The Decision

As I mentioned in the last post one of the ways I had thought of to make this whole thing work was to create a brand new movie site – call it The Midnight Movie Cafe – and keep the old site private where I would still share music links.

As I also mentioned the trouble with this is that The Midnight Cafe has a certain amount of cache. It is a known site. It has been indexed by search engines. Every day people discover the site through Google Searches or because some other site has linked to me.

A movie site needs that Google juice. I want people to discover those writings. Now I know I’ll never get rich talking about movies, I’ll never make any kind of real money through it at all. But I hope I can continue to grow it a little bit and get a small following.

But the music site doesn’t need any sort of cache. I don’t want people discovering it through search. It should be anonymous.

So, I’ve decided to switch it around – the new site, call it The Midnight Music Cafe, will be dedicated to ROIO sharing and it will remain private. The old site will be all about movies and pop culture and everything else that floats my boat besides ROIOs.

Unfortunately, this does mean a lot of extra work for me. There is a large collection of music posts that I need to transfer to the new site. Luckily I discovered that I can export posts from the old blog and import them to the new blog fairly easily. The site is too big to do that all at once, but I can do it by artist.

Even so, when I import them I need to go through them to make sure everything came out alright. And then on the old site, I need to make each post private so that when I make the entire site public those posts will not be viewable to anybody.

It also means that you all will have to register to view my new site and sign up for the e-mails. You’ll need your WordPress login to do that. So if you have not registered for a free WordPress account I recommend doing so now. If you do not I think you can still sign up for the e-mails, but I’ll have to figure out how that works.

It also means that if you are already subscribed to The Midnight Cafe and you do not like my movie reviews, you’ll have to figure out how to unsubcribe.

I am not ready to open the new site up just yet. I don’t know that I’ll get everything moved over before I open it up, but it still needs quite a bit of work before I let you all in.

Naturally, while I do all of this I will not be uploading new shows. So please be patient and I hope you look forward to the new site.

A Change Is Gonna Come

Thank you everyone for participating in my little experiment. Thanks especially to Simon who started things off by noting he was in the UK. Many of you followed and noted where you are from. It was very fun to see how international this site has become.

Obviously, some things are going on with the site and I wanted to take a moment to explain them, and to talk about some upcoming changes.

The other day I received an e-mail from a woman who runs the estate of an artist I recently posted. She asked me to take the post down and vaguely threatened me with legal action. I immediately removed the post and told her I did so. She thanked me and then threatened me with more legal action if she ever saw that show posted anywhere else.

So please, if you downloaded the Richie Havens show from me do not share it anywhere else.

I don’t believe she will sue me over this, but the whole incident has made me nervous.

I’ve always known there was a risk in running this site and sharing these shows. I feel like ROIOs are a bit of a legally gray area. I don’t share any copies of official releases, but that doesn’t mean I can’t get sued and that I wouldn’t lose if I did.

I figure my site is too small to get noticed very often and so the chances of being sued are slim. But they aren’t zero. And this incident has made me nervous enough to make some changes.

I still want to share shows, but I want to make the risk minimal.

The obvious answer is to make the site private. That’s exactly what I’ve done for now. That will make the risk nearly zero. It will keep prying eyes from finding the site. But it also means potential fans of the site will not likely find it either.

This is especially irksome since I’ve spent the last year or so writing about movies and pop culture. I want the public to read that stuff. I want it to be seen by as many people as possible. Maybe that’s just ego-talking, but it is true. I hate the idea of my reviews and such not being public.

But what to do?

I’ve been playing around with the settings. There is a way to make individual posts only viewable to subscribers. That’s what the experiment was about. It still sends out an e-mail and if you are logged in then you can read the posts on the site. But if you are not a subscriber then you cannot read the post. Potentially I could make the shows only viewable to subscribers and that would help keep out unwanted eyes.

However, the title of each post is still public and presumably searchable to places like Google. That could lead potential suers to my site. They wouldn’t be able to read the post and thus see that I’m sharing download links, but if they were curious they could subscribe and then I’m busted.

Another thought was to keep the show posts public, but not actually post a download link. Then once a day I could do a subscriber-only post that would include the Google Drive links for the day’s shows. I’d make the title of that post vague and generic so the general public wouldn’t know what I was doing.

But that seems like extra work for me and it would probably be annoying to you all.

My next idea was to create a new site just for the movie talk. Midnight Cafe Movies I could call it. I’ve actually thought about doing this before as I sometimes think about contacting movie PR people to start officially reviewing things like I do for Cinema Sentries. But I worried that directing movie people to my site where I also share music downloads might cause problems. But a movie-only site would be cool.

The trouble is The Midnight Cafe has a certain amount of cache. It has a small amount of Google juice. It is a known site. I want that cache for a movie site, but not for the music…

I think I have devised a plan. I’m working on something I think might make it possible for me to continue posting shows, but in a very private way, but also write about movies in a public fashion.

I’ll reveal that in another later today. It is going to take a lot of work on my part, and probably be a little annoying on your part, but I think it just might work.

Film Noir: The Dark Side of Cinema XIX

cover

I’ve reviewed a bunch of these film noir sets from Kino Lorber over the last few years. Not all of the films are great, some of them are pretty lousy if I’m being honest, but I love that these films are getting released in HD.

This set features stars such as Charlton Heston, Barbara Stanwyck, Lizabeth Scott, Robert Ryan, and Ida Lupino (those last two are in Beware, My Lovely a film I reviewed last Noirvember).

All three films are pretty good if not exactly true classics. You can read my full review here.

