Richard Thompson – San Luis Obispo, CA (02/27/22)

Richard Thompson
February 27, 2022
Fremont Theater
San Luis Obispo, CA

12th Row DEAD Center:
Neumann AK 40s (x/y) >LC3 >KM100s >Tascam DR100mkII (24bit/48kHz)
WAV > (iZotope RX8 Advanced) >Audacity (Tracking, Down Sample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.50

Recorded, Audacity, FLAC, & Tags by OldNeumanntapr (Along With Inside Cover Art Photo Of Theater)
Processed by Flying -M- (iZotope RX8 Advanced)

Solo Acoustic

Richard Thompson – Guitar, Vocals
Zara Phillips – Backing Vocals (from “Wall of Death” through the end)

Disc One:

  1. Stony Ground (not recorded)
  2. If I Could Live My Life Again (starts in progress)
  3. Genesis Hall
  4. Turning Of The Tide
  5. Woods Of Darney
  6. Johnny’s Far Away
  7. Uninhabited Man
  8. Walking On A Wire
  9. Walking The Long Miles Home
  10. 1952 Vincent Black Lightning

Disc Two:

  1. Who Knows Where The Time Goes?
  2. Wall Of Death
  3. Singapore Sadie
  4. The Rattle Within
  5. As I Hold You
  6. The Fortress
  7. Keep Your Distance
  8. I Want To See The Bright Lights Tonight

Encore :

  1. Beeswing
  2. Tinker’s Rhapsody
  3. She Was Lost In The Crowd

The Historic Fremont (Movie) Theater Was Built In 1942

OldNeumanntapr Notes:
This was the first concert that I recorded since 2019, which by the way, was also Richard Thompson (Electric Trio) at the Fremont Theater. I’m always telling myself, ‘This is the LAST show I’m going to record’, but then my friend in SLO will contact me about another show coming up and I will relent.
I didn’t have much choice these past two years because of the pandemic. No one was seeing any live music. For this show I had planned on bring in my Beyer MV100 microphone preamp but when I got to the show and took a photo of the front of the theater from across the street I noticed that they were using a wand to go over people before they entered. Damn! It takes all the fun out of it when I have to resort to subterfuge to get my gear inside. So, I decided to leave the preamp in the car and run the Neumanns directly into the XLR jacks of the Tascam recorder. The sound inside was really good and I couldn’t really tell much of a difference in the recording after using the internal preamp compared to the Beyer. I’m still kicking myself that I missed the two opening songs, but I was under the assumption that there would be an opening act and I was late getting in. Also, I had forgotten to switch on the phantom power on the back of the Tascam (which powers the microphones) because usually I use the phantom power that the Beyer preamp supplies. So it threw me at first when I wasn’t getting any levels on the recorder when I DID start to record. I guess I’m a little rusty after not recording anything these last two years.

Thanks (as always) to Flying M for the outstanding job he does in post production by reducing loud clapping and cleaning things up to make a more enjoyable listening experience, and thanks to Ethiessen for the great cover artwork and graphic arts design! Thanks also to Dave for persuading me to go to see another great show.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

u2 – Sao Paulo, Brazil (10/25/17)

U2
Sao Paulo, Brazil
Morumbi Stadium
October 25, 2017

Source 1:
4x Wireless Sources > Multitrack Recorder
Taper: Sharebear

Source 2
CA-11 Cards > Battery Box > Tascam 2D
Taper: DJ Soulless

Mixed, Produced, and Mastered by Sharebear/Hoserama
Aligned in Adobe Audition
Mixed in Nuendo 4, using extra waves, Ozone, Slate plug-ins
Dithered using Izotope MBIT+
Flac’ed using Trader’s Little Helper

—

Mix version 12 – Volume 1 – “Wet” Mix

Setlist:
01 Intro
02 Sunday Bloody Sunday
03 New Year’s Day
04 Bad
05 Pride (In The Name Of Love)
06 Where The Streets Have No Name
07 I Still Haven’t Found What I’m Looking For
08 With Or Without You
09 Bullet The Blue Sky
10 Running To Stand Still
11 Red Hill Mining Town
12 In God’s Country
13 Trip Through Your Wires
14 One Tree Hill
15 Exit
16 Mothers Of The Disappeared (w/ Daniel Lanios)
17 Beautiful Day
18 Elevation
19 Vertigo
20 Encore
21 The Best Thing
22 Ultraviolet
23 One
24 I Will Follow
25 Outro
26 Bad*

*From 10/21/2017 Sao Paulo Night #2

—

There are 2 different downloads for this show.

