Eric Clapton – The Unreleased Sessions

Eric Clapton
1974-xx-xx
“The Unreleased Sessions”
(Capricorn CD-2048)

Track List:
1) It’s too Late
2) Meet Me
3) Jam in E
4) Dobro Jam
5) Dobro Jam
6) B Minor Jam
7) B Minor Jam
8) Give Me Strength
9) Blues Instrumental
10) Jam in E
11) Give Me Strength
12) Jam
13) Fool Like Me
14) Burial

Geetarz Notes: Tracks 1-12 Recorded at Criteria Studios, Miami, Florida, USA in April and May 1974. Tracks 13 and 14 Recorded
at Dynamic Studios, Jamaica, on September 1974.

http://www.geetarz.org visitor comments: Visitor Comments:

* “Great sounding CD with some interesting Dobro work from Eric.
All A++ sound.” – Anonymous

Trade > CD-R > Plextor PX-712a > EAC v. 0.99 Prebeta 4 (Secure
Mode) > FLAC (Level 6) > You !

Artwork, info file, checksums (FFP, MD5, and ST5), and EAC logs
included. A whole-torrent MD5 is also included.

Bruce Springsteen – Los Angeles, CA (11/01/80)

Bruce Springsteen
Sports Arena
Los Angeles, CA
November 1, 1980

Mike Millard first gen via JEMS
The Lost and Found Mike the MICrophone Tapes Vol. 6

Likely Recording Info: AKG-451E microphones > Uher CR-240 cassette recorder

JEMS 2014 Transfer: first-generation cassettes made by Mike Millard for SG > Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (volume smoothing / edit / index) > xACT 2.21 > FLAC

101 Born to Run
102 Out In The Street
103 Tenth Avenue Freeze-out
104 Darkness on the Edge of Town
105 Independence Day
106 Factory
107 For You
108 Two Hearts
109 Jackson Cage
110 The Promised Land
111 Prove It All Night ’78
112 The Price You Pay
113 The River
201 Badlands
202 Thunder Road
203 No Money Down > Cadillac Ranch
204 Hungry Heart
205 Fire
206 Candy’s Room
207 Because The Night
208 Fade Away
209 Stolen Car
210 The Ties That Bind
211 Wreck On the Highway
212 Point Blank
213 Crush On You
214 Ramrod
301You Can Look
302 Drive All Night
303 Backstreets
304 Rosalita
305 Jungleland
306 Sweet Little Sixteen (with Jackson Browne)
307 Detroit Medley > I Hear a Train > Wabash Cannonball

JEMS is pleased to release the sixth in a series of recordings made by legendary taper Mike Millard, AKA Mike th

Peter Gabriel – New Haven, CT (11/12/86)

Peter Gabriel
1986-11-12
Veteran’s Memorial Coliseum
New Haven CT ( 4th Gen ) (DAVROS046)

Linage :- Tape Trade ( 2 x C60 T.D.K-D ) ( 4th Gen ) – Demon tape deck – Yamaha Reciever – Phono Leads Into PC Soundcard – Nero Wave Editor –
Wav – Tracks split – Traders Little Helper – Flac8 – SBE Checked – You.

TRACKS:-

01. SAN JACINTO.
02. RED RAIN.
03. SHOCK THE MONKEY.
04. FAMILY SNAPSHOTS.
05. NO SELF CONTROL.
06. MERCY STREET. ( Beginning Cut ).
07. THIS IS THE PICTURE.
08. THE FAMILY AND THE FISHING NET.
09. BIGTIME.
10. DON’T GIVE UP.
11. LAY YOUR HANDS ON ME.
12. SLEDGEHAMMER.
13. HERE COMES THE FLOOD.
14. IN YOUR EYES.
15. BIKO.

From or original uploader
I got this tape about 18 months after the concert from a trader in the uk the quailty is good to very good at times.
The version of this on the Genesis database does not have the encores on it, this has both encores and is the full show.

Many many thanks to the trader for sending me a copy & for the taper for taping the show.

I hope you enjoy this show please if you want to upload it to other sites please wait a week or so as i will be uploading these shows to a couple of other torrent sites.
after it has run its course on here

PLEASE NOTE.

