John Prine – Ventura, CA (06/02/99)

John Prine
06/02/99
Majestic Ventura Theater
Ventura, CA

Neumann AK-40’s (x/y) >LC3 >KM-100’s >Beyer MV-100 >SBM-1 >Sony TCD-D7
DAT Master Transferred: Sony TCD-D8 >HHb CDR 800 PTO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.37

(1st Part Of ‘Spanish Pipedream’ Cut.)

December 2024 Remaster
FLAC >WAV >Audacity (De-Amplify Close-Proximity Hand Claps By 6 To 8 db, Reduce Overall End-Of Song Crowd Noise, Minor Edits [Microphone Bumps], Amplify By 2.8db, Re-Track On Similar Index Points) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53

Recorded Front Row Balcony.
Recorded, Transferred, Audacity, FLAC Tags, & Front Cover Artwork By OldNeumanntapr.

Disc I:

  1. //Spanish Pipedream
  2. Six O’clock News
  3. Souvenirs
  4. Fish And Whistle
  5. Grandpa Was A Carpenter
  6. You Got Gold
  7. Linda Goes To Mars
  8. All The Best
  9. Angel From Montgomery
  10. Dear Abby
  11. Let’s Talk Dirty In Hawaiian
  12. Donald And Lydia

Disc II:

  1. A Good Time
  2. It’s A Big Old Goofy World
  3. Sam Stone
  4. Bear Creek
  5. Ain’t Hurtin’ Nobody
  6. Sins Of Memphisto
  7. Lake Marie

Encore:

  1. Hello In There
  2. Paradise

OldNeumanntapr Notes-
This was the last time that I’ve been to the Majestic Ventura Theater. The theater owners have made a lot of improvements to the theater, especially with the new sound system, since I was first there to record Arlo Guthrie in early 1991. I used to like to record in the front row of the balcony because there was less security up there and you didn’t get the noise of the dinner guests and the waitresses. The downside was that you were farther from the stage and the SPL was lower. Also, it was difficult to hear any comments that the artist might say between songs. The bottom floor of the Ventura Theater is all dinner tables and you need dinner reservations down there. Those reservations go quickly. (When I recorded Gregg Allman, openly, on the floor at the Ventura Theater a month earlier I had to pay $20 cash to the waiter on the spot to keep my place. I had already set up my stand and they were threatening to eject me because I lacked dinner reservations.) On the floor is closer to the stage and has better sound, but it’s more exposed. I have heard that the theater owners have since permanently closed off the balcony and built a wall dividing the floor section from the bar area, which is under the balcony, probably to improve the acoustics of the front part of the theater. The Ventura Theater was built in the 1920s, and at one point all the original theater seats were removed to convert it to a dinner theater with three tiered levels. I always seem to cut the beginning of ‘Spanish Pipedream’.
On a positive note, I think this was the only time I’d heard John do ‘Linda Goes To Mars’, a favorite of mine. Unfortunately, I found that my ticket stub must have suffered from heat damage as it was mostly blacked out except for the date so I was unable to scan it to use with this recording.

December 2024 Notes:
I just remastered this recording to try and reduce the microphone noise that occurred when someone would jostle me because inn those years I was wearing the AK 40 capsules mounted on an x/y bar on my collar. I also wanted to lower the ambient crowd boise so i could boost the music level a bit because the quiet parts when John would speak to the audience were difficult to hear well.

(DO NOT Convert To MP3!
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Gregg Allman – Ventura, CA (05/27/99)

Gregg Allman & Friends
5/27/99
Majestic Ventura Theater
Ventura, CA

Neumann AK-40’s (x/y) >LC3 >KM-100’s >Beyer MV-100 >Tascam DA-P1
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters (HHb Gold Discs) >FLAC (Level 8) Via xACT 2.28

FOB, 2nd Tier, Center Table. Microphones On 10ft Stand

Recorded, Transferred, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr

Set I

  1. Hot ‘Lanta
  2. I’m No Angel
  3. Slip Away
  4. Rendezvous With The Blues
  5. Midnight Rider
  6. Love The Poison
  7. These Days
  8. I’ve Been Hurt Real Bad
  9. House Of Blues

