Green Day – Berlin, Germany (10/03/04)

Green Day
Radio Fritz
Berlin, Germany
2004-10-03

Source: Norwegian P3 FM broadcast through Telenor Avidi (cable provider) ->
Radio/TV cable ->
Pinnacle PCTV PRO ->
Line-in on “Hercules Gamesurround Fortissimo II” sound card ->
Recorded as 44.1 KHz wave file with Soundforge 7.0 ->
Tracked and converted to FLAC with CD Wave Editor 1.94.5
Lineage: FM > WAV (44.1KHz) > FLAC
Taped by: N/A
Transfered by: N/A

File Size: 550mb (FLAC)

Setlist:

  1. American Idiot
  2. Jesus Of Suburbia
  3. Holiday
  4. We Are The Waiting
  5. Saint Jimmy
  6. Longview
  7. She
  8. The Grouch
  9. Hitchin’ A Ride
  10. Brain Stew
  11. Jaded
  12. Knowledge
  13. Basket Case
  14. King For A Day
  15. Minority
  16. I Fought The Law (and the law won) [Clash Cover]
  17. Homecoming

Total running time: 81:12

Notes:

  • The complete show!

!!!For free trade only. Not to be distributed as anything but FLAC/CDR.!!!

Compiled by RA
2005-07-22

The Friday Night Horror Movie: Bone Tomahawk (2015)

bone tomahawk

There aren’t a lot of Western/Horror hybrids for some reason. I don’t know why as it would seem like the barren landscapes of the West and the isolated communities filled with all sorts of outlaws would lend itself to horror, but I guess not. Maybe the audiences for those two genres are considered too far apart to make bringing them together worth it.

Controversial director S. Craig Zahler gave it a pretty good shot with his debut film Bone Tomahawk. Storywise it is primarily a Western but its graphic use of violence and impending sense of doom give it a good dose of horror.

In discussing the Western Genre I’ve not spoken much about its depictions of Native Americans (though we did have a good discussion in the comments section a while back). Generally speaking, the Western’s depiction of Native Americans has not been good. They were usually depicted as nameless, faceless savages attacking, raping, and murdering the pure and righteous white people who had come to the new land to save them from their savage ways.

Zahler (who also wrote the script) tries to work his way around this problem within the genre by having an Indian character (Zahn McClarnon) state that the film’s villains aren’t real Indians, but Troglodytes, cannibalistic savages that belong to no tribe. And thus hand waiving the whole problem away. But this is a Western set in the American West and the villains sure do look a lot like Indians, and they sure are savage. If you can get past that (and the really, truly, gruesome violence) then you are in for a bit of a treat.

A stranger (David Arquette) stumbles into the small town of Bright Hope. He buries his ill-gotten treasure before wandering into a bar. The town’s Back-Up Deputy Chickory (Richard Jenkins) spies the bag burial and tells Sheriff Hunt (Kurt Russell) about the suspicious nature of it all. They question the man who pushes Chickory down and tries to escape, getting shot in the leg by Hunt for his trouble.

They call in the doctor’s daughter Samantha (Lili Simmons) to take the bullet out of the stranger’s leg. Somewhere in the night our villains sneak into town and kidnap the stranger, a deputy, and Samantha.

In the light of day Sheriff Hunt, Chickory, Samantha’s husband Arthur (Patrick Wilson) who has a broken leg, and a dandyish gunslinger named John Brooder (Matthew Fox) all head for the valley where the enemy camps.

All of this is fairly standard Western stuff. Zahler gives it a lazy energy in the first half which is punctuated by some wonderful dialog and terrific performances by all involved. As they finally come to the enemy camp things turn horrific as the bad guys are truly abhorrent. I won’t go into details but let’s just say cannibalism isn’t their worst trait.

I’ve seen a lot of horror films in my day so I’m fairly immune to graphic violence, but this gets pretty intense. I do appreciate a film that doesn’t shy away from the realities of violence. Westerns have a tendency to have bloodless gunfights where the worst that happens to a man when he gets shot is that he falls off a building. Real violence is full of blood and gore and is horrible in every way. There is something to be said for a film to show that.

If you can stomach the violence and the hand-waiving away of the genre’s casual racism, Bone Tomahawk is a rather terrific bit of genre filmmaking.

