Pink Floyd – Magnesium Proverbs (1966-1970)

Pink Floyd
Magnesium Proverbs – 1966-1970
Catalog: Night Tripper Productions

Sources:
1966- 1970

1-2. 1966 studio recordings dubbed from original EMI disc acetate

  1. 1967 studio recording dubbed from original EMI disc acetate, alternate mix
    4-5. February 27, 1967 studio recordings, Sound Techniques Studios, Chelsea, London
  2. 1967 studio recording alternate mix, different from U.S. 45
    7-9. May 4, 1967 television performance from “Look of the Week”, BBC2
  3. July 1967 radio broadcast from Radio Carlisle, Scotland
  4. September 13, 1967 live performance, Star Club, Copenhagen, Denmark
    12,13. October 1967 studio recording, De Lane Lea Studios, London
  5. August 1967 studio recording, final Pink Floyd 45 w/Syd
    15-17. February 1970 radio broadcast “Sound Of The Seventies”, BBC
    18-21. Syd’s only live solo appearance Royal Festival Hall, London, June 1, 1970 [6.6.70, Extravaganza ’70, Olympia, London]
  6. It’s a mystery!!
  7. Alternate mix from U.K. mono version of “Saucerful of Secrets”, recorded October 1967 De Lane Lea Studios, London

Hires-coverscans:

MP3-Soundsample:

Tracks:

  1. Lucy Leave
  2. King Bee
  3. See Emily Play
  4. Arnold Layne
  5. Candy And A Currant Bun
  6. Flaming
  7. Pow R Toc H
  8. Astronomy Domine
  9. Interstellar Overdrive
  10. Reaction In G
  11. Stoned Alone
  12. Vegetable Man
  13. Scream Thy Last Scream (Old Woman With A Casket)
  14. Apples And Oranges
  15. Baby Lemonade
  16. Dominoes
  17. Love Song
  18. Terrapin
  19. Gigolo Aunt
  20. Effervescing Elephant
  21. Octopus
  22. Clowns And Jugglers
  23. Mystery Bits
  24. Jugband Blues

Total length: 73:48

Band:
Syd Barrett

Xref:

Quality: VG++/+++

Comments:
It is a collection of lots of Syd stuff. Some of which is of good quality, some bad. There
are a few common tracks which I believe are the standard released versions (Emily, Candy
and a Currant Bun etc.) but some other rarer tracks of very good quality – Scream Thy Last
Scream, Vegetable Man, Lucy Leave, King Bee. It also contains radio recordings of
Reaction in G and Stoned Alone. These are not of such good quality. Also there is a few
tracks of Syd supposedly during his only live solo performance (1st June 1970 I think)
where he plays Baby Lemonade, Evervescing Elephant etc. but I’m not sure about these.
The quality is poor but it is definately Syd, and it’s definately live. The CD finnishes with a
recording of the backwards message from the Wall. -ANONYMOUS

The live material on Magnesium Proverbs fits the description of the Extravaganza ’70 gig.
The liner claims the recording is from the Royal Festival Hall on 1 June 1970.
-ANONYMOUS

The majority of the source notations are correct. However, I think a few things should be
pointed out in all fairness. Here are my notes about each track:

1-2) These sound fantastic! By FAR the best quality versions to appear anywhere. Each
new Syd RoIO that has appeared in the past year has contained these songs with slightly
better quality than the others. Let’s hope this trend continues! This disk contains a few
pops and crackles, but both songs are very listenable.

3) This puts the version on the Psychedelic Dungeon CD to shame. There are a few pops,
but not nearly so many as before. Sadly, the actual difference between this mix and the
official one is minimal.

4,5) Yes, they were recorded on Feb 27, 1967, but there’s nothing terribly odd about that.
They’re simply the normal 45 versions of the songs, probably pinched from the Shine On
set or the CD Full of Secrets DJ disk.

6) Obviously recorded from vinyl, but which ? This alternate mix is not amazingly different
from the Piper version. It’s nice to have, but isn’t the nicest part of the disk.

7) This track is actually Pow R Toc H, some DJ’s prattling, and Astronomy Domine. That
means that all of the following track numbers will be out of synch with the track listing
above. The quality is quite good. There’s some tape hiss, but remarkably little.