Set II

  1. Demons
  2. Born Under A Bad Sign
  3. Just Before The Bullets Fly
  4. Back To Daytona
  5. Melissa
  6. Whipping Post
  7. Trouble No More
  8. Please Call Home

OldNeumanntapr Notes:

This ‘review’ I had originally posted to DAT-Heads soon after the show in 1999

Just back from Greg Allman and Friends at the Ventura Theatre.
The theatre people gave me the usual run around even though I had a print
out of the ABB web page which stated the taping policy. I finally went
directly to Robert, the manager, who is a friend of a friend of mine.
He was cool and said he didn’t mind but someone would have to personally
ask the road manager. I relayed this to one of the security people outside
who came back 5 minutes later with a long face and said, ‘sorry dude. You
can’t’. I told him that Robert had already given his OK but they would
have to talk with the road manager. This guy then said he would go back
and ask again. I figured I was just going to get the run around so I
walked down the street and found an open side door near back stage. The
road manager was outside talking to this same security kid. I walked up
and smiled and the security guy looked at me then looked at the road
manager and said, ‘oh yeah. One other thing. You can answer this guy’s
question. You Don’t allow recording do you?’ He asked expecting the answer
no. ‘Sure. Audio, no video’ was his response.

I thanked him and went to go in. The door people were a little alarmed at
my mic stand and wanted to know what it was. All the tables on the floor
were reserved for dinner except for 4 seats on the center table, second
tier. Myself and another taper sat down. He had already paid for dinner, I
hadn’t. Immediately the floor manager was all over me telling me I
couldn’t set up here because it was for dinner people only, blah blah
blah. So I had to pay the $20 on the spot for dinner but got to keep my
killer FOB center location. Right where I wanted to be anyway.

Moral to the story is it helped having the printout of the web page but it
also helped more being able to go right to the manager. But still I had to
work to get my gear inside because I basically had to ask the band’s road
manager myself. I couldn’t believe I was the only stand in the room!
I was expecting more tapers in Ventura. Especially since it was so close
to LA.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Cowboy Junkies – Ventura, CA (07/31/01)

Cowboy Junkies
07/31/01
Majestic Ventura Theater
Ventura, CA

FOB: Neumann AK-40’s (x/y) >LC3 >KM-100’s >Beyer MV-100 >SBM-1 >Sony TCD-D7 DAT Master

(Recorded, Processed, FLAC’d, Tagged, & Front-Cover Artwork By OldNeumanntapr)
FOB; Microphones On A Nine-Foot Stand, From The Back Of The Second Tier.

DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO
CD Masters >FLAC (Level 8) xACT 2.48
FLAC Tags Via xACT 2.53

Disc I:

  1. Hard To Explain
  2. Miles From Our Home
  3. ‘Cause Cheap Is How I Feel
  4. A Horse In The Country
  5. Upon Still Waters
  6. Small Swift Birds
  7. The Last Spike
  8. Good Friday
  9. Bread And Wine
  10. Thirty Summers

Disc II:

  1. Something More Besides You
  2. Where Are You Tonight?
  3. Misguided Angel
  4. I’m So Open
  5. Lay It Down
  6. Band Intros
  7. Murder Tonight In The Trailer Park >
  8. I Saw Your Shoes

Encore:

  1. Thunder Road
  2. Anniversary Song

OldNeumanntapr Notes:
This was the first and, unfortunately, only time that I have seen Cowboy Junkies. I took my stealth gear down expecting to record covertly, but once in line I met up with another taper who had a nice microphone stand and he agreed to hang my AK 40 capsules below his own microphones. I don’t remember now what he was running. I had no idea that the Cowboy Junkies were not only agreeable to open taping but that they would actually guest list tapers! Wow. My kind of band! Margo Timmins has an absolutely AWESOME voice! I really enjoyed this show a lot. She told some great stories too, especially the one about the ‘game’ that her brothers (bandmates) play while on the road in the bus where they add the word ‘anal’ to the models of passing cars. “They’ve been doing this for years,” she said. “They can’t wait to see a Probe”! Too funny! I went down to Ventura with my friend Dave, and my girlfriend (later my wife) Genéte stayed behind. I think she would have liked it.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