A Boys Trip Out West

monument valley

My parents are notorious for taking long whirlwind trips in a short amount of time. They often drive the 800 miles to East Tennessee to see my father’s folks over the course of a weekend. They regularly drive a thousand miles or more to Colorado, or Arizona, or Utah, stop to see a few sights for a day or two, and then drive back. Once they drove all the way from Oklahoma to Washington State and made it back within the week.

Me, I like to plan things out. I want to spend time thinking about where I’m going, and what I want to see, and book tours or at least my hotel rooms.

So, when my father called me two weekends ago asking if I wanted to take a trip with him and my brother out west in a couple of weeks, my initial thought was, “No.” But the old man is getting old. I don’t know how many more trips he has left in him. This kind of felt like a last hurrah. A conversation with my brother only strengthened that notion.

A couple of weeks turned into, “How about we leave on Wednesday,” and my desire to go lessened even more. But go we went. Without any notion of where we were going, without any plan on where to stay or even how long we were gonna be gone, we loaded up the car and headed out before sunrise that Wednesday morning.

We hauled it long and hard all day, stopping for the night somewhere past Gallup, New Mexico. We initially planned on staying in Gallup, but after my brother turned up the fact that Gallup has one of the highest crime rates per capita in the country, we drove a little further.

Trying to save a little money we just booked one room at a cheap motel. It was a little awkward sharing a bed with my 50-year-old brother, but a little dose of melatonin and the exhaustion of a long day kept me from caring too much.

canyon de chelly

When we awoke my brother noticed that there was a canyon nearby. The Canyon de Chelly National Monument sounded interesting, we all agreed and so we checked it out. I’m glad we did for it was spectacular.

A few more hours on the road led us to Monument Valley. Me and Dad had been there before, but it was new country to my brother. Me and Dad had visited it years before.

Growing up we didn’t do much travelling. We’d make the trek to East Tennessee to see my father’s family once a summer, and maybe around Christmas but that was pretty much it. I remember once, when my father was asleep in the back of the car, my mother pulled off at some little amusement park and had bought tickets before my dad knew what was happening. That was us vacationing.

We did go to Orlando when I was in high school because my brother had graduated Naval Boot Camp there, and later we visited him in Charleston, South Carolina, but my father didn’t make any of those trips.

john fords point

A few years after I graduated college me and mom convinced dad to take a trip out west. I can’t remember many of the details now, but we visited Monument Valley, the Painted Desert, and the Grand Canyon, plus a few other sites in that area.

Dad loved it. And it set him on a path of regular travel ever since. So, this trip felt a little like a reunion tour of the trip that got him started.

If you’ve ever seen an old Western Movie, you’ve probably seen Monument Valley. John Ford shot half a dozen films there or so, and the list of movies and television shows that have had at least one scene set there is enormous. It is a beautiful, strange, amazing bit of land filled with giant rock formations that look completely out of this world. It was a big foggy when we were there which allowed for some interesting photographs.

Dad had the Grand Staircase-Escalante National Monument in his sights so we headed that way next. We drove to Page, Arizona that night, with plans to drive to the Staircase early the next morning.

horseshoe bend

We got to Page relatively early and discovered there was a beautiful horseshoe bend in the river nearby. A quick hike to that brought some more amazing views.

The next morning, on the road we discovered a cool little pull-off with some excellent-looking formations. Our phones told us to drive to Kenab, Utah to get inside Grand Staircase, but once we were there we realized that we had essentially driven right past it. The park is quite huge and the things we were interested in seeing were North East of where we were, making it another several-hour drive to get to where we thought we were.

By this point we were all already pretty well exhausted from all the driving, and Dad was already hinting that he was ready to go home. A quick look at the map we found at the tour guide stop showed a cool-looking slot canyon to the north about 90 miles. We decided we’d make that our last stop before heading home.

bryce canyon

The tourist map wasn’t a very good one and we soon found ourselves accidentally in Bryce Canyon. From what I can figure the slot canyon was actually at the bottom of it. Not wanting to make that hike we decided to just look at it all from above. It had snowed that morning granting us some very beautiful views.