8) The final of the “Look Of The Week” songs. This version of Interstellar Overdrive is
slightly muffled, a bit rambling, but still a good listen. At the end of this track is a snippet
from an interview. It might be Paul McCartney. I’m not a Beatles fanatic, so it might also
be someone else, but it certainly does sound like Paul.

9) The complete date and source of this track is July 23, 1967 at the Cosmopolitan
Ballroom, Carlisle, Cumbria, Scotland. Why the compilers chose to include this 30 second
version of “Reaction In G” and exclude the 4 minute version of “Set The Controls..” is
beyond me. However, again, there’s little tape hiss. Much better than my prior tapes
(although my prior tapes do contain StCftHotS)

[Actually, Carlisle (and Cumbria) is in England, but quite near the Scottish border. This
error presumably originates with Jon Rosenberg (“A Journey Through Time & Space
With The Pink Floyd”), although I’m willing to be corrected — HEDONIST]

10) Stoned Alone = Reaction In G. This instrumental is muffled and in monophonic sound.
It’s not amazingly fun to listen to, but it is considerably better quality than what I’ve heard
before.

11) More moronic DJ ranting and an amazingly keen version of Vegetable Man. There’s
little or no tape hiss or vinyl distortion. If it weren’t for the DJ’s nonsense, I’d say that this
is the best version of VM to appear yet.

12) STLS is of sparkling quality. They may well have snagged this one directly from the
Psychedelic Dungeon disk.

13) Apples & Oranges, as Arnold Layne and Candy and A Currant Bun, is the traditional
45 version. Nothing particularly amazing about it.

14,15&16) These are probably the best tracks on the disk, in my humble opinion. The
vocals are distorted, the tape hiss is evident, and the guitar playing isn’t the best. However,
setting all of these things aside, these are remarkable tracks. The versions that I’ve had
previously sound MUCH worse. I’ve always been particularly fond of this session for
some reason. It’s pretty clear that Syd’s falling apart, but he really tries to keep it all
together. Like always, the RoIO makers got the date wrong. The actual date is February

  1. Also, for some unknown reason, they chose to provide only 3 of the 4 songs Syd
    sang that night (omitting Terrapin).

17-20) These tracks are from Syd’s June 6, 1970 gig in Olympia, London called
“Extravaganza 70-Music and Fashion Festival”. (again the RoIO compiler got the date
wrong) The vocals are virtually impossible to make out until Effervescing Elephant, where
they are merely hard to make out.

[After Effervescing Elephant you can hear someone, probably an audience member, shout
for the Mike to be turned up because they “can’t hear [his] voice”. Nice to be able to hear
this at last! — HEDONIST]

21) Several EMI outtakes of Clowns & Jugglers edited together in a manner similar to that
on the Vegetable Man LP, “Clowns & Jugglers (1-3)”. Good sound quality, but fairly tame
material.

22,23) The mono Jugband Blues… There are a few vinyl pops, but it is different from the
typical version. Very nice.

24) The hidden message, played so you can understand it, from the song “Empty Spaces”.
Kinda cool to finally hear it.

Probably the most exciting find of them all, if it is genuine, is the photo included with MP
of Syd in his garden. The photo is in color and shows a man that looks almost exactly like
Syd squatting in front of and under some foliage with the sun shining across his face.
Although the photo clearly shows the face and is in color, I can’t swear to you that it really
is Syd, because so few photos of Syd (taken in the 1980’s) have ever surfaced. -SCOTT

The version of Interstellar Overdrive is listed as track 9 on the CD box, but it is actually
track 8 on the CD. The previous two tracks, Pow R. Toch and Astronomy Domine, are
combined as one CD track.

The Source listing says that this is from the “Look of the Week” show. However, this
track is apparently from the UFO club on the 20th of January, 1967.

The same recording appears on “Rhamadam: Syd Barrett and the Dawn of Pink Floyd”
(track 11) but it was taken from a documentary shown on Granada TV. The Ramadam
version is of poorer quality with a narrators voice dubbed over the music.

