Bob Dylan
07/29/61
Riverside Church
New York, NY
Handsome Molly
Naomi Wise
Poor Lazarus
Mean Old Railroad (w/ Danny Kalb)
Acne (w/ Ramblin’ Jack Elliot)
Bob Dylan
07/29/61
Riverside Church
New York, NY
Handsome Molly
Naomi Wise
Poor Lazarus
Mean Old Railroad (w/ Danny Kalb)
Acne (w/ Ramblin’ Jack Elliot)
Bob Dylan
Early Years Vol. I
source: Minnesota Party Tape
Lineage: Cd-R(x) > wav (eac secure mode) > flac (flac 1.1.2 – align on SB) > wav (tlh w/flac 1.2.1b) > dff > wav (adobe audition 1.5/fix) > flac (TLH w/flac 1.2.1b – align on SB – level 8 – verify on)
Luisbp51 (Hungercity June 30, 2013)
Tracks:
01. Railroad Bill (Traditional)
02. Will The Circle Be Unbroken (A P Carter)
03. Man Of Constant Sorrow (Traditional)
04. Pretty Polly (Traditional)
05. Railroad Boy (Traditional)
06. James Alley Blues (Richard Brown)
07. Bonnie, Why’d You Cut My Hair (Traditional)
08. This Land Is Your Land (Woody Guthrie)
09. Two Trains Running (McKinley Morganfield)
10. Wild Mountain Thyme (Traditional)
11. Howdido (Woody Guthrie)
12. Car Car (Woody Guthrie)
13. Don’t You Push Me Down (Woody Guthrie)
14. Come See (Woody Guthrie)
15. I Want It Now (Woody Guthrie)
16. San Francisco Bay Blues (Jesse Fuller)
17. A Long Time Growing (Traditional)
18. Devilish Mary (Bess Lomax)
19. Ramblin’ Round (Woody Guthrie)
20. Death Don’t Have No Mercy (Rev. Gary Davis)
21. It’s Hard To Be Blind (Adapted*)
22. This Train Is Bound For Glory (Big Bill Broonzy)
23. Harmonica Solo
24. Talkin’ Fish Blues (Woody Guthrie)
25. Pastures Of Plenty (Woody Guthrie)
*Adapted from the traditional “It’s Hard To Be Poor” and Rev. Gary Davis’ “There Was A Time When I Was Blind”
The original package for this Winged Wheel release is a two color cardboard gatefold pack. The photo is of a couple years later than the recorded material… at NYC’s CBS Studio A. A paper insert lists full song details. The silk screened silver disc is a wonderful reproduction of a vinyl LP. The retouched (r) back cover is a bobsboots creation that contains an additional spine on the left side to simulate a jewel case insert.
Information:
Source / Venue:
Minnesota Party Tape (Beecher Tape) – May 1961
Manufacturer / Catalog No.
Winged Wheel / WW-9425
Released: 1995
Other releases of Minnesota Party Tape II:
Gleason Home Tape
The Minnesota Tapes
Quality: 5-6 stars
Bob’s Boots ref # BB-e01
Review from someone:
Though not as famous as the Hotel Tape, This recording from Bonnie Beecher’s apartment predates that one by half a year. Dylan’s progress was explosive during this time, and half a year was a lifetime. The tape is nowhere near the league of the later recording, partly because of the low quality of the original recording, and partly due to a remarkably uninspired performance. One of the first times that a young Bob would hear himself on tape; nerves, inexperience, and limited repertoire would result in, at best, this mediocre offering. The tape is significant, however, not only for its historical importance, but also as a standard by which to compare the December tape. The cover photo is from CBS archives, and pictures Dylan in Columbia Studios, NY 1962 during the recording of his second LP.
� 2001 CD Pinkerton bobsboots.com
Bill Monroe & the Bluegrass Boys
07/04/61
Oak Leaf Park
Luray, VA
Watermelon On The Vine
Panhandle Country
I Gotta Travel On
Blue Moon Of Kentucky
Put My Rubber Doll Away
Rawhide
Linda Lou
Sugar Coated Love (1)
What Would You Give (1)
Can’t You Hear Me Callin (2)
Travel That Lonesome Road (2)
Whitehouse Blues
Y’all Come
Comment
Bill Monroe
Beth Lee
Billy Baker
Bobby Smith
Tony Ellis
1 w/ Carter Stanley
2 w/ Mac Wiseman
The first event that used the words, “Bluegrass Festival,” was promoted by the legendary singer and recording artist, Bill Clifton. The location was Oak Leaf Park in Luray, Virginia, and the date was July 4, 1961. This was also the first time that more than two well-known Bluegrass acts were booked on the same show. Prior to that occasion, one or two Bluegrass bands would be booked on a country show of that period. The festival was a one day event that featured Bill Monroe, The Stanley Brothers, The Country Gentlemen, Jim and Jesse, Mac Wiseman and Bill Clifton. This was also the first time that Bill Monroe called former members of The Blue Grass Boys to the stage to play and sing. When 2,200 people attended the show, it opened up a new venue for Bluegrass music.
