Miles Davis – St. Louis, MO (02/16-23/57)

Miles Davis
St. Louis, MO
February 16 & 23, 1957


Taken from the Bootleg CD: Miles Davis Quintet “Live in Saint Louis 1956”. Actually these shows aren’t from 1956, but from 1957. I checked it on the databases from “Miles Ahead” and ” Kind of Blue”.
Also checked if these shows were officially released. They aren’t, In that way also thanks to the Dime Mods.
I made the MD5 and this textfile and added the tracklist as it is on the CD. Track 1-6 & 13 come from the 1957-02-13 show and tracks 7-12 come from 1957-02-23.

Lineage: KSTL-AM radio broadcast > CD > EAC > FLAC
The info below is added from Peter Plosin’s “Miles Ahead”.

Title: Live in St. Louis 1956
Label: Jazz Factory JFCD 22879 (CD)
Number of Tracks: 13
Details: February 16, 1957; February 23, 1957

Note: Only tracks on which Davis is present (73:53) are displayed below.

1 Announcement [Spider Burks] [Feb 16, 1957] 0:41
2 Ah-Leu-Cha (C. Parker) [with introduction] [Feb 16, 1957] 5:53
3 A Foggy Day (G. Gershwin-I. Gershwin) [with introduction] [Feb 16, 1957] 5:19
4 All of You (C. Porter) [with introduction] [Feb 16, 1957] 6:35
5 Woody ‘n’ You (D. Gillespie) [with introduction] [Feb 16, 1957] 5:13
6 Walkin’ (R. Carpenter) [with introduction] [Feb 16, 1957] 7:27
7 Two Bass Hit (J. Lewis-D. Gillespie) [with introduction] [Feb 23, 1957] 5:16
8 Well, You Needn’t (T. Monk) [with introduction] [Feb 23, 1957] 7:39
9 Billy Boy (Traditional) [with introduction] [Feb 23, 1957] 4:23
10 All of You (C. Porter) [with introduction] [Feb 23, 1957] 11:02
11 Oleo (S. Rollins) [with introduction] [Feb 23, 1957] 6:07
12 Airegin – The Theme [with introduction] [Feb 23, 1957] 7:02
13 Announcement – The Theme [incomplete] [Feb 16, 1957] 1:16

February 16, 1957
Miles Davis (tpt); John Coltrane (ts); William “Red” Garland (p); Paul Chambers (b); Philly Joe Jones (d); Jesse “Spider” Burks (ann)

February 23, 1957
Miles Davis (tpt); John Coltrane (ts); William “Red” Garland (p); Paul Chambers (b); Philly Joe Jones (d); Jesse “Spider” Burks (ann)

Miles Davis – New York, NY (05/02-03/52)

Miles Davis And His All-Stars
Birdland
New York, NY
1952-05 (02-03)

Mega-rare restored LP – speed-corrected and rejoined – featuring Don Elliot on vibes – great stuff!

Another great one from the Boris Rose collection. This album is bebop played at such breakneck speed that you need repeated listening just in order to figure out what’s being played. Jazzdisco.org does not indicate another release for this date, so with fingers crossed, here we go again!

I’ve been asked who Boris Rose is. Was actually (1918-2000, RIP). He was a die-hard fan, recorder and collector mainly known for priceless unreleased early live jazz which he either taped off the radio or got handed the acetates pre-air as they were going out. He managed to worm his way into every environment during bebop’s golden age. He was also a consummate bootlegger, producing hundreds of bootleg LPs during the 1960’s to 1970’s of mostly country and jazz concerts. He was widely known for what he did, but was mostly tolerated rather than prosecuted. Most of his recordings do not exist in any other form. It was said (but I can’t verify) that the records he produced from his acetates were done prior to their beginning to deteriorate, and that they are the best representation of what he made available to the public.

A bit of a scoundrel in relation to his recordings, to create confusion he deliberately spread some concerts over different record labels (ie most of the recording would be on the Alto label, but some would also be on the Ozone label. This even though there was plenty of room to include the whole thing on one disc) almost never indicating where and when they were recorded.