According to the list of “Pink Floyd TV Appearances”, Paul McCartney was interviewed
for this documentary. That would explain why the Magnesium Proverbs version of IO
ends with him talking. MWP

You can tell the original from the repress very easily. The original has really sharp graphics
on the back of the jewel case, the label name is “Gold Standard” and is pressed on a
gold(?) CD. The original press was limited to 500 copies (from I’ve heard from “the inside”)
and as I said before, really really tough to find. The repress has a blurry copy of the track
listing from the original, and isn’t pressed on a gold. CD. -TIBIRD

I really like this one it is one of, if not my favorites. The cracks and pops (from vinyl I
assume) add charm to it. Very listenable and quite a nice collection that represents Syd s
career . It has been said before about other ones, I know but. . GET THIS CD !! It is a
must, more so for fans fans of Syd, it would have been nice for them to exclude some of
the more common ones and put stuff like Experiment and Candy and a Current Bun
w/original lyrics on this disc (yes they do exist). Plus the live Syd songs that are on it are
sweet !! Very nice I would rate it as EX but some of the quality prevents it from being as
so. – Jeff

Pink Floyd – Last Screams (1966-1968)

Pink Floyd
Last Screams (1966-1968)

Catalog: DIYE 15

Misc.: limited edition (perhaps 450 ?)

Produced: ca. 1992

Date: 661031

Cover:
Insert actually folds out to 9.5 x 9.5 inches The cover side features a shot of four band
members taken in an alley, with an inset. The other side is a shot of three band members
standing in front of some flower bouquets. Back is split vertically, left side has a shot of
Syd on the street, while the right side has the track listing and source listing in white letters
on a black background.

Sources:
31 Oct 1966- 1968

  1. Sound Technique Studios, Chelsea, London Feb. 27th 1967
    2.-6. Top Gear Session BBC, London Sept. 30st 1967
    7.-10. Top Gear Session BBC, London Dec. 19th 1967
  2. Thompson Private Recording Company, Hemel, Hampstead, London Oct. 31st. 1966
    12.+ 14. perhaps Saturday Club Studio Session, BBC, London July 28th 1967
    13.+16.+17.+18. Top Gear Session, BBC, London June 28th 1968
  3. Abbey Road Studio London, April 15th 1967 FEATURING JOHN LENNON AND PAUL McCARTNY.
  4. BBC, London Feb 1st 1968

Hires-coverscans:

MP3-Soundsample:

Tracks:


Actual:
1. Interstellar Overdrive 5:02
2. The Scarecrow 1:58
3. The Gnome 2:14
4. Mathilda Mother 3:28
5. Flaming 2:31
6. Apples And Oranges 2:38
7. Pow R Toc H 2:48
8. Jugband Blues 3:45
9. Scream Thy Last Scream 3:34
10. Vegetable Man 2:28
11. Interstellar Overdrive 11:37
12. The Gnome 1:56
13. Julia Dream 2:02
14. Mathilda Mother 3:00
15. The Scarecrow 1:49
16. Massed Gadgets Of Hercules 6:25
17. Murderistic Women 2:10
18. Let There Be More Light 3:24
19. What’s The Shame, Mary Jane 3:11
20. It Would Be So Nice 2:48

Cover:
1. Interstellar Overdrive 5:07
2. The Scarecrow 1:57
3. The Gnome 2:15
4. Mathilda Mother 3:35
5. Interstellar Overdrive (Extended Version) 14:40
6. Flaming 2:34
7. Apples And Oranges 2:39
8. The Scarecrow #2 1:49
9. The Gnome #2 1:55
10. Mathilda Mother #2 2:59
11. Pow R Toc H 2:47
12. Jugband Blues 3:48
13. Scream Thy Last Scream 4:26
14. Vegetable Man 2:25
15. Julia Dream 2:01
16. Massed Gadgets Of Hercules 6:23
17. Murderistic Women 2:09
18. Let There Be More Light 3:25
19. What’s The Shame, Mary Jane 3:14
20. It Would Be So Nice 2:49

Band:
Syd Barrett
Roger Waters
Rick Wright
Nick Mason
David Gilmour ?

