Tag: Bootlegs

The Rolling Stones – Los Angeles, CA (01/18/73)

Rolling Stones
We All Benefit, Nicaraguan Benefit
LA Forum
Los Angeles, CA
Jan. 18, 1973

Brown Sugar
Bitch
Rocks Off
Gimme Shelter
Route 66
Itís All Over Now
Happy
Tumbling Dice
No Expectations
Sweet Virginia
You Canít Always Get What You Want
Dead Flowers
Stray Cat Blues
Live with Me
All Down the Line
Rip This Joint
Jumping Jack Flash
Street Fighting Man (incomplete)

From the original uploader:
Good for its time audience recording. For some reason, Rip This Joint mentioned in artwork is not included in this version
So of course, artwork is included
CDR>HD via EAC, FLAC, level 5

Van Morrison – Beautiful Vision Outtakes

VAN MORRISON
Beautiful Vision Outtakes

01. Scandinavia
02. Daring Night
03. Daring Night II
04. Cleaning Windows
05. Down The Road I Go
06. Celtic Ray
07. All Saints Day
08. Instrumental
09. Cleaning Windows [dirty old man version]

SOURCE: Studio
LINEAGE: unknown > CD-R (trade) > EAC wav > Trader’s Little Helper flac level 8 > Dime

NOTES:
Some sources give the date/location of these recordings as July 27, 1981 The Record Plant, Sausalito, California.

According to many VM and Dire Straits collectors Mark Knopfler plays on at least one of these tracks. Don’t know if this has been 100 % confirmed though.

Various Artists – New York, NY (05/09/74) “Friends of Chile Benefit Concert”

Various Artists
“Friends of Chile” benefit concert
Felt Forum at Madison Square Garden
New York, NY
9 May 1974

1 Introduction: Phil Ochs
2 Guantanamera: Pete Seeger, Arlo Guthrie
3 Estadio Chile: Pete Seeger
4 Oh Mary Don’t You Weep: Pete Seeger, Arlo Guthrie
5 He Was A Friend Of Mine: Dave van Ronk
6 Kipling recitation: Dennis Hopper
7 Try Me One More Time: Arlo Guthrie
8 Deportees (Plane Wreck At Los Gatos): Arlo Guthrie
9 Presidential Rag: Arlo Guthrie
10 California Girls: Mike Love, Dennis Wilson – Not Included
11 Ring The Living Bell: Melanie
12 My Rainbow Race: Melanie
13 Victor Jara -poem by Adrian Mitchell: Arlo Guthrie
14 I Remember Yolanda: Victor Jara on tape: Joan Jara
15 Allende’s Last Speech: Dennis Hopper
1 Deportee: Arlo Guthrie, Bob Dylan
2 Pablo Neruda poem: Dennis Hopper
3 North Country Blues: Bob Dylan
4 Spanish Is The Loving Tongue: Bob Dylan
5 Blowin’ In The Wind: ensemble

LB-5094

This sometimes circulates with a last track artifact, probably Larry Estridge
singing “Change in the Weather”, from a concert on 26 February 1974.

Thanks to Steve S., the taper.
Thanks to Godfrey S. for the setlist help.

Bob Dylan – Philadelphia, PA (01/06/74)

Bob Dylan & The Band
The Spectrum
Philadelphia, Pennsylvania
6th January 1974 [Afternoon show]

01. Ballad Of Hollis Brown
02. Lay Lady Lay
03. Just Like Tom Thumb’s Blues
04. It Ain’t Me Babe
05. Tough Mama
06. Ballad Of A Thin Man

07. Stage Fright (the Band)
08. The Night they Drove Old Dixie Down (the Band)
09. King Harvest (has surely come)(the Band)
10. Long Black Veil (the Band)
11. I shall be released (the Band)
12. Up on Cripple Creek (the Band)

13. All Along The Watchtower
14. Leopard-Skin Pill-Box Hat
15. Knockin’ On Heaven’s Door

01. To Ramona – (solo)
02. Mama, You Been On My Mind – (solo)
03. The Lonesome Death of Hattie Carroll – (solo)
04. Nobody ‘Cept You  – (solo)
05. It’s Alright Ma (I’m Only Bleeding) ñ (solo)

06. Rag Mama Rag (the Band)
07. When you Awake (the Band)
08. The Shape I’m in (the Band)
09. The Weight (the Band)

10. I Don’t Believe You (She Acts Like We Never Have Met)
11. Forever Young
12. Something There Is About You
13. Like A Rolling Stone
14. Most Likely You Go Your Way (And I’ll Go Mine)