As of a couple of years ago, his widow still owned all (over 10,000) live recordings and was trying to sell the collection (now in very fragile condition) without success.

This recording is also sourced from acetate, and the first portion appears to have been taped from off the air. The second portion may or may not be pre-air, it sure sounds good though. The entire set required major speed correction. I had some trouble to identify the song titles as the cover and label are both wrong. I now believe this to be the correct order:

Personnel:

Miles Davis tp
Jackie McLean as
Don Elliot vib, mel
Gil Coggins p
Connie Henry b
Connie Kay d

Setlist:

1952-05-03

Wee Dot
The Chase
It Could Happen To You
Out Of The Blue

1952-05-02

Out Of The Blue
Confirmation

Lineage: Ozone 8 LP ->Sound Forge ->click and crackle removal ->speed-correction (different for the two dates)->FLAC via TLH level 6, sectors aligned and verified, FLAC integrity checked.

Enjoy!

A DoinkerTape

Led Zeppelin – Los Angeles, CA (03/27/75)

Led Zeppelin
March 27, 1975
Los Angeles, CA
LA Forum

Deep Throat III
Recorded by Mike Millard

1 Introduction by Linda Lovelace
2 Rock And Roll
3 Sick Again
4 Over The Hills And Far Away
5 In My Time Of Dying
6 The Song Remains The Same
7 The Rain Song
8 Kashmir
9 Since I’ve Been Loving You

1 No Quarter
2 Trampled Underfoot
3 Moby Dick

1 Dazed And Confused
2 Stairway To Heaven
3 Whole Lotta Love
4 Black Dog

Derek & The Dominos – Santa Monica, CA (11/20/70)

Derek and the Dominos
“Stormy Monday”
Civic Auditorium
Santa Monica, California
November 20, 1970

Paddington Records – PADD 040/041/042

Disc 1:

  1. Got to Get Better in a Little While
  2. Key to the Highway
  3. Why Does Love Got to Be So Sad
  4. Blues Power
  5. Have You Ever Loved a Woman
  6. Tell the Truth
  7. All Night Long – Derek’s Boogie
  8. Let it Rain

Disc 2:

  1. Tuning
  2. Got to Get Better in a Little While
  3. Key to the Highway
  4. Why Does Love Got to Be So Sad

Disc 3:

  1. Tuning
  2. Blues Power
  3. Stormy Monday
  4. Tell the Truth
  5. Let it Rain
  6. Every Day I Have the Blues

Band Lineup:
Eric Clapton Guitar, Vocals
Carl Radle Bass
Jim Gordon Drums
Bobby Whitlock Keyboards, Vocals

Special Guests:

Delaney Bramlett on all songs, except “Everyday I have the blues”
Toe Fat on “Everyday I have the blues”

Derek & The Dominos – Berkeley, CA (11/18/70)

Derek and the Dominos
“EC Shuffle Blues”
Community Theatre
Berkeley, California
November 18, 1970

Buffalo Stomp (!) – BS-002-1DD – Aud 3 (Scale 1-6)

Track List:
1) Got to Get Better In a Little While
2) Blues Power / Have You Ever Loved a Woman?
3) Tell the Truth
4) Presence of the Lord
5) Why Does Love Got to Be So Sad?
6) Everyday I Have the Blues
7) Little Queenie / Sweet Little Rock and Roller (*)

Band Lineup:
Eric Clapton Guitar, Vocals
Carl Radle Bass
Jim Gordon Drums
Bobby Whitlock Keyboards, Vocals

Special Guest: (a 16-year-old) Neal Schon

(*) Bonus Track recorded at the Community Theatre, Berkeley, California, on November 19, 1970 (following evening).

(!) “Buffalo Stomp” is the ROIO label name, this should not be confused with the Clapton ROIO of the same name (Silver Horse – SH 8201 A/B)

Geetarz Comments:

Derek and the Dominos played two consecutive nights at the Community Theatre in Berkeley, California, and this recording represents the first of those two nights.