Xref:

Quality: G? -MISC
“good for this very old, very rare, recordings.
Some NoNoise System did a good job 8c)” – Felix

Comments: WOOOOWW!!! The track listing on the sleeve is messed up, so I can’t tell
you if the recording-info or the time is correct… Syd’s Pink Floyd at it’s best! – Felix

The quality on last screams sounds pocket recorderish even though they are all studio
tracks. Order of the tracks is not definite because whoever put it together didn’t know his
Floyd w/Syd. -MISC

The “actual” times are taken from my Sony Discman, and don’t include any of the dead
time between tracks (as if anybody cared). -MISC

Sound quality varies because the tracks are all from various sources. Quality ranges from
completely unnaccepable to marginal. Track listings are severely fucked up. All in all, there
is little to recommend this CD due to the inferior quality and the fact that these songs are
available elsewhere. -ECM

Pink Floyd – London, England (10/22/94)

Pink Floyd
Earls Court Exhibition Centre
London, England
October 22nd, 1994

Disc 1:

  1. Astronomy Domine
  2. Learning To Fly
  3. What Do You Want From Me
  4. On The Turning Away
  5. Take It Back
  6. A Great Day For Freedom
  7. Sorrow
  8. Keep Talking
  9. One Of These Days

Disc 2:

  1. Shine On You Crazy Diamond
  2. Breathe
  3. Time/Breathe Reprise
  4. High Hopes
  5. The Great Gig In The Sky
  6. Wish You Were Here
  7. Us And Them
  8. Money
  9. Another Brick In The Wall (Pt. 2)

Disc 3:

  1. Comfortably Numb
  2. Hey You
  3. Run Like Hell

Pink Floyd – Nijmegen, The Netherlands (07/10/89)

Pink Floyd
07/10/89
Goffert Park, Nijmegen, Holland

There is no source information for this. The artwork says “recorder 2”

Set I

Shine On You Crazy Diamond I-V-> Signs Of Life
Learning To Fly
Yet Another Movie-> Round And Around
A New Machine I
Terminal Frost
A New Machine II
Sorrow
The Dogs Of War
On The Turning Away

Set II

One Of These Days
Time
On The Run
The Great Gig In The Sky
Wish You Were Here
Welcome To The Machine
Us And Them
Money
Another Brick In The Wall II
Comfortably Numb
E: One Slip
E: Run Like Hell

Bob Dylan – Duluth, MN (07/03/99)

BOB DYLAN
Bayfront Park
Duluth, Minnesota
July 3, 1999

lineage: audience tape traded to me on CDR>EAC FLAC

PART ONE:

  1. Oh Babe, It Ain’t No Lie
  2. Don’t Think Twice, It’s Alright
  3. Masters Of War
  4. It’s All Over Now, Baby Blue
  5. Tangled Up In Blue
  6. All Along The Watchtower
  7. Tryin’ To Get To Heaven
  8. Stuck Inside Of Mobile
  9. Make You Feel My Love
  10. Highway 61 Revisited

PART TWO:

  1. Like A Rolling Stone
  2. Blowin’ In The Wind
  3. Not Fade Away

With Paul Simon:

  1. The Sound Of Silence
  2. I Walk The Line/Blue Moon Of Kentucky
  3. Knockin’ On Heaven’s Door

Bob Dylan – vocal, guitar
Charlie Sexton – guitar
Larry Campbell – guitar, mandolin, pedal steel guitar, electric slide guitar
Tony Garnier – bass
David Kemper – drums

Bob Dylan – Anaheim, CA (06/20/99)

Bob Dylan
6/20/99
Anaheim, California
Arrowhead Pond Of Anaheim

1CDR

LB-857, (72min), incomplete, levels low, very good sound, downloaded from a.b.m.s.d. 2/03

Missing: Hallelujah, I’m Ready To Go, Mr. Tambourine Man, Masters Of War, Knockin’ On Heaven’s Door (Duet with Paul Simon)

pop/discontinuity on left channel t2 0:02, 0:44, t3 0:58, t5 0:01, 0:03, 0:42; brief level drop d1t7 4:2x, t10 0:20, a little mic noise at begin of t10, t11