Download #1:

  1. “Wet Mix” – Full mix done by Sharebear

Download #2:

  1. “Dry Mix” – Mastered Wireless Only Mix, no AUD + Crowd
  2. “Unmastered Mix” – Unmastered wireless Only Mix. All post-mix effects have been disabled.
  3. “Audience” – Unmastered CA-11 Cardoid Audience source. Recorded from front row, lower level, 5-6 sections away from stage. No work applied other than time alignment. Note that some wind causes minor phasing.

—

Show Comments:
Closing Night of the Tour. Tour has come a long way since the opener in Vancouver. While it won’t be remembered as U2’s greatest tour, going to Sao Paulo for four nights was a lot of fun. Good show overall and enthusiastic (yet respectful at key points) crowd.

I included the performance of Bad from the second show as a bonus. Mostly just because I was very fond of that version.

—

Recording Notes:
Nothing too crazy. My usual rig and setup. There were some technical issues beyond my control, which led to a bit of distortion on the high end of Bono’s vocals. Audience recording is generally pretty solid.

—

Mixing Notes:
Biggest blemish in my opinion is the minor distortion on Bono’s vocals. I’ve done the usual array of tricks with metronome and count removal, but you can still hear some remnants if you listen closely.

Usually when I release something, a bunch of folks tell me “Oh I wish it had more audience” or “I wish it had less audience”. Of course, most of these folks don’t mix so it’s gut feeling. For the Vancouver 2015 multicam, I released three different mixes with varying level of audience…and still had people wanting different levels of audience (“Could you make a mix that’s between the Wet mix and Goldilocks mix?”). As I did with Vancouver 2017, I’m presenting this show in a few different formats.

For those wanting a recording that seeks to sound like an officially mixed live recording, check out the “Wet” mix. I have uploaded this as a separate package for ease of downloading.

For those looking to “Build-A-Mix Kit”, I’ve included in a separate package the Dry Mix + Unmastered Mix + CA11 AUD. Dry mix is a mastered IEM-only mix with my usual bells and whistles, Unmastered is without a lot of the sweetener (although still plenty on individual tracks), and then the Raw AUD. Everything is time aligned.

So with the Dry (or unmastered) and AUD, all the aspiring mixers can create their individual mix to their own tastes. For anybody wanting a full mix, check out my Wet mix. For anybody wanting more of straight soundboard type sound, check out the Dry mix. If you want only an audience, check out the straight audience recording.

I do ask that the aspiring mixers refrain from torrenting their outstanding mixes. I think it would be a bad thing to have a ton of different mixes popping around the internet–better that everybody just tries their own hand at it. But feel free to post clips of your mix in torrent comments.

—

As always, encouraging people to get into taping and mixing. Just take the craft seriously and it will reward you many times over. There’s no point in complaining about missing recordings or subpar quality if you’re not contributing–pushing 1’s and 0’s around on the internet is no comparison for taping.

—

IEM recordings are not for everyone. If not they’re not your thing, either sonically or ethically, there’s excellent alternative recordings out there.

Similarly, I’m mixing primarily for my ears. This is what sounds best to me. This may not sound best to you. That’s a fair statement. I’m open to honest criticism (although you should have caught me when I was working on the mix!), but pointless complaining is unappreciated (naturally). Let’s play nice.

—

Please don’t sell this recording in any way – no cash for blanks, 2:1s, or any other form of “getting paid for your time”. Just share it freely.

Please don’t convert to mp3, then back to wave, and then trade it around. This stuff is too easy to find on torrents now.

Feel free to remaster/remix this recording. Just keep it to your own computer and iPod.

Also, please don’t torrent or share on other sites without at least dropping me a line and asking. I may want to just torrent/share it there myself.

Please ask (and wait for permission!) before putting it into any matrix + video production. If you ask nicely for a quality high-res video project, I will likely say ìyesî. If you put it on YouTube or cell phone video production without asking, I will send my cats from hell to chew your computer cables.

—

Enjoy y’all!