This series is from my own personal collection they are NOT SOURCED FROM ANY CDRs / OTHER TORRENT SITES ETC.
They are from recordings that i traded for between 20 – 35 years ago on audio tape as stated above they have all been boxed up for the past 20 or so years.

This is the first time any of them have been Digitally transfered and torrented. All i am doing to the recordings in nero wave editor is inproving the volume ( if low), also equallizing the left and right channel where needed. Removing hiss etc ( If i can ).
Recordings in this series that have a generation linage are the correct linage as to what i was told when i was sent the recordings. Most of the traders i traded with where well known traders so i have no reason to believe they are not the true Linage if i had any doubt to the linage at the time i did not write it down on the tape so all the low generation recordings in this series have a well known and correct linage.

Please do not remaster any of theses If you wish to do remastering of this source find yourself a better quality version and remaster that.
This version is how i remembered hearing it all them years ago and how it sounded when it was recorded the way it should be heard.

Please also buy the bands offical stuff and support them etc.
Thanks to all the Artists for there great music and to all the traders for keeping live music alive.

Uploaded to Genesis- the movement by imaster1 (doctordavros) 15/08/2012

Many thanks Doctordavros ( one day the daleks will rule ).

Bruce Springsteen – Union, NJ (09/22/74)

Bruce Springsteen and the E Street Band
Kean College
Union, NJ
September 22, 1974
JEMS Archive

Audience Recording (equipment unknown) by The Big A

JEMS 2012 transfer: master cassette (TDK D-180) > Nakamichi CR-7A >
Sound Devices USBPre2 > Audacity 2.0 (24/96) capture > iZotope RX
click repair > Peak 6.0 with iZotope Ozone 5.0 (speed corrected) >
resample 16/44.1 via iZotope MBIT+ > FLAC

01 Spirit In The Night
02 Does This Bus Stop At 82nd Street?
03 The E Street Shuffle > Having A Party
04 For You
05 Saint In The City
06 Cupid
07 Kitty’s Back
08 Sandy
09 Rosalta
10 A Love So Fine (A Night Like This) > Shout

JEMS is very pleased to issue this previously uncirculated recording
of an historically important and otherwise unheard show.

The recording from Kean College in Union, NJ is now the earliest
document we have of the “new look” E Street Band featuring Max
Weinberg on drums and Roy Bittan on piano. According to the essential
Brucebase Wiki, this free, outdoor show (which took place behind the
student center) was the fourth date played by the new line-up,
predating by 12 days Avery Fisher Hall, October 4, which had been the
first circulating recording with Max and Roy.

It gives us a fascinating glimpse into a period of transition for
Springsteen. As such, some of the arrangements heard here are
distinctive as the reconfigured band sorts out how to play the “basic”
set. While Bruce had previously performed songs in early 1974 that
would later appear on Born to Run, the only new material essayed at
Kean is a unique version of the Born to Run outtake “A Love So Fine,”
still in such an embryonic state that the chorus sung isn’t “a love so
fine” at all, but another title rumored to have been recorded for BTR:
“A Night Like This.” He also tags the end of the song with several
lyrics from the Isley Brothers’ “Shout.” According to Brucebase, by
the time the song is played again at Avery Fisher, the chorus had
changed to “A Love So Fine” for keeps.

The Kean tape also captures the earliest known cover of Sam Cooke’s
“Cupid” and a particularly punchy full-band version of “For You,” a
song Springsteen performed solo throughout most of 1974-75. Nearly
every track here is a little different than you’re used to given that
two of the band members are still learning their parts.

Our generous taper, The Big A, says he used a “standard-for-the-time,
no-frills, fat-paperback-sized Radio Shack-type tape recorder with a
built-in mike” to record the show. That description seems to match the
tape, which has hallmarks of ALC (automatic level control) where the
first note of a song starts out loud and a bit distorted before the
level adjusts. There are some distorted frequencies in the recording
and it is not as good as the very best we have of the era. But
considering the circumstances (it was the first Bruce show he ever
taped), the outdoor venue, the gear, the PA volume, etc. it is quite a
listenable document of the performance. We worked hard to improve the
sound, but most of what you hear is just what it is. Samples provided.