After that, we headed home. That’s a 1,200-mile drive home for those keeping track and it took us the rest of that day and all of the next. All in all it was a long, hard little vacation, but a good one. I still prefer to plan things out better and stay longer, but I’m glad I went.

If you’ve read this far and would like to see the rest of the photos I took I created an Amazon Photo Album.

Various Artists – Nobody Sings Dylan Like Dylan, Vol. 10: Next Time You See Me Comin’

Various Artists
Nobody Sings Dylan Like Dylan, Vol. 10: Next Time You See Me Comin’

This one begins and ends with some very special performances. The first track is from the final Grateful Dead show, which was the final show Jerry Garcia ever played; this was the final Dylan cover he ever performed. The last track is the last song from the concert Bob Weir played with his band Ratdog on the night of the day Jerry died. In between are a batch of exceptional performances, including a rendition of “Hard Rain” by Dylan-producer Daniel Lanois that is from one of the best shows I have ever been to; the whole show is currently available on Dime, and should be in every music lover’s collection.

This will be the final entry in this series for 2006, as I am going on vacation and leaving my computer behind. But I hope to come back with more in 2007, so keep the suggestions and files coming! As always, thanks to the tapers, the original uploaders, and especially the performers and composer. Pdiamond and dsgtrane have been kind enough to create great artwork for the first nine volumes, and hopefully one or both of them or someone else will do the same for this one. Due to the many different sources, I am not including lineages. I have done nothing to the original files but normalize the levels and fade in and out on each track (using Cool Edit). Enjoy!

01 When I Paint My Masterpiece
Grateful Dead (Jul 9, 1995, Soldier Field, Chicago, IL)

02 All Along the Watchtower
Warren Zevon (Jan 16, 1996, Rack-n-Roll, Colorado Springs, CO)

03 Blind Willie McTell
Rick Danko (Nov 19, 1992, Stephens Talkhouse, Miami, FL)

04 Hard Rain
Daniel Lanois (Sep 22, 1995, Ballard Backstage, Seattle, WA)

05 This Wheel’s On Fire
Billy Bragg and KT Tunstall (9-26-05, Barbican Theatre, London)

06 Girl From the North Country
Johnny Cash and Joni Mithcell (Oct 7, 1970, Johnny Cash TV Show, Nashville, TN)

07 She Belongs to Me
John Doe (Feb 2, 2005, Narrows Center for the Arts, Fall River, MA)

08 Just Like Tom Thumb’s Blues
Tom Russell (Apr 2, 2002, Columbus Music Hall, Columbus, OH)

09 Ballad of a Thin Man
Elliott Smith (Oct 11, 1998, 400 Club, Minneapolis, MN)

10 Like a Rolling Stone
World Party (Jul 23, 1993, Wadsworth Theatre, LA, CA)

11 Visions of Johanna –
Dan Bern (Mar 14, 2004, Joe’s Pub, New York, NY)

12 Trying to Get to Heaven
Robyn Hitchcock (Nov. 25, 2003, Largo, Los Angeles, CA)

13 I Shall Be Released
Neil Young with Phish, REM, and Sara McLachlan (Oct 17, 1998, Shoreline Amphitheatre, Mountain View, CA)

14 Knockin’ On Heaven’s Door
Ratdog (Aug 9, 1995, Hampton Beach Casino, Hampton Beach, NH)

Westerns in March: Blood on the Moon (1948)

blood on the moon

On a surface level Westerns and Film Noirs have very little in common. Noirs tend to take place inside the big city. Westerns are all about the wide open spaces of the American West. Noirs usually occur in the present, whereas westerns (almost by definition) occur in a specific past. Noirs are filmed in black and white. They revel in shadows and light. They take place in smoky little bars and grubby flats. Westerns make great use of the widescreen format and technicolor. Classic Westerns are about good versus evil; the differences are plain. Noirs live in the grey, the morally ambiguous, the dark nights of the soul.

It is that last bit that sometimes allows the two genres that seem so far apart to grow a little closer. While Classic Westerns often do present moral absolutes with clear good guys and bad guys, as the genre grew older it began to change. Their heroes were sometimes morally grey. They wrestled with complex questions. Dealt with complex characters. Etc. They started to feel a little more like noirs. Not always, of course, the vast majority of westerns stuck to their lane, but some of them, some of the best of them, allowed themselves into murkier territory.

