The Movie Journal: September 2024

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I watched 39 movies in September. 27 of them were new to me. 17 were made before I was born. 6 of them were released in 2024, which has to be some kind of record for me. Or at least it has been unusual for me to watch new movies over the last several years.

There was no theme this month, though I did start the Giallo on Criterion series which will continue into October. I’d like to do more series like that, but I’ll be doing so many horror movies this month that may have to wait.

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The actor’s list contains no surprises. The Doctor Who crew has moved into first place with 10 films. Maureen O’Brien has entered into the list, tied at five films with several other folks. She plays Vicky, the new companion on Doctor Who after Susan left.

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The director’s list has gotten a bit more interesting. Dario Argento and Lucio Fulci have both entered with three films each. No doubt this is due to me watching all those Gialli. Richard Martin has also entered the race with three films (all Doctor Who stories) and Michael Curtiz enters that tie with three films.

Here’s the list:

Cop (1988) ****
Single White Female (1992) ***1/2
The Hand that Rocks the Cradle (1992) ****
Mr. Monk’s Last Case: A Monk Movie (2023) ***1/2
Subservience (2024) **1/2
In the Folds of the Flesh (1970) ***
Doctor Who: The Chase (1965) ****
Hard Times (1975) ****
Challenge of the Masters (1976) ***
Flamingo Road (1949) ****
Greedy People (2024) ***1/2
The Last of Sheila (1973) ****
Flight 7500 (2014) ***
Trap (2024) ***
Tenebre (1982) ****
Colorado Territory (1949) ***1/2
Don’t Torture a Duckling (1972) ***1/2
Thelma (2024) ****
The Mighty Peking Man (1977) ***
Doctor Who: Death to the Daleks (1974) ***1/2
Rebel Ridge (2024) ****1/2
Deep Red (1975) ****1/2
Tremors (1990) ***1/2
Werewolves Within (2021) ****
An American Werewolf in London (1981) ****
A Man on His Knees (1979) ****1/2
Doctor Who: The Space Museum (1965) ***
Time Without Pity (1957) ****
Drive-Away Dolls (2024) ***1/2
Odds Against Tomorrow (1959) ****
Bright Leaf (1950) ***
Longlegs (2024) ***1/2
Death Walks at Midnight (1972) ***1/2
Blood and Black Lace (1964) ****
The Bird with the Crystal Plumage (1970) ****1/2
Hearts of Darkness: A Filmmaker’s Apocalypse (1991) ***1/2
Apocalypse Now (1979) *****
Hold Your Man (1933) ***1/2
The Crime Is Mine (2023) ***1/2

Single White Female (1992)

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One of the things I enjoy about not having a movie theme on some months is that it allows me to follow random rabbit holes for a little while. Friday night I watched Subservience a film in which Megan Fox plays a sexy robot maid who wreaks havoc on a traditional suburban home.

Numerous people noted that its plot was similar to The Hand that Rocks the Cradle in which Rebecca DeMornay plays a sexy nanny who wreaks havoc on a traditional suburban home.

This in turn led me to Single White Female in which Jennifer Jason Leigh plays a sexy roommate who wreaks havoc on an almost traditional New York City home.

It is by far the trashiest of the three films and the most fun.

Allie Jones (Bridget Fonda) is a young, hip New Yorker who runs a start-up software company and lives in a swanky rent-controlled apartment with her fiancee Sam (Steven Weber). Late one night the phone rings and it is Sam’s ex-wife. At first, he doesn’t answer the phone letting the answering machine get it. As she starts ranting and raving he answers, but by then the machine has picked her up on speakerphone. When she berates Sam for not answering her calls even after they slept together recently, Allie flips out and kicks him out.

Now she needs a roommate. After a few interviews, she lands on Hedy (Jennifer Jason Leigh) who is a bit shy, and quite a bit weird, but she seems nice. At first, they get along quite well and it seems like everything is going to work out. And then, of course, they don’t.

Hedy is a manipulator. She constantly maneuvers situations to turn herself into Allie’s best friend while turning all others against her. At the same time, she is turning herself into an Allie clone. She borrows her clothes and then purchases exact copies. Then she gets a similar haircut. The two actresses look similar enough that there are times when it is difficult to tell them apart.