Source 1:
LB-9309
Lineage: Master tape > CD > EAC > CoolEdit 2000 > minimal NR > Flac

LosslessBob entry: LB-2638. very good to excellent sound [B+]; almost nothing above 10k >

Fix of LB-2637: WAV > Wave Repair 4.9.3 to fix very minor index clicks between some tracks and remove leading/trailing digital silences. DFF flaws on begining disc 1 tracks 2,9 and 10 are mic bumps > FLAC, sector align

Source 2:

LB-2368

Lineage: <> Master tape > CD > EAC > CoolEdit 2000 > minimal NR > Flac. The 2nd Band set is from a different tape.

FFP matches Disc one of LosslessBob LB-2638 described as “very good sound [B]”. Some filesets circulated without The Band’s second set. As indicated on LB-2638, md5 and ffp for disc 2 have 10 tracks [minus The Band’s second set] and not 14 [with The Band’s second set]. This version iincludes The Band’s second set.

Fix: WAV > Wave Repair 4.9.3 removed leading/trailing digital silences begnining and end of CDs. Fixed minor index clicks on Disc 2. Flaws reported on DFF on d1t8 are mic bumps. Those reported for d2t5 is noise [possibly venue] > FLAC, sector align.

Source 3:

LB-9314

Lineage: <> Master tape > CD > EAC > CoolEdit 2000 > minimal NR > Flac. The 2nd Band set is from a different tape.

FFP matches Disc one of LosslessBob LB-2638 described as “very good sound [B]”. Some filesets circulated without The Band’s second set. As indicated on LB-2638, md5 and ffp for disc 2 have 10 tracks [minus The Band’s second set] and not 14 [with The Band’s second set]. This version iincludes The Band’s second set.

Fix: WAV > Wave Repair 4.9.3 removed leading/trailing digital silences begnining and end of CDs. Fixed minor index clicks on Disc 2. Flaws reported on DFF on d1t8 are mic bumps. Those reported for d2t5 is noise [possibly venue] > FLAC, sector align.

Bruce Springsteen – Asbury Park, NJ (11/26/96)

Bruce Springsteen
11/26/96
Paramount Theater
Asbury Park, NJ

Set I
For You
Saint In The City
Atlantic City
Straight Time
Tougher Than The Rest
Darkness On The Edge Of Town
Johnny 99
All That Heaven Will Allow
Wild Billy’s Circus Story
Red-Headed Woman
Two Hearts
When You’re Alone
Shut Out The Light
Born In The U.S.A.
The Ghost Of Tom Joad
Sinaloa Cowboys
The Line
Racing In The Street
Across The Border

Set II

I Don’t Wanna Go Home
Spirit in the Night
Rosalita

Set III
This Hard Land
4th Of July Asbury Park (Sandy)

Comment
Audience tape – Released on “Asbury Park Night” (Crystal Cat), with bonus tracks from Nov/Dec, Benefit for Women’s Center of Monmouth County and the Asbury Park Fire Department. “For You”, “This Hard Land” with Danny Federicci., “Tougher Than The Rest”, “Two Hearts”, “When You’re Alone” with Soozie and Patti, “All That Heaven Will Allow” with Richard Blackwell, “Wild Billy’s Circus Story” with Danny F. and Soozie, “Shut Out The Light” with Danny F., Patti, and Soozie, “I Don’t Wanna Go Home” with Danny F., Soozie, R. Blackwell and Little Steven, “Spirit in the Night” with Patti, Soozie, R. Blackwell, Little Steven, Vini Lopez, Danny G

Bruce Springsteen – Asbury Park, NJ (04/10/05)

Bruce Springsteen With Bobby Bandiera’s Band
Rumson Country Day School Benefit
Stone Pony, Asbury Park, NJ
April 10, 2005

01 The Fever (with Southside Johnny)
02 I Don’t Wanna Go Home (with Southside Johnny)
03 Toast to Mr. Good(e)
04 Darlington County
05 Seaside Bar Song
06 Bad Moon Risin’
07 Stand On It
08 Shake (with Southside Johnny)
09 Raffle
10 If I Should Fall Behind
11 10th Avenue Freezeout
12 Joining the band
13 Twist and Shout (with a cast of dozens, including Southside Johnny)

