guitar looms, adding wiry licks around Dylan and Drummond marching rhythm, then jumping into tightly wound, tense solos. Terry Young’s organ solo wails and drones in layers, then reverts to staccato counterpoint in support of the melody. Throughout it all, Keltner’s drumming is simply superb, rolling fills between stanzas, then wonderful backbeats to accent the monotonous cowbell beat which underlies this song. This segment of the tour truly deserves a high quality mix which could do justice to the wonderful instrumental interplay behind Dylan’s vocals.

“The band also delivers wonderful renditions of ‘Solid Rock’ and ‘Saved’ this evening. They assert themselves more during the open measures in “Solid Rock” where earlier in the tour, they waited for Dylan to sing. On ‘Saved’ Drummond and Keltner step forward in the chorus, show what can be done within a two-beat stomp and nicely balancing Terry Young’s romping piano.”

The artwork is nice with several pictures of Dylan and McCreavy with their hands up in holy supplication. It would have been good if the label credited the liner notes to give some publicity to Watt’s great website. Blessed Be The Name is another in a bunch releases by Thinman from the gospel years. Since they began production last spring they have released five overall, more from these years than any other. In the end it isn’t a matter of faith but of good music and Dylan’s journey into American gospel music was a bold move that produced some startling performances and it is to our benefit that Thinman is giving these tapes good releases. This is a great show but with the mediocre sound quality this is for the Dylan fan only.

Bob Dylan – Albuquerque, NM (12/05/79)

Bob Dylan
Kiva Auditorium and Convention Centre
Albuquerque, NM
12/5/79

Download FLAC: Amazon Drive

Setlist

Disc 1
1. Train monologue/If I Got My Ticket, Lord
2. It’s Gonna Rain
3. Do, Lord, Remember Me
4. Look Up and Live
5. Oh Freedom
6. This Train
7. Gotta Serve Somebody
8. I Believe in You
9. When You Gonna Wake Up?
10. When He Returns
11. Man Gave Names to All the Animals
12. Precious Angel
13. Slow Train Coming

1-6: vocals by the back-up singers

Disc 2
1. Covenant Woman
2. God Uses Ordinary People
3. Gonna Change My Way of Thinking
4. Do Right to Me Baby
5. Solid Rock
6. Saving Grace
7. Saved
8. What Can I Do For You?
9. In the Garden
10. Blessed is the Name
11. Pressing On

2: vocals by Mona Lisa Young

LB-2720
Source: “Dual mono Audience Tape”-> direct to CDR -> first generation CDR Improved Air remaster

Los Lobos – Albuquerque, NM (11/17/11)

Los Lobos
11-17-2011
Kiva Auditorium, Albuquerque, NM
Benefit Concert for La Cosecha Dual Language Conference

Download FLAC: Amazon Drive

Schoeps mk4’s (ortf)>Oade m118>Oade WMOD HDP2 @24/48
DFC @ Soundboard ~7ft high
cool edit pro>cdwave editor>flac16

Taped, transferred and uploaded by Richard Skaggs.

Disc1
01 – Intro
02 – Yo Canto
03 – Evangeline
04 – Don’t Worry Baby
05 – Come on Let’s Go
06 – Luz De Mi Vida
07 – On Main Street
08 – I walk Alone
09 – The Neighborhood
10 – Chuco’s Cumbia
11 – La Pistola y El Corazon%
12 – Papa Was a Rolling Stone>I Can’t Understand>Oye Como Va
13 – Kiko and the Lavendar Moon

Disc 2

01 – Let’s Say Goodnight
02 – Ay Te Dejo En San Antonio
03 – ??>
04 – Volver, Volver
05 – Mas Y Mas>*
06 – Cumbia Raza>*
07 – La Bamba>Good Lovin’>La Bamba*
08 – Crowd

Encore
09 – Have You Ever Loved a Woman$

Comments: I split the dics to have a nearly even amount on each one, a little over a 2 hour show.

%=w/out acoustic instruments
*=W/members of Nosotros on Sax, vocals and percussion
$=w/out Cesar, and w/Nosotros sax player