Keith Jarrett – New York, NY (09/09/06)

Keith Jarrett
2006-09-09
NPR Marian McPartland’s Piano Jazz [FM] Re-seed
Manhattan Beach Studios, New York, NY

Lineage: FM > ? > CD-R > WAV > FLAC

I received the CD-R in a recent trade with no lineage info. Dimebot reports that this performance was once here, uploaded by ukaykeys in Jan 2007.

Set List:

Improvisation (Jarrett)
Blackberry Winter (McGlohon, Wilder)
Free Piece (Jarrett, McPartland)
Portrait of Keith Jarrett (McPartland)
Country (Jarrett)
Indian Summer (Herbert)

Personnel:

Keith Jarrett-p
Marian McPartland-p

Date recorded as 2006-09-09 on etree:
http://db.etree.org/lookup_show.php?shows_key=350744

Date recorded as 2006-09-08 on NPR web site:
http://www.npr.org/templates/story/story.php?storyId=15031508

Keith Jarrett – New York, NY (09/12/89)

KEITH JARRETT / GABRIEL JARRET DUO
Live in NYC, USA
unknown venue
1989-09-12

SOURCE:
SOUNDBOARD>trade>CDR>FLAC FRONTEND>flac

SOUND:
Excellent (listen to mp3 samples)

LINEUP:
Keith Jarrett: piano
Gabriel Jarrett: percussion

TRACKS:

  1. Improvisation One 28.49
  2. Improvisation Two 04.39
  3. Improvisation Three 21.17*
  4. Improvisation Four 24.37*
  • few clicks, maybe someone could remove that

UPLOADED BY RICOLA
DIME: 2011-06-18

John Lennon – Complete Clock Soundtrack

John Lennon
Complete “Clock” Soundtrack
(1971 St. Regis Hotel & Hotel Syracuse,NY CD 1) Green Grape

“Filmed one September afternoon shortly after the Lennons’ arrival in New York during their stay at the St. Regis Hotel, Clock was yet another attempt of Yoko’s at treading the same ground as Andy Warhol and his film works like Empire State, which simply presented the edifice of the famed New York landmark for 24 hours.”
(Eight Arms To Hold You, Madinger & Easter, p. 59) The movie starred a clock on the dresser in the Lennon suite tat was simply filmed in one take while an hour ticked by. The soundtrack consisted of JOhn busking through a repertoire of his favourite RnR oldies, as well as his newly written ode to his new place of residence. This is the most complete version that we have so far as compiled by Green Grape, half of the material is still unaccounted for.

Lineage: DL from another torrent site – tlh – dime

  1. Shazam! (Eddy/Hazlewood) 1.19
  2. Honey Don’t (Perkins) 2.44
  3. Glad All Over (Schroeder/Tepper/Bennett) 0.34
  4. Lend Me Your Comb (Twomey/Wise/Weisman) 2.00
  5. New York City (Lennon) 1.16
  6. Wake Up Little Susie (Everly/Everly) 1.06
  7. Vacation Time (Berry) 2.21
  8. Peggy Sue (Holly/Allison/Petty) 1.20
  9. Not Fade Away (Holly/Petty/Hardin) 0.57
  10. You’re So Square (Baby I Don’t Care) (Leiber/Stoller) 2.04
  11. Heartbeat (Montgomery/Petty) 1.13
  12. Peggy Sue Got Married (Holly) 1.15
  13. Peggy Sue (Holly/Allison/Petty) 1.14
  14. Maybe Baby (Holly/Petty/Hardin) 2.20
  15. Mailman, Bring Me No More Blues (Roberts/Katz/Clayton) 2.49
  16. Rave On (West/Tilghman/Petty) 1.15
  17. Exit Piece (Lennon) 0.49

Not part of the soundtrack but recorded on the same day:

  1. Call My Name (Lennon) 4.32

John Coltrane – New York, NY (08/26/65)

John Coltrane Quartet
Rca- Victor Studios NYC 1965 august 26
WKCR Broadcast Sept 23 2001

John Coltrane: soprano, tenor sax
McCoy Tyner: piano
Jimmy Garrison: bass
Elvin Jones: drums

Cdr in trade > eac > Audacity >Flac > dime

Uploaded by u014945 2012 april 09

all info from the john Coltrane reference

In 2001 WKCR made a Broadcast containing the unreleased takes of the Sunship Album

these takes have never been released officially

01 Dearly beloved take 2 4:28
02 Dearly Beloved take 3 1:30
Dearly Beloved Master 6:08 (Not present here)

03 Attaining Take I 14:07
04 Attaining Take 2 1:03

Attaining Take 3 not present here because the first 7:24 of this track plus the the last 3:58 of Insert 1 are the Master take

