Junior Wells – San Luis Obispo, CA (04/30/94)

Junior Wells
4/30/94
SLO Vets’ Hall
San Luis Obispo, CA

Yamaha 16 Channel Soundboard >Tascam DA-30
DAT Master Transferred: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO
CD Masters >FLAC + Tags (Level 8) Via xACT 2.53

Recorded, Transferred, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr

SLO Blues Society

Set I
Disc I:

  1. Intro
  2. Sissy Strut (False Start)*
  3. Sissy Strut (Reprise)
  4. Turning Point (1)
  5. Junior Wells Intro >Broke And Hungry
  6. Keep Your Hands Out Of My Pockets
  7. Got My Mojo Workin’
  8. Little Red Rooster
  9. Hey The Blues Is Alright

Set II
Disc II:

  1. One Way Out (1)
  2. Funky Broadway (2)
  3. Junior Wells Intro >Messin’ With The Kid
  4. In My Younger Days
  5. Give It Up >
  6. Goin’ Back Down South
  7. Today I Started Loving You Again

Encore Missing (See Notes Below)

Junior Wells -Harmonica, Vocals
Ed Wooten – Guitar, Lead Vocals On (2)
Vic Jackson – Bass
Johnny Iguana – Keyboards
Little Joe Burton – Slide Trombone
Doug Fagan – Saxophone
Mohammed Soloman – Saxophone
Willie Hayes – Drums, Announcements, Lead Vocals On (1)

*Power Failure

OldNeumanntapr Notes-
My friend little Jack was the house soundman for the SLO Blues Society. Jack was a dwarf and needed help hauling the PA and setting it up at the gigs, so in exchange for my help I got to plug my tape recorder into the board. This was the first show that I did with the Tascam DA-30. It was brand new and I had just taken delivery. I used it for this show because I did not as of yet own a DAT portable. We had just pulled the W-402 jumper that afternoon, which disabled the internal SCMS circuits, and now allowed unlimited digital copies. The DA-30 (1st generation model) was a huge monolithic beast and looked really conspicuous sitting on the table next to the board, but no one said anything. The deck used a tray to load the DAT tape, so it wasn’t overly obvious that it was a tape recorder.

There was a circuit breaker that blew a little over two minutes into the show because the Blues Society volunteers had plugged the stage lights into the same circuit as the PA! The DAT shut down as well, because it was plugged into the PA power strips.
I remember running up and going back stage to flip the breaker and noticing that everything was plugged into one circuit! Because the DAT shut off when the power went off there was no gap on the tape.

The guy in the band who was the announcer (Willie Hayes) had a cordless mic, and every time he switched it on it made a “swoosh” noise. Also, the mixer board had dust in the sliders and there was some noise when Jack would adjust the sliders. It was an old 16 channel Yamaha board that came out of a club in Los Angeles that had been dismantled. We used to use it outdoors a lot for blues shows and other gigs. Plus, it was stored in a barn, so it was full of dust. It had great sound though! I had asked Jack to give me a stereo mix, so that was cool too.

The encore was not recorded. I got nervous about having the DA-30 there and I pulled cables between the end of the second set and the encore and ran the deck out to my truck. Besides, I only had a two hour DAT and it would have run out anyway.
The name of the opening band that Wells kept referring to was named “Dyrewolf”. It’s a reference to a Grateful Dead song, and was fronted by some friends of mine. The frequent “pops” throughout were made by Junior’s mouth, and are not recording errors.

After we did the load in for the show I was standing out in front of the Vets’ Hall, getting ready to walk into town to get a cheeseburger at Ed’s, a favorite place of mine at the time.
Junior Wells had just arrived to do the sound check and noticed me standing outside with my long hair and Grateful Dead T-shirt. He looked at me and said, ‘Where be the weed in this town, boy?’
I said,’Mr. Wells, I will see what I can do’, and that’s how I ended up scoring a bag for Junior Wells.

Apparently someone pressed this as a bootleg CD at one point, and when my friend John tried to upload it to a popular live music torrent site it was banned as being a ‘commercial’ source!