Blood on the Moon is a Western Noir. It is set in the Old West, its characters are old cowboys, and its plot involves cattle and Indians, but its hero is flawed and its cinematography is pure noir.

Robert Mitchum plays Jim Garrey, a man down on his luck. When his old pal Tate Riling (Robert Preston) offers him a job he takes it, no questions asked. He soon learns he should have asked questions because Riling is up to some shenanigans.

The plot (or I should say Riling’s plot) is convoluted and too complicated to get into here. Basically, he’s setting some homesteaders against a rancher in hopes of making himself rich. He needs Garrey as a mediator to arrange a deal over some cattle.

That part of the plot doesn’t really matter. It boils down to Riley using Garrey for some pretty shading dealings. Garrey is basically a good man, but he’s done some bad things which makes him feel like a scoundrel. He’s left with a decision on whether to do the right thing and go against an old friend, or stay the course and get rich in the process.

Honestly, I got a bit lost in the machinations of the plot but Mitchum is great as usual and cinematographer Nicholas Musuraca gets some great noir visuals out of his scraggly western landscape (and no wonder he shot a lot of great film noirs including Out of the Past and The Spiral Staircase). Preston seems a bit miscast to me. He’s great when he’s playing rascally con men, but he doesn’t quite exude the menace his character needs in this film.

Overall a decent example of both the Western and the film noir but there are better films in both genres.

Westerns In March: 2024

I’ve been doing monthly movie themes for long enough now that they are starting to come around again. This is interesting to me because on most months I will pick a theme and try to watch as many movies as I can from that theme, but some work better than others. I’ve been doing Noirvember now for 6 or 7 years and I always look forward to it. But some themes like musicals or the 1960s fizzle out almost before they get started.

Last year I did Westerns in March and quite enjoyed myself. I’ve only really gotten into westerns over the last few years but I got into them in a big way.

Not to get nerdy with numbers but I can actually pinpoint when I really started to get into the genre. Prior to 2019, I would watch a handful of Westerns or less every year. Then in 2019, I watched 11 westerns. I started the year off with a couple of the Man With No Name films, then watched Stagecoach with John Wayne. That set me off watching several more John Wayne films and the year ended with Johnny Guitar, a new favorite. Ever since I’ve watched at least 30 westerns every year. That’s more than a couple Westerns per month.

That doesn’t mean anything to anyone, but I love that kind of stuff. That is why I subscribe to Letterboxd.

Anyway, it is March again and I’ve already seen several Westerns. I look forward to watching many more and hopefully writing about a few.

Here’s the list of film I watched for this series:

Blood on the Moon (1948)
Vera Cruz (1954)
The Great Train Robbery (1903)
The Professionals (1966)
Comanche Station (1960)
Ride Lonesome (1959)
Ten Wanted Men (1955)
The Searchers (1956)
Ride the High Country (1962)
Bone Tomahawk (2015)

The Friday Night Horror Movie: The Faculty (1998)

the faculty

The Faculty is so of its time, so late 1990s that I spontaneously turned into a 22-year-old college senior again while watching it. It was produced by Miramax, the hippest studio at the time. It was directed by Robert Rodrigues at the very apex of his coolness factor. It was written by Kevin Williamson hot off his hit-making turns with Scream and I Know What You Did Last Summer. It stars a veritable who’s who of late ’90s hip young actors including Josh Hartnett, Elijah Wood, Clea Duvall, and Jordana Brewster. The soundtrack features Stabbing Westward, The Offspring, Soul Asylum, Creed, Garbage and Layne Staley with Tom Morello covering Pink Floyd’s “Another Brick in the Wall.” If it was any more late 1990s I think it would create a black hole time warp.

It was part of the late-90s horror boom that began with Scream in 1996 and catered to a more younger, cooler, and mainstream crowd that horror was used to. I was very much into that whole scene. I freaking loved Scream and was so excited that horror had become popular.