BOB DYLAN
Minnesota Tapes
source: Minneapolis recordings
Minnesota Party Tape II (Beecher Tape) – May 1961
Minnesota Hotel Tape (Glover Tape) Dec. 22, 1961
Disc one
Minnesota Party Tape: May 1961
Ramblin’ Round (Woody Guthrie) – Removed possible inclusion on No Direction Home
Death Don’t Have No Mercy (Rev. Gary Davis)
It’s Hard To Be Blind (Adapted Rev Gary Davis)
This Train Is Bound For Glory (Big Bill Broonzy)
Harmonica Solo
Talkin’ Fish Blues (Woody Guthrie)
Pastures Of Plenty (Woody Guthrie)
Railroad Bill (Traditional)
Will The Circle Be Unbroken (A P Carter)
Man Of Constant Sorrow (Traditional)
Pretty Polly (Traditional)
Railroad Boy (Traditional)
James Alley Blues (Richard Brown)
Bonnie, Why’d You Cut My Hair (Traditional)
This Land Is Your Land (Woody Guthrie)
Two Trains Running (McKinley Morganfield)
Wild Mountain Thyme (Traditional)
Disc two
Howdido (Woody Guthrie)
Car Car (Woody Guthrie)
Don’t You Push Me Down (Woody Guthrie)
Come See (Woody Guthrie)
I Want It Now (I Want My Milk) (Woody Guthrie)
San Francisco Bay Blues (Jesse Fuller)
A Long Time A-Growin’. (Traditional)
Devilish Mary (Bess Lomax Hawes)
Minnesota Hotel Tape: Dec 22 1961
Candy Man (Rev. Gary Davis arr. of trad. song)
Baby Please Don’t Go (Big Joe Williams) – Removed included on Highway 61 Interactive
Hard Times In New York Town (adapted*1) – Removed released on Bootleg Series 1-3 Rare and unreleased
Stealin’ (Memphis Jug Band arr. of trad. song)
Poor Lazarus (Traditional)
I Ain’t Got No Home (Woody Guthrie) – Removed included on Highway 61 Interactive
It’s Hard To Be Blind (adapte Rev Gary Davis)
Dink’s Song (John & Alan Lomax arr. of trad. song) – Removed released on Bootleg Series 7 No Direction Home
Man Of Constant Sorrow (Dylan arr. of trad. song)
East Orange (Assumed Dylan) – Removed included on Highway 61 Interactive
Disc three
Naomi Wise (Traditional)
Wade In The Water (Traditional) – Removed included on Highway 61 Interactive
I Was Young When I Left Home – Removed released on Bootleg Series 7 No Direction Home
In The Evening (Leroy Carr)
Baby Let Me Follow You Down (E.Von Schmidt)
Sally Gal (adapted*4)
Gospel Plow (Traditional)
Long John (Traditional)
Cocaine Blues (Rev. Gary Davis arr. of trad. song)
VD Blues (Woody Guthrie)
VD Waltz (Woody Guthrie)
VD City (Woody Guthrie)
VD Gunner’s Blues (Woody Guthrie)
See My Grave’s Kept Clean (Lemon Jefferson)
Ramblin’ Round (Woody Guthrie) – Removed possible inclusion on No Direction Home
Black Cross (Lord Buckley arr. of Joseph S. Newman)
Manufacturer / Catalog No.
Wanted Man WMM 033/034/035
Original CD – NCH Express Rip – Flac – md5summer
Artwork can be found here http://www.bobsboots.com/CDs/cd-m28.html
The December Tape was part of the 1st ever Bootleg released as a Double vinyl LP Great White Wonder back in 1969. A statement from Columbia Records at the time said:-
“We consider the release of this record as an abuse of the integrity of a great artist. By releasing material without the knowledge or approval of Bob Dylan or Columbia Records, the sellers of this record are crassly depriving a great artist of the opportunity to perfect his performance to the point where he believes in their integrity and validity. They are at one time defaming the artist and defrauding his admirers. For these reasons, Columbia Records in cooperation with Bob Dylan’s attorneys intends to take all legal steps to stop the distribution and sale of this album.” that achieved a lot!!!