DO NOT Convert To MP3!
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

James Cotton – San Luis Obispo, CA (10/30/99)

James Cotton
10/30/99
SLO Vets’ Hall
San Luis Obispo, CA
SLO Blues Society
Halloween Show

Digital Soundboard; Mackie 24 Channel Mixing Board (Stereo Mix) >RCA >Tascam DA-P1 (16bit/44.1khz)

DAT Master Transferred: Sony PCM-R500 >S/PDIF >Tascam HD-2P
WAV >iZotope RX6 Advanced & Har-Bal 3.0 > (Balance Adjusted And Increased By 6.5(L) And 7dB(R), Reducing Selected Peaks In The Right Channel To Prevent Clipping.) >
Audacity (Track Splits) >FLAC (Level 8) + Tags Via xACT 2.39

Recorded, Audacity Track Splits, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr
Transferred By Terry Watts
iZotope / Har-Bal Post Production By Flying M

James Henry Cotton (July 1, 1935 – March 16, 2017) RIP

Set I:
01 //Ride With Me Baby
02 Cotton intro >
Lightnin’
03 Fire Down Under The Hill
04 Blow Wind Blow
05 Love Me Or Leave Me
06 Going Down Main Street
07 I’m Ready
08 You Don’t Have To Go
09 That’s Alright
10 Got My Mojo Workin’ >
Off The Wall
11 MC Outro

Set II:
01 MC Intro
02 Pinetop’s Boogie Woogie
03 Tore Down
04 Cotton Intro >
The Creeper
05 Early In The Morning
06 Rocket 88
07 Cross My Heart
08 Ninety Nine
09 The Key (To Your Door)
10 Where Were You (When The Evening Sun Went Down)
11 Don’t Start Me Talking
12 It Must Be Sunday Morning//

Band Lineup
James Cotton – Harmonica, Vocals
David Maxwell – Piano
Rico McFarland – Guitar, vocals on set2t03
Darrell Nulisch – Vocals, Harmonica on set2t08 and 09

OldNeumanntapr Notes-
This was the last time that I was to see ‘Mr. Super’, James Cotton. He was an excellent harmonica player, though in his later years I thought his voice was shot. He doesn’t seem to sing much on this recording. I was fortunate enough to get a nice stereo mix for this one.

I had my Tascam DA-P1 in a bag, under the board, because we did NOT have permission for this one. The road manager even stopped by to ask Jack, the soundman, ‘You don’t have any tape decks, do you?’ Oh no, not at all. I’ve been waiting for a long time to let this one out, and I hope people enjoy it and not try making a buck off my recording or the, deceased, artist’s work.

It was a bit worry-some. My DAT ran out before the show ended, so I unplugged the cables and ran the bag with the deck out to the truck before the house lights came on. The beginning of the show is cut because, as I remember, someone from the band was hanging around the board area when the show started and it would have been a dead giveaway to be seen bending down and reaching into the bag to start the DAT.

Thanks to Flying M for his expertise with the post production work.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

James Cotton – San Luis Obispo, CA (11/14/92)

James Cotton
11/14/92
SLO Vets’ Hall
San Luis Obispo, CA
SLO Blues Society

Yamaha 16 Channel Soundboard; Sony TC-D5M Cassette Master [TDK MA-X] >CDR >FLAC,
Cassette >CDR Transfer Via: Sony TC-D5M->HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.28. FLAC Tags Via xACT 2.53

(Recorded, Transferred, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr)

I THINK that Dennis Orr worked on this but I have nothing in my notes as to what he did. I think he supplied the setlist and figured out who played on what songs. Thanks as always to him.

Set I
Disc I:

  1. Instrumental*
  2. Steamroller Blues*#
  3. James Cotton Intro >Instrumental
  4. Rocket 88
  5. You Don’t Have To Go
  6. Rock Me, Baby
  7. Got My Mojo Working
  8. Sweet Home Chicago
  9. Just a Little Bit
  10. Instrumental

Set II
Disc II:

  1. Instrumental*
  2. Everybody Knows About My Good Thing*^
  3. James Cotton Intro >Hitch Hike
  4. Take Off Your Shoes
  5. Someone Else Is Steppin’ In (Slippin’ Out, Slippin’ In)
  6. The Things That I Used To Do
  7. I’m Ready@
  8. Get On Down
  9. Blow Wind Blow
  10. My Love Don’t Mean A Thing
  11. Mannish Boy
  12. You Know I Love You
  13. Let’s Shout (Baby Work Out) >I Feel Good >Set Closing Jam*