  • Hoserama/Sharebear

Talking Heads – Long Beach, CA (12/08/83)

Talking Heads
Long Beach Arena
Long Beach, CA
Dec. 12th 1983

“The Unauthorized Documentary”

Source: Audience
Deck: Unknown
Mic: Unknown
Sound Quality: (A) VG+ to EX sound (Some Flaws*)
Source: 1st gen cassette

Transfer: >PB Pioneer CT-F1000>ASUS Xonar DG Sound Card>Audacity 2.0 @96k/24bit>Export multiple tracks 44.1k/16bit flac8>Fixed SBEs>You

Talking Heads was:
David Byrne – vocals, guitar
Jerry Harrison – guitar
Tina Weymouth – bass
Chris Frantz – drums
Alex Weir – guitar
Bernie Worrell – keyboards
Steve Scales – percussion
Ednah Holt – backing vocals
Lynn Mabry – backing vocals

[96:00]

Disk one:
01.Psycho Killer
02.Heaven
03.Thank You For Sending Me An Angel
04.Building On Fire
05.Book I Read
06.Slippery People
07.Cities
08.Burning Down The House
09.Life During Wartime

Disk two:
10.Making Flippy Floppy
11.Swamp
12.What A Day It Was
13.NaÔve Melody (this must be the place)
14.Once In A Lifetime*
15.Big Business
16.I Zimbra
17.Genius Of Love (tom tom club)
18.Girlfriend Is Better
19.Take Me To The River*

*14 mics were covered
*19 fade
=======Missing===========
eyes wide open
houses in motion
crosseyed and painless
pull up the roots

This was recorded by a guy named “Island”, he mostly taped shows on VHS-C
type video, but after meeting me, and collecting audio tapes, he was inspired to bring an audio deck to this show.
Good thing too, because he was too close and the audio was very distorted on
the video, so I dubbed this sound to sync to the video.
there is 25 minutes of video total, but I will need to do a new transfer before it can be shared. It will be posted to youtube with the rest of Island’s video that I have copied from his masters.

https://www.youtube.com/channel/UCCaQbEHkPDPhBxsVAv8zqoQ/videos

I can’t explain why the audio is so clear other than this was festival
Seating and he was very close. I don’t think it was on a high quality deck or
mics but still sounds excellent.
I doubt this recording has ever been circulated before.

Enjoy
Flashback17

Queen – Opera Omnia

Queen
OPERA OMNIA
4-CD Edition
Red Phantom (RPBX 012/013/014/015).
Made in Italy in 1992.

Taken from the silver discs.

Lineage : OPERA OMNIA (silvers) —> Wav (EAC) —> Flac (Frontend (8)) —> You

More info, follow this link : http://www.queenonstage.com/mywebpage/operaomnia.htm

Be aware that some dates could be wrong. Don’t hesitate to add your comments to sort it out !

CD1 :

  1. Keep Yourself Alive (Tokyo 11 May 1985) *
  2. Liar (Tokyo 11 May 1985) *
  3. Doing Alright (Osaka, 29 March 1976)
  4. Son And Daughter (London, 31 March 1974)
  5. Modern Times Rock’N’Roll (London, 31 March 1974)
  6. Seven Seas Of Rhye (Budapest, 27 July 1986) *
  7. See What A Fool I’ve Been (London, 24 December 1975)
  8. White Queen (London, 24 December 1975)
  9. The March Of The Black Queen / End of Bohemian Rhapsody (London, 24 December 1975)
  10. Procession (London, 31 March 1974)
  11. Father To Son (London, 31 March 1974)
  12. Ogre Battle (London, 31 March 1974)
  13. Killer Queen (Tokyo, 11 May 1985) *
  14. Now I’m Here (Budapest, 27 July 1986) *
  15. In The Lap Of The Gods… Revisited (Budapest, 27 July 1986) *
  16. Stone Cold Crazy (London, 20 November 1974) *
  17. Brighton Rock (Osaka, 29 March 1976)
  18. Bring Back That Leroy Brown (Osaka, 29 March 1976)
  19. Flick Of The Wrist (Osaka, 29 March 1976)

CD2 :

  1. Bohemian Rhapsody (Tokyo, 11 May 1985) *
  2. Love Of My Life (Tokyo, 11 May 1985) *
  3. I’m In Love With My Car (Tokyo, 11 May 1985) *
  4. You’re My Best Friend (Tokyo, 11 May 1985) *
  5. ’39 (Tokyo, 11 May 1985) *
  6. Death On Two Legs (Montreal, 01 December 1978)
  7. Sweet Lady (Osaka, 29 March 1976)
  8. Lazing On A Sunday Afternoon (Osaka, 29 March 1976)
  9. The Prophet’s Song (Osaka, 29 March 1976)
  10. White Man (Osaka, 29 March 1976)
  11. Somebody To Love (Tokyo, 11 May 1985) *
  12. Tie Your Mother Down (Tokyo, 11 May 1985) *
  13. You Take My Breath Away (London, 06 June 1977)*
  14. The Milionaire Waltz (London, 06 June 1977) (to be checked)
  15. Good Old Fashioned Lover Boy (Copenhagen, 12 May 1977)
  16. Teo Torriatte (unknown)
  17. We Will Rock You (fast) (Milton Keynes, 05 June 1982) *
  18. We Will Rock You (slow) (Tokyo 11 May 1985) *
  19. We Are The Champions (Tokyo 11 May 1985) *
  20. Get Down Make Love (Montreal 01 December 1978)
  21. Spread Your Wings (Montreal 01 December 1978)