05 Insert 1 00:40 present here the first 40″ of 4:55 mainly to present some studio chatter
06 Sunship Take I 1:06
07 Sunship Take 2 – Incomplete 2:30

enjoy

Maurizio

Bruce Springsteen – Born in the USA Outtakes

Bruce Springsteen
Unsatisfied Heart – Remastered Born In The U.S.A. Outtakes
Label: Ev2
Format: 2CD
Source: Studio
Date: 1982 – April 1984
Location: The Hit Factory / The Power Station, New York City, NY

Disc 1:
01 Born In The U.S.A.
02 Murder Incorporated
03 Downbound Train
04 Glory Days
05 This Hard Land
06 My Love Will Not Let You Down
07 Johnny Bye Bye
08 Frankie
09 I’m Goin’ Down
10 Working On The Highway
11 I’m On Fire

b-sides:
12 Sugarland
13 Follow That Dream
14 Dont Back Down
15 One Love
16 Little Girl

Disc 2:
01 None But The Brave
02 Murder Incorporated #2
03 (Drop On Down And) Cover Me
04 Janey Don’t You Lose Heart
05 My Love Will Not Let You Down #2
06 Cynthia
07 Darlington County
08 Protection
09 TV Movie
10 County Fair

Solo:
11 Shut Out The Light
12 Richfield Whistle
13 Fugitives Dream
14 Delivery Man
15 The Klansman
16 Unsatisfied Heart

Disc One (1) details:

Recording details:

  • Track 11 recorded at The Hit Factory, Feb 1982.
  • Tracks 1,3,4 recorded at The Hit Factory, March or April 1982.
  • Track 2 recorded at The Power Station, April or May 1982.
  • Track 10 recorded at The Hit Factory, April 1982.
  • Track 5 recorded at The Hit Factory, May 11, 1982.
  • Track 8 recorded at The Hit Factory, May 14, 1982.
  • Track 6 recorded at The Hit Factory, May 5, 1982.
  • Track 9 recorded at The Power Station, November 9th 1983.
  • Track 13 recorded at Thrill Hill West, LA, CA, January 30, 1983.
  • Track 14 recorded at Thrill Hill West, LA, CA, January 4, 1983.
  • Tracks 7,12,15,16 recorded at Thrill Hill West, mid Jan to mid Feb 1983.

Source details:

  • Tracks 1,2,3,4,5,6,8,10,11 from ‘This Hard Land’, BS2002
  • Tracks 9,12 from ‘Lost Masters XIX’, LOVE 019
  • Tracks 7,17 from ‘Lost Masters XVII’, LOVE 017
  • Tracks 14,15,16 from ‘Lost Masters XVI’, LOVE 016

Track descriptions:
01 Contains a different Springsteen vocal overdub and a very long, extended jam ending.
02 This track has the original Van Zandt background vocals.
03 Slighly different version / mix.
04 Unedited, contains an entire extra verse (about Bruceís dad) that was cut from the officially released version.
05 One of his finest studio performances. For some bizarre reason Springsteen & The E Street Band re-recorded the
song in 1995 and released that re-recording on ‘Greatest Hits’ ñ but it pales in comparison to this original.
06 Different mix than on the one released on ‘Tracks’.
07 Bruce borrowed the first two lines from Chuck Berryís song ìBye Bye Johnnyî (as well as the play on the title),
which is why itís registered as a Springsteen-Berry composition.
08 Originally recorded for “Darkness”, and recorded again here, this was considered for the ‘Greatest Hits’ collection but was finally dropped.
09 Full, unedited version that includes lyric changes and the complete raucous ending. This track runs nearly a full 1:30 longer than the released version.
10 Slighly different version / mix.
11 A bit longer version.
12 Beautiful keyboards by Danny and Roy augment some fine acoustic guitar playing by Bruce.
13 Presented in best-ever quality, this unreleased gem far eclipses any current circulated versions.
14 Unreleased studio outtake.
15 Wonderful tune with a killer chorus – note the bass line similar to the Human Touch B-side ’30 Days Out’
16 Short but energetic rocker.

