Phil Lesh & Wilco – Bridgeview, IL (08/26/22)

Philco (Phil Lesh and Friends with Jeff Tweedy and Nels Cline)
2022-08-26
Sacred Rose Festival, Canopy Stage
Bridgeview, Il

Set I

  1. Intro
  2. Dire wolf
  3. Doing that rag
  4. Mr Charlie
  5. Jack straw
  6. Airline to heaven
  7. US Blues
  8. Not Fade Away

Set II

  1. Intro
  2. Shakedown
  3. Viola Lee Blues
  4. Pride of Cucamonga
  5. New Speedway Boogie
  6. Franklin’s tower
  7. Via Chicago
  8. Ripple

Hardcore (1979)

Hardcore (1979) stars George C. Scott as Jake VanDorn a conservative, Calvinist, businessman from Grand Rapids, Michigan. When his teenage daughter goes missing while on a trip to California he hires a sleazy private detective (Peter Doyle) to find her. The detective turns up a short pornographic reel with the daughter in it, but when he is unable to locate her Jake flies to Los Angeles to do the job himself. Once there he journeys through the seedy underbelly of the city talking to strippers, prostitutes, and porno hustlers.

It covers similar territory as the Martin Scorsese-directed Taxi Driver (1976) which Schrader also wrote. Except in that film, Travis Bickle lived in the dark spaces and seemed to thrive there. Jake VanDorn is from the midwest. He is a moral man. A good churchgoer. He is unmoved by all the sex and unseemliness. He is propositioned several times throughout the movie but only offers back a scoff. As if sex doesn’t interest him. His disgust and anger come out only when dealing with his daughter – while watching her perform sex acts on camera or dealing with someone who put her in that position.

Schrader himself was from Grand Rapids and was raised as a Calvinist. He’s on record saying that the Jake VanDorn character was modeled after his father and it is hard not to see the daughter as a symbol for himself. He did leave Grand Rapids for Los Angeles after all to make a living making movies, something his father no doubt would have abhorred. Yet it is interesting to see how the film is from the father’s perspective. We rarely see the daughter at all, nor do we get her side of the story. Make of that what you will.

Jake wanders around the seedier sections of Los Angeles. He walks into porno shops asking the clerk if he’s seen his daughter. He wanders into makeshift brothels where one can wrestle nude with a pretty young woman and negotiate with her for anything else he wants. He pays these women but all he wants is answers. He doesn’t get very many. While pornography has become essentially legalized, this world is still full of secrets, it lives by a code and Jake is clearly not part of it.

He changes tactics. He puts a classified ad in a local newspaper stating that he is a porno producer looking for male studs. He’s hoping to find the young man who was in that porno clip with his daughter. He dons a cheap wig, a cheaper mustache, and clothes that make him look like a narc with no clue as to how to blend in.

He finds the guy but only plunges deeper into this world which includes underage prostitution and snuff films. In parts, it reminded me of several Brian DePalma films. Movies like Dressed to Kill and Body Double also delve into these unseemly sides of a city, but DePalma fetishized them whereas here Schrader looks at them with a detachment. Jake digs deep into this world that he only ever feared existed but he is not part of it. He is a watcher.

George C. Scott is a fascinating choice for Jake. He’s such a square. I mean I don’t know what the actor was like in real life, but his characters are often very straight-laced, or at least unsentimental. While diving into the underside of Los Angeles and San Francisco, he walks through it as if a robot, almost emotionless. He does break down a few times, but each time it is only due to his feelings for his daughter. He meets a young hustler who says she started hooking up when she was very young. Jake is happy to take care of her while she’s helping him find his daughter, but unlike Travis Bickle, he never seems all that bothered that she’s been abused her entire life. It is almost like this is a completely different world to him, to his world back in Grand Rapids, and he’d just assume it doesn’t exist once he gets his daughter out of it.

Schrader is a director whose work I’ve almost always enjoyed. This was the second film he ever directed and the sixth film that he had written. Hardcore isn’t his best work, but it is an interesting film, and it makes for a very interesting companion piece to Taxi Driver.

A Small Update

I think I mentioned before how I have an old external hard drive that is dying. Well, I’ve been saying it is dying for several years now and it is still kicking. What it is doing is being really, really slow. Trying to read any file or move anything around takes a very long time. So long that it is basically useless. Thankfully the vast majority of the files on that drive are also on my Amazon Drive.

Since Amazon told me they were going away, I’ve been downloading those files onto a working hard drive. Today I finished that project. This doesn’t really mean anything to you all, but it is important to me. It is also one step closer to…something. I just don’t know what that something is.

My next project is a massive one. I’m going to go through all of my hard drives, make sure all the shows are on my list (and if they arent’ add them to my list), and then organize everything. Right now many artists have shows on multiple hard drives so I’ll be consolidating them so that everything is easier to find. I’ll also be going through my list and verifying that everything on it does in fact exist on one of my hard drives.

This is going to take me a long while since I have thousands of shows to go through. I’m hoping I can have it done before April when all of my files on Amazon Drive go away. I also hope to have a plan by then as to how I’m going to be sharing shows in the future.

Hiroshima Mon Amour (1959)


As I mentioned in a previous post I have been writing Blu-ray reviews for my friend’s site called Cinema Sentries. I’ve decided that I am going to start posting those reviews here. I won’t be pasting the actual reviews here as I want to give Cinema Sentries all the traffic it deserves.