CD3 :

  1. My Melancholy Blues (Houston 26 February 1977)
  2. Sheer Heart Attack (Houston 11 December 1977)*
  3. It’s Late (Montreal 01 December 1978)
  4. Fat Bottomed Girls (Milton Keynes 05 June 1982) *
  5. Bicycle Race (01 December 1978)
  6. Let Me Entertain You (01 December 1978)
  7. If You Can’t Beat Them (01 December 1978)
  8. Dreamers Ball (01 December 1978)
  9. Don’t Stop Me Now (01 December 1978)
  10. Mustapha (London 08 December 1980)
  11. Crazy Little Thing Called Love (Tokyo 11 May 1985) *
  12. Another One Bites The Dust (Tokyo 11 May 1985) *
  13. Play The Game (Fukuoka 19 October 1982)
  14. Dragon Attack (Fukuoka 19 October 1982)
  15. Save Me (Fukuoka 19 October 1982)
  16. Need Your Loving TOnight (Buenos Aires, 28 February 1981)
  17. Rock It (Buenos Aires, 28 February 1981)
  18. Flash / The Hero (Milton Keynes, 05 June 1982) *
  19. Under Pressure (Tokyo, 11 May 1985) *
  20. Staying Power (Milton Keynes, 05 June 1982) *

CD4 :

  1. Body Language (Fukuoka 19 October 1982)
  2. Calling All Girls (Fukuoka 19 October 1982)
  3. Put Out The Fire (Fukuoka 19 October 1982)
  4. Back Chat (Fukuoka 19 October 1982)
  5. Action This Day (Fukuoka 19 October 1982)
  6. Life Is Real (Meadowlands 09 August 1982)
  7. Radio Ga Ga (Tokyo 11 May 1985) *
  8. I Want To Break Free (Tokyo 11 May 1985) *
  9. Machines / Tear It Up (Tokyo 11 May 1985) *
  10. It’s A Hard Life (Tokyo 11 May 1985) *
  11. Is This The World We Created ? (Tokyo 11 May 1985) *
  12. Hammer To Fall (Tokyo 11 May 1985) *
  13. One Vision (Budapest 27 August 1986) *
  14. A Kind Of Magic (Budapest 27 August 1986) *
  15. Who wants To Live Forever (Budapest 27 August 1986) *
  16. Friends Will Be Friends (Budapest 27 August 1986) *
  17. Tutti Frutti (Budapest 27 August 1986) *
  18. Jailhouse Rock (Tokyo 11 May 1985) *
  19. God Save The Queen (Budapest 27 August 1986) *
  • Removed because the gig was officially released.

Perfectly lossless (checked with Audiochecker), no SBE errors (checked with Traders Little Helper).
Log files and Fingerprints included.
Artwork also included.

Herbie Hancock – Shows by Date


1957-1963 – In France – w/Miles Davis
1963.07.26 – Antibes, France – w/Miles Davis
1964.10.01 – Paris, France – w/Miles Davis
1966.05.21 – Portland, OR – w/Miles Davis
1966.07.04 – Newport, RI – w/Miles Davis
1967.11.06 – Paris, France – w/Miles Davis
1970-1974 – Unknown Sessions, Vol. 3 – w/Miles Davis
1973.10.06 – Los Angeles, CA
1978.09.03 – Berkeley, CA – w/Joni Mitchell
1979.05.27 – Berkeley, CA – w/Joni Mitchell
1979.06.15 – Los Angeles, CA – w/Joni Mitchell
1981.07.26 – Tokyo, Japan – w/Carlos Santana
2002.11.13 – Lexington, KY

Herbie Hancock & Carlos Santana – Tokyo, Japan (07/26/81)

HERBIE HANCOCK/CARLOS SANTANA SPECIAL BAND
Live Under Sky ’81
Den-en Coliseum, Tokyo, Japan
1981-07-26

This was requested so often that I decided to make another reseed.
I originaly put up this back in 2004 or 2005 (maybe at former Dime called “Sharing The Groove”), I don’t know…
Here is the direct copy again from the Tapes.