‘Thrill Hill West’ is Springsteenís home studio in Los Angeles (aka ‘Hollywood Hills Garage Studio’)
Most band tracks are E Street Band backing versions from so-called ìelectric Nebraska sessionî

Disc Two (2) details:

Recording details:

  • Track 1 recorded at The Hit Factory, from the April-June 1983 sessions.
  • Track 3 PROBABLY recorded at The Hit Factory during Jan or early Feb 1982. May be from later.
  • Track 2 recorded at The Power Station, April or May 1982.
  • Track 4 recorded at The Hit Factory, June 16, 1983
  • Track 5 recorded at The Hit Factory, May 5, 1982.
  • Track 6 recorded at The Hit Factory, April 20, 1983.
  • Track 7 recorded at The Power Station during April or May 1982.
  • Track 8 recorded at The Hit Factory, Feb 1982.
  • Track 9 recorded at The Hit Factory, June 13, 1983.
  • Track 10 recorded at The Hit Factory, April or May 1983.
  • Tracks 11,13 recorded at Thrill Hill West, August 1982 through April 1983.
  • Tracks 12,14,16 recorded at Thrill Hill West, January through May 1983.
  • Track 15 recorded at Thrill Hill West, January 4, 1983.

Source details:

  • Tracks 1,2,3,4,5,6 from ‘Murder Incorporated’, FR03
  • Track 7 from ‘This Hard Land’, BS2002
  • Tracks 9,10 from ‘Lost Masters XIX’, LOVE 019
  • Tracks 14,16, from ‘Lost Masters XVII’, LOVE 017
  • Track 12 from ‘Lost Masters XVIII’, LOVE 018
  • Tracks 15,11,13 from ‘Lost Masters XVI’, LOVE 016
  • Track 8 from ‘Lost Masters IV’, LOVE 004

Track descriptions:
01 The original mix without the new (90’s) vocal track or the overdubbed second guitar on ‘The Essential BS’. One of my favourite tracks, too bad the sound quality is what it is.
02 Different mix permutation of the same core recording as #1.
03 Completely different recording than the released ‘Cover Me’ done in a dramatically different arrangement.
This may actually date from a later period in the sessions than the original ‘Cover Me’.
04 Same core recording as on ‘Tracks’, but has a much longer fade out (very nice) and features Steve Van Zandt on background vocals and guitar.
05 Different mix permutation of the same core recording as #1.
06 Different mix than on the one released on ‘Tracks’.
07 Includes slightly different lyrics and an alternate beginning and ending.
08 This song was given to Donna Summer, who was recording an album at the time at the same studio.
Summerís cover version (with Springsteen on guitar) was recorded in March 1982 (released Aug 82).
Bruce and Donna also recorded a duet vocal version at her sessions ñ it remains uncirculating.
09 Original mix with the saxophone track (deleted on ‘Tracks’).
10 Features Ruth Jackson on background vocals. Possibly recorded at the same session as ‘My Hometown’ (which also features Jackson).
11 By far the definitive version of this song ñ contains an additional, important lyric verse that has been cut from all the other versions.
12 Brilliant song that developed from a 1981-82 work-in-progress composition called ‘James Lincoln Dear’
13 Unreleased studio outtake.
14 Unreleased studio outtake.
15 Compelling song. Features a dark, brooding beat that mirrors the disturbing nature of the lyrics. A nice vocal performance here and we’re left wondering what possessed him to write this one.
16 Add this to the ever expanding list of Bruce’s greatest unreleased songs. A man surveys his life and wonders if he can ever escape the demons of his past.

  • ‘Thrill Hill West’ is Springsteenís home studio in Los Angeles (aka ‘Hollywood Hills Garage Studio’).
  • Most band tracks are E Street Band backing versions from so-called ìelectric Nebraska sessionî

OK, so I had already done the ‘Born To Run’, ‘Darkness’ & ‘The River’ outtakes, most BITUSA outtake bootlegs only have 1cd
and don’t include as many different tracks as I’d like to. So I just tried to add all important tracks to the same boot.
I know, not every outtake is included and that wasn’t my intention either.

The first disc is supposed to be the original track listing of ‘Murder Incorporated’, the never-released 1983 album which was
(as you can see/hear) a lot darker than ‘Born In The U.S.A.’ Also included are the 5 b-sides Bruce had intended to use. (SEE BELOW)

When burning this compilation, make sure you burn it DAO – without the 2 seconds gaps between each track.

Big thanks to a few people on SPL (reidneile, jumpstone) – I hope you all enjoy this.
This one’s dedicated to ‘richr’ and all his friends over at ‘Thunder Road’.