Sitting in with the band that night was a 16 year old Neal Schon. In a 1995 “Off the Record” (Westwood One) interview, this was Schon’s recollection:

“You know, I had been doing a lot of playing in San Francisco … I had lived in the Bay area … I didn’t have a driver’s license … so a good friend of mine, Jackie, that ended up working for Journey later, would come and pick me up on weekends and I’d go play on Broadway … I’d play at [Mike Bloomfield’s] club,and it became this thing, there was like, this ‘buzz’ in the city, about this kid [Schon].

I was in the studio with the Santana band, and we were just jamming, you know, getting high and jamming, and staying up until the wee hours of the morning, and just trying to create some music, and Eric Clapton walked in. You know, Eric Clapton at that time, was like, and before that time, had been like a god to me, a guitar hero, and he walked in and I didn’t even say ‘hello’, I was like so scared he was in the room … and we played all night, and without even saying goodbye to or anything to him he walked out, and I was just still like …in shock.

So I went home, went to sleep at some ungodly hour, got up at 3 or 4, went back to Wally Heider’s in San Francisco where we were rehearsing, and I had a message there waiting at the front desk, and it was from Clapton, and he was playing at the [Berkeley] Community Theatre there that night, and he invited me to play with him.

So, I didn’t have a car, I didn’t have a license … I can’t remember exactly who drove me there … I forget too many things these days, too many drugs (laughs) … but, she drove me, I remember she drove me over there, and I got there about 5 or 10 minutes before he went on stage, and he said “… I’ll go out
and play about two numbers, and then I’ll call you out on stage as a really good friend of mine, and you can stay up the whole rest of the night and play the whole set with me.

I said “yeah, okay … no problem”, because I knew all his songs, all his guitar solos, from record, note-for-note … I wasn’t scared to do it, because I knew all his material, like the back of my hand, I had studied it for so many years … I went on, and just ripped the place up, and he loved it.

He [Clapton] invited me back to his hotel later that evening, and basically was asking me ‘who do you listen to?’, and I said “well, I listen to YOU” and he said bleep, ‘I don’t believe it’, he didn’t believe it and there was this little acoustic guitar in his room, and I played him note-for-note ‘Live Crossroads’
or something, and he was like “I can’t believe that, you’ve taken it where I left it”.

And that’s still [like] the ultimate compliment for me at this point in my life, coming from any guitarist, and I’ll never forget that, a highlight of my life!”

Overall, this is an exceptional performance, and a worthwhile
listen for those intrepid enough to brave a fair to poor audience
recording. Once again I invoke Geetarz’ Law, which states “The best
performances are usually captured by the worst recordings, and
vicey versa”.

Lineage:

Silver > Mitsui Silver CD-R > LiteOn iHAP 322 > EAC v. 0.99 Prebeta 5
(Secure, Offset Correct) > You !

Derek & The Dominos – Nashville, TN (11/05/70)

Derek and the Dominos
November 5,1970
Ryman Auditorium
Nashville TN
“Blind Dominos” Liberated Boot
Johnny Cash TV Program

Lineage: Silver CD Studio Recording>eac>wav>flac

Comments: I’ve noticed a lot of D&The D’s showing up on
DIME lately so here’s my humble contribution. This version
is on the fabulous KOKO label. Catalog # 003 Carl Perkins
guests on Matchbox. Enjoy! Dearg Doom

Track List:

  1. It’s Too Late
    2.Got to Get Getter In A Little While
  2. Matchbox
  3. Matchbox
  4. Matchbox
  5. Blues Power

Band:

Bobby Whitlock : Keyboard, vocals
Jim Gordon: Drums
Carl Radle: Bass
Eric Clapton: Guitar, vocals

This is a doomed recording.

