THE ALLMAN BROTHERS BAND
INGLEWOOD, CA @ THE FORUM
1979-05-15
Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC
Gregg Allman & Friends
5/27/99
Majestic Ventura Theater
Ventura, CA
Neumann AK-40’s (x/y) >LC3 >KM-100’s >Beyer MV-100 >Tascam DA-P1
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters (HHb Gold Discs) >FLAC (Level 8) Via xACT 2.28
FOB, 2nd Tier, Center Table. Microphones On 10ft Stand
Recorded, Transferred, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr
Set I
Set II
OldNeumanntapr Notes:
This ‘review’ I had originally posted to DAT-Heads soon after the show in 1999
Just back from Greg Allman and Friends at the Ventura Theatre.
The theatre people gave me the usual run around even though I had a print
out of the ABB web page which stated the taping policy. I finally went
directly to Robert, the manager, who is a friend of a friend of mine.
He was cool and said he didn’t mind but someone would have to personally
ask the road manager. I relayed this to one of the security people outside
who came back 5 minutes later with a long face and said, ‘sorry dude. You
can’t’. I told him that Robert had already given his OK but they would
have to talk with the road manager. This guy then said he would go back
and ask again. I figured I was just going to get the run around so I
walked down the street and found an open side door near back stage. The
road manager was outside talking to this same security kid. I walked up
and smiled and the security guy looked at me then looked at the road
manager and said, ‘oh yeah. One other thing. You can answer this guy’s
question. You Don’t allow recording do you?’ He asked expecting the answer
no. ‘Sure. Audio, no video’ was his response.
I thanked him and went to go in. The door people were a little alarmed at
my mic stand and wanted to know what it was. All the tables on the floor
were reserved for dinner except for 4 seats on the center table, second
tier. Myself and another taper sat down. He had already paid for dinner, I
hadn’t. Immediately the floor manager was all over me telling me I
couldn’t set up here because it was for dinner people only, blah blah
blah. So I had to pay the $20 on the spot for dinner but got to keep my
killer FOB center location. Right where I wanted to be anyway.
Moral to the story is it helped having the printout of the web page but it
also helped more being able to go right to the manager. But still I had to
work to get my gear inside because I basically had to ask the band’s road
manager myself. I couldn’t believe I was the only stand in the room!
I was expecting more tapers in Ventura. Especially since it was so close
to LA.
Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉
Bob Dylan (featuring Mark Knopfler)
The Jokermen
Muscle Shoals Sound Studios, Sheffield, Alabama, USA, 30th April – 11th May 1979 (Slow train coming sessions)
Powerstation, New York, USA, 11th April – 8th May 1983 (Infidels recording sessions)
Powerstation, New York, USA, early June – 5th July 1983 (overdub sessions)
Tracks CD 1 The outtakes:
Track #1-2: Taken from the Slow train coming sessions.
Track #3-8: Perfect sound quality.
Track #9-11: The sound quality varies. Never officially released.
Track #12 This is the vinyl B-side.
Track #13-16: The sound quality varies. Never officially released.
Track #17: This is the vinyl B-side. Same recording as track #1 but with one verse cut.
Tracks CD 2 The alternative versions:
Tracks #1-8: Alternative versions of the Infidels songs.
Tracks #9-15: Alternative versions of outtakes.
Track #16: Mono version, same take as the other one.
The lead guitar has almost disapeared.
All tracks; Never released officially. Sound quality varies.
Tracks CD 3 Rehearsels and live:
Tracks #1-3: Alternative versions. Sound quality varies.
Track #4: Sweetheart like you rehearsals. Alternative takes, talking, improvisations. Sound quality varies.
Track #5-7: Mark Knopfler joining Bob Dylan at the Sydney Entertainment Centre, Sydney, Australia, 10th February 1986. Backing band Tom Petty & The Heartbreakers. Poor sound.
Track #8-11: Dylan joining Dire Straits at the Sports and Entertainment Centre, Melbourne, Australia, 19th February 1986. Poor sound.