*** Soundboard sourced ***
CDR –> EAC –> Re-tracked in Adobe Audition –> FLAC Frontend

Bob Dylan & Mark Knopfler – The Complete Recording Sessions 1979-1986

Bob Dylan & Mark Knopfler
The Complete Recording Sessions 1979-1986
Compilation Soundboard/Audience

LB-11559

DISC ONE (the outtakes):
1. Trouble in Mind 4.51
2. Ye Shall Be changed 4.09
3. Blind Willie McTell (acoustic version) 5.53
4. Someone’s Got A Hold Of My Heart 4.33
5. Tell Me 4.25
6. Lord Protect My Child 3.57
7. Foot of Pride 5.58
8. Death Is Not The End 5.10
9. Julius And Ethel 4.47
10. This Was My Love 4.09
11. Blind Willie McTell (electric version) 4.56
12. Angel Flying Too Close 4.46
13. Straight A’s In Love 2.23
14. Clean Cut Kid 6.49
15. Don’t Fly Unless It’s Safe 3.16
16. Dark Groove 2.48
17. Trouble in Mind 4.16

Total time: 77:08

Track #1: This is the uncut version with an extra verse.
Perfect sound quality. Never officially released.
Track #2-8: Perfect sound quality.
Track #9-11: The sound quality varies. Never officially released.
Track #12 b-side.
Track #13-16: The sound quality varies. Never officially released.
Track #17: b-side. Same recording as track #1 but with one verse cut.

DISC TWO (the alternative versions):
1. Jokerman 6.22
2. Sweetheart Like You 4.15
3. Neighbourhood Bully 4.38
4. License To Kill 3.31
5. Man Of Peace 6.35
6. Union Sundown 5.06
7. I and I 4.30
8. Don’t Fall Apart On Me Tonight 5.48
9. Foot Of Pride (version #2) 6.01
10. Someone’s Gotta Hold of My Heart (version #2) 5.05
11. Tell Me (version #2) 4.35
12. Lord Protect My child (version #2) 4.41
13. Death Is Not The End (version #2) 5.02
14. Angel Flying Too Close (version #2) 4.06
15. This Was My Love (version #2) 3.46
16. Julius and Ethel 4.41

Total time: 78:53

Tracks #1-8: Alternative versions of the Infidels songs.
Tracks #9-15: Alternative versions of outtakes.
Track #16: Mono version, same take as the other one. The lead
guitar has almost disapeared.
All tracks; Never released officially. Sound quality varies.

DISC THREE (rehearsels and live):
1. I and I (version #2) 5.00
2. Sweetheart Like You (version #2) 4.08
3. Union Sundown (version #2) 6.49
4. Sweetheart rehearsals 28.14
5. Blowin’ In the Wind 5.55
6. Rock ‘Em Dead 4.43
7. Knocking On Heavens Door 3.50
8. All Along The Watchtower 4.37
9. Leopardskin Pillbox Hat 4.24
10. License To Kill 4.48
11. Knocking On Heaven’s Door 5.32

Total time: 78:03

Tracks #1-3: Alternative versions. Sound quality varies.
Track #4: Sweetheart Like You rehearsals. Alternative takes,
talking, improvisations. Sound quality varies.
Track #5-7: Mark Knopfler joining Bob Dylan at a concert in
Sydney, Australia, February 10, 1986. The backing band is
Tom Petty & The Heartbreakers. Poor sound.
Track #8-11: Dylan joining Dire Straits at a concert in
Melbourne, Australia, February 19, 1986. Poor sound.

Bruce Springsteen – Unsatisfied Heart – Remastered Born in the U.S.A. Outtakes

Bruce Springsteen
Unsatisfied Heart – Remastered Born In The U.S.A. Outtakes
Ev2
1982 – April 1984
The Hit Factory / The Power Station, New York City, NY

Disc 1:
01 Born In The U.S.A.
02 Murder Incorporated
03 Downbound Train
04 Glory Days
05 This Hard Land
06 My Love Will Not Let You Down
07 Johnny Bye Bye
08 Frankie
09 I’m Goin’ Down
10 Working On The Highway
11 I’m On Fire

b-sides:
12 Sugarland
13 Follow That Dream
14 Dont Back Down
15 One Love
16 Little Girl