Info file View Info file (0.63 KB)
Visible No (dead)
Banned Yes
Category Rock
Last seeder Last activity 4d 00:23:47 ago
Size 180.54 MB (189,315,106 bytes)
Overall speed 0.00 KB/s
Added Fri 14th May, 2010 23:25 GMT
Views 340
Hits 104
Snatched 72 time(s)
Upped by DeargDoom

Torrent #303870 Derek and the Dominos November 5,1970 Nashville TN
“Blind Dominos” Liberated Boot
Torrent file Derek & The Dominos Nov 5, 1970 Nashville, TN.torrent
Downloads as Derek & The Dominos Nov 5, 1970 Nashville, TN
Info hash bcc4662c4415e0a5e5dc0b03658564c4d4cfc99c

Bob Dylan – Broken Days, Oh Mercy Outtakes

Bob Dylan
Broken Days – “Oh Mercy Outtakes”
Studio On The Move Recording studio
New Orleans, LA March 7-24, 1989

Manufacturer / Catalog No.
Tambourine Man / TMR 003

Lineage:silvers>EAC>Wav>Flac

Tracks:

Political World
Everything Is Broken (Broken Days)
Ring Them Bells
Ring Them Bells
Most Of The Time
Most Of The Time
What Was It You Wanted
Shooting Star
Shooting Star
God Knows
God Knows
Born In Time
Series Of Dreams
Series Of Dreams
Series Of Dreams
Dignity

Bruce Springsteen – Born in the USA Outtakes

Bruce Springsteen
Unsatisfied Heart – Remastered Born In The U.S.A. Outtakes
Label: Ev2
Format: 2CD
Source: Studio
Date: 1982 – April 1984
Location: The Hit Factory / The Power Station, New York City, NY

Disc 1:
01 Born In The U.S.A.
02 Murder Incorporated
03 Downbound Train
04 Glory Days
05 This Hard Land
06 My Love Will Not Let You Down
07 Johnny Bye Bye
08 Frankie
09 I’m Goin’ Down
10 Working On The Highway
11 I’m On Fire

b-sides:
12 Sugarland
13 Follow That Dream
14 Dont Back Down
15 One Love
16 Little Girl

Disc 2:
01 None But The Brave
02 Murder Incorporated #2
03 (Drop On Down And) Cover Me
04 Janey Don’t You Lose Heart
05 My Love Will Not Let You Down #2
06 Cynthia
07 Darlington County
08 Protection
09 TV Movie
10 County Fair

Solo:
11 Shut Out The Light
12 Richfield Whistle
13 Fugitives Dream
14 Delivery Man
15 The Klansman
16 Unsatisfied Heart

Disc One (1) details:

Recording details:

  • Track 11 recorded at The Hit Factory, Feb 1982.
  • Tracks 1,3,4 recorded at The Hit Factory, March or April 1982.
  • Track 2 recorded at The Power Station, April or May 1982.
  • Track 10 recorded at The Hit Factory, April 1982.
  • Track 5 recorded at The Hit Factory, May 11, 1982.
  • Track 8 recorded at The Hit Factory, May 14, 1982.
  • Track 6 recorded at The Hit Factory, May 5, 1982.
  • Track 9 recorded at The Power Station, November 9th 1983.
  • Track 13 recorded at Thrill Hill West, LA, CA, January 30, 1983.
  • Track 14 recorded at Thrill Hill West, LA, CA, January 4, 1983.
  • Tracks 7,12,15,16 recorded at Thrill Hill West, mid Jan to mid Feb 1983.

Source details:

  • Tracks 1,2,3,4,5,6,8,10,11 from ‘This Hard Land’, BS2002
  • Tracks 9,12 from ‘Lost Masters XIX’, LOVE 019
  • Tracks 7,17 from ‘Lost Masters XVII’, LOVE 017
  • Tracks 14,15,16 from ‘Lost Masters XVI’, LOVE 016