Encore –

  1. Stop Breaking Down >
  2. Outro Jam*

James Cotton – Harmonica & Vocals
Russ Williams – Keyboards & Vocals#
Quince ? – guitar, vocals^
??? – Bass
??? – Drums

*Band Only, No James
@Unknown Woman From The Crowd – Backing Vocals

‘The Forecasters’ Opened

OldNeumanntapr Notes;
This was the first time that I’d seen ‘Mr. Super’, James Cotton. He blew a great harp but I thought his vocals were really raspy. I’ve seen a few harmonica players at the Blues Society over the years and thought that James Cotton was one of the better ones. I liked his playing better than say, Charlie Musselwhite, but their styles aren’t quite the same so maybe that’s not a fair comparison. Some drunk woman from the audience got up onstage and ‘performed’ with the band. I don’t know if you’d call it singing or just moaning but people laughed and the band seemed to find it amusing. This might have been the first time that I used my Sony D5 to record one of the SLO Blues Society shows. I had recently purchased it from my friend Jack in Salt Lake City when he made the transition to DAT. Thanks, as always, to my friend Little Jack, the house soundman for the Blues Society, for allowing me to plug into his Yamaha soundboard. His gear was old but had good sound. (He told me once that the mixing board came out of a club in Los Angeles that was being torn down and he bought it from a pro-audio recycler.) I was a volunteer on the sound crew for the SLO Blues Society for most of the 1990s until Jack retired in the very early 2000s. Some shows we had permission for and some we did not, though Bob, the President of the Blues Society would always ask for a copy of the tapes!

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Coco Montoya – San Luis Obispo, CA (01/23/16)

Coco Montoya
SLO Veterans’ Hall
San Luis Obispo, CA
January 23, 2016

** 16 BIT **

Source: Neumann AK-40s (ORTF In Hat) > LC3 >KM-100s > Beyer MV-100 > Tascam DR-100mkII @ 24 bit/48 kHz
Mastering: .WAV’s > Sound Forge Pro 10.0a [iZotope RX2 Advanced Plugin (Declick), minor edits, normalize, & fades] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader’s Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging)

Location: 20 feet back from stage, left of center by 10 feet, directly in front of Coco, for the first half, DFC for the remainder
Recorded, Tags, & Front-Cover Artwork by: OldNeumanntapr
Mastered by: Dennis Orr

Setlist:

  1. Intro
  2. I Get That Feeling
  3. Hey, Senorita
  4. Can’t Get My Ass In Gear
  5. Are You Stealing Back The Feeling?
  6. It’s My Own Tears
  7. Give It To A Good Man
  8. Don’t Go Makin’ Plans
  9. Am I Losing You?
  10. Truth Be Told
  11. Chat
  12. Nothing But Love
  13. Got A Mind To Travel
  14. I Want It All Back (with Band Intros)
  15. Encore Break

Encore

  1. Driving Sideways
  2. Hard As Hell
  3. Outro

Coco Montoya – lead vocals & guitar
Brant Leeper – keyboards & backing vocals
Nathan Brown – bass
Rena Beavers – drums & backing vocals

SLO Blues Society’s 256th show

OldNeumanntapr Notes:

I started off left of center by 10 feet, directly in front of Coco, and about 20 feet back from stage. I was right on the edge of the folding-chair gallery and the dance floor, but I moved 10 feet to the right midway through the show so I could be Dead center. It seemed safe to venture out into the dance area because most people were slow dancing. I did the ‘Taper Shuffle’; move the body whilst keeping the head/mics stationary. 🙂
This was the second of three shows in a row that I did this weekend, and I’m exhausted!!!

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Carolyn Wonderland – San Luis Obispo, CA (01/25/14)

Carolyn Wonderland
SLO Veterans’ Hall
San Luis Obispo, CA
January 25, 2014

** 16 BIT **

Source: Neumann AK-40’s (In Hat) >LC3 >KM-100’s >Beyer MV-100 >Tascam DR-100mkII @ 24
bit/48 kHz
Mastering: .WAV > iZotope RX2 Advanced v2.02.457 (declick) > Sound Forge Pro 10.0a (fades, minor edits, & normalize) > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to
16 bit/44.1 kHz) > Trader’s Little Helper (level 5) > FLAC