1 It’s All Over Now, Baby Blue
2 Tangled Up In Blue (with harp)
3 All Along The Watchtower
4 Just Like A Woman (with harp)
5 Stuck Inside Of Mobile With The Memphis Blues Again
6 Not Dark Yet
7 Highway 61 Revisited
8 Like A Rolling Stone
9 encore
10 Not Fade Away
11 The Sound Of Silence (Duet with Paul Simon – Bob on harp)
12 I Walk The Line/Blue Moon Of Kentucky (Paul Simon)

Peter Gabriel – Geneseo, NY (10/07/78)

Peter Gabriel
Music Hall
Geneseo, New York, USA
07 October 1978

Audience recording, unknown lineage
quality: A-/B+

http://www.genesis-movement.org/php/showdetails.php?uid=1606 (artwork available)

FLAC download (Genesis Movement) > TLH > Wave > EAC > CDr (taiyo yuden) > EAC > Wave > TLH > FLAC (level 8)

cd 1
01 Intro
02 On The Air
03 Moribund The Burgermeister
04 Perspective
05 Humdrum
06 A Wonderful Day In A One-Way World
07 White Shadow
08 D.I.Y.
09 Waiting For The Big One

cd 2
01 Mother Of Violence
02 Not One Of Us
03 Flotsam And Jetsam
04 Slowburn
05 I Don’t Remember
06 Solsbury Hill
07 Modern Love
08 The Lamb Lies Down On Broadway

Peter Gabriel – Los Angeles, CA (09/30/78)

Peter Gabriel
The Roxy
Los Angeles, USA
1978, September 30 (Early Show)

Source: Audience
Deck: Sony TCM-100
Mic: Superscope condenser
Sound Quality: (B) VG+ sound
Source: Original Mono Master Cassette (TDK AD-90)
Recorded from on the stage
Transfer: >PB Pioneer CT-F1000>ASUS Xonar DG Sound Card>Audacity 2.0 @96k/24bit>2 channel to mono (reduce azmuth/phase error)>duplicate mono track>each Panned 45 degrees apart>Mix>Export multiple tracks 44.1k/16bit>TLH SBE Fixed>flac8>You>someone else

Time: 84 minutes

01 Me And My Teddy Bear (1:57)
02 On Presuming To Be Modern (2:47)
03 On The Air (4:22)
04 Moribund The Burgermeister (4:59)
05 Perspective (3:53)
06 Indigo (4:15)
07 White Shadow (5:04)
08 D.I.Y. (3:40)
09 Waiting For The Big One (6:24)
10 Band Introductions (1:21)
11 Mother Of Violence (3:34)
12 Slowburn (5:00)
13 Flotsam And Jetsam (3:37)
14 I Don’t Remember (early lyrics) (5:16)
15 Solsbury Hill (different 2nd verse)(5:22)
16 Modern Love (4:35)
17 The Lamb Lies Down On Broadway (5:28)
18 (1st Encore) (0:48)
19 Animal Magic (4:32)
20 (2nd Encore with Mario) (2:40)
21 Here Comes The Flood (4:28)

The Band:

Peter Gabriel – Piano/ Vocals/ Drums
Tony Levin – Bass/ Stick/ Backing Vocals/ Piano
Jerry Marotta – Drums/ Backing Vocals/ Bass
Larry Fast – Synthesisers
Timmy Capello – Piano/ Sax
Sid McGinnis – Guitar/ Backing Vocals

The return of Gabriel to the Roxy was manic from the time tickets went on sale a month earlier. Less than 2 thousand tickets. 500 seats each show.
By opening night the walls could hardly contain all the energy. This new remaster really captures that.
About the sound at the Roxy. The speakers for the audience are left and right stacks, and overhead speakers above the stage speakers that carry most of the vocals. From the back of the theater you are about even with the overhead speakers and it sounds normal, but the closer you get to the stage, the more the vocals are over your head and muffled sounding.
For most of this show the mic was ON THE STAGE pointing up. So this recording is mostly, stage monitors, right next to the musicians and overhead vocals. Makes for a strange mix as they come closer to the mic.
As for the mic on the stage, at the start of Waiting For The Big One, a roadie found my mic and handed it to the first person in the audience, a minute or two later Peter jumped from the balcony (stage left balcony, no longer there) to the stage on the spot the mic was. After the song you can hear me put the mic back.
This was my 2nd time seeing Gabriel at the Roxy at 1st time taping. I got carried away.