Track descriptions:
01 Contains a different Springsteen vocal overdub and a very long, extended jam ending.
02 This track has the original Van Zandt background vocals.
03 Slighly different version / mix.
04 Unedited, contains an entire extra verse (about Bruceís dad) that was cut from the officially released version.
05 One of his finest studio performances. For some bizarre reason Springsteen & The E Street Band re-recorded the
song in 1995 and released that re-recording on ‘Greatest Hits’ ñ but it pales in comparison to this original.
06 Different mix than on the one released on ‘Tracks’.
07 Bruce borrowed the first two lines from Chuck Berryís song ìBye Bye Johnnyî (as well as the play on the title),
which is why itís registered as a Springsteen-Berry composition.
08 Originally recorded for “Darkness”, and recorded again here, this was considered for the ‘Greatest Hits’ collection but was finally dropped.
09 Full, unedited version that includes lyric changes and the complete raucous ending. This track runs nearly a full 1:30 longer than the released version.
10 Slighly different version / mix.
11 A bit longer version.
12 Beautiful keyboards by Danny and Roy augment some fine acoustic guitar playing by Bruce.
13 Presented in best-ever quality, this unreleased gem far eclipses any current circulated versions.
14 Unreleased studio outtake.
15 Wonderful tune with a killer chorus – note the bass line similar to the Human Touch B-side ’30 Days Out’
16 Short but energetic rocker.

‘Thrill Hill West’ is Springsteenís home studio in Los Angeles (aka ‘Hollywood Hills Garage Studio’)
Most band tracks are E Street Band backing versions from so-called ìelectric Nebraska sessionî

Disc Two (2) details:

Recording details:

  • Track 1 recorded at The Hit Factory, from the April-June 1983 sessions.
  • Track 3 PROBABLY recorded at The Hit Factory during Jan or early Feb 1982. May be from later.
  • Track 2 recorded at The Power Station, April or May 1982.
  • Track 4 recorded at The Hit Factory, June 16, 1983
  • Track 5 recorded at The Hit Factory, May 5, 1982.
  • Track 6 recorded at The Hit Factory, April 20, 1983.
  • Track 7 recorded at The Power Station during April or May 1982.
  • Track 8 recorded at The Hit Factory, Feb 1982.
  • Track 9 recorded at The Hit Factory, June 13, 1983.
  • Track 10 recorded at The Hit Factory, April or May 1983.
  • Tracks 11,13 recorded at Thrill Hill West, August 1982 through April 1983.
  • Tracks 12,14,16 recorded at Thrill Hill West, January through May 1983.
  • Track 15 recorded at Thrill Hill West, January 4, 1983.

Source details:

  • Tracks 1,2,3,4,5,6 from ‘Murder Incorporated’, FR03
  • Track 7 from ‘This Hard Land’, BS2002
  • Tracks 9,10 from ‘Lost Masters XIX’, LOVE 019
  • Tracks 14,16, from ‘Lost Masters XVII’, LOVE 017
  • Track 12 from ‘Lost Masters XVIII’, LOVE 018
  • Tracks 15,11,13 from ‘Lost Masters XVI’, LOVE 016
  • Track 8 from ‘Lost Masters IV’, LOVE 004

Track descriptions:
01 The original mix without the new (90’s) vocal track or the overdubbed second guitar on ‘The Essential BS’. One of my favourite tracks, too bad the sound quality is what it is.
02 Different mix permutation of the same core recording as #1.
03 Completely different recording than the released ‘Cover Me’ done in a dramatically different arrangement.
This may actually date from a later period in the sessions than the original ‘Cover Me’.
04 Same core recording as on ‘Tracks’, but has a much longer fade out (very nice) and features Steve Van Zandt on background vocals and guitar.
05 Different mix permutation of the same core recording as #1.
06 Different mix than on the one released on ‘Tracks’.
07 Includes slightly different lyrics and an alternate beginning and ending.
08 This song was given to Donna Summer, who was recording an album at the time at the same studio.
Summerís cover version (with Springsteen on guitar) was recorded in March 1982 (released Aug 82).
Bruce and Donna also recorded a duet vocal version at her sessions ñ it remains uncirculating.
09 Original mix with the saxophone track (deleted on ‘Tracks’).
10 Features Ruth Jackson on background vocals. Possibly recorded at the same session as ‘My Hometown’ (which also features Jackson).
11 By far the definitive version of this song ñ contains an additional, important lyric verse that has been cut from all the other versions.
12 Brilliant song that developed from a 1981-82 work-in-progress composition called ‘James Lincoln Dear’
13 Unreleased studio outtake.
14 Unreleased studio outtake.
15 Compelling song. Features a dark, brooding beat that mirrors the disturbing nature of the lyrics. A nice vocal performance here and we’re left wondering what possessed him to write this one.
16 Add this to the ever expanding list of Bruce’s greatest unreleased songs. A man surveys his life and wonders if he can ever escape the demons of his past.