Location: FOB, 6-7 feet from stage
Recorded, Tagged, & Front Cover Artwork by: OldNeumanntapr
Mastered by: Dennis Orr

Setlist:

  1. Intro
  2. Come Together
  3. Two Trains
  4. Honey Bee
  5. Chat
  6. What Good Can Drinkin’ Do?
  7. Band Intros & Chat
  8. Victory Of Flying
  9. Chat
  10. Struggle Here In Houston
  11. Only God Knows When (1)
  12. If I Had My Way I’d Tear This Building Down (1)
  13. Don’t Do It
  14. Still Alive & Well
  15. Where You Gonna Be When The Moon Goes Missing?
  16. Judgement Day Blues
  17. She Wants To Know
  18. Cumbia Raza (2)
  19. Chat
  20. Walk On
  21. Thank You’s & Band Intros
  22. Encore Break #1

Encore #1 –

1 Living In The Palace Of The King
2 Encore Break #2

Encore #2 –

3 When I Go Away
4 Outro

(1) Carolyn – lap steel
(2) Carolyn – trumpet

Carolyn Wonderland – lead vocals, guitars, lap steel, trumpet
Cole El-Saleh – keyboards, keyboard bass, backing vocals
Rob Hooper – drums

Do Not Sell, Do Not convert to MP3

OldNeumanntapr Notes:

Presented by the SLO Blues Society

This was a great show! I’d seen, and recorded, Carolyn Wonderland when she opened for last
year’s Avila Blues Festival, but then as an opening act she only played for 30 minutes. This
show, being almost an hour and 45 minutes, really showcased her abilities as a blues guitarist.
Usually many people dance at the Blues Society shows. No one danced at this show because people’s eyes were glued to the stage! She played lap steel for two songs and even played trumpet on a Los Lobos cover. I think this was one of the better SLO Blues Society shows that I have seen.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Cafe R&B – San Luis Obispo, CA (12/06/14)

Cafe R&B
SLO Veteran’s Hall
San Luis Obispo, CA
December 6, 2014

** 16 BIT **

Source: Neumann AK-40’s (ORTF In Hat) >LC3 >KM-100’s >Beyer MV-100 >Tascam DR-100-MKII (24 bit/48 kHz)
Mastering: .WAV >Sound Forge Pro 10.0a (fades, minor edits, & normalize) >CDWav (tracking) >iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) >Trader’s Little Helper (level 5) >FLAC
Location: FOB, 9 feet from stage, mid-left, in front of the guitar player
[Recorded by: Old Neumanntapr]
[Mastered by: Dennis Orr]
[Tags Via xACT 2.53, + Front-Cover Artwork By OldNeumanntapr]

Setlist:

  1. Intro
  2. Walkin’ Through The Park
  3. Born Under A Bad Sign
  4. I Get Higher
  5. Snatch It Back And Hold It
  6. Going Down
  7. Chat
  8. I Just Wanna Make Love To You
  9. Gypsy Woman
  10. Everything’s Gonna Be Alright >
  11. You Ain’t Nothin’ But A Hound Dog
  12. Born On The Bayou
  13. Chat
  14. There Was A Time
  15. Encore Break
  • Encore –
  1. Killing Floor
  2. Outro

Roach – vocals
Byl Carruthers – guitar
Bobby Pickett – bass
Harry Cohen – keyboards
Don Swanson – drums

Taper Notes:

  • SLO Blues Society show
  • I love this band, and have seen them many times in SLO County. Roach, who is married to guitarist Byl Carruthers, has such a stage presence that she has the audience, especially men, wrapped around her finger. This show the band encored with ‘Killing Floor’, and Roach gyrated onstage like a woman possessed, before culminating with a fall to the floor in a fetal position at the guitarist’s feet, with the microphone clutched in her hands. I stood up front, at the edge of the dance floor, directly in front of the guitarist’s amp. I think this audience recording has a really good mix of instruments and vocals, as only vocals and keyboards were being pushed through the PA. Byl commented onstage that San Luis Obispo has one of the two oldest Blues Societies in the country, the other being in Santa Barbara. He said on stage that the SLO Blues Society was 37 years old, but I believe it was started in 1980, which would make it 34 years old. In any case, I have been very fortunate to have been a part of so many blues shows at the SLO Vets’ Hall over the years, going back to 1992.