When Sam reenters the pictures Hedy gets crazy.

This is a film full of crazy. And gratuitous nudity. And a gay best friend. And a sexual assault by Stephen Tobolowsky. And a murder through the eye with a high heel.

It is so trashy and so much fun. It is best watched with a couple of hilarious, drunken friends.

Bruce Springsteen – Philadelphia, PA (11/01/74)

Bruce Springsteen
Spanish Harlem Incident On Philly
Masterpiece, ESB 11174A/B
Tower Theater
Philadelphia, PA, USA
November 01 1974

Original Silver Discs –> EAC (Secure) –> Waw –> Flac Level 8 & Align
EAC Log Files, md5 Files (Flac & Waw), Artwork Included (Front, Back & Discs 300 dpi)

101 – Incident On 57th Street
102 – The She Kissed Me
103 – Spirit In The Night
104 – Does This Bus Stop At 82nd Street?
105 – The E Street Shuffle
106 – Born To Run
107 – Spanish Harlem
108 – It’s Hard To Be A Saint In The City
109 – She’s The One
110 – Jungleland

201 – Kitty’s Back
202 – New York City Serenade
203 – Rosalita
204 – 4th Of July, Asbury Park (Sandy)
205 – A Love So Fine

Edith Head Exhibit In Oklahoma City

Edith Head was an award-winning costume designer who made dresses for a literal who’s who of Hollywood stars during the classic period. She won eight Academy Awards and became something of a celebrity herself. If you’ve seen any of The Incredibles movies, Edna Mode the cantankerous costume designer in that film is based on Edith Head.

I love classic movies, of course, and my wife is a bit of a seamstress and lover of beautiful costumes. There is an exhibition of Edith Head costumes currently happening at the Oklahoma City Museum of Art. For my wife’s birthday, we went down and saw it. It was fabulous so I thought I’d share some of the highlights here.

My apologies for the bad formatting on all of these images. WordPress is absolutely awful for this sort of thing.

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The wedding dress Barbara Stanwyck wore in Sorry Wrong Number (1948)

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Grace Kelly in Rear Window (1954).

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Veronica Lake in This Gun For Hire (1942)

Gloria Swanson in Sunset Boulevard (1950)

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Barbara Stanwyck and Fred MacMurray (and my wife) in Double Indenmity (1944).

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Kim Novak in Vertigo (1958) and me in my Vertigo shirt (2023).

There were many more costumes at the exhibit and it was so much fun to see them all. My wife was enamored with the style of the costumes, I just kept going “Kim Novak wore that!,” “Grace Kelly wore that!!”

If you are in the area I highly recommend it.

Bruce Hornsby – Daytona Beach, FL (03/24/87)

Bruce Hornsby & the Range
March 24, 1987
Daytona Beach Bandshell
Daytona Beach, FL

Bruce Hornsby – vocals, piano, accordion
David Mansfield – guitars
George Marinelli – guitars, mandolin, vocals
Joe Puerta – bass, vocals
John Molo – drums, percussion

Intro / Jacob’s Ladder
The Long Race
Mandolin Rain
Every Little Kiss
The Red Plains >
I Know You Rider
Piano Intro
The Way It Is

King Biscuit Flower Hour
CDR silver > eac > Flac

Broadcast Week: January 17, 1994 to January 23, 1994

The Hand That Rocks the Cradle (1992)

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While reading reviews of Subservience, I noticed quite a few people referencing The Hand That Rocks the Cradle as a clear influence. I couldn’t remember if I had watched that one before so I queued it Saturday morning.

It is a movie I distinctly remember knowing about when it came out. I remember the trailers and people talking about it. It was a part of a slew of films that came out in the early 1990s that were like big-budgeted, R-rated Lifetime movies. They usually featured Rockwell-esque domestic life being shattered by some pretty, young woman.

Directed by Curtis Hanson, this film is better than most of those films. It sometimes subverts the genre in interesting ways, but even when it plays it straight, Hanson is a good enough director to make it rise above.

Claire Bartell (Annabella Sciorra) is a happy housewife. She has a loving husband, Michael (Matt McCoy), a young daughter Emma (Madeline Zima – who played the mother in Subservience which is a nice bit of casting), and a baby on the way.