Very special thanks to The Big A for loaning JEMS the master tape and
to the ER Archive, who had a copy of the show that helped lead us to
the master.

BK for JEMS

Mark Knopfler – London, England (05/23/96)

Mark Knopfler
SWINGING GOLDEN HEARTS
Royal Albert Hall, London, UK, 23rd May 1996
Source Soundboard

Tracks CD1
Darling pretty
Walk of life
Imelda
The bug
Je suis dÈsolÈ
Calling Elvis
Last exit to Brooklyn
Romeo and Juliet
Sultans of swing
Done with Bonaparte

Tracks CD2
Telegraph road
Brothers in arms
Money for nothing

(bonus tracks removed as official on “A Night in London DVD”.
BBC building, London, UK, 15th April 1996

BONUS TRACKS:
Father and son [B]
Golden heart [B]
R¸diger [B]
Cannibals [B]
A night in summer long ago [B]
Going home [B]
Are we in trouble now [B]
Gravy train [B]

Additional comments from oneverybootleg:
One of the best radio broadcasts of the Golden heart tour.
Taken from the original silver pressed bootleg “Swinging golden hearts”.
Perfect sound quality! Great atmosphere with an amazing sounding
version of Telegraph road. Incomplete concert. As a bonus some songs
from the BBC performance are added on the second disc.

Talking Heads – New York, NY (12/21/76)

Talking Heads
CBGB
New York NY
12-21-1976

Early Set:
01 Artists Only
02 Let’s Work (A Clean Break)
03 I Wish You Wouldn’t Say That
04 With Our Love
05 Uh-Oh Love Comes to Town
06 //New Feeling
07 I’m Not in Love

Late Set:
08 Love -> Building on Fire
09 First Week / Last Week… Carefree
10 Questions for Lovers
11 Who is It?
12 I Feel It In My Heart
13 No Compassion
14 Pulled Up
15 Psycho Killer
16 Encore 1: Love is All Around
17 Encore 2: 1-2-3 Red Light

Source: Audience recording on a hand-held cassette recorder (model unknown).
Transfer: MAC > WAV > Wavelab > CD-Wave > TLH > FLAC (small FLAC due to Mono Wav).
Concert recording & transfer to WAV by James Britt.
Wavelab thru FLAC by http://talkingheadsconcerthistory.blogspot.com/

Decent recording for this vintage. New Feeling cuts in on second verse, might be a
song or two missing before that (a newspaper review of this show mentions that The
Book I Read and 96 Tears were also played). Some tape damage audible here and there,
not too bad. The “tick tock” sound heard on quiet parts is from the recorder’s motor.

Note from the taper: Recorded at CBGB on a crappy cassette recorder. This was recorded
on December 21, 1976. The group was still a trio; you can hear someone in the crowd ask
“What’s Jerry Harrison’s status?” Enjoy! – James Britt.

Paul Simon & Sting – Seattle, WA (02/19/14)

Paul Simon and Sting On Stage Together
2014-02-19
Key Arena
Seattle, Wa

01.Brand New DayP+S
02.Boy In The Bubble P+S
03.Fields Of Gold P+S
04.Every Little Thing She Does Is Magic S
05.Englishman In New York S
06.I Hung My Head S
07.Driven to Tears>Walking On The Moon P+S
08.Mother and Child Reunion P+S
09.50 Ways To Leave Your Lover P
10.Dazzling Blue P
11.Graceland P
12.Still Crazy After All These Years P
13. Me And Julio Down By The Schoolyard P+S
14.Fragile P+S
15.America>Message In A Bottle S
16.The Hounds Of Winter S
17.They Dance Alone S
18.Roxanne S
19.Desert Rose S
20.The Boxer P+S
21.That Was Your Mother P
22.Hearts and Bones>Mystery Train P
23.Obvious Child P
24.Diamonds On The Souls Of Her Shoes P
24.You Can Call Me Al P
25.Late In The Evening P+S
26.I’ll Be Watching You P+S
27.Bridge Over Troubled Waters P+S
28.When Will I Be Loved P+S