I hated The Faculty when I saw it in theaters. Hate is probably too strong of a word, but I was very disappointed with it. I dug Rodrigues and Williamson, I loved this new wave of horror, but something about The Faculty just didn’t sit right with me. Looking back on it now, I think it was that it is more of a throwback to older films. It clearly has influences in all those schlocky 1950s sci-fi/horror films, and it outright references Invasion of the Body Snatchers and The Thing (both films I wouldn’t see for several more years). I wasn’t hip to that vibe just yet so it all felt off to my brain.

I didn’t watch it again until tonight. I now am quite familiar with the film’s reference points and I think twenty years of distance has given me perspective on that particular wave of horror (it was mostly not very good) and so I found myself rather enjoying it. Don’t get me wrong, it is still not a great film, but it’s an enjoyable one.

Plotwise it takes a lot from Invasion of the Body Snatchers, but sets it mostly inside a high school where initially the teachers are the aliens and the kids are all that’s left to save humanity. And not just any kids, the outcasts, the freaks, and the nerds.

Wood is the book-smart nerd who everyone picks on. Hartnett is the drug-dealing tough kid. Duvall is the put-upon shy kid who wears all black and might be a lesbian (in 1998!) The teachers (including a goatee-wearing Jon Stewart, Piper Laurie, Famke Jannsen, Salma Hayek, Bebe Neuwirth, and Robert Patrick – geez this cast is stacked) get controlled by these little alien worm things and are out to invade the entire world.

Williamson’s script is smart (but not nearly as smart as he thinks it is, not Scream smart) and Rodriguez’s direction is steady. The cast is mostly great. Overall it is a pretty good little horror film with some nice comedic moments

When I started this review I noted that The Faculty was very much a movie of its time. Unfortunately, that time has not aged very well. The CGI effects look bad. There is a scene that directly references a scene from The Thing. Actually, there are a couple of them, but this particular scene apes some very effective practical effects from that John Carpenter film, but here they are all computer generated and they look terrible.

It is a Miramax film, which of course was run by Harvey Weinstein. Danny Masterson has a small role (his character is simply named F’%# Up #1 which is appropriate, I guess) and freaking Harry Knowles has a cameo so call this a sex pest trifecta.

If you can get past all of that, I think it is worth seeking out, especially if you are a fan of late 1990s horror and somehow missed this one.

The Movie Journal: February 2024

mademoiselle

I watched 38 movies in February 2024. 24 of them were new to me. 23 of them were made before I was born. It was Foreign Film February and I watched 12 foreign films.

I actually slowed my movie-watching a little as I intentionally tried to watch some television series. My wife and I watched A Murder at The End of the World, which started off really strong and then concluded in as ridiculous a manner as possible And I started watching The Americans (again). I think this is my third attempt. It is a show that I think is really good, but not quite so amazing that I just can’t put it down. I keep getting through the first season and then getting distracted. When I’m ready to pick it back up again I feel like I need to watch Season 1 again to remember the story and then I get distracted again.

My top actors watched this year are still slim pickings. Clark Gable remains at the top with 8 films watched followed by Burt Lancaster with 3. Robert Wise, Lewis Allen, Joseph Henabery, John Ford, Tony Wharmby, and Umberto Lenzi are tied for the directors list with two films watched a piece.

Here’s the full list.

Vera Cruz (1954) – ***1/2
Blood on the Moon (1948) – ***1/2
Les 3 Boutons (2015) – ****
Doctor Who: The Keys of Marinus (1964) – ***
Commando (1985) – ***1/2
Action Jackson (1988) – ***1/2
When Strangers Marry (1944) – ***1/2
My Name Is Julia Ross (1945) – ***1/2
The Upturned Glass (1947) – ***
Sparkling Cyanide (2003) – ***
Shin Godzilla (2016) – ***1/2
Office Space (1999) – ****
Darkman (1990) – ****
The Ear (1990) – ****
Tokyo Joe (1949) – **1/2
Appointment with Danger (1950) – ****
Mademoiselle (1966) – ****1/2
Rhubarb (1951) – ***1/2
Hair Wolf (2018) – ***1/2
Paganini Horror (1989) – **
The Symphony Murder Mystery (1932) – **
The Trans-Atlantic Mystery (1932) – ***
Faithless (1932) – ***1/2
Donovan’s Reef (1963) – ***
The Fighting Seabees (1944) – ***1/2
Agatha Christie’s Seven Dials Mystery (1981) – ***1/2
The Big Gundown (1967) – ****
Battleship Potemkin (1925) – *
The Secret Adversary (1983) – ***1/2
House (1977) – ****
Fox and His Friends (1975) – ****
Smiles of a Summer Night (1955) – ****
My Fair Lady (1964) – ****
Bulldog Drummond’s Revenge (1937) – ***1/2
The Young Girls of Rochefort (1967) – ****
Re/Member (2022) – **
Encounter of the Spooky Kind (1980) – ***1/2
Noroi: The Curse (2005) – ****