When she is sexually assaulted by her obstetrician (in a scene that foreshadows its creepiness so much that my wife left the room before anything untoward actually happened) she comes forward. Other women come forward after that and the Doctor decides to kill himself before he can be arrested. The doctor’s wife, Peyton (Rebecca DeMornay) miscarriages when she learns the news.

Flash forward a few months. The baby is born and Claire decides she wants a nanny. Not to go back to some job, mind you, but she volunteers at a nursery and she wants to build a greenhouse in her backyard. So she’ll be close by, but it would be nice to have someone watch the kids, clean up a little, and maybe cook once in a while.

Enter Peyton and her devious ways. What’s interesting about the film is that it doesn’t do what you expect it to. In most films like this Peyton would seduce the husband, then turn him against the wife. But here, despite nearly every other male character saying something about how beautiful Peyton is and how they wish she was their nanny, and despite Peyton actually trying, Michael will not give in to temptation.

Likewise rather than attempting to turn the family against Claire, she turns Claire against everyone close to her. The local handyman (Ernie Hudson) who dotes on Emma, might just be a pervert. The friendly relationship between Michael and her best friend Marlene (Julianne Moore) might have turned into an affair. Peyton manipulates every situation to make Claire feel like she’s going crazy.

The film begins with the handyman riding his bike in a hoodie. He stops by the Bartell house and knocks on the door. Nobody hears the knock or answers the door. He walks around the house and looks through the windows. When Claire sees him she screams and panics. Suburban white woman screams as an unknown black man stands outside her house.

But he was expected. Claire had requested a handyman be sent to her house. The film doesn’t directly comment on her inherent racism in this scene, but it is certainly there. When we see him riding that bike the music is peaceful. When he approaches the house and looks through the windows the film doesn’t make it menacing. So that when she screams and when he is recognized as a kind person, it is surprising. It is just another way the film lightly subverts our expectations of the genre.

It is still a white, suburban family being, um, rocked by a beautiful, young woman, so it doesn’t stray too far from the formula, but I appreciate that it was at least trying to do something different.

Allman Brothers Band – Savannah, GA (06/30/90)

Allman Brothers Band
6/30/90
Johnny Mercer Theater
Savannah Civic Center
Savannah GA

Soundboard; 3rd Gen Cassette [XLII]

Trade Cassettes Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz)
WAV >Audacity (Balance Channel Levels, Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53 [Sept 2024]

Transferred, Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr

    Disc 1:

  1. Intro Jam
  2. Don’t Want You No More >
  3. Ain’t My Cross To Bear
  4. Statesboro Blues
  5. Blue Sky
  6. Low Down Dirty Mean
  7. Seven Turns
  8. Midnight Rider
  9. Loaded Dice (tape flip)
  10. Good Clean Fun
  11. It Ain’t Over Yet
  12. In Memory of Elizabeth Reed
  13. band intros

    Disc 2:

  1. One Way Out
  2. Blues Ain’t Nothin’ (tape flip)
  3. Gambler’s Roll
  4. Shine It On
  5. Dreams
  6. Ramblin’ Man

    Disc 3:

  1. True Gravity (tape flip)
        Encore:
  2. Jessica
  3. Whipping Post

band line up:
Gregg Allman – keyboards, vocals
Dickey Betts – lead guitar, vocals
Warren Haynes – guitar
Johnny Neel – piano
Allan Woody – bass
Butch Trucks – drums
Jai Jonny Johnson – drums

OldNeumanntapr Notes;
This was one of the last cassette trades that I did in the early 90s before I made the switch to DAT. This show, and the Allman Brothers Band soundboard from 11/25/75 Civic Center Providence, RI, both came from a gentleman in the south, I believe in Georgia.
The XLII cassettes sat in my cassette collection for 30 years or so before I pulled them out for transfer. I don’t think I ever did anything with these tapes and I certainly never shared them until now. Once I switched to DAT I kind of forgot about my cassette collection. Thanks to Dave for the use of the Denon cassette deck so I could do the transfers.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Greedy People (2024)

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There is a lot of the Coen Brother’s filmography, especially Fargo, nesting inside of Greedy People. What with the violence in a small town, quirky characters, dark humor, inept burglars, and folksy musical choices. But the film can’t quite pull off that perfect Coen mix to make it more than just mild entertainment.