Thanks to brucebase & theboots.net for some of the song descriptions.

By July 1983 Springsteen was in the final stages of mixing and track selection for the album. There was talk of a pre-Christmas release.
There was certainly no shortage of outstanding material to pick from. A document exists from mid 1983 revealing Springsteenís selection for the BITUSA album,
as well his selections for b-sides. It was as follows:

BORN IN THE USA
MURDER INCORPORATED
DOWNBOUND TRAIN
GLORY DAYS
THIS HARD LAND
MY LOVE WILL NOT LET YOU DOWN
JOHNNY BYE BYE
FRANKIE
IíM GOIN DOWN
WORKING ON THE HIGHWAY
IíM ON FIRE
b-side / SUGARLAND
b-side / FOLLOW THAT DREAM
b-side / DONíT BACK DOWN
b-side / ONE LOVE
b-side / LITTLE GIRL LIKE YOU

Miles Davis – New York, NY (12/24/49)

Stars of Modern Jazz (w/ Miles Davis)
12-24-1949
Carnegie Hall
New York, New York

Project ID – LL80

Source: FM Broadcast
Lineage: Voice of America broadcast > ?? > cd (Peter Losin’s Archive)
cd duplicated (burner to burner) > eac > flac (lvl 8)

Miles Davis (tpt); Bennie Green (tb); Sonny Stitt (as); Serge Chaloff (bs);
Earl “Bud” Powell (p); Dillon “Curly” Russell (b); Max Roach (d);
Symphony Sid Torin (ann)

disc 1

d1t01. Introduction
d1t02. All God’s Children Got Rhythm
d1t03. Introduction
d1t04. Move
d1t05. Hot House
d1t06. Ornithology/

Notes:

  • d1t06 fades out at the end of the track with the music still playing.
  • Decent sound. There is a Slight hiss and crackle, but very enjoyable. A great early
    performance by some big hitting players.
  • “Davis, Green, Stitt, and Chaloff (billed as “The Stars of Modern Jazz”) joined the
    Bud Powell Trio, Sarah Vaughan, the Lennie Tristano Sextet, the Stan Getz-Kai Winding
    group, and the Charlie Parker Quintet for a Christmas Eve late-night concert.
    (The bulk of the concert is on the Jass CD.)” – Credit to Peter Losin,
    http://www.plosin.com/
  • “From mid-November through December 10 Davis was booked along with Anita O’Day
    at the Hi-Note Club on the north side of Chicago; he was backed by Eddie Baker (p),
    Bob Peterson (b), and Hal Russell (d, vb).” – Credit to Peter Losin, http://www.plosin.com/
  • QC done by Bgreen

Miles Davis – Complete Royal Roost Broadcast

Miles Davis
TADD DAMERON BAND
Complete Royal Roost Broadcast 1948 (29 August) – 1949 (21 April) Vol. 3
Historical Series Vol. 136, Philology W 5136

13.11.1948 – Royal Roost, NY – WMCA Radio broadcast
Tadd Dameron (ldr), Kai Winding (tb), Allen Eager (ts), Tadd Dameron (p), Dillon “Curley” Russell (b), Kenny Clarke (d), Symphony Sid Torin (mc)
01 Lady Bird 4’17
02 Good bait 4’34
03 Dizzy Atmosphere 4’34

12.02.1949 – Royal Roost, NY – WMCA Radio broadcast
Tadd Dameron (ldr), Leonard Hawkins (t), Ted Kelly (tb), Benjamin Lundy (tu), Sahib Shihab (ts), Cecil Payne (bar), Tadd Dameron (p), John Collins (g), Dillon “Curley” Russell (b), Kenny Clarke (d), Symphony Sid Torin (mc)
04 Good Bait 6’09
05 Sid’s Delight 2’54
06 Focus 4’03
07 Wahoo 3’54

19.02.1949 – Royal Roost, NY – WMCA Radio broadcast
Tadd Dameron (ldr), Miles Davis (t), Kai Winding (tb), Benjamin Lundy (tu), Sahib Shihab (ts), Cecil Payne (bar), Tadd Dameron (p), John Collins (g), Dillon “Curley” Russell (b), Kenny Clarke (d)
08 Good Bait 3’22
09 Focus 3’55
10 April In Paris 2’56
11 Sid’s Delight 3’38