Note:
Battery Pack broke and didn’t know until I pressed record so first song start’s a verse late with a couple minor cuts within it but included it here edited for you to decide weather to keep or not.
This was a test on me to make a switch to internal mic recording which I hadn’t done until I had to with this show as an emergency shituation in the dark.
Turned out quite well in my opinion I think.
The bass bottom is a bit boomy in spots but can be adjusted down a bit be you when you are playing it.
I had a good elevated section with no one in front or next to me so couwd noise is all distant and blended fine.
Let me know what you think of my finished emergency switch recording and any advice you may have on using internal mics in the future?
I drove to this show from Portland, Or.and was amazed by this shw.
I have been to over 1200 shows in my Life and this show is in my Top Ten Shows now.
What a blend of styles, voices, and bands!!
Both Sting and Paul Simons bands together….WOW!! Once in a Lifetime Concert.

Source: Dennis’ Audience recording>Edirol R-09HR “Internal” mics> master “WAV” (16 bit 44.1khz)master > Traders little helper > FLAC > DIME > You = ENJOY.

http://www.paulsimon.com/us/home

http://www.sting.com/

Review:
http://blogs.seattletimes.com/soundposts/2014/02/20/paul-simon-and-sting-enthrall-a-capacity-crowd-wednesday-night-at-keyarena/

Queen – New York, NY (07/28/82)

Queen
1982, 28th Jul.
New York, NY
Madison Square Garden

CDR > EAC > WAV > FLAC (level 8)

Sound: very good
Source: audience

Comments:
Recommended and complete! Many Hot Space songs in a live format.

Disc 1:
01. Flash
02. Rock it
03. We will rock you (fast)
04. Action this day
05. Play the game
06. Somebody to love
07. Now I’m here
08. Dragon attack/Now I’m here (reprise)
09. Save me
10. Calling all girls
11. Get down make love
12. Brighton rock
13. Body language

Disc 2:
01. Under pressure
02. Fat bottomed girls
03. Crazy little thing called love
04. Bohemian rhapsody
05. Tie your mother down
06. Another one bites the dust
07. We will rock you
08. We are the champions
09. God save the queen

Pink Floyd – Around the Mystic

Pink Floyd:
Around The Mystic
Catalog: A103 AULICA
Misc.: S.I.A.F.
Produced: Made in Italy 1989
Date: 69/10/19

Sources: 1969- 29 Apr 1970 Tracks 1, 2, 6a: 29 Apr 1970, KQED TV Studios, San Francisco Track 6b: 17 Sept 1969, Concertgebouw, Amsterdam Tracks 4, 8: Dec 1969, Zabriskie Point recording session, Rome Track 5: 1969, BBC “Moonlanding Special” Tracks 3, 7: 1969, London?

Tracks:

1. Grantchester Meadows 7:27
2. Green Is The Colour [+ Careful With …] 12:48
3. Set The Controls For The Heart Of The Sun 11:10
4. Jupiters Eye [Oneone/Corrosion?] 6:24
5. Trip On Mars [Moonhead] 5:35
6. Cymbaline 18:28
7. A Saucerful Of Secrets 6:44
8. Improvisation [Fingal’s Cave] 2:00
Total Time: 71:25

Band:
Roger Waters*
David Gilmour*
Rick Wright*
Nick Mason*

Comments from the original uploader: Grantchester Meadows and Green Is The Color are GREAT. Set The Controls For The Heart of the sun is a jolly good piece. Jupiters Eye/ Trip On Mars – one of these two is another version of Careful With That Axe, Eugene. Cymbaline is the best version so far. A Saucerful Of Secrets is only the last 6 minutes, which is too bad, because they’re great. Improvisation is SPLENDID, just great.

Overall: This is a really must have roio : the audience is very calm, and only applauds between songs. The quality of the recordings is not excellent, but good. -ANON

Strange collection, tracks are definitely not all from 19. Oct. 1969. Some of them are clearly studio recordings. Audience only between the songs audible. Saucerful features only the last part. Cymbaline is extra-long and extra-good!