The difference in performance in the young Bob in just the space of a few months is like chalk and cheese. The May tape shows a young man finding his feet in the music industry less confident and with a limited repertoire whilst the December Tape shows the transformation from a fresh faced kid with a guitar to a honed Folk Singer ready to startle the world.
The original torent wa s banned due to the inclusion of smapled tracks on Highway 61 Interactive the offending tracks have been removed and the info file checked by the “Dylan Mod” so hopefully thereb should be no problems with the torrent offending Dime rules.
Other than the 8 removed tracks I am not aware of any other tracks being released on official albums
This is a must have for any Dylan fan.
ENJOY
Bob Dylan
The Home Of Eve And Mac McKenzie
New York City, NY
The McKenzie Tapes
unknown [unbooted] generation > ? > CD [trade] > EAC > WAV > Soundforge 6.0 > CD Wave > FLAC
plus: master tapes [unbooted] > ? > “The Genuine Bootleg Series Vol.3” > ? > CD [trade] > WAV > Soundforge 6.0 > CD Wave > FLAC
CD 1
First McKenzie Tape [40:47.35]
November 23, 1961 [Thanksgiving] and possibly
December 4, 1961
01 Tuning [cuts @ 00:53] [00:58.10] %
02 Hard Times In New York Town [00:25.65] %
03 Wayfaring Stranger [00:43.61] %
04 (It Makes) A Long Time Man Feel Bad [00:32.59]
05 (I Heard That) Lonesome Whistle [02:59.69] %
06 Worried Blues [00:51.42] %
07 Baby Of Mine (?) [00:56.57] %
08 Instrumental [00:23.24] %
09 Baby, Let Me Follow You Down [02:14.06] %
10 Fixin’ To Die [01:59.55]
11 San Francisco Bay Blues [cuts @ 01:19] [01:49.69]
12 You’re No Good [01:21.06]
13 House Of The Risin’ Sun [06:30.02] %
14 Instrumental [01:46.39]
15 This Land Is Your Land [00:58.64]
16 Come All Ye Fair And Tender Ladies [02:04.44]
17 Katy Cline [02:09.19]
18 Bells Of Rhymney [03:03.59]
19 Instrumental Blues [01:07.06] %
20 Unknown [00:32.53] %
21 Highway 51 [04:14.21] %
22 This Land Is Your Land [cuts @ 00:03] [03:03.30]
CD 2
Second McKenzie Tape [46:55.43]
September 1962 and
April 18, 1963 [formerly dated April 12, 1963]
01 Instrumental [01:20.73]
02 See That My Grave Is Kept Clean [00:51.01]
03 Doodles & Conversation [cuts @ 00:57 & 02:12] [02:17.08] %
04 Ballad Of Donald White [06:01.14]
05 A Hard Rain’s A-Gonna Fall [06:51.30] %
06 Instrumental [01:39.48]
07 James Alley Blues [02:48.36]
08 I Rode Out One Morning [02:32.45] %
09 Instrumental [02:08.38]
10 Don’t Think Twice, It’s All Right (instrumental) [00:54.38]
11 Instrumental [02:33.38]
12 Long Time Gone [06:17.11]
13 Only A Hobo [cuts @ 02:01] [04:00.39]
14 House Of The Risin’ Sun [03:54.28]
15 Instrumental [01:53.32]
16 Cocaine Blues (instrumental) [00:51.14]
Bonus Tracks, taken from “The Genuine Bootleg Series, Vol.3”, known as “The Smith Tapes” [17:12.15]
GBS_01 Hard Times In New York Town [01:50.41] [longer version of d1t02, previously uncirculated]
GBS_02 The Death Of Emmett Till [04:11.20] [previously uncirculated, dated January 29, 1962]
GBS_03 See That My Grave Is Kept Clean [01:01.20] [same as d2t02]
GBS_04 Ballad Of Donald White [04:16.57] [same as d2t04]
GBS_05 I Rode Out One Morning [02:43.40] [same as d2t08]
GBS_06 House Of The Risin’ Sun [03:08.62] [same as d2t14]
Notes on the transfer and quality –
*I did not try to ‘improve’ the sound of these low-fidelity home recordings in any way from the CD of the ‘unedited’ version of the tapes.