  • ‘Thrill Hill West’ is Springsteenís home studio in Los Angeles (aka ‘Hollywood Hills Garage Studio’).
  • Most band tracks are E Street Band backing versions from so-called ìelectric Nebraska sessionî

OK, so I had already done the ‘Born To Run’, ‘Darkness’ & ‘The River’ outtakes, most BITUSA outtake bootlegs only have 1cd
and don’t include as many different tracks as I’d like to. So I just tried to add all important tracks to the same boot.
I know, not every outtake is included and that wasn’t my intention either.

The first disc is supposed to be the original track listing of ‘Murder Incorporated’, the never-released 1983 album which was
(as you can see/hear) a lot darker than ‘Born In The U.S.A.’ Also included are the 5 b-sides Bruce had intended to use. (SEE BELOW)

When burning this compilation, make sure you burn it DAO – without the 2 seconds gaps between each track.

Big thanks to a few people on SPL (reidneile, jumpstone) – I hope you all enjoy this.
This one’s dedicated to ‘richr’ and all his friends over at ‘Thunder Road’.

Thanks to brucebase & theboots.net for some of the song descriptions.

By July 1983 Springsteen was in the final stages of mixing and track selection for the album. There was talk of a pre-Christmas release.
There was certainly no shortage of outstanding material to pick from. A document exists from mid 1983 revealing Springsteenís selection for the BITUSA album,
as well his selections for b-sides. It was as follows:

BORN IN THE USA
MURDER INCORPORATED
DOWNBOUND TRAIN
GLORY DAYS
THIS HARD LAND
MY LOVE WILL NOT LET YOU DOWN
JOHNNY BYE BYE
FRANKIE
IíM GOIN DOWN
WORKING ON THE HIGHWAY
IíM ON FIRE
b-side / SUGARLAND
b-side / FOLLOW THAT DREAM
b-side / DONíT BACK DOWN
b-side / ONE LOVE
b-side / LITTLE GIRL LIKE YOU

Bob Dylan – I Was So Much Younger Then, 1958-1965

BOB DYLAN
I Was So Much Younger Then

The earliest and least known recordings
Scouser Sounds production

Rarities:
Indian Neck Folk Festival (CD4),
First McKenzie Tape (CD3),

CD 1 – Ten Million In A Week:
John Bucklen Tape:

  1. Friendship Music
  2. Little Richard
  3. Johnny Cash
  4. A Good Place To Leave
  5. Best Kind Of Music
  6. Talent Show / Buzz Buzz Buzz
  7. Jenny / Ten Million In A Week
  8. Scotty Moore
  9. Blue Moon
  10. Elvis Presley
  11. Bass Player 
  12. Echo
  13. Underground Folk Music
  14. Bob Dillon
    Minnesota Party Tape:
  15. Red Rosey Bush
  16. Johnny I Hardly Knew You
  17. Jesus Christ
  18. Streets Of Glory
  19. KC Moan
  20. Blue Yodel #8 
  21. Roving Gambler
  22. Talking Columbia
  23. Talking Merchant Marine
  24. Talking Hugh Brown
  25. Talking Lobbyist
    Gerdes Folk City:
  26. San Francisco Bay Blues
  27. Great Divide
    Billy James interview excerpts:
  28. Interview
    Cynthia Gooding’s Apartment Tape:
  29. Ballad Of Donald White
  30. Chatter
  31. Wichita (Going To Louisiana)
  32. Chatter
  33. Acne
  34. Chatter
  35. Rocks And Gravel
  36. Long Time Man Feel Bad
  37. Ranger’s Command
    Madhouse On Castle Street:
  38. Blowin’ In The Wind
  39. Ballad Of The Gliding Swan