Foreign Film February: Les 3 Boutons (2015)

les 3 boutons

Agnes Varda was a titan of French cinema. She was a member of the French New Wave and a pioneer of using location shooting and non-professional actors. She made narrative films and documentaries. I’ve only previously seen Cleon From 5 to 7 but it is a masterpiece. My wife adores The Gleaners and I.

I keep telling myself I need to watch more foreign language films this month, and I keep finding other things to watch, but before February comes to a close, I wanted to watch something. Something short. Because it has been a long day and I’m tired.

Luckily the Criterion Channel has a bunch of short films and they even categorize them by their time frames – Under 60 minutes, Under 30 minutes, Under 15 minutes…

Les 3 Boutons (The Three Buttons) is an eleven-minute film from Agnes Varda. It was commissioned by the fashion house Miu Miu. It stars Jasmine Thiré as a young goat farmer who goes on a magical journey.

A postman brings her a package. Inside the package is a large red-looking tarp. When she unfolds it the tarp becomes an enormous red dress. The girl walks inside the dress and finds herself in a cave. When she spies some school girls walking down a lane her own clothes turn into the same dresses they are wearing. Suddenly, she’s on a city street. When she spies some kids having ice cream she reaches inside her pocket and finds her own cone. It is a stream-of-consciousness fable.

Varda infuses this very simple story with a playfulness and joy that is a delight to behold. There isn’t much to it, and so I don’t have a lot to say about it. But if you have the Criterion Channel (or Mubi) and you have 11 minutes to spare I don’t think you’ll be disappointed.

Black Tight Killers is the Blu-ray Pick of the Week

black tight killers

I assume it is obvious that I like lots of weirdo cult films. When I was younger I really enjoyed finding obscure films to watch as it gave me certain bragging rights. I could ask my movie nerd friends if they’d seen some completely unknown film and then feel a bloated sense of superiority when they hadn’t seen it yet. As I’ve gotten older and pretty much every film imaginable has become available at the click of the button the bragging rights have gone, but I still love obscure, weird movies.

Obviously, I watch a lot of movies and the more you watch the more you come to understand the formulas and cliches of cinema. So to find something that truly does something different is pretty cool.

I have no idea if Black Tight Killers is any good, but I love the summation of it. A war photographer tries to rescue a waitress from the clutches of an all-girl band of stylishly dressed ninjas who use records as weapons. Tell me that isn’t something you want to see!

Radiance Films is a fairly new label but they seem to be doing good work. This one comes with a new transfer and lots of extras.

Also out this week that looks interesting:

Wonka (2023): There was a bit of hilarious chatter when this new adaptation of the beloved Roald Dahl book came out because some people went to see it without knowing it was a musical. The Gene Wilder version had a lot of songs, but I guess this one is a full-on singing and dancing musical and a lot of folks don’t like that. Personally, I like musicals, but I see no reason to see yet another adaptation.

The Roaring Twenties: The Criterion Collection presents this Roal Walsh-directed film about some soldiers getting mixed up in the mob. James Cagney stars.

Film Noir: The Dark Side of Cinema XVII: Kino Lorber continues to put out these nice boxed sets of three relatively obscure film noirs. I asked Cinema Sentries to get me a copy to review, but I haven’t received it yet. This set contains the following films: Vice Squad, Black Tuesday, and Nightmare.

Hollow Man: Wal-Mart is doing an exclusive Steelbook release of this Kevin Bacon vehicle that is yet another take on the whole Invisible Man scenario. I remember not liking it when I watched it in theaters.

I Know What You Did Last Summer: Another Wal-Mart exclusive type deal. Both this and Hollow Man are coming from Mill-Creek who are notorious for their cheap releases.