Noirvember 2022

the blue dahlia

I watched 35 movies in November. 27 of those films were new to me. 22 of them were made before I was born. 18 of them could be considered noirs, two of which would be categorized as neo-noirs.

Because I was seeking out lesser-known film noirs, and thus was watching films that were less than extraordinary, I got a little burned out on the genre a little more than halfway through the month and so my watching of said genre slowed down a bit. And then I got sick and I reverted to some comfort movies to get me through.

Still, it was a good movie month overall, and I did see some very good noirs.

Anyway, here’s the list:

Le Doulos (1962) – ***1/2
The Blue Dahlia (1946) – ****1/2
Kiss of Death (1947) – ***1/2
After Dark, My Sweet (1990) – **1/2
The Killer That Stalked New York (1950) – ***
In a Lonely Place (1950) – ****1/2
Sorcerer (1977) – ****1/2
The Dark Corner (1946) – ***1/2
Beyond a Reasonable Doubt (1956) – **1/2
The Dark Mirror (1946) – ***1/2
Johnny Allegro (1949) – ***1/2
Fallen Angel (1945) – ***1/2
This Gun for Hire (1942) – ****
Reign of Terror (1949) – ****
Face the Music (1954) – ***
A Blueprint for Murder (1953) – ***
The House on Telegraph Hill (1951) – ***
The Big Clock (1948) – ****

My favorites were:

The Blue Dahlia. Written by the hard-boiled Raymond Chandler this one stars Alan Ladd as a veteran who returns home to find out that his wife has been cheating on him, when she turns up dead the cops naturally suspect he killed her. Veronica Lake is the classic femme fatale and William Bendix is the pal who has a few screws loose. It had some classic Chandler one-liners and plenty of twists and turns.

Sorcerer. William Friedkin’s fantastic remake of the classic French film Wages of Fear updates the politics a bit, and moves the setting to the jungle, but it keeps all the intense tension.

In a Lonely Place. I’d seen this one before and didn’t love it, but after reading the book I decided to give the film another chance. I’m glad I did because I loved it this time. The movie changes the story quite a bit, turning it into something of a mystery (in the book the character played by Bogart in the film is fore sure a serial killer, but in the movie he maybe, just maybe killed one girl). Bogart is terrific as is Gloria Grahame.

The Big Clock. I wrote about this one in full here.

Cold War Creatures: Four Films from Sam Katzman

cold war creatures

You know that I love horror movies and film noir, but I also have a soft spot for really low-budget science fiction flicks, especially those made in the 1950s. I love alien invasions from space and giant creatures made from atomic radiation. Way back in October of last year I reviewed a three-film boxed set from Arrow Video. It is filled with giant birds, atomic brains and crazy zombies. Check it out.

Film Noir: The Dark Side of Cinema IX

film noir

Kino Lorber released two of their film noir sets in October which seemed weird to me since Noirvember was just a month later. But maybe they wanted to get them on the shelves a few weeks before the holiday so that fans would be ready to watch once November rolled around.

I watched these so long ago I had to read my own review just to remember if I liked this one (I did). You can do the same here.

Film Noir: The Dark Side of Cinema X

film noir

I’ve fallen behind in posting links to my reviews over at Cinema Sentries. I wrote this one for Kino Lorber’s latest film noir boxed sets back in October, but what better time to share it than the tail end of Noirvember? To be honest this set was probably my least favorite one they’ve done. Mostly because the three films are boxing movies and not really noir. But whatever, you can read my review here.

The Flash (2014): The Complete Eighth Season

the flash season 8

I’ve mentioned before that we are big fans of The Flash in my house, and I believe I also mentioned that the show was starting to wear thin. Season Eight furthered my thoughts in this regard. It is really starting to become a chore to sit through and that’s not good for any show. Season Nine will be its final season and I’m definitely glad. I’m sure I’ll watch it because I’d like to see it through to the end, but I can’t say I’m looking forward to it, which is such a shame.

Anyway, here’s my review of the entire season eight.

Sorry For the Lack of Posting

My family and I were down and out all last week with…something. We ran light fevers, had heads full of gunk, felt achy and our heads hurt, and we coughed our bloody lungs out. It wasn’t COVID, we tested negative for that. I’m guessing it was a mild case of the flu since that’s been going around. Whatever it was it made me not want to do anything more than lay on the couch and moan. Luckily I had already planned on a four-day weekend so I didn’t miss too much work. Unluckily that four-day weekend coincided with Thanksgiving and I spent it doing the aforementioned moaning on the couch.

I’m feeling quite a bit better now, though I am still coughing quite a bit. So, I’ll try to resume some regular posting again. I had several more Noirvember postings that I wanted to get to, but at this point, I’ll probably just do some kind of overview of what I watched in a few days. I know at least two of you will be interested in that LOL.