Disc 2:
01 None But The Brave
02 Murder Incorporated #2
03 (Drop On Down And) Cover Me
04 Janey Don’t You Lose Heart
05 My Love Will Not Let You Down #2
06 Cynthia
07 Darlington County
08 Protection
09 TV Movie
10 County Fair

Solo:
11 Shut Out The Light
12 Richfield Whistle
13 Fugitives Dream
14 Delivery Man
15 The Klansman
16 Unsatisfied Heart

Disc One (1) details:

Recording details:
– Track 11 recorded at The Hit Factory, Feb 1982.
– Tracks 1,3,4 recorded at The Hit Factory, March or April 1982.
– Track 2 recorded at The Power Station, April or May 1982.
– Track 10 recorded at The Hit Factory, April 1982.
– Track 5 recorded at The Hit Factory, May 11, 1982.
– Track 8 recorded at The Hit Factory, May 14, 1982.
– Track 6 recorded at The Hit Factory, May 5, 1982.
– Track 9 recorded at The Power Station, November 9th 1983.
– Track 13 recorded at Thrill Hill West, LA, CA, January 30, 1983.
– Track 14 recorded at Thrill Hill West, LA, CA, January 4, 1983.
– Tracks 7,12,15,16 recorded at Thrill Hill West, mid Jan to mid Feb 1983.

Source details:
– Tracks 1,2,3,4,5,6,8,10,11 from ‘This Hard Land’, BS2002
– Tracks 9,12 from ‘Lost Masters XIX’, LOVE 019
– Tracks 7,17 from ‘Lost Masters XVII’, LOVE 017
– Tracks 14,15,16 from ‘Lost Masters XVI’, LOVE 016

Track descriptions:
01 Contains a different Springsteen vocal overdub and a very long, extended jam ending.
02 This track has the original Van Zandt background vocals.
03 Slighly different version / mix.
04 Unedited, contains an entire extra verse (about Bruceís dad) that was cut from the officially released version.
05 One of his finest studio performances. For some bizarre reason Springsteen & The E Street Band re-recorded the
song in 1995 and released that re-recording on ‘Greatest Hits’ ñ but it pales in comparison to this original.
06 Different mix than on the one released on ‘Tracks’.
07 Bruce borrowed the first two lines from Chuck Berryís song ìBye Bye Johnnyî (as well as the play on the title),
which is why itís registered as a Springsteen-Berry composition.
08 Originally recorded for “Darkness”, and recorded again here, this was considered for the ‘Greatest Hits’ collection but was finally dropped.
09 Full, unedited version that includes lyric changes and the complete raucous ending. This track runs nearly a full 1:30 longer than the released version.
10 Slighly different version / mix.
11 A bit longer version.
12 Beautiful keyboards by Danny and Roy augment some fine acoustic guitar playing by Bruce.
13 Presented in best-ever quality, this unreleased gem far eclipses any current circulated versions.
14 Unreleased studio outtake.
15 Wonderful tune with a killer chorus – note the bass line similar to the Human Touch B-side ’30 Days Out’
16 Short but energetic rocker.

* ‘Thrill Hill West’ is Springsteenís home studio in Los Angeles (aka ‘Hollywood Hills Garage Studio’).
* Most band tracks are E Street Band backing versions from so-called ìelectric Nebraska sessionî
—

Disc Two (2) details:

Recording details:
– Track 1 recorded at The Hit Factory, from the April-June 1983 sessions.
– Track 3 PROBABLY recorded at The Hit Factory during Jan or early Feb 1982. May be from later.
– Track 2 recorded at The Power Station, April or May 1982.
– Track 4 recorded at The Hit Factory, June 16, 1983
– Track 5 recorded at The Hit Factory, May 5, 1982.
– Track 6 recorded at The Hit Factory, April 20, 1983.
– Track 7 recorded at The Power Station during April or May 1982.
– Track 8 recorded at The Hit Factory, Feb 1982.
– Track 9 recorded at The Hit Factory, June 13, 1983.
– Track 10 recorded at The Hit Factory, April or May 1983.
– Tracks 11,13 recorded at Thrill Hill West, August 1982 through April 1983.
– Tracks 12,14,16 recorded at Thrill Hill West, January through May 1983.
– Track 15 recorded at Thrill Hill West, January 4, 1983.