The Who – Philadelphia, PA (10/19/69)

The Who
1969-10-19 (Late Show)
Electric Factory
Philadelphia, PA, USA


Source: “Electric Factory” (Trystar TR-017)
Lineage: AUD -> ? -> Silver CD -> EAC Secure Mode -> WAV -> TLH -> FLAC (Level 8)

71 min audience recording

Setlist:

  1. Heaven And Hell (cuts in)
  2. I Can’t Explain
  3. Young Man Blues
  4. Summertime Blues
  5. Overture
  6. It’s A Boy
  7. 1921
  8. Amazing Journey
  9. Sparks
  10. The Acid Queen
  11. Pinball Wizard
  12. Do You Think It’s Alright?
  13. Fiddle About
  14. Tommy, Can You Hear Me?
  15. There’s A Doctor (cuts in)
  16. Go To The Mirror
  17. Smash The Mirror
  18. Miracle Cure
  19. Sally Simpson
  20. I’m Free
  21. Tommy’s Holiday Camp
  22. We’re Not Gonna Take It
  23. My Generation (cuts in)

Notes:
I used Adobe Audition CC 2018 to split 1921 and Amazing Journey into two tracks.
This is not a very common recording and is not the same gig as the soundboard as commonly thought (the soundboard is of the early show).
I’ve never seen this shared from silvers before, so I am sharing my rip.

Dead & Co. – Las Vegas, NV (05/16/24)

Dead & Company @ The Sphere: Dead Forever
Sphere
2024-05-16
Las Vegas, Nevada

Source:
B9 C31F > Schoeps Active Cables > Baby Nbox > Roland R-07

Lineage: SD > Wav > Reaper > Flac 24 Bit

  1. Crowd 1st Set Intro
  2. Feel Like a Stranger
  3. Lift Off
  4. Mississippi Half Step Uptown Toodeloo
    05 Jack Straw
  5. Birdsong
  6. Me and MY Uncle
  7. Brown Eyed Women
  8. Cold Rain and Snow
  9. Crowd 2nd Set Intro
  10. Uncle Johns Band
  11. Help on the Way >
  12. Slipknot
  13. Franklin’s Tower
  14. He’s Gone
  15. Drums >
  16. Space Jam
  17. Standing on the Moon
  18. St. Stephen
  19. Hell in a Bucket
  20. Knockin’ on Heaven’s Door
  21. Touchdown: Music Never Stopped
  22. Not Fade Away

Band:
Bobby Weir – Rhythm Guitar, Lead Vocals
Mickey Hart – Percussion, Beam
John Mayer – Lead Guitar, Lead Vocals
Jeff Chimenti – Keys
Oteil Burbridge – Bass Guitar, Percussion, Vocals
Jay Lane – Drums

Bandits of Orgosolo (1961)

movie

Radiance Films is a relatively new company competing in the Boutique Blu-ray market. This was my first venture into what they are doing and I gotta say I liked it. The film is quite good – it is an Italian Neorealistic look at how someone might become a bandit. And the disk is beautiful with some nice extras. You can read my full review at Cinema Sentries.

The Rolling Stones – Vancouver, Canada (07/05/24)

The Rolling Stones – Hackney Diamonds Tour
Friday July 5th, 2024
B.C. Place Stadium
777 Pacific Blvd.
Vancouver, British Columbia, Canada

Taper: LeifH [2024#14]
Source: CA-11 > A10
Transfer: PC via USB > RX9 > Wavepad > flac (8) via TLH

Setlist: 02:08:00
01 intro
02 Start Me Up
03 Let’s Spend the Night Together
04 Bitch
05 Angry
06 Street Fighting Man
07 Wild Horses
08 Mess It Up
09 Tumbling Dice
10 You Can’t Always Get What You Want
11 Tell Me Straight
12 Little T & A
13 Before They Make Me Run
14 Sympathy for the Devil
15 Honky Tonk Women
16 Midnight Rambler
17 Gimme Shelter
18 Paint it Black
19 Jumpin’ Jack Flash
-encore-
20 Sweet Sounds of Heaven
21 (I Can’t Get No) Satisfaction

Had tickets for the 2020 gig, and then… you know…
Wasn’t going to bother attending this one for a variety of reasons. Death of Charlie Watts, tickets were even more expensive than the original booking, and general dislike (to put it lightly) of stadium shows, just to name a few.

Neil Young was due in town a couple weeks after this, but unfortunately cancelled. Had tickets to both shows booked at Deer Lake Park. The money was refunded right away (much unlike Stones 2020) and all of a sudden the Stones were in town. The day of the show I found a secondary market ticket for well below face value and ended up paying about the same price as one of those Neil Young tickets.

Met up with some pals before hand for a few pints. We entered the venue during the opening act, Ghost Hounds. As soon as I got to my seat, I remembered why I never go to these kind of shows. Brutal. Ghost Hounds didn’t do it for me, generic boring American rock music. I wonder how much their buy-on was for this tour… Anyway, I used their last few songs as a record-level check to make sure I was all set for the main attraction (included here as a bonus).

The setlist was fairly ideal for a first and likely only time seeing the Stones. The overall experience left something to be desired. I never felt like I was really there but rather experiencing the show second or third hand, as if I was watching TV from across the street through binoculars or something. I’ve felt more like I was at a show while peering over a festival fence from a distance.

After being treated and sanitized, the recording sounds 150x better than it did at the show. Plus you don’t have to sit on a harsh plastic chair and smell my neighbour’s cheap hotel fatty acid soap aroma. Sit back in your favourite seat or listen to it on the go.