First up is my review of the Criterion Collection’s excellent release of the fantastic French film Hiroshima Mon Amour.

I know this is all new and possibly weird for my site. I’ve spent ten years posting nothing but bootlegs and suddenly it is all movie reviews, and pop culture musings. I apologize if that is annoying. I really do plan on posting more bootlegs in some capacity in the near future.

Out of curiosity though, what do you all think of me suddenly talking about movies and such like?

Pop Culture and Things

When I first started The Midnight Cafe back in 2004 I was using it as a journal to document the year my wife and I spent in France. Over time I started writing movie, music, and book reviews to fill the pages. By the time we got back to the US it had become a full-on pop culture blog.

Eventually, I started writing bootleg reviews which then led to me posting links to the shows. Slowly the bootlegs took over the blog and the pop culture stuff disappeared. With Amazon Drive dying I’ve been thinking about what comes next for The Midnight Cafe. My desire to continue the bootleg blog and nothing but the bootleg blog is nill. I will find a way to continue sharing the music, but I do not know if that will be through Discord, or a chat box on this blog or something else.

But I’ve also been thinking about returning to my roots. Truth is I’ve continued writing movie reviews at a site called Cinema Sentries. I kind of like the idea of talking about pop culture again in these pages.

I don’t know if that will happen. I have no idea what I’m going to do next.

But, the thing is I have a whole lot of pop culture writing that has been sitting dormant in these pages for years. Whenever I turned the Cafe into a private site I made everything that wasn’t bootleg related invisible to everyone. With the Amazon links dying I’ve decided to go back to making the Cafe a public blog. And with that I’ll be making many of those old pop culture posts visible again.

For whatever reason whenever I make those old posts visible WordPress sends out an e-mail like the old posts were new ones. I can’t find a way to bulk edit those old posts and so I’ll be doing it individually whenever I feel like it. So you can expect some e-mails with old movie reviews and other random pop-cultural musings for a while.

Honestly, some of them are kind of embarrassing to read now, as I wrote them many years ago, but they are my words and I own up to them. Point being, if you don’t want to get e-mails with movie reviews from me for the foreseeable future you might want to unsubscribe. It will most likely be April before I make a real decision as to how I’ll be sharing more music so you can ignore me for a while.

Trouble Ahead

My Amazon Drive just put me on notice. They are discontinuing their Drive services in December of next year. That gives me plenty of time to figure something out, but for the moment I don’t know that I want to continue uploading shows to the Drive if they are just going to disappear next year.

This is going to take some serious contemplation.

The thought of having to reupload all the shows on my drive to some other service and repost good links on the blog just sounds exhausting. I could just upload news shows and then reupload old shows whenever I get a request. That is a possibility.

I’m also contemplating the idea of some kind of newsletter or substack. I’ve really enjoyed the times when I’ve shared shows from a particular tour or some other similar theme. I like the idea of a biweekly newsletter in which I could share all the shows from a certain time period or maybe shows from a certain city or venue, etc. I love the idea of doing something like that but also writing an essay about those particular shows.

I also like the idea of doing mix-tapes. I could create the greatest hits from different tours or years, or whatever. Or do mixes of really great songs from different artists. I’ve done a few of those in the past and they were a lot of fun. If I did that I’d probably also share all the shows used to make the mixes.

Or maybe I’ll do something else. Or nothing at all. I really don’t know what is next.

For now, I’m taking a break. I’m gonna need some time to figure out where I want to go from here. This makes an excellent opportunity for you all to start digging through the blog and downloading anything you don’t already have. Whatever comes next I’ll definitely keep you all in the loop and will post about it on the blog.

Bob Dylan – Down in the Basement, 1967

BOB DYLAN,TINY TIM & THE BAND
‘Down in the Basement’
West Saugerties, New York
1967

Moonlight 9642
Released: 1996

SOURCE: Factory Pressed Disc > dBpoweramp (AccurateRip) > FLAC Level 8

400dp iScans

I GOT YOU BABE
MEMPHIS TENNESSEE
INSTRUMENTAL 1
GONNA GET YOU NOW
INSTRUMENTAL 2
MIGHTY QUINN
LO AND BEHOLD
APPLE SUCKLING TREE
TINY MONTGOMERY
I SHALL BE RELEASED
INSTRUMENTAL 3
INSTRUMENTAL 4
SONNY BOY
PIANO RAG
INSTRUMENTAL 5
BE MY BABY

JTT, February 2021

Pink Floyd – Venice, Italy (07/15/89)

Pink Floyd
1989-07-15
Pink Floyd
Bacino di San Marco,Venice,Italy

Track Listing:

cd 1:
01 Shine On You Crazy Diamond
02 Learning To Fly
03 Yet Another Movie
04 Sorrow
05 The Dogs Of War
06 On The Turning Away

cd 2:
01 Time
02 The Great Gig In The Sky
03 Wish You Were Here
04 Money
05 Another Brick In The Wall Part II
06 Comfortably Numb
07 Run Like Hell

David Gilmour
Nick Mason
Richard Wright

Jon Carin – keyboards & vocals
Lorelei McBroom – backing Vocals
Rachel Fury – backing vocals
Durga McBroom – backing vocals
Scott Page – saxophone
Guy Pratt – bass guitar & vocals
Tim Renwick – guitars
Gary Wallis – percussion