Source details:
– Tracks 1,2,3,4,5,6 from ‘Murder Incorporated’, FR03
– Track 7 from ‘This Hard Land’, BS2002
– Tracks 9,10 from ‘Lost Masters XIX’, LOVE 019
– Tracks 14,16, from ‘Lost Masters XVII’, LOVE 017
– Track 12 from ‘Lost Masters XVIII’, LOVE 018
– Tracks 15,11,13 from ‘Lost Masters XVI’, LOVE 016
– Track 8 from ‘Lost Masters IV’, LOVE 004

Track descriptions:
01 The original mix without the new (90’s) vocal track or the overdubbed second guitar on ‘The Essential BS’. One of my favourite tracks, too bad the sound quality is what it is.
02 Different mix permutation of the same core recording as #1.
03 Completely different recording than the released ‘Cover Me’ done in a dramatically different arrangement.
This may actually date from a later period in the sessions than the original ‘Cover Me’.
04 Same core recording as on ‘Tracks’, but has a much longer fade out (very nice) and features Steve Van Zandt on background vocals and guitar.
05 Different mix permutation of the same core recording as #1.
06 Different mix than on the one released on ‘Tracks’.
07 Includes slightly different lyrics and an alternate beginning and ending.
08 This song was given to Donna Summer, who was recording an album at the time at the same studio.
Summerís cover version (with Springsteen on guitar) was recorded in March 1982 (released Aug 82).
Bruce and Donna also recorded a duet vocal version at her sessions ñ it remains uncirculating.
09 Original mix with the saxophone track (deleted on ‘Tracks’).
10 Features Ruth Jackson on background vocals. Possibly recorded at the same session as ‘My Hometown’ (which also features Jackson).
11 By far the definitive version of this song ñ contains an additional, important lyric verse that has been cut from all the other versions.
12 Brilliant song that developed from a 1981-82 work-in-progress composition called ‘James Lincoln Dear’
13 Unreleased studio outtake.
14 Unreleased studio outtake.
15 Compelling song. Features a dark, brooding beat that mirrors the disturbing nature of the lyrics. A nice vocal performance here and we’re left wondering what possessed him to write this one.
16 Add this to the ever expanding list of Bruce’s greatest unreleased songs. A man surveys his life and wonders if he can ever escape the demons of his past.

* ‘Thrill Hill West’ is Springsteenís home studio in Los Angeles (aka ‘Hollywood Hills Garage Studio’).
* Most band tracks are E Street Band backing versions from so-called ìelectric Nebraska sessionî

Keith Jarrett – Aarhus, Denmark (09/15/69) “The Dylan Concert”

Keith Jarrett Trio
The Dylan Concert
TagskÊgget
Aarhus, Denmark
September 15, 1969
FM Broadcast Recording

01 Pretty Ballad (K Jarrett) 5:46
02 Lay Lady Lay (Bob Dylan) 4:33
03 Unknown Title 11:44
04 My Back Pages (Bob Dylan) 6:49

Keith Jarrett, piano, synth
Gus Nemeth, bass
Bob Ventrello, drums

Big O said this:
A surprising recording emerged late last week of the Keith Jarrett Trio playing Bob Dylan tunes. Apparently, back in 1968, Jarrett together with Paul Motian and Charlie Haden did a trio recording for Vortex [Vortex LP 2012] called Somewhere Before and recorded two Dylan numbers – My Back Pages and Lay Lady Lay. This long out-of-print record was issued on CD in 1990 and Amazon still lists it for sale but we haven’t tried yet.

Anyway, this live recording [the original LP was also a live recording but different time and place] is by a different trio that includes Gus Nemeth [bs] and Bob Ventrello [drms]. It took place a year later in Denmark and comes from a very good FM source. This is the fixed version with the correct speed.

What was Jarrett thinking playing Bob Dylan in Europe? Clearly the free jazz movement had failed to gather mass appeal, not that that was its intent. Even Miles Davis by ’69 was conceding that jazz was no longer “king” and concessions had to be made to rock music.

But the less than energised reading of the two Dylan tunes suggests that Jarrett was uncomfortable covering rock. It was to be a difficult time for jazz musicians. In hindsight, their golden age had passed and the ’70s offered a marriage of convenience called jazz fusion. Even worse, along came jazz lite and Kenny G.

Since that time even more concessions have been made. Classical music and jazz. A whole new constellation of jazz singers with an eye on pop singles. Jazz as conservative music. Whatever happened to the shock and awe of free jazz?

This was originally shared by ricola. In turn it was speed corrected by Perv/twat Production. Thanks to all who shared this rarity. Never officially released before.
– Professor Red