CD 2 – Ten Thousand For A Tape:
Karen Wallace Tapes:

  1. The Two Sisters
  2. Rising Sun Comment
  3. Pastures Of Plenty
  4. Blue Yodel #8 (Muleskinner Blues)
  5. Payday At Coal Creek
  6. Karen Wallace
    Karen Wallace Tape Excerpts:
  7. One Eyed Jacks
  8. Go Down You Murderers
  9. This Land Is Your Land
  10. Rockabye My Sara Jane
  11. Nobody Knows You …
  12. Great Historical Bum
  13. Mary Ann
  14. Sinner Man
  15. Abner Young
  16. Blue Yodel #8 (Muleskinner Blues)
  17. One Eyed Jacks
  18. Columbus Stockade Blues
  19. Go Down You Murderers / This Land Is Your Land
    Karen Wallace Armpit Tape:
  20. Gotta Travel On
  21. Roving Gambler
  22. The Two Sisters
  23. Go Away From My Window
  24. Rockabye My Sara Jane
  25. Nobody Knows You…
  26. Great Historical Bum
  27. Mary Ann
  28. Every Night When The Sun Goes Down
  29. Sinner Man
  30. Abner Young
  31. 900 Miles
  32. Blue Yodel #8 (Muleskinner Blues)
  33. One Eyed Jacks
  34. Columbus Stockade Blues
  35. Payday At Coal Creek
  36. Interview with Karen and Terri Wallace

CD 3 – Do It The Old Way:
First McKenzie Tape:

  1. Hard Times In New York Town
  2. Wayfaring Stranger
  3. Long Time Man Feel Bad
  4. Baby Of Mine
  5. Baby Let Me Follow You Down
  6. San Francisco Bay Blues
  7. You’re No Good
  8. House Of The Rising Sun
  9. instrumental
  10. Rollin’ In My Sweet Baby’s Arms / Bells Of Rhymney
  11. Come All Ye Fair And Tender Ladies
  12. Rollin’ In My Sweet Baby’s Arms
  13. Bells Of Rhymney
  14. Highway 51
  15. This Land Is Your Land
    Second McKenzie Tape:
  16. Instrumental
  17. See That My Grave Is Kept Clean
  18. Ballad Of Donald White
  19. Hard Rain
  20. James Alley Blues
  21. I Rode Out One Morning
  22. instrumental
  23. Don’t Think Twice It’s All Right
  24. instrumental
  25. Long Time Gone
  26. Only A Hobo
  27. House Of The Rising Sun
  28. Cocaine

CD 4 – Columbia Discovered:
Indian Neck Folk Festival:

  1. Talking Columbia
  2. Hangknot Slipknot
  3. Talking Fish Blues
    Oscar Brand’s Folk Song Festival:
  4. Sally Gal
  5. Girl I Left Behind
    Oscar Brand Show:
  6. Intro
  7. Girl Of The North Country
  8. Only A Hobo
    Steve Allen TV show:
  9. Intro/ Interview
  10. Lonesome Death Of Hattie Carroll
    Les Crane Show:
  11. Intro
  12. It’s All Over Now Baby Blue
  13. Interview
  14. It’s Alright Ma (I’m Only Bleeding)