Additional comments This is a totally unique collection of a lot of songs performed by Bob Dylan and Mark Knopfler together. This collection is spanning from the early sessions for Slow train coming, the Infidels sessions, the concert in 1986 when Dylan joined Dire Straits to perform four of his own songs and also the concert a couple of days before that when Mark Knopfler joined Bob Dylan at a concert, backed by Tom Petty and The Heartbreakers. Two B-sides from vinyl singles and some songs which are not too much different than the album versions but different mixes or some instrument fewer or something like that. The sound quality has been improved a lot because all songs have been remastered. If you are looking for a complete collection of all songs with Dylan and Knopfler, please check this recording: The complete Infidels sessions. This is not 100% of all Dylan & Knopfler sessions though. You need to get the official releases of Infidels and Slow train coming aswell! Nothing from these two records is to be found in this collection. This is the material that didn’t find it’s way to these two records. Taken from the silver pressed bootleg “The Jokermen”.
Bob Dylan & Johnny Cash
Nashville, TN
02/17/69
Label: Yellow Dog Records, Luxembourg, 1994
Catalog Number: YD-049
OU: “During the Nashville Skyline sessions on February 18, 1969,
Dylan teamed up with Johnny Cash at Columbia Music Row Studios
in Nashville to record over a dozen songs. Only one of these made it
onto Nashville Skyline (“Girl from the North Country”). Most of the
rest are here, in perfect fidelity. With full band backing (including
Carl Perkins on electric guitar), the pair run through easygoing,
rockabilly-tinged versions of Dylan songs, Cash songs, old Sun
rockabilly chestnuts (“That’s All Right Mama” and “Matchbox”),
and a bit of country gospel. Johnny Cash, in fact, dominates the
proceedings: he sings lead more often, and the mere two Dylan tunes
(“Girl from the North Country” and “One Too Many Mornings”) are
outweighed by a larger heaping of Cash classics (“Big River,” “I
Walk the Line,” “I Still Miss Someone,” “Ring of Fire,” “Guess
Things Happen That Way”). The disc also includes three interesting
Dylan performances at the Ryman Auditorium in Nashville on
May 1, 1969 recorded for a TV broadcast on The Johnny Cash
Show. Judged as a loose, informal meeting of two giants, it’s
pleasurable and intensely satisfying listening experience.”
Tracklisting:
01: One Too Many Mornings (version 1)
02: One Too Many Mornings (version 2)
03: Good Ol’ Mountain Dew
04: I Still Miss Someone
05: Careless Love
06: Matchbox
07: That’s All Right Mama
08: Big River
09: Girl Of The North Country
10: I Walk The Line
11: You Are My Sunshine
12: Ring Of Fire
13: Guess Things Happen That Way
14: Just A Closer Walk With Thee
15: Blues Yodel (version 1)
16: Blues Yodel (version 2)
17: Johnny Cash Show:
18: I Threw It All Away
19: Living The Blues
20: Girl Of The North Country
disc is 1 file plus cue sheet.
To burn to CD with tracks separated all you have to do is download and install burnnn http://www.burrrn.net
open cue sheet with burrrn application (track list appears magically).