Flashback17

Peter Gabriel – Huntington Beach, CA (09/29/78)

PETER GABRIEL
HUNTINGTON BEACH, CA
GOLDEN BEAR
9/29/78

Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC

  1. D.I.Y. (cuts in)
  2. Waiting For The Big One
  3. -band introductions-
  4. Whiter Shade Of Pale
  5. Mother Of Violence
  6. Slowburn
  7. Flotsam And Jetsam
  8. I Don’t Remember
  9. Solsbury Hill
  10. Modern Love
  11. Here Comes The Flood
  12. The Lamb Lies Down On Broadway
  13. Animal Magic
  14. -outro-
  15. -beachside interview-

eeklair notes:

I just used the Right channel for both, EQed it, A touch of verb to make stereo, and i corrected the dropout areas of the tape. I raised the frequencies that weren’t distorted and tried to lower slightly the ones that were distorted. Just a slightly better listen than the original (included for your discernment).

…and thats it.

Cheers
Eek

Peter Gabriel – Essen, Germany (09/15/78)

PETER GABRIEL
1978-09-15
Grugahalle
“Rockpalast”
Essen, West Germany

FM BROADCAST

Recorded by; “William Tell”

Recorded on; JVC Cassette Deck(Unknown Model)>Maxell XLR II Cassette Tape

Recording provided by; “William Tell”

Uploaded by; “Lucifer Burns”

See IMPORTANT lineage notes below*

Setlist

  1. ON THE AIR
  2. MORIBUND THE BURGERMEISTER
  3. PERSPECTIVE
  4. HERE COMES THE FLOOD
  5. WHITE SHADOW
  6. WAITING FOR THE BIG ONE
  7. HUMDRUM
  8. I DON’T REMEMBER
  9. SOLSBURY HILL
  10. MODERN LOVE
  11. THE LAMB LIES DOWN ON BROADWAY

Musicians;

PETER GABRIEL- Vocals/Piano
SID McGUINESS- Guitars/Vocals
TONY LEVIN- Bass/Vocals
LARRY FAST- Keyboards/Synth
TIMMY CAPELLO- Keyboards/Saxaphone
JERRY MAROTTA- Drums/Vocals

Dear “dime” members,
We hope by now you been following along every Sunday with us as we explore more new uncirculated Audience Masters from our friends in Europe.
So inspired by these words every week by “Team Lampinski”-Always remember – “the more generous you are with your music, the more it comes back to you”.
With that in mind we now present the WILLIAM TELL EDITIONS(WTE).
“William Tell” is the name of the person who is providing the recordings and transfers of his various friends in the “European Taping Community”.
Several tapers including “William Tell” himself have recorded a wide range of various artists from the 70’s, 80’s and beyond.
It is these recordings we would like to dedicate to Dan Lampinski and his “Team” for all they shared with us.

And with that in mind i implore those that still have such “treasures” tucked away,
to please consider sharing them the way these generous people have.
None of us are getting any younger and what good will any of your recordings be when your dead.

So Ladies & Gentleman, Boys & Girls, Brothers & Sisters
For your entertainment & “earjoyment”
I present to you;

“WILLIAM TELL EDITION” 025

*Here is the orignal lineage for the die-hard collector as well as the average listener;

MASTER CASSETTE(Maxell XLR II)>Nakamichi 682 ZX Cassette Tape deck(normal eq/no noise reduction)>Sony CDR-W66 Standalone CD Burner w/”super bitmapping on”>CDR

CDR>Plexwriter Premium II CD-Transport>iMac 3.06 GHz Intel Core Duo with iTunes 9.2.1 into WAW>DVDR.

DVDR>WAV>TLH>FLAC>DIME

Feel free to remaster or matrix the show and to provide artwork (please naming source and all involved) ñ and then please RE-SEED here on DIME and share!

Please thank the gentleman that recorded the show; “William Tell” for providing the recording.

ENJOY THE MUSIC!