This is a rare one, the bootleggers have spent quite some effort on this one, and have even made up some funky names. Jupiters Eye is a piece of Corrosion. Trip on Mars is the best version of Moonhead I’ve heard. Improvisation is Fingals Cave. And to complicate matters even further, the footsteps in Cymbaline have been replaced with Oenone. Grantchester Meadows and Green .. are probably taken from a performance of The Man and The Journey. All in all this ROIO is very enjoyable, since it has both a VG sound quality and the Performance/Rarity value is also high.

The only sad thing is that ASOS only has the last 6:44 minutes, but still, if you happen to see this cheap …

Also, if you’re hunting for authenticity this is *NOT* your disk, it’s a bunch of recordings from different concerts thrown together in one disc, coupled with some official but rare floyd songs -GERHARD

I think is a fairy forgery, not a ’69 London concert. “Jupiter’s eye” and “Improvisation” are from “Oneone /Fingal’s cave” studio outtake (listen to ‘Total Eclipse’), while the audience applause is artificial (all the same identical through the “concert”!!!, and it seems recorded in a small ambient, not in a theatre). The sound quality is variable (in “Grandchester Meadows” you can listen to scratches from vinyl source). Moreover “Grandchester Meadows”, “Set the Controls” are identical from those of Fillmore West, San Francisco Oct. 1970. The other live pieces are from the same or other ’70 concerts, I have not established yet. Thanks to Roio contributions for help in discovering this vile cheat. I’m very dejected about that. Please, let this ROIO to simpletons like me. -PELLE

“This is taken from various sources, not ‘London, October 19 ’70’ as stated in TAP 48 – including the BBC sessions, the Zabriskie Point outtakes from the Omayyad b*****g LP, and an ‘unknown’ concert. Furthermore, each song has been doctored by some unscrupulous mixer. Careful observation reveals that the audience applause (apparently from only a handful of people) at the start of each song is identical, the first being a 7.27 Grantchester Meadow.

Green is the Colour/Careful with that axe, Eugene (12.48) are the BBC performances, with the fake audience; although Set the Controls for the Heart of the Sun (11.00) is a legitimate piece.

Jupiter’s Eye is where the butchery begins. After some research, I concluded that this is, in fact, Oneone from Omayyad, over-dubbed with the sound of bubbling mud (i.e. ‘Live at Pompeii’). Trip on Mars, meanwhile, is Moonhead from Music For Architectural Students. Cymbaline (18.28) is extended; about 6.15 in, the song is interrupted by footsteps and a slamming door. I realise that such effects were not uncommon for live performances of this track, but the abrupt switch makes me doubt that this was the work of the Floyd; who, even on a bad day, could do better. This is followed by a spacey intrumental passage – actually an extract from Omayyad’s live version of Interstellar Overdrive – then a repeat chorus, and a further ten minutes of Cymbaline.

Saucerful of Secrets (6.44) is, as stated in TAP 48, the Celestial Voices sequence from that track. The closing Improvisation (2.00) is a poor reproduction of Omayyad’s Fingal’s Cave, albeit with added audience !

However, despite all the trickery. I agree that Around the Mystic is an excellent CD; my favourite, in fact !” -TAP

It claims to be from one concert (London, 19 Oct 1969), but this is obviously a compilation of different performances. There are some annoying things with this RoIO. Some audience applause are added between songs (they are always the same!) and are in stereo. Most of the tracks are mono. It seems that this CD was mastered from vinyl, with some strange things added in the mix! So, sometimes one can hear “stereo” effects, but only because of the “stereo” vinyl scratches, and the stuff added.

