James Cotton
11/14/92
SLO Vets’ Hall
San Luis Obispo, CA
SLO Blues Society

Yamaha 16 Channel Soundboard; Sony TC-D5M Cassette Master [TDK MA-X] >CDR >FLAC,
Cassette >CDR Transfer Via: Sony TC-D5M->HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.28. FLAC Tags Via xACT 2.53

(Recorded, Transferred, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr)

I THINK that Dennis Orr worked on this but I have nothing in my notes as to what he did. I think he supplied the setlist and figured out who played on what songs. Thanks as always to him.

Set I
Disc I:

1. Instrumental*
2. Steamroller Blues*#
3. James Cotton Intro >Instrumental
4. Rocket 88
5. You Don’t Have To Go
6. Rock Me, Baby
7. Got My Mojo Working
8. Sweet Home Chicago
9. Just a Little Bit
10. Instrumental

Set II
Disc II:

1. Instrumental*
2. Everybody Knows About My Good Thing*^
3. James Cotton Intro >Hitch Hike
4. Take Off Your Shoes
5. Someone Else Is Steppin’ In (Slippin’ Out, Slippin’ In)
6. The Things That I Used To Do
7. I’m Ready@
8. Get On Down
9. Blow Wind Blow
10. My Love Don’t Mean A Thing
11. Mannish Boy
12. You Know I Love You
13. Let’s Shout (Baby Work Out) >I Feel Good >Set Closing Jam*

Encore –

14. Stop Breaking Down >
15. Outro Jam*

James Cotton – Harmonica & Vocals
Russ Williams – Keyboards & Vocals#
Quince ? – guitar, vocals^
??? – Bass
??? – Drums

*Band Only, No James
@Unknown Woman From The Crowd – Backing Vocals

‘The Forecasters’ Opened

OldNeumanntapr Notes;
This was the first time that I’d seen ‘Mr. Super’, James Cotton. He blew a great harp but I thought his vocals were really raspy. I’ve seen a few harmonica players at the Blues Society over the years and thought that James Cotton was one of the better ones. I liked his playing better than say, Charlie Musselwhite, but their styles aren’t quite the same so maybe that’s not a fair comparison. Some drunk woman from the audience got up onstage and ‘performed’ with the band. I don’t know if you’d call it singing or just moaning but people laughed and the band seemed to find it amusing. This might have been the first time that I used my Sony D5 to record one of the SLO Blues Society shows. I had recently purchased it from my friend Jack in Salt Lake City when he made the transition to DAT. Thanks, as always, to my friend Little Jack, the house soundman for the Blues Society, for allowing me to plug into his Yamaha soundboard. His gear was old but had good sound. (He told me once that the mixing board came out of a club in Los Angeles that was being torn down and he bought it from a pro-audio recycler.) I was a volunteer on the sound crew for the SLO Blues Society for most of the 1990s until Jack retired in the very early 2000s. Some shows we had permission for and some we did not, though Bob, the President of the Blues Society would always ask for a copy of the tapes!

Do NOT Convert To MP3.
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