SOURCE:
Semi-Live FM Broadcast>trade>wav>Flac

SOUND:
Quite good with few hiss (listen to mp3 samples)

Band:
Herbie Hancock: Grand Piano, Keyboards
Carlos Santana: Electric Guitar
Wynton Marsalis: Trumpet
Ron Carter: Double Bass
Tony Williams: Drums
Armando Peraza: percussion
Raoul Rekow: percussion
Orestes Vilato: percussion

Tracks:

CD 1
Watermelon Man >Evil Ways >Watermelon Man
‘Round Midnight
Parade
Unknown
A Quick Sketch
Love Theme From Spartacus

CD 2
Unknown
Unknown
Europa
Saturday Night

COMPLETE FM BROADCAST

INFO:

According to the memo of an japanese fan who attend the show, the set list was as follows:
Set 1

  1. Sorcerer (Hancock, Marsalis, Carter, Williams)
  2. A Quick Sketch (Hancock, Marsalis, Carter, Williams)
  3. Spartacus Love Theme (Hancock , Santana, Marsalis, Carter, Williams)
  4. unknown (Hancock, Santana, Margen, Williams)
  5. Watermelon Man > Evil Ways (Hancock, Santana, Margen, Williams, Peraza, Rekow, Vilato)
    Set 2
  6. Round Midnight (Hancock, Marsalis, Carter, Williams)
  7. Parade (Hancock , Santana, Marsalis, Carter, Williams)
  8. Song For My Brother(Hancock, Santana, Margen, Williams, Peraza, Rekow, Vilato)
  9. Europa (Hancock, Santana, Margen, Williams, Peraza, Rekow, Vilato)
  10. Saturday Nite (Hancock, Santana, Margen, Williams, Peraza, Rekow, Vilato)
  11. Chameleon (Hancock, Santana, Margen, Williams, Peraza, Rekow, Vilato)
    So, as you can see, the live broadcast began at Set 1 #5, and inseted the first 4 songs between Set 2 #2 and #3. And unfortunately, the encore “Chameleon” was not on the air.

UPLOADED BY RICOLA
DIME: 2011-11-21

ENJOY!!!!

DONíT CONVERT IN ANY LOSSY FORMATS; DONíT SELL ANY OF THESE RECORDINGS!!!

John Hiatt – San Luis Obispo, CA (11/09/24)

John Hiatt
Nov 9 2024
Fremont Theater
San Luis Obispo, CA

Solo Acoustic

12th Row, Near Left-Side Aisle;
Neumann AK40s >LC3 >KM100s >Tascam DR100mkII* (24bit/48kHz)
*w/Internal Preamp and Phantom Power

WAV >Audacity (Track Splits, Downsample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53

Recorded, Audacity Track Splits, Downsample, FLAC, Tags, Front Cover Artwork, And Photos Other Than Front Cover By OldNeumanntapr

Front Cover Photo By A Friend

Har-Bal 3.7 Post Production & iZotope RX8 Advanced (Flying -M-)

Disc I:

  1. Introduction
  2. Before I Go
  3. Your Dad Did
  4. Long Time Comin’
  5. The Tiki Bar Is Open
  6. Crossing Muddy Waters
  7. Tennessee Plates
  8. What Do We Do Now
  9. Master Of Disaster
  10. Drive South

Disc II:

  1. Terms Of My Surrender
  2. Cry Love
  3. Perfectly Good Guitar
  4. Weightless In My Arms
  5. Real Fine Love
  6. Slow Turning
  7. Feels Like Rain
  8. Memphis In The Meantime
  9. Riding With The King
  10. Have A Little Faith In Me

OldNeumanntapr Notes;
When I heard from my ‘partner-in-crime’ that his friend Brian’s wife couldn’t make the show I couldn’t pay him for the ticket fast enough. I love John Hiatt and especially enjoy hearing him play solo acoustic. As usual, John tells some funny stories between songs and does a few requests. There was one guy who kept asking for ‘Feels Like Rain’. The Fremont is a beautiful theater and has wonderful acoustics and it is always a real pleasure to see a live performance there. The Fremont was built in 1942 and was one of San Luis Obispo’s two art-deco movie theaters, the other being the Obispo, which was built in 1911 and burned to the ground in late 1975. Though the Fremont still has provisions for showing films, the SLO Film Festival is held there every spring, it has since been converted to a performing arts theater. Thanks so much to Flying M for his wonderful job at post production fairy dust. 🙂

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

The Friday Night Horror Movie: Nocturne (2020)

nocturne movie poster

I don’t know why I keep watching films made under the Blumhouse banner. They are all well made. They have good production values. They look great. They are often very well-acted and usually the direction is handled well. But there is something so slick, so generic about them that I find almost all of them instantly forgettable. They feel as if they are made by a committee in a factory instead of by a passionate creator with a specific point of view.