1. Grantchester Meadows It’s from the KQED TV show, 29 Apr 1970. In the middle of the song, there is a very low noise (similar to a bass drum) that doesn’t appear on the original version (see “Colourful Meadows”). But this version seems to be “clearer” than the “Colourful Meadows” version (there is no crackle suppression as for “Colourful Meadows”). The performance is great. Ex-

2. Green Is The Colour This is in fact “Green Is The Colour” + “Careful With That Axe, Eugene”, again from the KQED TV show, 29 Apr 1970. It sounds far better than the “Colourful Meadows” CD. Again, a great performance. Ex-

3. Set The Controls For The Heart Of The Sun One of the 3 tracks in stereo. I have not identified the concert yet. VG+

4. Jupiters Eye It’s in fact “One One”, from the Zabriskie Point recording sessions, recorded in Rome, December 1969. It’s in stereo. But, sadly, they over-dubbed it with some bubbling sound! For authenticity, the “Ultra Rare Trax vol.2” version is far better. Ex-

5. Trip On Mars It’s in fact “Moonhead”, from the BBC “Moonlanding Special”, probably recorded in 1969. Very rare. Maybe you should buy the CD only for this track. VG+

6. Cymbaline It lasts more than 18 minutes, but there are in fact TWO different versions of “Cymbaline” mixed together. It begins with the KQED TV performance, 29 Apr 1970. But, at the end of the (short) walking section (at 6:44), it turns into the Cymbaline intro from Amsterdam, 17 Sept 1969. This intro is sometimes entitled “Sleep”, on other RoIOs. Then we have the entire “Cymbaline” from Amsterdam. VG+

7. A Saucerful Of Secrets There is only the “Celestial Voices” part. Stereo. I have not identified the concert yet. Nice version. VG+

8. Improvisation It’s in fact “Fingal’s Cave”, from the Zabriskie Point sessions, Rome, December 1969. Mono. The “Ultra Rare Trax vol.2” version is better, and in stereo. VG+

So, this RoIO is not bad, but it is not essential. Buy it if you don?t have “Moonhead or if you want to hear clear versions from the KQED TV show (and you don’t mind if there are some vinyl scratches…). – MARC-OLIVIER

Eric Clapton – Providence, RI (07/10/74)

Eric Clapton
Providence Civic Center
Providence, RI
10 July 1974

Master audience recording taped by Dan Lampinski

CD1
01 Intro by “Legs” Larry Smith
02 Smile
03 Don’t Have to Hurt Nobody
04 Have You Ever Loved a Woman
05 Blues Power (spliced)
06 Key to the Highway

CD2
01 Presence Of The Lord
02 Bright Lights Big City/I Can’t Hold Out
03 Willie and the Handjive/Get Ready (spliced)
04 Little Wing
05 Layla
06 E: Little Queenie (spliced)

Eric Clapton – Guitar, Vocals
Jamie Oldaker – Drums
Dick Sims – Keyboards
Carl Radle – Bass
George Terry – Guitar
Yvonne Elliman – Backing Vocals

An audience member threw a beer bottle at the stage before the show started & it hit
Yvonne Elliman in the hand. Clapton was pissed and almost folded the show.
She performed the show with a bandaged hand.

Eric speaks to the audience about the incident at about 3:50 into the intro:
“I want the guy that threw the beer bottle to know that he hurt one of my people.
So don’t throw things, please don’t throw things at us.”

The second song, “Don’t Have To Hurt Nobody” was an impromptu jam inspired by the incident.

During “Willie and the Handjive/Get Ready”, Yvonne sings “throwing your fucking bottles” at about 6:20.

unknown model dictation style Tape Recorder
External Mono Microphone
Scotch cassettes

Mastered and FLAC’ed by Carl Morstadt (dantalion8@yahoo.com)

Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger

No EQ’ing.

A 24-bit/96-KHz flac24 version of this recording is also available.

Warning/Disclaimer: This recording should not be confused with the series labelled “The Dan Lampinski Tapes Volume XX”. This recording represents part of Dan’s earliest efforts to capture the live concert experience for posterity, hence the series name “Dan Lampinski – The Early Years Volume XX”. Given the very consistent high quality of Dan’s later work, it would have been easy to blow off these recordings and consign them to the dustbin of history, but there are quite a few captures in the series that are well worth circulating, if not for their rarity, but for the obsessive collector types (we know who we are) that want every single second of any recordings of their favourite musicians. So please, just accept these recordings for what they are, another part of the tapestry we weave when we collect and share such things.

Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ’ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.

Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honour his kindness and generosity by sharing these recordings freely.

The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac files for those who prefer the higher resolution.

Always remember – the more generous you are with your music, the more it comes back to you.

Kev & Carl
November 2010