*What I did do was trying to adjust the pitch, which is hard to do when the solo performer re-tunes his guitar all the time …
*I performed some minor edits in spots where there seemed to be an unnecessary cut in the original transfer to re-create the seamless flow.
*I re-tracked the whole thing, trying to reflect, but not necessarily sticking to, the existing tracklistings.
*”The low-quality tape was made surreptitiously in the early 70s and the original is of course not much better than the bootlegs”.
*The version of the McKenzie Tapes found on “I Was Young When I Left Home” is edited and missing several minutes. The sound may
be a bit easier on the ear. I have no idea what ‘enhancement’ was applied, but the tracks definitely have been processed in some way.
*The difference in quality between this tape and the six tracks from “The Smith Tapes” [Smith was an alias to hide the identity of the
McKenzies when the tapes first circulated, in the early 70s] is painfully big. It is almost incredible how good these sound,
additionally the original tapes seem to be in stereo. Let’s hope that we ALL get to hear the complete thing !!
Notes on the recording dates –
=First McKenzie Tape=
*tracks 01-15 – The November 23, 1961 date (Thanksgiving) has been confirmed,
amongst others by Eve McKenzie (The Telegraph #36, p.29-40).
*tracks 16-22 – The December 4, 1961 date was established by Michael Krogsgaard, though,
according to Clinton Heylin, A Life In Stolen Moments, p.24, “there is no evidence such a seesion took place”.
*GBS_01 and GBS_02 are dated January 29, 1962 in the sleeve notes of “The Genuine Bootleg Series, Vol.3″.
That date is backed by Heylin, A Life In Stolen Moments, p.26, nontheless ‘Hard Times In New York Town’ is
almost certainly the version that already circulated as fragment, dated November 23, 1961 !
*It could well be that both segments were recorded on that Thanksgiving dinner, surely the mood near the end of the first part
hints at the more collaborative efforts of part two. It’s not unlikely that ‘This Land Is Your Land’ was performed twice. Who knows …
*’The Death Of Emmett Till’ was clearly not written by November 1961, but rather in January 1962, so the January 29 date
seems as good as any other. If so, no other recordings from that date seem to circulate right now.
=Second McKenzie Tape=
*commonly, tracks 01-07 are dated September 1962 and the remainder April 12, 1963 (or April 18, see below) with ‘I Rode Out One Morning’
attributed to the second part. I do think, however, that ‘I Rode Out One Morning’ belongs to the first segment because to my ears,
01:55 to 02:10 of d2t03 has Dylan toying with the picking of the same song without adding vocals. I think it’s highly unlikely that the only two
existing fragments of the song were recorded months apart, both at the McKenzie’s home.
*It has long been assumed that the second part of the tape was recorded in the afternoon of April 12, 1963, just a couple of hours before his
important solo appearance in New York’s Town Hall. This seems to be highly unlikely, also in light of Columbia’s files, which mention
a 4:00 pm soundcheck at Town Hall. Indeed, Heylin (p.43) now gives April 18, 1963 as the probable date. Alas, no evidence is provided
with this information.
Notes on the musical content –
*some of the tracks named ‘instrumental’ are in fact doodles and endless tunings. Additionally, d2t10 and d2t16 are merely sketches of
‘Don’t Think Twice, It’s All Right’ and ‘Cocaine Blues’, respectively.
*Bj¯rner names d2t15 ‘Two Trains Runnin”, Dundas d2t15 ‘Still A Fool’ and d2t16 ‘Worried Blues’. I can’t hear any of this but I might me wrong.
*GBS_01 ‘Hard Times In New York Town’ is almost certainly the version that already circulated as fragment d1t02
*Until now, all reference books mention two versions of both ‘Katy Cline’ and ‘Bells Of Rhymney’ at the start of the second part
of the first tape. But a close listen revealed that these version are just fragments of the longer tracks d1t17 and d1t18. I think that ‘Katy Cline’
(Dundas) fits that track better than ‘Roll In My Sweet Baby’s Arms’ (Bj¯rner, Krogsgaard).
*d2t07 is sometimes referred to as ‘Times Ain’t What They Used To Be’ by Clarence ‘Tom’ Ashley. In fact, that is the first line of ‘James Alley
Blues’… Either way, this seems to have been an inspiration for his own ‘Mixed-Up Confusion’.
Bob Dylan
Acoustic Troubadour
Carnegie Chapter Hall
New York, NY
11.4.61
Pretty Peggy-O
In The Pines
Gospel Plow
1913 Massacre
Backwater Blues
Young But Daily Growin’
Fixin’ To Die