Press the “Burrrn” button
too easy
Robert Plant & Alison Krauss
Opera Leśna
Sopot, Poland
July 18, 2022
Source: audience master
Recorded by Pablak
Position: sector C, 5th row, in front of the center of the stage
Sound quality: A+ (an excellent audience recording, no EQ, not amplified)
Lineage: CA 14 Cardioid Microphones -> Olympus LS-5 @ WAV 24bit/96kHz -> iZotope RX 9 Advanced Audio Editor (close clapping removal, tracking, fade in and out, resample to 16 bit/44,1 kHz) -> foobar2000 (FLAC and tags) -> TLH (SBEs and checksums) -> You
Setlist:
Musicians:
Robert Plant – vocals, maracas,
Alison Krauss – vocals, fiddle,
band (from right to left):
JD McPherson – guitars, backing vocals,
Dennis Crouch – bass,
Jay Bellerose – drums,
Viktor Krauss – guitars, mandolin, keyboards, mellotrone, backing vocals
Stuart Duncan – fiddle, guitars, mandolin, backing vocals
2022 Pablak Production
Robert Plant & Alison Krauss
Piazza Napoleone
Lucca
Italy
14 july 2022
Lucca Summer Festival 2022
Taper: Biccio59
Source: SP CM 2 Cardiod Mic > Battery Box > Edirol RH09 > Wave
Editing: tracking, fade in/out > Ozone mastering > WAV [16/44.1] > xACT > FLAC
Mastering: Andrea82
Setlist:
01 Rich Woman
02 Quattro
03 Fortune Teller
04 Rock And Roll
05 Please Read The Letter
06 High And Lonesome
07 You Led Me To The Wrong
08 Trouble With My Lover
09 Go Your Way
10 Leave My Woman Alone
11 When The Levee Breaks
12 Gone Gone Gone
Encore:
13 Can’t Let Go
Robert Plant & Alison Krauss
Roskilde Festival Arena Stage, DK
2022-06-30
Source: ca14->ca9100->sony pcm-m10 -> wav (48 khz/24 bit)
Transfer: sony pcm-m10->hd->cep->cdwav (44,1 khz/16 bit)->flac
Robert Plant & Alison Krauss
British Summer Time
Hyde Park
London, U.K.
June 26, 2022
Source: DPA 4060 => Tascam DR-2d
Conversion: WAV => Audio Cleaning Lab => FLAC (16-bit)
Track listing (66:11):
(1) Rich Woman (4:46)
(2) Can’t Let Go (3:47)
(3) Fortune Teller (4:21)
(4) Trouble With My Lover (3:40)
(5) Rock and Roll (4:21)
(6) The Price of Love (4:30)
(7) Please Read The Letter (6:34)
(8) High and Lonesome (4:22)
(9) It Don’t Bother Me (4:43)
(10) Band introductions (1:00)
(11) Quattro (World Drifts In) (4:24)
(12) Gone Gone Gone (3:24)
(13) The Battle of Evermore (6:28)
(14) When The Levee Breaks (9:44)
Comments: This recording captures Percy’s headlining set at the “British Summer Time” festival on June 26, 2022. Powerful performance, though unfortunately shortened for the festival. The taper clearly found a sweet spot — the dynamics are excellent, and the crowd around him is eerily silent. Very unusual for a general admission festival for crowd noise to be absent.
Many thanks to TallTaper for taping and sharing. I was just the helper who EQ’d and tracked it.
Robert Plant & Alison Krauss
June 9, 2022
TCU Amphitheater at White River State Park
Indianapolis, Indiana
Source: Sound Professionals CMC-08s (AT943s)->SP-SB10->Roland R05->
Audacity->CDWave->TLH
Taper: ironchef
Total time: 101:43 / 1:41:43
Notes: Recorded from section 102 in the lower pavilion about ten rows back from the
stage right/audience left stack. What a great show. Their voices are soooo good together.
I was surprised Indy was included in the first leg of the tour since there weren’t very
many dates announced at that time. The sound was great, and most of the crowd noise
was behind me. Catch them on tour if you can. Enjoy!
xxxx.xx.xx – Nobody Sings Dylan Like Dylan, Vol. 28 – Mudcrutch
1974-1975 – Solo LP & Mudcrutch Outtakes
1976-1981 – The Bootleg Series, Vol. 1-3
1977.06.14 – Cologne, Germany
1978.xx.xx – London, England
1982-1993 – The Bootleg Series, Vol. 4-8
1987.10.08 – Brussels, Belgium – w/Roger McGuinn & Tom Petty
1988-1990 – The Complete Traveling Wiburys Collection
1991 – VH1 Storytellers
1993.11.04 – Gainesville, FL
1994.10.02 – Mountain View, CA
1999.04.23 – Hamburg, Germany
2006.06.09 – Charlotte, NC
2006.10.28 – Las Vegas, NV
2009.01.07 – Los Angeles, CA – Gillian Welch show with Benmont on keys
2019.07.18 – San Francisco, CA – Benmont Tench solo
themidnightcafe.org 