The script is full of characters with odd-ball quirks, but it rarely seems to know what to do with them, or how to make them actual fleshed-out people. In a similar manner the story is full of interesting incidents – some violent, some funny – but it never merges into a cohesive whole. Still, it is quite entertaining and very enjoyable to watch.

Will Shelley (Himesh Patel) has just graduated from the police academy and has moved his very pregnant wife Paige (Lily James) to a small, island community off the coast of South Carolina. A place he hopes will be a peaceful place to raise a family.

His smart, and gentle boss Captain Murphy (Uzo Aduba) assigns Officer Terry Brogan (Joseph Gordon-Levitt), affable, abrasive, and redneck to the core, to show Shelley the ropes. Brogan has a few rules every cop should live by. The first of which is “Don’t kill anybody unless you have to.” Because it gets “messy.” Also, you should get a hobby because this is a small town and the job is boring.

Mostly Brogan shows Shelley where to get free coffee and doughnuts. Then he decides to stop by his married girlfriend’s house for some afternoon delight, leaving Shelley to wait in the cruiser. When a call comes in for what Shelley believes is an in-progress burglary he honks the horn at Brogan and then heads to the scene without him.

To say things go bad would be an understatement. He accidentally discharges his weapon when the homeowner (Traci Lords) surprises him. When she defends herself the ensuing tussle finds her dead, having fallen on a table loging a piece of it into her skull.

Brogan shows up, and they both freak out, but when they find $1 million in cash inside a box, they come up with a plan. Make it look like a robbery gone bad and they can keep the money.

To say things only get worse from there would be yet another understatement.

It is all very Coen-esque. Like the Coens the film is not afraid to get real dark, but it is also quite funny and enjoyable to watch. But unlike the Coen Brothers movies, this doesn’t have a lot of depth to it. It feels too scripted.

For example, Brogan’s hobby is listening to CDs to learn Mandarin Chinese. He, very adeptly, says something in that language and when asked what it means he notes it means “I speak fluent Chinese.” He’s learning the language because his girlfriend is Chinese. A guy as dumb and redneck as Brogan is learning to speak fluent Chinese is funny and quirky, but I’m not sure how realistic it is.

So much of the movie is like this. Characters are given quirks which gives the film character, but it all feels scripted. You can feel the writing in it. The plot is similar. This woman accidentally gets killed on Shelley’s first day. There happens to be a million dollars lazily stashed in a basket. The dead lady’s husband (Tim Blake Nelson) just happened to have hired a hitman to kill his wife on the same day Shelly accidentally did the deed. There are apparently two competing hitmen on this small island and they are easy to contact. Etc. There are a lot of coincidences and oddities that are completely unrealistic.

Still, the performances are good. Gordon-Levitt is excellent at switching from goofball to menacing villain from one minute to the next. Lilly James isn’t given much for her character to do but she makes it her own. Etc.

Call it Coen Brothers-lite. Call it pretty good.

Bill Evans – Hamburg, Germany (02/14/72)

Bill Evans Trio w/ Herb Geller
14th February 1972
Studio 10
Hamburg, Germany

Most of the seeds i do are actually “reseeds” of very good material i found here on DIME. As i’m not often seeding any “new material”, i appreciate make things
staying on the tracker, especially when it concerns quality recordings. Evans is a classic, ad a brillant one.

I made 2 different directorys as we got the concert from two different seeders. They were both seeded at different moments,
and i decided to make just one seed so that everyone can appreciate a complete recording… I think it fits on one cd.

Thanks to both original seeders.

The original source stays the same: FM source.

Sound quality is excellent studio one, maybe better than lot of commercial releases of Evans.
Hope you’ll enjoy, all this material was already seeded on DIME those 2 last years.

Personal:
Bill Evans (p)
Eddie Gomez (b)
Marty Morell (dr)
Herb Geller (fl) *>with him

Disc 1

1.Introduction by Michael Naura

  1. RE: A person i knew
  2. Turn out the stars
  3. Gloria’s step
  4. The two lonely people
  5. Sao Paulo*
  6. Stockenhagen*
  7. Nardis (incomplete)

Disc 2

  1. 1 Waltz of dissention *
  2. Quarter tone experiments *
  3. Northern Trail