26.02.1949 – Royal Roost, NY – WMCA Radio broadcast
Tadd Dameron (ldr), Miles Davis (t), Kai Winding (tb), Benjamin Lundy (tu), Sahib Shihab (ts), Cecil Payne (bar), Tadd Dameron (p), John Collins (g), Dillon “Curley” Russell (b), Kenny Clarke (d)
12 Miles 3’37
13 Casbah 3’40

05.03.1949 – Royal Roost, NY – WMCA Radio broadcast
Tadd Dameron (ldr), Miles Davis (t), Kai Winding (tb), Benjamin Lundy (tu), Sahib Shihab (as), Cecil Payne (bar), Tadd Dameron (p), John Collins (g), Dillon “Curley” Russell (b), Kenny Clarke (d), Carlos Vidal (per), Symphony Sid Torin (mc)
14 Good Bait/The Squirrell 7’47

Total Time: 59:24

Miles Davis – New York, NY (03/04/49)

All-Star jam session
03-04-1949
CBS-TV Studios
New York, New York

Project ID – 79

Source: TV Broadcast
Lineage: WCBS-TV recording (Adventures in Jazz) > ?? > cd (Peter Losin’s Archive ) >
cd duplicated (burner to burner) > eac > flac (lvl8)

Miles Davis (tpt); Max Kaminsky (tpt); Kai Winding (tb); Will Bradley (tb);
Charlie Parker (as); Joe Marsalla (cl); Unknown (b); Max Roach (d);
Gordon “Specs” Powell (d); Ann Hathaway Ann Baker; William Williams (ann)

disc 1

d1t01. Introduction
d1t02. Anthropology
d1t03. Introduction
d1t04. Bop City
d1t05. Introduction
d1t06. I Get a Kick Out of You
d1t07. Introduction
d1t08. Big Foot/


Notes:

  • d1t08 is incomplete.
  • The sound is a little muffled and distant, with some light static. Still listenable.
    Pretty good considering the origin was a TV broadcast from 58 years ago. d1t08 was
    definetely the cake taker in this performance.
  • This is a very interesting recording, a real good example of the period, splitting
    at the seams with short cameo’s from some real legends.
  • I believe the TLH reading below shows lossy due to the fact that this was an early
    television broadcast and the wave lengths are severly limited. I don’t believe that MP3’s
    were a factor.
  • “Recorded for the WCBS-TV show Adventures in Jazz. Davis plays only on the “Big Foot”
    jam, a bop-vs.-Dixieland duel with Kaminsky. His range is impressive here, just as it
    is on the recordings a couple months later from the Paris Festival International de Jazz.
    ” – Credit to Peter Losin, http://www.plosin.com/
  • “At this time Davis was a member of the Tadd Dameron Tentet, in the midst of a
    month-long engagement (February 12-March 16) at the Royal Roost on Broadway.” – Credit to
    Peter Losin, http://www.plosin.com/
  • QC done by Bgreen

Miles Davis – New York, NY (02/26/49)

Miles Davis
February 26, 1949 (2 items, 7:11)
Royal Roost, New York
WMCA radio broadcast
Tadd Dameron’s Big Ten

Miles Davis (tpt); Kai Winding (tb); Sahib Shihab [Edmund Gregory]
(as); Benjamin Lundy (ts); Cecil Payne (bs); Tadd Dameron (p); John
Collins (g); Dillon “Curly” Russell (b); Kenny Clarke (d); Carlos
Vidal (bgo)

Milano (J. Lewis) [Miles] 3:35
Casbah (T. Dameron) 3:36

part of Rare Miles 1946-1955 (2 SHN cds)

Miles Davis – New York, NY (02/19/49)

Miles Davis
February 19, 1949 (13:44)
Royal Roost, New York
WMCA radio broadcast
Tadd Dameron’s Big Ten

Source: Liberated bootlegs? Radio broadcasts? > ?? > CD-R
Conversion: CD-R > WAV (extracted with EAC) > mkwACT 0.97 b1 > SHN
Digital Audio Extraction and SHN encoding performed by Mike Vescovo (db.etree.org/shackaholic).

  1. Good Bait (T. Dameron-C. Basie) 3:19
  2. Focus (T. Dameron) 3:53
  3. April in Paris (E.Y. Harburg-V. Duke) 2:53
  4. Webb’s Delight (T. Dameron) 3:36

Miles Davis (tpt); Kai Winding (tb); Sahib Shihab [Edmund Gregory]
(as); Benjamin Lundy (ts); Cecil Payne (bs); Tadd Dameron (p); John
Collins (g); Dillon “Curly” Russell (b); Kenny Clarke (d); Carlos
Vidal (bgo)