I do not have a movie theme for December yet. I’m not a huge fan of Christmas movies so I won’t be doing that. I might not do anything. After two theme months it might be nice to just watch whatever I want. I’ll still do the occasional review, and I’ll definitely be making public my old reviews again.

On the music organizational front, I can officially say I am done with Bob Dylan. If I remember I’ll post a list of all my Bob shows for you all to look at with envy. I’m now working my way through various other artists that I’m moving off of a hard drive that will be solely dedicated to Bob. Then I’ll finally get to that hard drive my friend sent me many years ago. That’s the Peter Gabriel, Queen, Pink Floyd, etc. drive that I’ve been feeding off of for a long time. So, I am making good progress.

I’m still aiming to be done in April when my Amazon Drive goes dark. Then I’ll start posting music downloads again, at least in some fashion.

Anyway, I hope everyone else is well and happy.

Noirvember #11: The Dark Corner (1946)

the dark corner

I love me some William Bendix. He’s one of those great character actors that you don’t necessarily notice at first but then he keeps showing up in small parts in all sorts of films and you go, “oh there’s that guy again.” And he’s always good. I probably first noticed him in The Glass Key (1942) where he played a jovial gangster who rather enjoyed beating up on Alan Ladd.

He’s a heavy in The Dark Corner as well, but he’s smarter and more crafty, but not nearly as fun to watch. He’s been hired by the film’s true villain to spy on the hero of our picture, Bradford Galt (Mark Stevens). He intentionally does a bad job of it so that Bradford will know someone’s keeping an eye on him. And then later trying to kill him.

Lucille Ball plays Galt’s secretary, but she doesn’t quite fit. Obviously, she was a gifted comedienne and a true treasure, I just wish they’d done something different with her character. They could have used her comedic talents and made something like The Thin Man where she wisecracks her way through the film. Or they could have made her the smartest person in the room. That’s what all the descriptions indicate she’ll be. I was expecting the Galt character to be rather dim-witted and she’s the smart secretary secretly solving all the crimes. Instead, she’s just a regular secretary and the love interest but is given very little of interest to do.

The story is fine, there are some good twists and it has the look of a good noir. But it never quite did it for me.

This makes yet another Noirvember film this month put into the just OK category. I fully expected this to happen as I intentionally picked relatively obscure films to watch instead of the well-known classics, but I have to admit I’m ready for something really good.

The Friday Night Horror Movie: The House of the Devil (2009)

the house of the devil

I’ve been hearing good things about Pearl and X, both films that were directed by Ti West and came out this year, and so when I saw that his 2009 film House of the Devil was on The Criterion Channel I decided to give it a shot.

I mostly loved it and I’m gonna try not to spoil anything as this is definitely a film that’s best if you go into it not knowing very much. It is also a film that clearly takes its influences from late 1970s/early 1980s horror. It is definitely a slow burn, that only gets “exciting” in the last twenty minutes. I put exciting in quotes because I found the rest of the film exhilarating, but not a whole lot happens in that build-up.

Joceline Donahue plays Samantha, a college student in need of help. Her roommate is terrible and she desperately wants to move. She’s found a place to rent, but she’s got to come up with the first month’s deposit, and she’s unemployed and broke. When she sees a flyer for someone needing a babysitter she immediately gives it a call. Despite the guy who answers the phone sounding like a creep and standing her up on their first meeting, she takes the job.

She gets her friend (Greta Gerwig) to drive her out to the isolated (and close to a cemetery) house where she meets Mr. Ulman (Tom Noonan). He is strange, and kind of creepy. The house is big, old, and creepy as well. He tells her he lied, that this isn’t a babysitting job, but rather a looking after his elderly mother-in-law job. She is healthy and gets around just fine, so really all Sam has to do is make sure no emergencies happen and it will be smooth sailing. Especially since the mom is a private person and will likely stay in her room.

Despite the creepiness, and the warnings from her friend Sam stays. It should be easy, and besides the guy is offering $400 for one night’s work.

This is a horror movie called The Devil’s House so we are primed for Mr. Ulman to be a serial killer, or the mother-in-law to be a holy terror, or for devil worshipers to try to get into the house. Ti West knows this expectation and plays with it. For most of the film’s run-time literally, nothing happens. Sam sits in the house alone and bored. She watches TV. She orders a pizza. She plays pool while listening to her Walkman. She explores the house. But the way the film is shot. The way the camera lingers in certain places. The way it was shot in 16mm giving it a grainy look. The way the music acts like a creepy horror movie score. The way the house looks with its weird rooms, and deep shadows. The way Sam is perpetually scared. All of these things build up unrelenting tension.

There is one scene, relatively early on, that happens to someone who is not Sam, that lets you know all this tension building isn’t for naught, but mostly it’s just playing with your expectations. I loved it. So much so that I was actually kind of disappointed when things actually started to happen.

I’ll stop myself there. I have a few reservations about the ending, but mostly I really liked this one.