Nocturne is a perfect example of this. It has a decent story and it was obviously made by good craftsmen. But it feels like a retread of Black Swan with a bit of Whiplash thrown in but with no interesting ideas of its own.

Juliet (Sydney Sweeney) and Vivian Lowe (Madison Iseman) are twin sisters who have been training to become concert pianists from a very young age. Vivian is the prodigy having just been accepted to Julliard while Juliet did not get accepted, and as it was the only school she applied too will be taking a year off. They are both seniors at a prestigious music academy.

The film begins with another student, the best in her class committing suicide by jumping off a balcony. She was set to star in the senior showcase and now there is an empty spot. All seniors are welcome to apply.

Juliet accidentally discovers the dead girl’s theory notebook which is full of all kinds of mystical horror movie drawings. Naturally, she starts using it and naturally her musical skills improve dramatically.

The sisters don’t seem to like each other very much and their rivalry skyrockets now that they have the chance to star in the senior showcase.

All of this is a good setup for something interesting to happen. But it never does. I expected the notebook angle to go into supernatural occult territory. It seemed to think about doing exactly that, but then pulled back. Juliet keeps studying and playing the songs inside it. Her skills improve and her life begins mimicking the weird drawings inside. But she never takes it too far.

The sisters fight. One of them gets hurt. One of them cheats with the other one’s boyfriend, but again the film never really runs with these ideas. A film like this should take extremes. It doesn’t need to be sort of realistic.

It is a Blumhouse film so the production values are high. It looks good. I think Sydney Sweeney is a very fine actress, but there is nothing for her to really bite into here.

Two months from now I’ll be scrolling through Amazon and I’ll see this film pop up. I’ll have to look it up on Letterboxd to see if I’ve seen it before and I’ll be surprised by the answer.

Fleetwood Mac – Rochester, NY (03/16/09)

Fleetwood Mac
20090316
Rochester, NY
HSBC Arena

Source: Audience
Lineage: Ederol R-09HR internal mics > SDHC card > Roxio Sound Editor (split, named tracks) > dbpoweramp > FLAC
Quality: 9

Set 1:

  1. Monday Morning 03:29
  2. The Chain 05:08
  3. Dreams 06:06
  4. I Know I’m Not Wrong 05:33
  5. Gypsy 04:54
  6. Go Insane 04:05
  7. Rhiannon 06:18
  8. Second Hand News 03:51
  9. Tusk 05:03
  10. Sara 04:42
  11. Big Love 03:56
  12. Landslide 04:59
  13. Never Going Back Again 04:35
  14. Storms 06:50
  15. Say You Love Me 04:28
  16. Gold Dust Woman 07:25
  17. Oh Well 04:04
  18. I’m So Afraid 09:23
  19. Stand Back 05:02
  20. Go Your Own Way 10:08
  21. World Turning 08:48
  22. band introductions 03:30
  23. Don’t Stop 04:57
  24. Silver Springs 06:45
  25. outro 01:05
    __
    02:18:04

U2 – Las Vegas, NV (09/29/23)

U2
The Sphere
Las Vegas, NV
September 29, 2023

Source: AT953 > SP-SPSB-10 > Tascam DR2d
Transfer: wav file > Sound Studio (16/44.1) > xACT > FLAC (level 8)
Recording location: Section 304
Recorded by: Tapehead2

01 Intro
02 Zoo Station
03 The Fly
04 Even Better Than the Real Thing
05 Mysterious Ways
06 One
07 Until the End of the World
08 Who’s Gonna Ride Your Wild Horses
09 Tryin’ to Throw Your Arms Around the World
10 All I Want Is You
11 Desire
12 Angel of Harlem
13 Love Rescue Me
14 So Cruel
15 Acrobat
16 Ultraviolet (Light My Way)
17 Love Is Blindness
18 Elevation
19 Atomic City
20 Vertigo
21 Where the Streets Have No Name
22 With or Without You
23 Beautiful Day