1-1 to 1-14: John Bucklen Tapes, Hibbing, MN – c.1958
1-15 to 1-25: Minnesota Party Tape, Minneapolis – September 1960
1-26, 1-27: Gerdes Folk City, NY – September 29th 1961
1-28: Billy James Interview, NY – November 1961
1-29 to 1-37: Cynthia Gooding, NY – Spring 1962
1-38, 1-39: Mad House On Castle Street, BBC – December 30th 1962
2-1 to 2-36: Karen Wallace Tapes, St. Paul, MN – May 1960
3-1 to 3-15: First MacKenzie Tape (edited), November 23rd & December 4th 1961
3-16 to 3-28: Second MacKenzie Tape, April 12th 1963
4-1 to 4-3: Indian Neck Folk Festival, Branford, CT, May 6th 1961
4-4, 4-5: Oscar Brand’s Folksong Festival, October 29th 1961
4-6 to 4-8: Oscar Brand’s World Of Folk Music, March 1963
4-9, 4-10: Steve Allen Show, February 23rd 1964
4-11 to 4-14: Les Crane Show, February 17th 1965

Bob Dylan – Hollow Horn Performing Artist Series, Vol. 1

Bob Dylan
Hollow Horn Performing Artist Series-Vol 1
1958-1962-Ten Million In A Week.

silver CD-Eac-Wav-Flac.

There really isn’t much to say about the quality of this Hollow Horn release as they always seem to produce the best they can do with the resources available. As you would expect, from the age of the source tapes there are hiss and blemishes. This first volume of seven, covers the early years from 1958-1962 of the young master, at grassroots, plying his trade. This is for the diehard fans….

Disc-1.
Zimmerman Home Tape-1958.

01-Hey Little Richard.
02-Buzz Buzz Buzz.
03-Jenny Jenny.
04-We Belong Together.

Wallace Apartment Tape-May 1960.

05-Nobody Knows You.
06-The Great Historical Bum.
07-Mary Ann.
08-Sinner Man.
09-Abner Young.
10-Muleskinner Blues-Blues Yodel Number 8.
11-One Eyed Jacks.
12-Columbus Stockade Blues.
13-Go Down Ye Murderers.
14-This Land Is Your Land.
15-Rockabye My Sara Jane.

Dylan Apartment Tape-September-1960.

16-Red Rosey Bush.
17-Johnny I Hardly Knew You.
18-Jesus Christ.
19-Streets Of Glory.
20-KC Moan.
21-Muleskinner Blues.
22-I’m A Gambler.
23-Talkin’ Columbia.
24-Talkin’ Merchant Marine.
25-Talkin’ Hugh Brown.
26-Talkin’ Inflation Blues.

Gleason Home Tape-February-1961.

34-Southern Cannonball.
35-Bring Me Back My Blue Eyed Boy.
36-Remember Me.
27-San Francisco Bay Blues.
28-Jesus Met The Woman At The Well.
29-Gypsy Davey.
30-Pastures Of Plenty.
31-Trail Of The Buffalo-Buffalo Skinners.
32-Jesse James.
33-Riding In My Car.
34-Southern Cannonball.
35-Bring Me back My Blue Eyed Boy.
36-Remember Me.

Gooding Apartment Tape-Mar-1962.

37-Ballad Of Donald White.
38-Wichita.
39-Acne.
40-Rocks And Gravel.
41-(It Makes A) Long Time Man Feel Bad.
42-Ranger’s Command.

Disc-2.
Beecher Apartment tape-May-1961.

01-Ramblin’ Round.
02-Death Don’t Have No Mercy.
03-It’s Hard To Be Blind.
04-This Train Is Bound For Glory.
05-Harmonica Solo.
06-Talkin’ Fish Blues.
07-Pastures Of Plenty
08-This Land Is Your Land.
09-Two Trains Running-Still A Fool.
10-Wild Mountain Thyme.
11-Howdido.
12-Riding In My Car.
13-Don’t You Push Me Down.
14-Come See.
15-Want It Now.
16-San Francisco Bay Blues.
17-Young But Daily Growing.
18-Devilish Mary.
19-Railroad Bill.
20-Will The Circle Be Unbroken?.
21-Man Of Constant Sorrow.
22-Pretty Polly
23-The Butcher Boy-Died For Love.
24-James Alley Blues.
25-Why’d You Cut My Hair?.